Posts Tagged ‘ bowery ballroom ’

Strand of Oaks: December 4, 2014 Bowery Ballroom – FLAC/MP3/Full Set Streaming

December 7, 2014
By

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Eric PH reports:

To chart Strand of Oaks’ meteoric success in 2014, you need only look at the New York City venues they’ve played this past year: Piano’s in May, Mercury Lounge in June, The Bowery Ballroom in December. That Mercury Lounge gig doubled as record release show and tour opener for HEAL, released a couple days before. At the time, it was Strand of Oaks’ biggest NYC show yet. So it’s a testament to the band’s growing popularity that they close out the tour and the year with an even bigger, packed show at The Bowery Ballroom.

HEAL is Tim Showalter’s fourth album as Strand of Oaks, and the appeal is multifaceted: a compelling backstory of musical hardship, a car crash, and a broken heart; the allure of Showalter’s heart-on-his-sleeve lyrics; a guest appearance by J. Mascis (“Goshen ‘97”); and a stirring tribute to Jason Molina (“JM”). The album recalls Bruce Springsteen’s better days—and aptly, the Strand of Oaks show begins with his “Born in the U.S.A.” blasting as the band members take the stage; that song relevant not only to Showalter’s music and lyrical themes, but also to the night’s protests happening only blocks away from the intersection of Bowery and Delancy. Showalter takes a moment to remind the crowd of the dangers of cynicism, and while you might be tempted to label Showalter as earnest or emotional, his graciousness and sincerity is disarming, no doubt an antidote to the you-must-be-this-hip-to-enter music scene that, admittedly, is my usual fare.

The Bowery set captures Strand of Oaks playing all of HEAL, “Diamond Drill” from 2012’s Dark Shores, and two covers. Here, the album centerpiece, “JM,” stretches past the nine-minute mark, building to a cathartic crescendo. The more succinct pop rock of the hits (or as Showalter puts it, “the Wayne’s World level headbangers”), “Goshen ‘97” and “Shut In” gave the audience no other option but to rock out. This year has also seen Strand of Oaks get no small amount of press from cover songs. For the A.V. Club’s Undercover Series, the band pulled off a surprising cover of Asia’s “Heat of the Moment.” Here we find Showalter doing a solo take on Ryan Adams’ “My Wrecking Ball” and a rousing full band performance of the ’Mats’ “Alex Chilton.” Strand of Oaks have set the bar high with a banner year in 2014 and I’m anticipating more from Showalter and crew in 2015.

I recorded this set from our usual location at Bowery, just left of the soundboard, with acidjack’s Schoeps MK4V cardiod mics and a soundboard feed from Bowery’s FOH, Kenny. The sound is terrific. Enjoy!

Download the complete set: [MP3] | [FLAC] 

Stream the complete set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Strand of Oaks
2014-12-04
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kenny) + Schoeps MK4V > KCY > Z-PFA >> Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (fades, EQ, tracking, amplify, downsample, dither) > FLAC (level 8)

Tracks [81:57]
01. HEAL
02. Same Emotions
03. Last to Swim
04. [banter]
05. Goshen ’97
06. For Me
07. JM
08. [banter]
09. My Wrecking Ball [Ryan Adams]
10. Diamond Drill
11. [banter]
12. Woke Up to the Light
13. Shut In
14. [banter]
15. Plymouth
16. [banter]
17. Sterling
18. [banter]
19. Wait For Love
20. [encore break]
21. Alex Chilton [The Replacements]
22. Mirage Year

If you enjoyed this recording, PLEASE SUPPORT Strand of Oaks, visit their website, and buy Heal and the band’s other records directly from the band here.

Lucero: November 5, 2014 Bowery Ballroom – FLAC/MP3/Streaming Full Set

November 26, 2014
By

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The three-night stand at Bowery Ballroom by the beloved Memphis band Lucero gave us a prime example of life imitating art. A quick survey of the band’s song titles gives you a clear eye to their themes: drinking, women, loneliness, women, more drinking. For the Bowery Presents gang, three shows by this band on the first three nights of the week has to be an early Christmas, as the fan base has always proven as willing to indulge the band’s favorite vice as the band themselves. What felt like a shift was the degree to which the band made booze the night’s central theme, from the bordering-on-annoying number of references to being (or having recently been) drunk from frontman Ben Nichols, to the beers being slugged by him not just between, but during songs, including a couple to which he forgot the words. Rock n’ roll has never been a teetotaler’s game, and it probably shouldn’t be. But when you’re a band at Lucero’s level — booking the city’s best venue for three nights straight at a tariff of thirty bucks a head — the line between a get-along good time and unprofessionalism grows thin. That glorified bar-band schtick also sells these guys short — Lucero have some great songs, and on the whole, they’re still a heck of an act at performing them.

All three of the Bowery shows, of which this was the last, were divided into an acoustic and electric set with no opener. This band is nothing if not giving, with almost three hours split between the hour-long acoustic and nearly two-hour electric set. The band came strong out of the gate with “That Much Further West”, and the acoustic set held together throughout, with the packed house singing along to Nichols’ often-melancholy lyrics (two songs with the word “lonesome” in a row, in fact). As the show went on, things turned a bit more shambolic, as Nichols helped himself to the shots being offered up by the crowd. In spite or maybe because of the whiskey flowing, the band’s electric songs took on a certain wanton urgency, with the signature tune “Nights Like These” earning many a fist-pump from swaying hordes in front. Nichols spelled the band at a few points to do solo or duo numbers, including a memorable “Last Pale Light in the West” from his first solo album by the same name. The final encore, “Here at the Starlite” was yet another tale of woe belied by the rock n’ roll swagger still holding together onstage. It’s a strange dichotomy, the sad songs and the party atmosphere they create. But for Lucero, it seems to still be working.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue. The microphones rejected much of the crowd noise, providing for a nice, balanced recording of the night’s proceedings. Enjoy!

Download the complete show: [MP3] | [FLAC]
Permanent links if the above are not working: [MP3] | [FLAC]

Stream “That Much Further West” from the acoustic set

Stream “Nights Like These” from the electric set

Lucero
2014-11-05
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (slightly LOC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Acoustic Set
01 Into Your Eyes
02 That Much Further West
03 Wandering Star
04 When You Decided to Leave
05 Across the River
06 Hello Sadness
07 Last Night In Town
08 Better Than This
09 In Lonesome Times
10 Other Side of Lonesome
11 Hold Fast
12 The Last Song
13 Ain’t So Lonely
14 Hate and Jealousy
15 Shelter

Electric Set
16 Downtown/On My Way Downtown
17 Kiss the Bottle
18 Hey Darlin’ Do You Gamble?
19 Women & Work
20 Texas & Tennessee
21 [banter1]
22 Union Pacific Line
23 Nights Like These
24 Sounds of the City
25 Chain Link Fence
26 I Can’t Stand To Leave You
27 [banter2]
28 Tonight Ain’t Gonna Be Good
29 Little Silver Heart
30 Sixes & Sevens
31 Goodbye Again
32 All Sewn Up
33 [banter3]
34 She Wakes When She Dreams
35 [banter4]
36 The War
37 [banter5]
38 Tears Don’t Matter Much
39 Fistful of Tears
40 [encore break]
41 Last Pale Light in the West
42 Here at the Starlite

Thanks to Kronosphere for the setlist.

If you enjoyed this recording, PLEASE SUPPORT Lucero, visit their website, and buy their records in their online store.

Thee Oh Sees: November 18, 2014 Bowery Ballroom – Flac/MP3/Streaming

November 24, 2014
By

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[photos by Ken Grand-Pierre]

Last week Thee Oh Sees played four shows in four days in NYC and we were fortunate to catch what was most certainly the best sounding show of the week. In our many attempts to capture the live lo-fi garage rock of this amazing band, we’ve been frustrated by a series of sound issues that have prevented our capture of Thee Oh Sees with a recording that their highly energetic performances really deserve. We came close with the historic night at 285 Kent last Fall, but nothing we’ve ever presented from this band can even approach the sound of this particular show. Of course the lion’s share of the credit for the superb sound quality of Tuesday’s TOS show is credited to Bowery Ballroom (and their staff), which continues to be the best sounding room in town. The band itself was completely on during this set. They were scheduled to play forty-five minutes and instead played over an hour. And even given the lack of an encore, John Dwyer and company played virtually every song they’ve played this tour including four outstanding new numbers. We’re streaming “Tidal Wave”, which was the third song in a very high octane three-fer that opened the show. Thee Oh Sees tour continues in Chicago this week before ultimately moving West, dates here.

I recorded this show with the Schoeps in our tradition balcony location and mixed with a terrific board feed from FOH Bowery legend Kenny. As noted above, the sound quality is superb. Enjoy!

Stream “Tidal Wave”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2014-11-18
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Kenny] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:02:34]
01 Tunnel Time
02 The Dream
03 Tidal Wave
04 [new song – Sugar]
05 Encrypted Bounce
06 Toe Cutter – Thumb Buster
07 [new song1]
08 [new song2]
09 Lupine Dominus
10 [new song – Seasons]
11 Dead Energy
12 I Come From The Mountain
13 The Web

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase their official releases from Castle Face Records [HERE].

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Lucero: November 4, 2014 Bowery Ballroom – FLAC/MP3/Streaming Songs

November 13, 2014
By

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[Photos courtesy of Michael DiGiovanni Photography]

For even the best of bands, there are times during their careers when they want to mix things up a bit to keep it interesting. Not only for their fans but for themselves. For more than 15 years, Lucero has never been afraid to work hard, get on the road less traveled and take some chances. On their current jaunt, billed as the “By The Seat of Our Pants Tour“, the alternative country rock/punk group from Memphis are experimenting by playing a few-nights stands in several cities (New York, Boston, Los Angeles and San Francisco), opening with acoustic sets and finishing the evenings with electric sets. With three nights here in New York alone, that makes for a lot of stage time and a lot of music. In addition to a number of songs that are regular staples in Lucero shows, it was thrilling to catch a few that we hadn’t heard in awhile and others that we’ve never heard them play live at all. Ever wanting to please, the guys dug out a sprinkling of deep and rare cuts going all the way back to their first self-released disc, ‘The Attic Tapes‘. What’s been most impressive is how well some of these pieces, already great, translate into something beautiful when stripped down and arranged acoustically. Of course, flying by the seat of your pants does include some hazards; among them, a few false starts and some indecision when fielding song requests from the crowd. But that’s just par for the course and part of the risk one takes when walking out on a tightrope without a net. When you have such an entertaining group of musicians like Lucero onstage, drawing from such a deep reservoir of tracks, you don’t really seem to mind when something doesn’t go quite as planned. And not knowing exactly what’s coming next makes it enthralling.

Set up in our regular spot in the balcony at Bowery Ballroom, the venue sound was top notch as usual. Aside from some chatter during the quieter songs, our recording is excellent. We hope you like what you hear as much as we did. Enjoy!

Stream “Wandering Star”: 

Stream “San Francisco”: 

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

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Lucero
Tuesday, November 4, 2014
Bowery Ballroom
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

1st SET:
[Total time: 59:38]
01. [1st set intro]
02. Into Your Eyes
03. That Much Further West
04. Wandering Star
05. [banter 1]
06. When You Decided to Leave
07. Across the River
08. [banter 2]
09. Hello Sadness
10. Better Than This
11. Last Night in Town
12. In Lonesome Times
13. The Last Song
14. 100 Miles on the Other Side of Lonesome
15. Ain’t So Lonely [false start]
16. Ain’t So Lonely
17. Hate and Jealousy
18. The Last Pale Light in the West
19. Toadvine

2nd SET:
[Total time: 1:31:42]
20. [2nd set intro]
21. What Else Would You Have Me Be?
22. Nights Like These
23. Downtown (intro)
24. On My Way Downtown
25. I’ll Just Fall
26. Women & Work
27. Raising Hell
28. Texas & Tennessee
29. Nineteen Seventy-Nine
30. San Francisco
31. Here at the Starlite
32. Mom
33. [banter 3]
34. The War
35. [banter 4]
36. All Sewn Up
37. [banter 5]
38. Sixes and Sevens [false start]
39. Sixes and Sevens
40. [banter 6]
41. She’s Just That Kind of Girl
42. Tears Don’t Matter Much
43. Fistful of Tears
44. [banter 7]
45. Sweet Little Thing

If you download this recording, we expect that you will PLEASE SUPPORT Lucero, visit their website and Facebook page, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes. 

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J Mascis: October 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

October 21, 2014
By

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[photos by PSquared Photography]

As we’ve noted before, Dinosaur Jr holds a special place in the history of NYCTaper. One of my first recordings for the site and the one that seemed to put us on the blog map was a Dinosaur Jr. show at Irving Plaza in 2007. Over the years, we’ve recorded the band many times, and most recently acidjack and JFCB’s captures of the mega-Dino Jr show at Terminal 5 with a plethora of special guests has been one of the most popular recent offering at the site. So it was only natural that a solo J Mascis show at our favorite venue would be the natural evolution of our relationship with this artist. J recently released what is essentially his second proper solo album Tied To A Star (Sub Pop), and he’s currently on tour to support the record. At Bowery Ballroom, it was just J and several acoustic guitars with a ton of pedals. For the most part, he played it pretty straightforward, while occasionally taking advantage of the looping and sampling capability to jam with himself. The setlist included half of the new album and healthy dose of Dinosaur Jr tracks. We are streaming below our two favorite parts of the show, including a blistering guitar solo that extended the new song “Heal The Star” to beyond six minutes and the very J-like cover of the Mazzy Star classic hit “Fade Into You”. J’s tour picks up again in mid-November when he goes West before touring Europe in December.

hi and lo and I recorded this set in our usual location at Bowery, front of the balcony next to the soundboard. hi and lo employed the MBHO cards on a clamp pointed out in front of the board area while I mounted the Schoeps cards on a stand. I blended the sources fairly evenly, each offering a slightly different locale and microphone style so that the result is a pretty excellent full-bodied capture of this solo acoustic show. Enjoy!

Stream “Heal The Star”:

Stream “Fade Into You” (Mazzy Star cover):

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

J Mascis
2014-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Audience Four-Mic Matrix

Schoeps CCM4u Cardioids + MBHO KA-200n > Naiant PFA > Sonosax SX-M2 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and hi and lo
Produced by nyctaper

Setlist:
[Total Time 1:08:57]
01 Listen to Me
02 Me Again
03 Little Fury Things
04 Ammaring
05 Every Morning
06 Stumble
07 Get Me
08 [tuning and crowd]
09 Drifter
10 Heal the Star
11 [banter – tuning]
12 Not the Same
13 Out There
14 Pond Song
15 Fade Into You [Mazzy Star]
16 Not You Again
17 Alone
18 [encore break]
19 Just Like Heaven [Cure]

If you download this recording, we expect that you will PLEASE SUPPORT J Mascis, visit his website, and purchase Tied To A Star from the Sub Pop Records website [HERE].

Ought: October 14, 2014 Bowery Ballroom – FLAC/MP3/Streaming

October 16, 2014
By


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[photos by acidjack]

It only took one listen to Ought‘s debut album, More Than Any Other Day to understand that they are a young band of uncommon musical ambition and scope. They play a brand of rhythmically complex art-punk that incorporates elements of the “math rock” sound that rose to prominence in the 1990s, while still maintaining a great ability to make melodies you might hum. Formed in Montreal during a period of civil unrest by a group of young men mostly from somewhere else, their songs brim with disaffection as well as hope, a sort of post-OWS sensation that no matter how difficult things may seem, a way forward still exists. The album title, then, says a lot about where they are philosophically.

As a live band, Ought more than do their recorded output justice. They took the stage at Bowery Ballroom in a relatively quiet pre-CMJ week and stormed through most of their album plus a new song. The whole band has significant musical chops; drummer Tim Keen deserves a lot of the credit for keeping things tight, just as Tim Keeler’s sneering vocals give a memorable voice to the band’s vision. Listening to the eight songs live, some of which got the extended treatment (especially “Forgiveness”) it was striking how single-worthy almost every one of these tracks was, as well as how distinct each song was from the other. Pitchfork’s very positive review rightly pointed out that Ought’s more immediate style made them an odd bedfellow with the roster they share with Godspeed You Black Emperor and Colin Stetson, but I think Constellation Records knows what they’re up to. If the label’s goal is to cull the very best of the band’s adopted city, putting ambition at the forefront of any particular genre, then Ought fit right in. These guys are going places. And if you want to watch them do it, catch some of their upcoming tour dates, including Washington, DC tonight and Purchase, NY tomorrow.

I recorded this set in our usual manner for the venue, with Schoeps MK5 cardiod microphones and a soundboard feed from Bowery legend Kenny. The sound quality is outstanding. Enjoy!

Direct download of full set: [MP3] | [FLAC]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

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Ought
2014-10-14
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny (house) and Ought engineer (name?)>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Today More Than Any Other Day
02 The Weather Song
03 Clarity!
04 Habit
05 Pleasant Heart
06 Forgiveness
07 [banter1]
08 Gemini
09 Beautiful Blue Sky

If you enjoyed this recording, PLEASE SUPPORT Ought, like them on Facebook, and buy their releases from Constellation Records.

The Growlers: September 18, 2014 Bowery Ballroom – Flac/MP3/Streaming

September 25, 2014
By

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[photo by Daniel Topete – full set at We All Want Someone To Shout For]

This week the Growlers released their fifth studio album Chinese Fountain to universally positive reviews. The album represents the continued maturity of this Southern California “beach goth” outfit. While the earlier records went for a kind of lo-fi scuzz-rock production, the new album is a stylistic shift to a more refined sound. The result is that the songs benefit. The Growlers have ultimately always been about the songs — three minute nuggets of melody, surf guitar and clever lyrics — and Chinese Fountain is perhaps their strongest set of songs. The tour in support of the album reached Bowery Ballroom last week and what a show it was. Nevermind that the show was opened by a ten-minute set of tongue-in-cheek karaoke by drag queen “Tina”, or that that mid-set there was an authentic Chinese dragon parade, or that it seemed that the entire band, crew and front rows of the crowd stage-dived for over two hours straight, this show was a monster. The band’s set lasted over two hours and consisted of virtually the entire new album and twenty-nine songs in total, and while the craziness went on all around them the music virtually never stopped. This is a show not be missed, and for those out West the tour continues through October before moving the Europe for November.

I recorded this set with the Schoeps mounted in our traditional Bowery balcony spot and mixed with an as-always outstanding board feed from FOH Kenny. The sound quality is quite excellent. Enjoy!

Stream “Chinese Fountain”:

Download The Complete Show [MP3] or [MP3] / [FLAC] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Growlers
2014-09-18
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:56:00]
01 Gay Thoughts
02 Big Toe
03 Naked Kids
04 In Between
05 Acid Rain
06 Love Test
07 Black Memories
08 Hiding Under Covers
09 Row
10 Beach Rats
11 Wet Dreams
12 Dull Boy
13 Graveyard’s Full
14 Nosebleed Sun
15 What It Is
16 [Chinese Dragon Parade]
17 Chinese Fountain
18 Humdrum Blues
19 Tell It How It Is
20 Monotonía
21 Ol Rat Face
22 Good Advice
23 Wandering Eyes
24 Kick the Habit of Dredd
25 Sea Lion Goth Blues
26 Empty Bones
27 [encore break]
28 Drinkin’ The Juice Blues
29 Going Gets Tough
30 One Million Lovers
31 Someday

If you download this recording, we expect that you will PLEASE SUPPORT The Growlers, visit their website, and purchase Chinese Fountain from the Everloving Records website [HERE] or from the band’s online Store [HERE].

Courtney Barnett: June 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

June 30, 2014
By

courtney-barnett-8
[photo by Amanda Hatfield – complete set at brooklynvegan]

Courtney Barnett is a natural. Her singing style is so comfortable and nonchalant that she’s been described as “slacker rock” by the lazy non-music media. The reality is that Courtney is an incredibly hard-working artist who has in the last two years founded her own label, played in an Australian super-group, released two EPs and toured incessantly. In fact, Courtney Barnett could be accurately compared to Ty Segall in terms of her indefatigable nature. In May she released her first album with Mom and Pop Music which is essentially re-release of her two EPs as a single long player. The Double EP: A Sea of Split Peas is an outstanding collection of songs — really a stunningly mature collection for a artist in her mid-20s. Courtney has performed in NYC quite a bit in the last few months, each time attracting a larger crowd and earlier this month she sold out Bowery Ballroom. Although she’s not a local, this show had that celebratory air that comes with a first-Bowery-sellout event. The trio came out to a warm welcome and immediately launched into a run of four songs before even coming up for air. After she greeted the crowd and thanked all for their support, the band worked more casually through much of the album and a couple of new songs before Courtney played another new song solo for the encore. We’re streaming the main set final “History Eraser” on which the band raged before exiting the stage.

I recorded this set with the Sennheiser cards mounted in our usual balcony location and mixed with an excellent feed by Bowery’s legendary FOH Kenny. The sound quality is superb. Enjoy!

Stream “History Eraser”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Courtney Barnett
2014-06-17
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kenny] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:02:22]
01 David
02 Lance Jr
03 Canned Tomatoes (Whole)
04 Scotty Says
05 Don’t Apply Compression Gently
06 Are You Looking After Yourself
07 Out Of The Woodwork
08 Blah
09 [band introductions]
10 Avant Gardener
11 [new song]
12 [banter – end of the show]
13 History Eraser
14 [encore break]
15 DePreston

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Courtney Barnett, visit her website, and purchase The Double EP: A Sea of Split Peas from Mom and Pop Music [HERE].

Sharon Van Etten: June 13, 2014 Bowery Ballroom – Flac/MP3/Streaming

June 20, 2014
By

sharon-van-etten-1
[photos by PSquared Photography]

It is possible to virtually follow the evolution of the career of Sharon Van Etten by reading the the pages of this site. Our first experience with Sharon was over six years ago, during the period when it was just her, one guitar and a small amp. The Van Etten catalog from that period consisted primarily of folk songs about real pain and heartache and the singer’s live shows were excruciatingly raw and tender explications of that pain in small venues throughout Manhattan and Brooklyn. I found myself literally brought to tears several times during this period by the sheer beauty of the songcraft and its brutally honest expression. We were also there during the period when her solo star shone bright enough to land her an opening gig at Bowery Ballroom, and headlining gigs at larger venues. The natural growth of Sharon’s music was to add a band, and we also captured her her first full band show, her first Bowery headline show, and the Bowery show on the Tramp tour. These days, Sharon still writes about the pain of love but from the perspective of the natural difficulties of a mature relationship. While I certainly miss the intimacy of the early years, its both comforting and rewarding to realize that the performer herself is in a much better place personally. Its also a relief as a fan to see that her own personal happiness has not compromised her ability to write beautifully honest music about human relationships. Sharon’s new album Are We There is her most accomplished work and is the natural next step for a performer who is constitutionally incapable of writing music that is not inherently honest. In the case of Are We There, its the complications in relationships that result from the baggage that we all bring to them. In the live setting, Sharon’s music is performed these days with a band of ultra-talented friends. The current live band includes Heather Woods Broderick, Doug Keith and new additions Brad Cook (Megafaun) and Darren Jessee (Ben Folds Five, Hotel Lights). At Bowery Ballroom on Friday night, the band’s recent run through Europe tightened the sound and we were treated to most of the new album and a few old songs. We are streaming “Tarifa”, which begins with the classic Van Etten solo folk style before the full band joins and it becomes a contemporary piece. Sharon’s current tour continues throughout much of the US and Canada before returning to Europe this Summer — dates here.

I recorded this show from our usual balcony rail position with the Sennheiser cards. Since the feed was not available to us on this night, this is a straight two channel audience recording. Nevertheless, the mix by Sharon’s current FOH Martin Gonzalez was outstanding and this is a superb recording. Enjoy!

Stream “Tarifa”:

This Show is now Available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sharon Van Etten
2014-06-13
Bowery Ballroom
New York NY

Digital Master Audience Recording

Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:11:01]
01 Afraid of Nothing
02 Taking Chances
03 Tarifa
04 [banter – talking shop]
05 Nothing Will Change
06 Break Me
07 Don’t Do It
08 [banter – whistling]
09 Give Out
10 You Know Me Well
11 [band introductions]
12 Serpents
13 Your Love Is Killing Me
14 [encore break]
15 I Know
16 I Love You But I’m Lost
17 Every Time The Sun Comes Up

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, and purchase Are We There from the Jagjaguwar Records website [HERE].

Quilt: May 16, 2014 Bowery Ballroom – Flac/MP3/Streaming

June 5, 2014
By

woodsquilt01
[photos by Sachyn Mital]

We have already posted our recording of Woods set from this show, so now we’re fortunate to be able to feature the recording of the outstanding set from Quilt at Bowery Ballroom last month. Quilt first came onto our radar a couple of years back when acidjack saw them at Glasslands, and then last year when I caught the band’s set at Baby’s All Right. But neither of those two shows quite prepared us for the quality of the performance on this great Bowery night. Quilt’s new album Held in Splendor (Mexican Summer) was produced by Jarvis from Woods and released in January. The album represents a step-up in terms of the band’s maturity, songwriting and harmonies. In the live setting, Quilt also continues to grow. The Bowery set featured everything from sweet numbers like “Tie Up The Tides” (streaming below) to ferocious jamming vehicles like an extended “Mary Mountain” or the ten-minute version of “Milo” that anchored the set. At this point, things continue to look up for Quilt as their tour with Woods was an unqualified success — but having played 85 shows thus far this year, the band is taking a short well-earned break. We look forward to their impending return.

I recorded this set with the Sennheisers mounted in our standard balcony rail location and mixed with a fine board feed from Bowery legend Kenny. We are very pleased to report that the sound quality is superb. Enjoy!

Stream “Tie Up The Tides”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Quilt
2014-05-16
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kenny] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 45:39]
01 Young Gold
02 Saturday Bride
03 Eye of the Pearl
04 Arctic Shark
05 Mary Mountain
06 Open Eyes
07 Tired and Buttered
08 Tie Up The Tides
09 Milo
10 Penobska Oakwalk

If you download this recording from NYCTaper PLEASE SUPPORT Quilt, visit their website, visit their Facebook page, and purchase Held In Splendor from the Mexican Summer Records website [HERE].

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