Posts Tagged ‘ brooklyn ’

Fucked Up: November 15, 2011 Warsaw – FLAC and MP3 Downloads + Streaming Songs

November 21, 2011
By


[Photo courtesy of Jon Melnick. See his Flickr stream [HERE]]

Music is passion. Music is anger. Music is triumph. Music is sorrow. Music is love. Somehow a Fucked Up show manages to incorporate them all. To love Fucked Up is to understand the wonder and beauty of the clean, rising chords of “Let Her Rest”, the multilayered, joyous dueling-guitar attack of “Running On Nothing”, and the gravel-scrubbed squall of incomparable frontman Damian “Pink Eyes” Abraham’s vocals. What makes sense about a Toronto band with an absolutely crack rhythm section, who puts out double-LP rock operas (their latest, David Comes to Life), whose focal point is a hefty, shirtless man screaming into the mic (when it’s not passed into the crowd), carrying crowd-surfers on his back, and cracking off disarming riffs on everything from his weight to his penis? Yet there’s something that does. It works, in part, because Abraham may be – if not the best vocalist – the best frontman in rock right now. He is self-effacing, magnanimous to a fault, funny, and kind. And positively magnetic to watch, as he presides over the chaotic mosh pit party that his band’s music creates. After an earnest, intense set (and one of their best possibly ever) by Titus Andronicus where they paid tribute to the events of the day at Occupy Wall Street, I’ll admit that it was refreshing to crack a smile at Abraham, talking about his recent weight loss. “I felt better fatter” he said, “I don’t want you to think I’m selling out, that I’m changing”). Even talking about OWS, Abraham managed to be funny (listen to the banter tracks to hear his thoughts on OWS and why you shouldn’t “bend over”.. or as he rephrased it, “lie down”).

As noted, while Fucked Up’s sound is nominally “punk”, there is nothing simple or unfocused about its players, whose densely layered guitars are the sea in which Abraham and his antics swim. Already hailed as one of the most ambitious punk bands ever, David Comes to Life raised the stakes with a four-part opera told from the viewpoint of multiple unreliable narrators. From most bands, projects like these come off as weak gimmicks. The difference here is that Fucked Up have the chops to pull it off. This show at Warsaw in Greenpoint – a venue I had not visited in awhile, but is now being booked by the tastemaker Chris Diaz of the Knitting Factory and sure to have more great shows – was the second of two NYC shows in which the band performed the entire record straight through. And what a record it is – obvious as the band whipped through its piles and piles of pop hooks with punk seethe with occasional breaks in between series of songs for Abraham to chat with the crowd. After the encore break it was time for the deep cuts, including a very special performance of a song called “Unrequited Love” with bassist Sandy Miranda on vocals. After closing out the set with the track “David Comes to Life”, Abraham stuck around on stage to help one fan get his phone back, and another person to get their jacket – even after the house music went up. By the time I had broken down my equipment and left quite a bit later, I found Abraham standing outside the venue – still shirtless, on a fairly cold night – chatting with fans. Music is love, indeed.

I recorded this set with an excellent soundboard feed from the Warsaw team, plus the Schoeps supercardiod microphones on a high stand. The sound is excellent. Enjoy!

Thanks to Chris Diaz and the members of the band for arranging permission to record. You can also download my previous recording of Fucked Up at Maxwell’s in Hoboken last year [HERE]

We are excited to announce that this recording is now hosted on Fucked Up’s bandcamp page. You can stream below, and clicking that link will take you there to buy/download

Fucked Up
2011-11-15
Warsaw
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK41>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (limit peaks, set fades, amplify and balance, tracking, downsample)>FLAC ( level 8 )

Tracks
01 Let Her Rest
02 Queen of Hearts
03 Under My Nose
04 The Other Shoe
05 [banter1]
06 Turn the Season
07 Running On Nothing
08 Remember My Name
09 [banter2]
10 A Slanted Tone
11 Serve Me Right
12 Truth I Know
13 [banter3]
14 Life In Paper
15 Ship of Fools
16 A Little Death
17 [banter4]
18 I Was There
19 Inside A Frame
20 The Recursive Girl
21 [banter5]
22 One More Night
23 Lights Up
24 [encore break]
25 [?]
26 [banter6]
27 Unrequited Love
28 [banter7]
29 David Comes to Life
30 [outro]

If you enjoyed this recording, we expect that you will PLEASE SUPPORT F*cked Up, visit their blog, and purchase their official releases, including David Comes to Life, directly from their page at the Matador Records website [here].

Wooden Shjips – November 10, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

November 15, 2011
By


[photo courtesy of Robert Loerzel]

Last week in the underground Pink Floyd live music collector community, a recording surfaced for the first time in over 40 years. A 1967 performance of the original band with Syd Barrett in Stockholm was recorded by a local archivist and at long last reached collectors around the world. The proto-psychedelic music was groundbreaking in the mid-60s, but across four decades even this technologically-challenged recording is still fresh and exciting. The palpable energy of the songs and the ferocious nature of the improvisation is breathtaking. Its no wonder that generations removed the original brand of psychedelic rock, there are still any number of excellent purveyors of the craft today. On Thursday night at Music Hall of Williamsburg, we witnessed a performance of perhaps the most pure neo-psych band around, San Francisco’s Wooden Shjips. On tour to support their latest album West — the band’s first release on the excellent label Thrill Jockey Records — Wooden Shjips made one of their infrequent visits to NYC. We have been fortunate to have captured the previous two, 2009 at 171 Lombardy and 2010 at Music Hall. The set on Thursday continued on the same vein as the previous shows, with the band visiting much of their full catalog and stretching the numbers out with rich improvisation. While Ripley Johnson’s crunchy guitar is forefront of the mix, each member of the quartet shined on this particular evening. As an example, we’re streaming “Fallin'” below , which features the swirling psych organ of Nash Whalen for most of the song structure before Johnson shreds the last four minutes. The show concluded with a number from the band’s 2007 self-titled debut, “We Ask You To Ride” which was so loud that I could literally feel my knees vibrate when each bass note was stuck. I closed my eyes and for a second imagined that the 1967 Swedish crowd probably felt a similar physical rush from The Pink Floyd.

I recorded this set with the four microphone rig from the front center of the balcony. We’re still struggling to find the proper recording technique for this particular venue, but after some post-production and tasteful EQ, I feel that this recording can now be classified as an excellent listen. Enjoy!

Stream “Fallin'”:
[audio:https://www.nyctaper.com/W3110WoodenShjips2292/05.%20Fallin.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of the FLAC files [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wooden Shjips
2011-11-10
Music Hall of Williamsburg
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Center Balcony Rail

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-13

Setlist:
[Total Time 1:10:42]
01 Black Smoke Rise
02 Lazy Bones
03 [guitar tech]
04 Motorbike
05 Fallin
06 For So Long
07 Aquarian Time
08 Flight
09 Death’s Not Your Friend
10 Buddy [Snapper cover]
11 [encore break]
12 We Ask You to Ride

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wooden Shjips, visit their website, and purchase their new album West from the Thrill Jockey Records website [HERE].

Steve Kimock & Friends: November 4, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Song

November 9, 2011
By

Kimock
[Photo by Jill at fortheloveofbrooklyn]

This Friday night show at Brooklyn Bowl was my first introduction to the “solo” work of the legendary guitarist Steve Kimock, who led the band Zero until the end of the 90s and has played with just about everybody. This “and Friends” billing featured the collaborators Bernie Worrell (the Parliament-Funkadelic keyboardist), his former Zero bandmate Bobby Vega, and drummer Wally Ingram, most famous for his work in Timbuk 3. Once hailed by Jerry Garcia as one of his favorite “unknown guitarists”, Kimock’s star has steadily risen, especially within the improvisational rock community. It’s not hard to see why – like the best guitarists in the genre, Kimock’s style is hard to pin down, though it is most often compared to Garcia himself (perhaps a reason that Kimock has appeared with many post-Dead projects, including The Other Ones). This two hour and 40 minute set was a masterful display of Kimock’s prowess, veering from almost reggae-like numbers and soul jams to heady psychedelic meditations. It also gave me a chance to see John Kimock, who recently played the Backyard Brunch Sessions with his band XVSK, onstage with his dad, as he played second drummer for a majority of the night. XVSK vocalist/cellist Trevor Exter, the other half of XVSK, joined the band for a cover of the Wood Brothers’ “The Luckiest Man”, which is streaming below.

I recorded this set from an optimal position in the venue with the AKG large-diaphragm microphones at a three foot split to provide a maximum soundstage but avoid crowd chatter. The results are excellent, and perhaps my favorite capture from Brooklyn Bowl to date. Enjoy!

Please note that we are updating the files to we have updated the files (as of late Wednesday) to reflect corrected tracking, and that update will be done shortly. We intend to upload this show to the Live Music Archive in a few days. Until then, please don’t upload it for us, there or anywhere else.

Stream “The Luckiest Man”:
[audio:https://www.nyctaper.com/K4011Kimock2011/luckiestman.mp3]

Stream “Golden Road”
[audio:https://www.nyctaper.com/K4011Kimock2011/goldenroad.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Follow acidjack on twitter

Steve Kimock & Friends
2011-11-04
Brooklyn Bowl
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Set 1: AKG C 414 B-XLS (wide cardiod)>Oade M248> Edirol R-44 [Oade Concert Mod]
Set 2: AKG C 414 B-XLS (wide cardiod)>Edirol R-44 [Oade Concert Mod]
Mastering: 24bit/48kHz WAV>Audition (amplify and balance, limit peaks)>Audacity (tracking)>FLAC ( level 8 )

[Total Time 2:40:09]
Set I
01 A New Africa
02 It’s Up To You
03 [banter]
04 You’re the One>Pusherman>You’re the One
05 Tangled Hangers
06 [banter]
07 Five B4 Funk
08 [banter]
09 The Luckiest Man [Wood Brothers] (with Trevor Exter)

Set II
10 Berm>Thank U FaLettin>Sing A Simple Song>Berm
11 [banter]
12 Hillbillies on PCP Long Form Part 4
13 [encore break]
14 Golden Road
15 [outro]

If you enjoyed this recording, PLEASE SUPPORT Steve Kimock and the other fine musicians on this recording by visiting their websites at the links above, and visiting Kimock’s web store [HERE]

North Highlands: October 22, 2011 Cameo Gallery (CMJ) – Flac and MP3 Downloads + Streaming Song

November 9, 2011
By


[photo from North Highlands Facebook page]

North Highlands are one of Brooklyn’s most promising new indie-folk bands. Their 2010 Sugar Lips EP gave us a taste of their talent, as Brenda Malvini’s sweet vocals and keys are accompanied by a full band of accomplished musicians. In October, the band released their first full length album. Wild One is the full realization of those talents, as eleven-song album features infectious and expertly crafted melodies. At the Cameo Gallery on Saturday of CMJ week, North Highlands played in the middle of the bill but brought out a fine crowd for their 4 pm set time. The band’s short set featured five Wild One songs, and one apparent new song. We are streaming “Bruce” which features an irresistible hook that is spiced up with a nod to Springsteen’s “Dancing In The Dark”. North Highlands have two upcoming gigs, on November 17 at Shea Stadium and December 15 at Glasslands (PopGun Presents Holiday Party!).

I recorded this set in the same manner as the previous posts from this show. The vocal microphone was problematic for the first two songs so that the lead vocal levels are low, but ultimately reach the appropriate volume. With that caveat, enjoy!

Stream “Bruce”:
[audio:https://www.nyctaper.com/N2210NorthHighlands1020/05.%20Bruce.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

North Highlands
2011-10-22
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-07

Setlist:
[Total Time 25:27]
01 Steady Steady
02 Salty
03 Lion Heart
04 [new song]
05 Bruce
06 Roundhouse

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT North Highlands, visit their Facebook Page, and purchase their new album Wild One from their Bandcamp page [HERE].

Psychic Ills: October 31, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

November 3, 2011
By

psychicills2012-11-09-2
[Photo by acidjack]

For some, Halloween means dressing up in an ironic/slut/wacky costume, and then hitting various bars acting like a jackass – which is totally cool by me. But for those seeking a tad more structure on a Monday Halloween night (and somewhere more interesting to wear said costume), Music Hall of Williamsburg offered an ideal bill of bands with a dark, psychedelic vibe – gothmeisters Exitmusic (our Glasslands recording of them here), headliners The Black Angels (our most recent recording of them here), and in the middle of the bill, the beloved NYC psychedelic outfit Psychic Ills. The band’s hypnotic new effort Hazed Dream, on Sacred Bones Records, has been a favorite of mine since it came out, and this show promised an early opportunity to hear the new material in action on MHOW’s powerful sound system. Dressed in full costume, the band launched into the first three tracks off of Hazed Dream to set a trippy mood, particularly during the Eastern-influenced “Incense Head”. Hazed Dream is the band’s most focused, “song-driven” record to date, and the live show backed that up, with the band mostly eschewing improvisation (other than in song transitions) and letting these tight compositions speak for themselves. Some say the Ills and like-minded bands (i.e., Wooden Shjips) are best enjoyed in a mind-altered state. Drugs or not, Halloween made for the perfect night to try that theory on. And yes, they and Halloween were indeed a good fit.

I recorded this set with DPA 4061 omnidirectional microphones, which produce a full, natural sound. The results are excellent. Enjoy!

Stream “Incense Head”:
[audio:https://www.nyctaper.com/P3110PsychicIlls2011/03 Incense Head.mp3]

Stream “I’ll Follow You Through the Floor”:
[audio:https://www.nyctaper.com/P3110PsychicIlls2011/08 I’ll Follow You Through the Floor.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Psychic Ills
2011-10-31
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4061>CA-UBB>Sony PCM-M10 (24/44.1)>24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance, light EQ)>FLAC ( level 8 )

Tracks
01 Midnight Moon
02 Mind Daze
03 Incense Head
04 Sungaze
05 [unknown]
06 [unknown]
07 Meta
08 I’ll Follow You Through the Floor

If you enjoyed this recording, PLEASE SUPPORT Psychic Ills, visit their website, and purchase Hazed Dream from Sacred Bones Records [HERE]

Born Gold: October 22, 2011 Cameo Gallery CMJ Show – Flac and MP3 Downloads + Streaming Song

November 2, 2011
By


[blackberry photo by nyctaper]

If the photo posted above makes no sense, then you have not seen Born Gold live. The performer formerly known as “Gobble Gobble” has a new album out called Bodysongs, and he played a series of CMJ shows last week to support it, including the Saturday day show at Cameo Gallery. However, the live Born Gold experience can not be anticipated by just listening to the new album — its an experience that must be seen to be believed. The band is the recording project of Canadian Cecil Frena, who occupied the front center of the stage at a ten-foot table layered with a series of digital effects, mixers, laptops, pedals and assorted gadgets. On the floor in front of the stage were the other two members of the band who provided not only percussion, but also contributed to the electronic gadgetry and the overall histrionics. The entire show was lit by two green-tinted stage lights and a liberal use of a fog machine. Oh, and the music. Frena is a wizard with his gadgets, as he produced an aggressive throbbing beat layered with hypnotic melodies and effects-laden vocals. Each song ignited the crowd into a frenzy — at six o’clock in the afternoon. Its hard to imagine the level of crowd participation at a wild 3am club scene. Born Gold seems made for that setting.

We recorded this set in the same manner as the Prussia set posted yesterday. However, Born Gold provided a full mix of their sound to the board, and that mix was meticulously balanced. We stressed the room mics in our mixdown to accentuate the atmosphere and the result is an excellent recording with plenty of room feel. Enjoy!

Stream “Wrinklecarver”:
[audio:https://www.nyctaper.com/B2101BornGold2101/10.%20Wrinklecarver.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Born Gold
2011-10-22
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-10-30

Setlist:
[Total Time 34:31]
01 [new song]
02 Alabaster Bodyworlds
03 End of Days
04 [brand new song]
05 Lawn Knives
06 Party Time
07 Wombstone
08 Boring Horror
09 [banter]
10 Wrinklecarver

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT Born Gold, visit their website, and and purchase their new album Bodysongs from their Bandcamp page [HERE].

Prussia: October 20, 2011 Cake Shop + October 22, 2011 Cameo Gallery (CMJ Shows) – Flac and MP3 Downloads and Streaming Songs

November 1, 2011
By


[photos by Amanda Hatfield]

Prussia is a self-described “experimental pop” band from Detroit. With two keyboards, often three guitars, and a range of sound effects to supplement the unique vocals of singer Ryan Spencer, Prussia is at the forefront of the burgeoning Michigan underground music scene. Last week, the band traveled to NYC for CMJ and performed seven times. We were fortunate to have them play at both shows we hosted this year — the NYCTaper CMJ show at Cake Shop on Thursday and the Golden Ratio / BirdDog Promo / NYCTaper show at Cameo Gallery on Saturday. Prussia played in the second slot for both shows, but the early afternoon set time did not detract from their energy or musical prowess. Behind all of the inventive experimental indie is simply five outstanding musicians. Prussia’s third release is their new album Poor English, which is available in a “name your price” format on Bandcamp. Their set included four of the new songs, two of which are streaming below.

I recorded the Cake Shop set in the same manner as all the of the recordings already posted from that day and the sound quality is superb. The Cameo Gallery recording is a mix of the Neumann microphones on a stand in front of the soundboard booth and mixed with a soundboard feed. The room is a boomier than Cake Shop, so that while the sound is quite excellent, its a very different recording from the Cake Shop one. Enjoy both!

Stream “Bleeder” from Cake Shop:
[audio:https://www.nyctaper.com/P2010Prussia1110/03.%20Bleeder.mp3]

Stream “Sheep Hunt” from Cameo Gallery:
[audio:https://www.nyctaper.com/P2010Prussia1110/05.%20Sheep%20Hunt.mp3]

Direct download of complete show in MP3 files
Cake Shop (HERE)
Cameo Gallery (HERE)

Direct Download of the Complete show in FLAC:
Cake Shop [HERE]
Cameo Gallery [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Prussia
2011-10-20
Cake Shop
NYCTaper CMJ Show
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-31

Setlist:
[Total Time 25:59]
01 Girl Cop
02 Mediator
03 Bleeder
04 Sleeper
05 Sheep Hunt
06 Annie

*********************

Prussia
2011-10-22
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-10-31

Setlist:
[Total Time 25:19]
01 Girl Cops
02 Mediator
03 Bleeder
04 Sleeper
05 Sheep Hunt
06 Annie

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT Prussia, visit their website, and and purchase their new album Poor English from their Bandcamp page [HERE].

North Mississippi Allstars: October 28, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

October 31, 2011
By

After hearing this site’s incredible capture of brothers Luther and Cody Dickinson of the North Mississippi Allstars back in June, I knew I needed to see what this Mississippi blues act was all about for myself.  Brooklyn Bowl – now the obvious heir to Wetlands in terms of this type of programming – was the perfect place for the introduction.  As is the norm for a Friday night, a lot of the drunken suburban crowd was mostly there to party, but those paying more attention were rewarded with some incredible guitar work from Luther, percussion from Cody, and bass from Chris Chew.  The band gave us a veritable education in the blues, mixing in their own favorites with classic covers like Bob Dylan’s “Stuck Inside of Mobile With the Memphis Blues Again”, which appears on their latest record, Keys to the Kingdom.  The record’s title is an homage to the brothers’ father, the blues legend Jim Dickinson, but it could as easily be a reference to their own place in the blues pantheon.  NMAS are the honest heirs of this centuries-old American tradition, and they will no doubt do their best to make the genre as alive, fresh, and relevant as it was a hundred years ago.

The entire nyctaper crew was on-hand for this event with a slew of mics at full height above the crowd.  This particular recording is a combination of AKG large-diaphragm mics to give “air” at the top end and edge to the guitar, combined with Schoeps supercardiods to add the direct sound.  While there is no mistaking that it’s a Friday night crowd, the sound quality of the music is outstanding.  Please help out with any setlist corrections – it was my first time seeing the band live and there were a a few songs I did not recognize or couldn’t figure out.  Enjoy!

Stream “Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]”:
[audio:https://www.nyctaper.com/N0409NMAS9002/09 Stuck Inside of Mobile With The Memphis Blues Again.mp3]

Stream “Rollin’ and Tumblin'”
[audio:https://www.nyctaper.com/N0409NMAS9002/20 Drinkin’ Muddy Water.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

North Mississippi Allstars
2011-10-28
Brooklyn Bowl
Brooklyn, NY USA

Recorded for nyctaper.com by acidjack, hi and lo, nyctaper and Johnny Fried Chicken Boy
Produced by acidjack

AKG C 414 B-XLS (cardiod)>Sound Devices USBpre2 + Schoeps MK41>NBox+ >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time: 1:51:29]
01 Sitting On Top of the World
02 Across the Great Divide
03 Let It Roll
04 Shake What Your Momma Gave You
05 People Get Ready
06 Mean Ol’ Wind Died Down
07 Shake ‘Em On Down
08 [guitar jam]
09 Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]
10 Meet Me In the City
11 Po Black Maddie>
12 Drum Solo/jam>
13 Jellyrollin’ All Over Heaven
14 New Orleans Walkin’ Dead
15 Harlem River Blues [Justin Townes Earle]
16 Sugar Hill
17 Teasin’ Brown
18 I’d Love To Be A Hippie
19 Everything I Do Gonna Be Funky (From Now On)
20 Rollin’ and Tumblin’
21 [encore break]
22 Lordy Lord>
23 [unknown?]
24 All Night Long

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT North Mississippi Allstars, visit their website, and purchase Keys to the Kingdom and their other available releases through The Store at their website [HERE].

Arbouretum: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

October 28, 2011
By


[Photos by acidjack]

Thrill Jockey’s band page for Arbouretum describes them as a “taper’s dream”, and they could well be right about that.  With open song structures, a hard-rocking, Southern-informed psych-rock sound an solid dose of showmanship, the band comes off a bit like an updated, thinking man’s version of bands like CCR and Lynyrd Skynyrd, and they play a hell of a good show that doesn’t belie that comparison.  The band took the stage behind a veil of smoke, launching into a brief psychedelic intro before hitting full stride on “False Spring” the leadoff track to their 2009 record, Song of the Pearl.  That led into “White Bird”, the sole song played from their latest Thrill Jockey release, The Gathering.  The musical virtuosity only went up from there, with “Down By the Fall Line” leading directly into “Mohammed’s Hex and Bounty” in a combined 17-minute piece that found the band in top form.  Frontman Dave Heumann puts a lot of thought into his dense, literary lyrics, and (somewhat unusually for an indie artist) actually sings them so you can hear them.  As audience members called out various rarities and covers throughout the set, the band finally obliged with a ripping version of CCR’s “Long As I Can See the Light.”

I recorded this set with my usual mounted setup of DPAs on the center post plus a soundboard feed from Josh, the head FOH engineer at Glasslands. The sound is excellent.  Enjoy!

Stream “The White Bird”
[audio:https://www.nyctaper.com/A1014Arbouretum0211/03 The White Bird.mp3]

Stream “Long As I Can See the Light [Creedence Clearwater Revival]”
[audio:https://www.nyctaper.com/A1014Arbouretum0211/08 Long As I Can See the Light.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Follow acidjack on twitter

Arbouretum
2011-10-14
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (DFC, ORTF)>Sound Devices USBpre2+Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 59:22]
01 [intro]
02 False Spring
03 The White Bird
04 Down By the Fall Line>
05 Mohammed’s Hex and Bounty
06 Ghosts of Here and There
07 Song of the Nile
08 Long As I Can See the Light [Creedence Clearwater Revival]

If you enjoyed this recording, PLEASE SUPPORT Arbouretum by visiting their MySpace page and purchasing their official releases directly from Thrill Jockey [HERE]

Oberhofer: October 1, 2011 Monster Island Farewell BBQ – Flac and MP3 Downloads + Streaming Song

October 19, 2011
By


[photo by Chris Becker courtesy of Impose Magazine]

On a rainy and dreary October day, with Monster Island padlocked behind it, River Avenue became the makeshift concert spot for a bittersweet celebration of seven years of perhaps the best DIY shows that Brooklyn has ever seen. Monster Island Basement was a venue that we visited often, and recorded everything we saw there. The excellent performances we experienced litter this site. We also presented a show there in the Spring of 2009. As he has for its entire seven year existence, the ubiquitous presence of ToddP was the first person we saw when we turned onto River Avenue that morning to record the entire event. Per his tradition, the ToddP Acoustic BBQ is a neverending parade of local DIY talent who perform brief ten minute sets. On this day, it was 36 bands, with everyone from the electronic noise of openers White Sun, to the slide-blues of Ezekial Healy, the poetry of Eliza and Parry, the folk of Katie Eastburn, the spoken word performance by DJ Dog Dick, and a million other genres. We recorded 29 acts, as the persistent rains brought the action inside for periods of time. Of those acts, perhaps the most impressive was the kinetic energy of Oberhofer, whose 3-song set was both entertaining and engaging for the obvious talent that Brad Oberhofer projects. In a raw acoustic setting without the benefit of the bells and whistles of sound effects, the artist and their talent stand naked. In that setting Oberhofer shined performing three songs — including two of his own compositions and a tongue in cheek cover of Kanye West.

This show was the most difficult circumstances under which I’ve ever recorded. The weather was an issue all day, and the “stage” was continually shifted, so that we were left with having the pick up the microphone stand and move it often. For this particular set, the artist remained in one location (you can see our microphones in the photo) and played at a decent acoustic volume. As a result, although you can hear some wind noise, the overall sound quality is quite excellent. Enjoy!

Stream “I Could Go”:
[audio:https://www.nyctaper.com/ToddP%20Monster%20Island%20Farewell/02.%20I%20Could%20Go.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oberhofer
2011-10-01
Monster Island Farewell Acoustic BBQ
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded on Stage

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-10-20

Setlist:
[Total Time 11:24]
01 Away FRM U
02 I Could Go
03 Runaway [Kayne West]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Oberhofer, visit their Facebook page, and purchase their official releases from the White Iris Records store [HERE] and keep an eye out for future releases at Glassnote Records [HERE].

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