Posts Tagged ‘ manhattan ’

Greensky Bluegrass: July 13, 2012 Highline Ballroom – Flac and MP3 Downloads + Streaming Songs

July 16, 2012
By


[photo by froboy]

Bluegrass is a musical genre that unfortunately gets short shrift at nyctaper. And it shouldn’t be that way. One of my favorite concerts of all time was a memorable collaboration between Steve Earle and the Del McCoury band at Town Hall in 1998, and I can also say that I saw the legendary Bill Monroe in concert at Damrosch Park in 1990. So in an effort to rectify that shortcoming, on Friday I made it to Highline Ballroom for a bluegrass double bill including one of the foremost “newgrass” bands Greensky Bluegrass, and local up and comers The Union Street Preservation Society (recording coming soon). Greensky is a quintet that’s been around for a dozen years and has accumulated a strong national following. On Friday night, they brought the goods — a two-set two-plus hour show that consisted of a healthy dose of original material, some traditional bluegrass numbers, and a series of eclectic rock covers all performed with stunning proficiency and with an authentic reperatory feel. We’re streaming “I’m Working on a Building”, an old negro spiritual made most famous by The Carter Family but also performed often by the aforementioned Mr. Monroe. Of the covers (Prince, Springsteen), the Talking Heads cover that was featured as the penultimate song of the night is also streaming below. At the end of the evening it was clear that if Greensky is the mantle carrier for the current generation of blue/newgrass music, then the genre is in very good hands indeed.

I recorded this set with the Neumann microphones set up directly in front of the soundboard and mixed with an excellent board feed. The mics picked up quite a bit of chatter during the first set, which relies more on the board feed, while the second set is heavier towards the mics. The sound quality on both is quite excellent. Enjoy!

Stream “I’m Working on a Building”:
[audio:https://www.nyctaper.com/G1307GreenskyBluegrass1202/16.%20I%27m%20Workin%20on%20a%20Building%20%5bCarter%20Family%5d.mp3]

Stream “Road To Nowhere” [Talking Heads]:
[audio:https://www.nyctaper.com/G1307GreenskyBluegrass1202/23.%20Road%20to%20Nowhere%20%5bTalking%20Heads%5d.mp3]

This recording is now available for download in FLAC or MP3 at Archive.org [HERE].

Greensky Bluegrass
2012-07-13
Highline Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-07-15

Setlist:
Set 1
[Total Time 1:04:17]
01 Kerosene
02 I Second That Emotion [Miracles]
03 [banter – feel good juice]
04 Worried About The Weather
05 Hit Parade of Love
06 [banter – dance battle]
07 Break Mountain Breakdown
08 Atlantic City [Springsteen]
09 [banter – Hartford intro]
10 Steam Powered Aereo Plane [John Hartford]
11 Bottle Dry
12 When Doves Cry [Prince]

Set 2
[Total Time 1:13:44]
13 Bring Out Your Dead
14 Train Junkie
15 Been This Way Before
16 I’m Workin on a Building [Carter Family]
17 Highline Breakdown
18 [banter – Highline]
19 Old Barns
20 Take Me Back
21 Jesus on the Mainline
22 Don’t Lie
23 Road to Nowhere [Talking Heads]
24 Doesn’t Make Sense
25 [encore break]*
26 Down The Road
27 You Ain’t Going Nowhere [Dylan]
*encores unamplified

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Greensky Bluegrass, visit their website, and purchase their official releases from the Store at their website [HERE].

Sam Prekop & Archer Prewitt: June 30, 2012 Mercury Lounge – FLAC/MP3/Streaming + Bonus Download of April 7, 1999 Local 506, Chapel Hill, NC

July 8, 2012
By

Sam Prekop
[still from this video]

A Sam Prekop show changed my life. I was nineteen years old, set up to record in the center of a tiny venue in Chapel Hill, North Carolina. Halfway through the set, a guy came up to me who turned out to be my college newspapers music editor. Impressed that I was one of only two people from our school (not UNC) who bothered to come to see acts like this (Sam was touring behind his self-titled 1999 solo debut), he more or less offered me the job. My relationship with music, and with writing, was never the same hence.

Since then, Prekop has continued to make his own unique brand of jazz-and-lounge-inflected rock, both as a solo act and with the better-known Sea and Cake, still considered his primary gig. A recent Sea and Cake show at Bowery Ballroom confirmed the continuing vitality and appeal of that band, who have a new record coming out. But Prekop, who for years has incorporated African and Brazilian rhythms into his guitar work, has more ideas than one band can handle. So, while continuing to record with Sea and Cake, he has put out a diverse range of solo records, from his eponymous 1999 effort that was essentially Sea and Cake-style material, to his latest, Old Punch Card, which finds Prekop taking a radical, ambient turn with his sound. This show at Mercury Lounge, featuring Prekop and fellow Sea and Cake bandmate Archer Prewitt (also a great solo artist in his own right), gave fans a miniature retrospective of Prekop’s career. Kicking off with a new, untitled ambient jam reminiscent of Old Punch Card, the set then evolved into a mix of Prekop solo songs from the last twelve years, as well as Sea and Cake classics like “Do Now Fairly Well” and “The Staircase”. Prekop and Prewitt played with the easy rapport of long-time collaborators, and even without any particular stage adornments or a backing band, the pair held the attention of the packed house for the full hour.

Along with the Mercury Lounge recording, which is my usual mix of Schoeps MK41 microphones and a soundboard feed, I am offering the Sam Prekop show from North Carolina, which has not been distributed (at least by me) since the year 2000, as a bonus download.  The North Carolina recording, while made with a decent rig, is not comparable in quality to the Mercury Lounge show (in large part due to the jackasses talking in the audience), but features Sam playing with a full band, and is more focused on material from Sam Prekop.  Enjoy!

Stream “The Staircase [Sea and Cake]” from Mercury Lounge:
[audio:https://www.nyctaper.com/S0811SeaandCake0211/03 The Staircase.mp3]

Stream “The Company” from Mercury Lounge:
[audio:https://www.nyctaper.com/S0811SeaandCake0211/07 The Company.mp3]

Stream “The Shadow” from Local 506 in Chapel Hill, NC:
[audio:https://www.nyctaper.com/S0811SeaandCake0211/05 The Shadow.mp3]

Direct download of MP3 files: [Mercury Lounge] | [Local 506]

Download the Mercury Lounge FLAC files [HERE]

Download the Local 506 FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Sam Prekop & Archer Prewitt
2012-06-30
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6>Aerco MP-2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (light EQ)>Audacity (set fades, mild DR compression and additional EQ, tracking, amplify and balance, downsample)>FLAC (level 8 )

Tracks
01 ambient jam
02 Something [Sam Prekop]
03 The Staircase [Sea and Cake]
04 On A Letter [Sea and Cake]
05 Between Outside [Sam Prekop]
06 [banter]
07 The Company [Sam Prekop]
08 Showrooms [Sam Prekop]
09 Don’t Bother [Sam Prekop]
10 On Such Favors [Sam Prekop]
11 Coconut [Sea and Cake]
12 Do Now Fairly Well [Sea and Cake]
__________________

Sam Prekop
1999-04-07
Local 506
Chapel Hill, NC USA

Recorded and produced by acidjack

Nakamichi CM300/cp1 (XY, DFC, 7ft)>Zefiro InBox>TCD-D8>DATM>CDRM>xAct>16bit/44.1kHz WAV>Audacity (set fades, tracking, adjust levels)>FLAC ( level 8 )

Tracks
01 The Company
02 Practice Twice
03 Smaller Rivers
04 Don’t Bother
05 The Shadow
06 On Such Favors>Faces and People
07 Showrooms
08 So Shy
09 [encore break]
10 Do Now Fairly Well [Sea and Cake]
11 Parasol

If you enjoyed this recording, PLEASE SUPPORT Sam Prekop, visit the Sea and Cake’s website, and purchase Sam’s records from Thrill Jockey [HERE]

Kelli Scarr: June 5, 2012 Joe’s Pub – FLAC / MP3 / Streaming Song

July 5, 2012
By


[Photos by Johnny]

We seem to be in the right place at the right time when it comes to Kelli ScarrThe last time she appeared on the NYCtaper website, Kelli had just released her debut album ‘Piece‘.  Nearly two years later and we were fortunate to catch the release show at Joe’s Pub for her sophomore disc, ‘Dangling Teeth‘.  Backing her amazing voice, she had a good number of her group from the Backyard Brunch Session on hand including pianist/vocalist Jo Schornikow, pedal steel player extraordinaire Jonathan Lam, bassist Andrew Southern, flugelhorn player Dan Brantigan, guitarist Scott Metzger, drummer Taylor Floreth, violinist Claudia Chopek and cellist Eleanor Norton.  The set consisted of all the tracks from the wonderful new record and Kelli led her incredible band through the different flavors on it, from rock-tinged country to sultry-voiced chanteuse.  Combining that with the very appreciative crowd and it made for a pretty exceptional evening.  Kelli Scarr is now on tour through the beginning of August.  If she’s playing near you, make a concerted effort to catch her show.  You won’t be disappointed.

On this night, acidjack and I were able to set up nearly dead-center in the terrific sounding Joe’s Pub and we couldn’t have asked for a better location.  This recording is the maiden voyage of my Milab VM-44 Link microphones and the results are excellent.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Kelli Scarr and Joe Rogers at Silence Breaks for making this recording possible, and to the staff at Joe’s Pub for their courtesy and cooperation.

For Kevvie.

Stream “You Could Be So Great”:

[audio:https://www.nyctaper.com/K2180KelliScarr1020/Kelli_Scarr_-_You_Could_Be_So_Great.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are not working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Kelli Scarr
Tuesday, June 5, 2012
Joe’s Pub
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

TRACKLIST:
[Total time: 51:06]
01. Dangling Teeth
02. You Could Be So Great
03. Our Joy
04. Thank You
05. Phoenicia
06. Airon
07. Trouble
08. It Ain’t Me
09. 400 Days
10. I’ll Always Wait

If you download this recording, we expect that you will PLEASE SUPPORT Kelli Scarr and her bandmates, go see her shows, visit her website, Facebook and MySpace pages, and purchase official releases and merchandise [HERE].

Hurray For The Riff Raff: June 15, 2012 Mercury Lounge – Flac and MP3 Downloads + Streaming Songs

June 18, 2012
By


[photo courtesy of Tilebreaker – full set here]

Its been a couple of years since we last saw New Orleans’ Hurray For The Riff Raff. While band leader Alynda Lee was born in the raised in the Bronx, over the last three years the band has not come north enough for us to get a chance to see them. In the interim, they released a couple of albums and made an appearance on HBO’s award winning show Tremé. But nearly three years to the day since HFTRR played a show we produced at Monster Island, they triumphantly returned to NYC in support of the band’s brilliant new album Look Out Mama. The show at Mercury Lounge on Friday night was tight, energetic and driven. Hurray For The Riff Raff is a more mature and confident band and the music has evolved — Alynda’s americana’s influences have been fleshed out and we can now hear everything from dixieland to surf rock. At Mercury, the band worked through a setlist that included some of the new album (we’re streaming “What’s Wrong With Me”), but also three new or unreleased songs, and a superb cover of “Time Is On My Side”, that veered more towards the Irma Thomas version and less to the Stones. “Time” also featured Alynda’s vocals chops and the band’s ability to let loose and have some rip roaring fun. Hurray For The Riff Raff have finished their current tour, but will return to the road for a tour of the UK later this Summer.

I recorded this set with the Sennheiser cards mounted on a stand at the front of the soundboard and mixed with a board feed. The sound quality is excellent. Enjoy!

Stream “What’s Wrong With Me”:
[audio:https://www.nyctaper.com/H1208Hurray0022/09.%20What%27s%20Wrong%20With%20Me.mp3]

Stream “Time Is On My Side [Irma Thomas cover]”
[audio:https://www.nyctaper.com/H1208Hurray0022/12.%20Time%20Is%20On%20My%20Side%20(Irma%20Thomas).mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2012-06-15
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-06-17

Setlist:
[Total Time 44:56]
01 Little Black Star
02 [banter]
03 Look Out Mama
04 Slow Walk
05 End of the Line
06 Just A Heart
07 Take Me
08 Small Town Heroes
09 What’s Wrong With Me
10 Lake Of Fire
11 The St. Roch Blues
12 Time Is On My Side (Irma Thomas)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Dandy Warhols: June 5, 2012 Irving Plaza – Flac and MP3 Downloads + Streaming Song

June 7, 2012
By


[photo courtesy of Beanbag Amerika]

In their nearly two decades as a band, The Dandy Warhols have done just about everything that musicians can do, in and outside of the music world. What continues to be refreshing about this band is there’s no “coast” in their vocabulary. Last month the Dandy Warhols released their eight studio album This Machine, which while it flew under the radar of most of the fad of the month publications, nevertheless continued to solidify the band’s catalog. When Pitchfork accused the Dandy Warhols of “going through the motions” we hoped that it was a knee-jerk reaction to a new album of a band nearing their second decade and from a publication known for mailing in agenda-fueled reviews. The album’s tour came to NYC this week and we caught the Irving Plaza show with a bit of trepidation. We expected that a band on autopilot would have performed an hour set with a few new songs mixed into the main set and the classics to close the show. Fortunately, the Dandy Warhols were just getting started at the hour point — a couple of band members actually took a bathroom break. Instead the band plowed through twenty-two songs that covered material from every single one of their albums. We are streaming the much-requested “Lou Weed” from their debut album. When the show ended with an extended version of “Boys Better”, the Dandy Warhols had played for two hours and barely came up for air. If this epic Irving Plaza show proved anything, its that Pitchfork is going through the motions and were both cynical and lazy in their assessment. The Dandy Warhols are as vital as ever.

I recorded this set with the four microphone rig on the floor of the venue in front of the balcony overhang with the microphone stand up to 15 feet to avoid the floor chatter. The sound quality is excellent. Enjoy!

Stream “Lou Weed”:
[audio:https://www.nyctaper.com/D0605DandyWarhols1202/18.%20Lou%20Weed.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dandy Warhols
2012-06-05
Irving Plaza
New York, NY USA

Digital Master
Front of Board Four-Track Audience Recording

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-06-06

Setlist:
[Total Time 1:55:33]
01 Be-In
02 We Used To Be Friends
03 [banter – Darth Vader]
04 Shakin
05 Not If You Were The Last Junkie On Earth
06 Good Morning
07 I Love You
08 You Were The Last High
09 Holding Me Up
10 You Come In Burned
11 Every Day Should Be a Holiday
12 [banter – bathroom]
13 Sad Vacation
14 Mohammed
15 The Autumn Carnival
16 Well They’re Gone
17 And Then I Dreamt of Yes
18 Lou Weed
19 Solid
20 Horse Pills
21 Bohemian Like You
22 Get Off
23 Godless
24 Boys Better

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Dandy Warhols, visit their website, and purchase This Machine from the Store at their website [HERE] .

NYCTaper Presents: Prairie Empire Record Release Show this Sunday at Mercury Lounge

June 7, 2012
By

Prairie Empire is the current project of the multitalented musician and songwriter Brittain Ashford, who is another Seattle transplant to Brooklyn that we are thrilled to have in our midst. As a singer, Ashford’s voice packs incredible emotional presence and range, as well as a little pixie dust pinch of whimsy; you feel an instant kinship with her and her music even if you’ve never met her. As for her band, their lush arrangements provide a broad sonic palette for Ashford’s compositions, incorporating strings, cello, violin, viola, drums, sleigh bells, dulcimer and trumpet, not to mention vocal harmonies. No surprise, then, that no less than eight other musicians played on the band’s new record.

Fresh off a recent Daytrotter performance, Ashford and her bandmates (several of whom live in Portland, making this no small trip) are celebrating the release of their eponymous debut album on Durham, NC’s Trailer Fire Records with this very special early show at Mercury Lounge this Sunday night. Although Prairie Empire has not been on the site before, everything we know about this band suggests that they will deliver a performance with a grace and beauty that more than does justice to their new album material. Opening the show will be the singer-songwriter Jo Schornikow, another young talent that we look forward to getting to know.

The NYCTaper crew will be on hand to capture audio of this event and to celebrate Prairie Empire’s new album and future success.  We hope that you will join us!

Tickets for the show are $10 and can be purchased [HERE] or fee-free at the Mercury Lounge Box Office.

Following this show, Prairie Empire will be going on an early summer tour of the Northeast and Midwest (and hopefully more to come).  Those tour dates are listed on their website [HERE].  You can also follow Brittain Ashford on twitter.

The show starts at 6:30pm SHARP (no, not 6:30pm “rock n’ roll time”)

Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming Song

May 24, 2012
By


[Photos courtesy of Robert Kidd.  See more of his excellent work HERE.]

To paraphrase the late Jerry Garcia, not everybody knows who Mike Watt is, but those who do really appreciate Mike Watt.  Having long been established as an elder statesman of punk, post-punk and alternative rock starting with the seminal Minutemen and the inspired fIREHOSE, his versatility has allowed him to play with many musicians of different stripes and genres.  He’s a bass player’s bass player; the go-to guy who you know will hold down the low-end duties superbly and is not afraid of working hard.  If it doesn’t already, his business card should read, “Have bass, will travel.”  That’s why when people in the know hear that Watt is coming to town, they run and don’t walk to get to the gig.

Initially announced as the NYC launch of his new book, ‘Mike Watt: On and Off Bass‘, and calling the event “Mike Watt & Friends”, word had it that he was also planning to dust off the Hellride East moniker (one of his many projects) and play Stooges tunes with J Mascis and Murph from Dinosaur Jr.  After an interview session with noted music writer Byron Coley, the music kicked off and it was indeed The Stooges from their first two excellent albums.  In his element, clearly enjoying himself and fingers hammering the strings, Watt and Mascis were the only two constant musicians during the set.  At any given time the drummers were rotating between Murph, John Maloney and Sonic Youth‘s Steve Shelley.  SY’s Thurston Moore took a turn or two on vocals as did Don Fleming, John Petkovic (also playing clarinet), Sharon Van Etten, Kurt Vile, Byron Coley and Noel Ford, the former soundman from the Continental (and current one for Dinosaur Jr.) or so I was told.  It was a whirlwind trying to keep up with the cavalcade of performers who kept jumping on stage.  With the pervasive sense of “what’s next?” in the air and the close proximity of all these great artists, the small Le Poisson Rouge felt more like a party at a friend’s house with a killer band than a concert.  That atmosphere prevailed even more so when the music ended and everyone milled around chatting and drinking while the guest of honor signed copies of his book and greeted all comers with a handshake.  A truly unique evening and, personally, I can’t wait for Mike to pop up here in our city again.  Wondering in just what permutation that will be should prove almost as much fun.

This night at Le Poisson Rouge presented a unique recording opportunity for us.  Rather than having to set up towards the back of the room so as not to be in the way, we were able to park our rig right at the stage lip and nearly dead center.  Recording in this manner makes the separation of the instruments and where they were on stage very distinct.  A monitor was just off to our right so while the vocals aren’t entirely centered, the overall effect is really cool and the next closest thing to being right up front at the show.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Mike Watt and all the performers for making this recording possible, and to Frankie, Bernie and the staff at Le Poisson Rouge for their courtesy and cooperation.

Stream “T.V. Eye”: [audio:https://www.nyctaper.com/W7025Watt2929/Mike_Watt_-_TV_Eye.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Mike Watt & Friends
(billed as Hellride East)
Wednesday, May 2, 2012
Le Poisson Rouge
New York, NY, USA

Source: AUD > Audio-Technica AT3031’s > Sound Devices MixPre > Roland R-05 (WAV @ 24-bit/48kHz)
Lineage: R-05 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

TRACKLIST:
[Total time: 1:20:43]
00. Mike Watt interviewed by Byron Coley
01. Real Cool Time  [Don Fleming (vocals), Murph (drums)]
02. T.V. Eye  [John Petkovic (vocals), John Maloney (drums)]
03. Loose  [Thurston Moore (vocals), John Maloney (drums)]
04. Dirt  [Sharon Van Etten (vocals), Steve Shelley (drums)]
05. Not Right  [John Maloney (drums)]
06. Down on the Street  [Thurston Moore (vocals), Murph (drums)]
07. No Fun  [Kurt Vile (vocals), Murph (drums)]
08. 1970  [Noel (vocals), Steve Shelley (drums)]
09. Little Doll  [Steve Shelley (drums)]
10. encore break / banter
11. Fun House  [Thurston Moore (vocals), John Petkovic (clarinet), Murph (drums)]
12. L.A. Blues  [Byron Coley (vocals), John Petkovic (clarinet), Murph & John Maloney (drums)]

If you download this recording, we expect that you will PLEASE SUPPORT Mike Watt, the performers and their projects, go see their shows, visit their websites (Mike’s is HERE), and purchase some of their official releases and merchandise [HERE] and [HERE].

Luther Dickinson & The Wandering: May 14, 2012 Joe’s Pub – FLAC and MP3 Downloads + Streaming Songs

May 22, 2012
By


[Photos by acidjack]

North Mississippi Allstars guitarist/vocalist Luther Dickinson has made a life mission of keeping Delta blues alive while continuing to expand the genre through his own new efforts. His latest project, The Wandering, finds him teaming up with four exceptional female musicians – Amy LaVere, Shannon McNally, Valerie June, and Sharde Thomas – to honor the richness and diversity of the blues with a new record that combines new tracks and well-loved standards.  This show at the grown ups’ music paradise Joe’s Pub was a perfect platform to showcase the members’ individual and collective talents. Dickinson, as ringleader of the proceedings, gave a solo set before the band went on, which included several favorites from the NMAS catalog like RL Burnside’s “Po’ Black Maddie”.  When The Wandering took the stage, the dynamic shifted, with the four women sharing and trading the spotlight as Dickinson provided the strings. The quintet’s devotion to and love for their material is obvious; aside from the luxe surroundings and high-end sound system, you could have been in a balmy Delta club a hundred years ago. The band gave an inspired and different take on Leadbelly’s “In the Pines” (most recently popularized by Nirvana), the old standard “Glory, Glory”, and a somewhat more recent rock classic, The Byrds’ “Hey Mr. Spaceman”, among others. While each of the performers shined, one of our newest favorites, Amy LaVere, fresh off of a performance with Rich Robinson of the Black Crowes at Bowery Ballroom, particularly shined on the vocals and upright bass. Although the just-over-an-hour set was too short by half in my opinion, it established The Wandering as a formidable new entry in the modern blues arena.

Johnny Fried Chicken Boy and I faced some challenges setting up for this show, but we ended up with our mics situated in an ideal location in the center of the venue. This recording is from my Schoeps MK5 cardiods, and boasts a full, rich sound that reflects the venue’s excellent acoustics. Enjoy!

Note: The Luther Dickinson solo set and The Wandering set MP3s are offered together in a single download. The FLACs are separate direct downloads.  

Stream “Po’ Black Maddie” [Luther Dickinson Solo]
[audio:https://www.nyctaper.com/N0409NMAS9002/08 Po’ Black Maddie.mp3]

Stream “Hey Mr. Spaceman” [The Byrds]
[audio:https://www.nyctaper.com/N0409NMAS9002/13 Hey Mr Spaceman.mp3]

Stream “In the Pines”
[audio:https://www.nyctaper.com/N0409NMAS9002/07 In the Pines.mp3]

Luther Set and Wandering Set MP3 files [HERE] | The Wandering FLAC files [HERE] | Luther Dickinson FLAC files [HERE]

If the FLAC links are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Luther Dickinson
2012-05-14
Joe’s Pub
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK5 [cardiod]>KCY>Z-PFA>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Audacity (set fades, tracking, envelope crowd noise, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown]
02 Blind Lemon and the Hook Man
03 [banter]
04 [unknown 2]
05 Let It Roll
06 Breckenridge Blues
07 [banter]
08 Po’ Black Maddie [RL Burnside]
______________________________________________________

The Wandering
2012-05-14
Joe’s Pub
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK5 [cardiod]>KCY>Z-PFA>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Audacity (set fades, tracking, envelope crowd noise, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sittin’ On Top of the World [Doc Watson]
03 Love, Life and Money [Marianne Faithfull]
04 If I Had Possession Over Judgment Day [Robert Johnson]
05 [unknown]
06 Loving Her Was Easier [Kris Kristofferson]
07 In the Pines [Leadbelly]
08 [unknown]
09 You Are My Sunshine
10 Glory, Glory
11 [encore break]
12 Working Woman Blues
13 Mr. Spaceman [The Byrds]
14 Drinking Muddy Water
15 My Babe [Little Walter]

If you enjoyed this recording, PLEASE SUPPORT The Wandering, like them on Facebook, and purchase their record Go On Now, You Can’t Stay Here from Amazon or your favorite retailer.

Cymbals Eat Guitars: April 3, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 14, 2012
By


[Photos by acidjack]

We have featured Cymbals Eat Guitars several times on this site (most recently, a headlining Bowery show from last year), and we have always found their willingness to take risks refreshing. Not content to simply rework the more poppy sound of their breakout album, Why There Are Mountains, the band remain unafraid to take things in a more caustic direction. This Bowery Ballroom show found the band opening for Cursive (which we recorded, and will post if the band gets back to us about approval…), but the packed house for their set suggested equal fervor for these Staten Island natives.  The set focused on material from their latest record, Lenses Alien, but this also included some earlier favorites like “Indiana” and of course, “And the Hazy Sea”.

We recorded this set with a four-mic setup, but I thought the Sennheiser MKH-8040 source was sufficiently good to stand on its own.  We hope you agree. Enjoy!

Stream “And the Hazy Sea”
[audio:https://www.nyctaper.com/C2140CEG2990/06 And the Hazy Sea.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cymbals Eat Guitars
2012-04-03
Bowery Ballroom
New York, NY USA

Recorded by nyctaper and acidjack
Produced by acidjack

Sennheiser MKH-8040>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audacity (set fades, tracking, EQ, amplify and balance, downsample)>FLAC (level 8 )

Tracks
01 Definite Darkness
02 Another Tunguska
03 Rifle Eyesight
04 [unknown]
05 Indiana
06 And the Hazy Sea
07 [unknown]
08 Shore Points

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Cymbals Eat Guitars, visit their website, visit their MySpace page, and purchase Lenses Alien and their other records from the links at their web store [HERE].

This Is the Kit: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

May 8, 2012
By


[Not very good iPhone photo by acidjack]

For obvious reasons, we end up promoting a lot of NYC-based bands on this site. But it is always a rare treat to get a chance to share a recording by a band from overseas, particularly one that is new to us. This Is the Kit is a Paris and Bristol, UK-based project of vocalist/guitarist/banjo player Kate Stables that produces a grown-up brand of acoustic, blues-influenced rock of timeless beauty and grace – think of Cowboy Junkies or Sharon Van Etten as a reference point. Her music isn’t gimmicky or loud, brash or lo-fi.  This is a type of band that you want to listen to, try and focus on what’s being said through the hush (if you’re lucky, and there is, in fact a hush). And sure, your Dad might dig it, but that doesn’t mean you shouldn’t – a great song is a great song, no?

Mercury Lounge late show can often be a challenge to a band, after the bar has been open a few hours and two other bands have already done their thing. This Is the Kit were opening for Plants and Animals, who themselves had a fairly rowdy crowd. Hearing the opening notes of the spare, magnificent banjo intro of “Easy Pickings”, I feared for the worst. But a funny thing happened- the crowd paid attention, throughout a set that showcased several of the band’s numbers from Wriggle Out the Restless, a record originally released on the UK imprint Brassland and about to be re-released stateside (you can grab it for a steal on bandcamp right now for $3 or more… I suggest more). Out of a uniformly excellent set, it’s hard to pick favorites, but I was partial to the bluesy “rocker” of the group, “Earthquake”, the quiet leadoff track “Easy Pickings”, and the frenetic cross-rhythms of “Spinney” (currently the free track on the bandcamp page). Each of the songs in this set felt distinct, and the band managed to show a lot of different sides during this short opening performance. The next time they’re headlining, I’m there.

I recorded this set in the same manner as the Plants and Animals recording, but the quality of both the house mix and soundboard feed were better for this performance. Given the quiet nature of the set, this recording favors the soundboard feed, and the result is an outstanding and crisp recording.  Enjoy!

Stream “Earthquake”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Earthquake.mp3]

Stream “Spinney”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Spinney.mp3]

Direct download of MP3 files [HERE] |  Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

This Is the Kit
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mixdown, balance)>Izotope Ozone 5 (EQ, harmonic exciter (gentle tube), imaging (add width)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Easy Pickings
02 White Ash Cut
03 Vitamins
04 Earthquake
05 Two Wooden Spoons
06 [banter]
07 See Here
08 [banter]
09 Misunderstanding
10 Spinney
11 Bashed Out

If you enjoyed this recording, please support This Is the Kit, like them on Facebook, and visit their bandcamp page to buy Wriggle Out the Restless.

SUPPORT NYCTaper




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