Posts Tagged ‘ nyc ’

The Lemonheads: October 10, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 23, 2011
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

Even though I’ve been a fan of The Lemonheads output for many years, I hadn’t seen frontman Evan Dando or any incarnations of the band play in a long time.  After becoming alternative rock darlings in the early 90’s, they went on hiatus in the latter part of the decade, reformed in 2005 and have released two albums since then.  Billed that they were going to play ‘It’s a Shame About Ray‘, arguably their most popular disc, in its entirety, I still approached this concert with some trepidation.  Depending on whom you heard it from, initial reports of stops on this tour ranged from “good” to “disastrous” and the masses hadn’t been too kind about the previous night’s performance at Bowery Ballroom.  Evan and company took the stage and, after a minute or two of sorting things out, promptly launched into a note-perfect “Rockin Stroll”, the first track off of ‘Ray‘.  Aside from a few false starts which just added to the fun, and the vocal missteps of “Mrs. Robinson” (which didn’t even appear on original pressings and was sung by a member of the audience), the album’s run-through went pretty well.  In fact, the whole evening was highly enjoyable.  Appearing to fall into a comfortable groove, Evan performed an engaging solo acoustic set, fielded requests from the crowd, pulled opening band The Shining Twins onstage to cover one of their songs, and played some great material spanning most of the band’s career, including deep cut “Stove”.  For an enthusiast like myself, not only was it a very good night but I believe The Lemonheads proved that they can still shine.

Utilizing a mobile rig, we were able to secure an ideal spot on the venue’s main floor.  The result is great clarity, a lovely capture of the interplay between the band and crowd, and an overall very good recording.  Enjoy!

Stream “Hannah & Gabi”:
[audio:https://www.nyctaper.com/L1111Lemonheads0002/The_Lemonheads_-_Hannah_&_Gabi.mp3]

Stream “No Backbone”:
[audio:https://www.nyctaper.com/L1111Lemonheads0002/The_Lemonheads_-_No_Backbone.mp3]

Direct download of the complete show in MP3 [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

The Lemonheads
Monday, October 10, 2011
Bowery Ballroom
New York, NY, USA

Source: AUD > SP-CMC-2 (AT831’s) > SP-SPSB-8 > Edirol R-09 (WAV @ 24-bit/48kHz)
Lineage: R-09 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:39:19]
01. intro
02. Rockin Stroll
03. Confetti
04. It’s a Shame About Ray
05. Rudderless
06. My Drug Buddy
07. banter
08. The Turnpike Down
09. Bit Part
10. Alison’s Starting to Happen
11. Hannah & Gabi
12. Ceiling Fan in My Spoon
13. banter
14. Kitchen
15. banter
16. Frank Mills  [James Rado, Gerome Ragni, Galt MacDermot]
17. banter
18. Mrs. Robinson  [Paul Simon]
19. Deep Bottom Cove
20. Divan
21. Favorite T
22. All My Life
23. Frying Pan  [Victoria Williams]
24. Rain  [Blake Babies]
25. Tenderfoot
26. Being Around
27. banter
28. The Outdoor Type  [Smudge]
29. It’s About Time
30. banter
31. Greasy Bear  [The Shining Twins]
32. banter
33. Hospital
34. Down About It
35. The Great Big No
36. Style
37. Big Gay Heart
38. No Backbone
39. Stove
40. Into Your Arms  [Robyn St. Clare]

If you download this recording, we expect that you will PLEASE SUPPORT The Lemonheads, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE] and [HERE].

Helmet: October 11, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 16, 2011
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

I can remember the first time I heard Helmet’s disc, ‘Meantime‘, which has since become the standard bearer for alternative metal.  Aggressive songs that held riffs hitting like a sledge hammer, frontman Page Hamilton (trained as a jazz guitarist and sole original member) threw the musical rulebook out the window and led a troupe of expert musicians who obviously had serious chops.  Having grown up on a steady diet of hard rock and heavy metal, I was instantly hooked.  The times I saw them play live before their breakup in 1998 were no less riveting.  And hearing of the band’s reformation in 2004 was very welcome news.  Having been well over a decade since I had last gone to one of their concerts, I jumped on tickets when I heard they would be coming through on their current tour.  I was further thrilled when they gave me the greenlight to record the show.  With cuts spanning the group’s career and from nearly all of their albums, particularly the recent, ‘Seeing Eye Dog‘, Helmet played quite a few favorites and a monstrous version of “Turned Out”.  Judging by his interaction with the crowd, Page seemed to be having a hell of a good time and very excited to be back in the band’s original hometown of NYC.  And he wasn’t the only one: I’m happy to report that the music I heard that night sounds just as good and tight as the tracks that put a smile on my face nearly 20 years ago.

We recorded this show with a four-microphone rig from our usual spot in the balcony.  Combining the always great sound of Bowery Ballroom and the impressive skills of the sound engineer and the result is an excellent recording.  We hope you like what you hear as much as we did and PLAY IT LOUD!!

Stream “She’s Lost”: [audio:https://www.nyctaper.com/H1110Helmet1120/Helmet_-_She’s_Lost.mp3]

Stream “Ironhead”: [audio:https://www.nyctaper.com/H1110Helmet1120/Helmet_-_Ironhead.mp3]

Direct download of the complete show in MP3 [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Helmet
Tuesday, October 11, 2011
Bowery Ballroom
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:16:21]
01. Wilma’s Rainbow
02. So Long
03. Renovation
04. Welcome to Algiers
05. Give It
06. In Person
07. banter
08. White City
09. Harmless
10. Smart
11. banter / band intro
12. Crisis King
13. She’s Lost
14. Blacktop
15. Tic
16. encore break / banter
17. Ironhead
18. banter
19. Turned Out
20. Milquetoast

If you download this recording, we expect that you will PLEASE SUPPORT Helmet, visit their website, visit their Facebook and MySpace pages, and purchase their official releases (including their most recent album, Seeing Eye Dog) and merchandise [HERE].

The Sea and Cake: November 8, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 10, 2011
By


[Photos courtesy of Patrick Proctor at Hippies Are Dead]

“We feel like we’re in the Deep South,” said The Sea and Cake‘s Sam Prekop somewhere mid-set at the Bowery Ballroom this Tuesday. “And that’s a compliment.” No doubt Sam was referring to the level of enthusiasm from this weeknight crowd, including at least one audience member who seemed to think it was a Motley Crue concert. To hear a girl screaming “Bring the fuckin’ heat!” in between songs at an almost professorially mild-mannered, jazz-influenced Chicago indie act was certainly a new one for me in NYC. But that – and similar raging from others – added to the sense that, yes, after more than 20 years of delivering great music, a Sea and Cake show is still very much something to celebrate. With several of the members busy with other projects – Prekop and co-frontman Archer Prewitt with their solo careers, drummer John McEntire with NYCTaper favorite Tortoise – Sea and Cake shows aren’t as common as they otherwise could be.

Despite the band’s low-key approach, these guys turned the volume up loud. In a nearly 90-minute set, they covered the gamut of their career, from early-90s tunes like “Parasol” to offerings from their recent EP on Thrill Jockey, The Moonlight Butterfly. This show found the band in almost-perfect synch, playing the older songs like the classic “Afternoon Speaker” with the same enthusiasm shown for new work like “Inn Keeping.” “Leeora” gave a chance for some extended guitar meditation by Prewitt and Prekop, and a bit of a drum solo for McEntire, echoing some of his work in his other project.

Given the overwhelming reception they had received, The Sea and Cake seemed more than happy to play two encores – the highlight for me being “Parasol,” an older number, that also brought a huge audience roar. Who says you have to play the Deep South to be cheered like a champion?

I recorded this set with the DPA 4021 microphones from the optimal spot on the balcony. The sound is excellent, and thankfully the audience shenanigans are almost completely confined to in between songs. Enjoy!

Stream “Parasol”
[audio:https://www.nyctaper.com/S0811SeaandCake0211/20 Parasol.mp3]

Stream “Up On the North Shore”
[audio:https://www.nyctaper.com/S0811SeaandCake0211/07 Up On the North Shore.mp3]

Direct download of MP3 files [HERE] | Direct download of the FLAC files [HERE]

If the FLAC link is not active, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Sea and Cake
2011-11-08
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (balcony, slightly LOC, POS)>Sound Devices USBpre2>Sony PCM-M10 (24/44.1)>24bit/44.1kHz WAV>Audition (light EQ, limit peaks)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:24:19]
01 Weekend
02 On A Letter
03 The Staircase
04 Window Sills
05 Middlenight
06 Afternoon Speaker
07 Up On the North Shore
08 Midtown
09 [banter/tuning]
10 Exact to Me
11 Crossing Line
12 [crowd/false start]
13 A Fuller Moon
14 Inn Keeping
15 The Argument
16 Leeora
17 [encore break 1]
18 An Echo In
19 Lyric
20 Parasol
21 [encore break 2]
22 Escort [short version]

If you enjoyed this recording, PLEASE SUPPORT The Sea and Cake, visit their website, and purchase The Moonlight Butterfly and their many other excellent releases from Thrill Jockey Records [HERE].

Hooray For Earth: October 27, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 4, 2011
By

horrayforearth001
[Photo courtesy of Kevchino]

Listen to one of their records, and you might wrongly conclude that Hooray for Earth are a “studio band”. Sure, there are big dance beats and rock hooks – especially on their debut EP Momo – but there is a lot to get into on these records that you might imagine would be hard to re-create live. Indeed, Noel Heroux, the creative force behind the band, is a wizard in the studio, and his beautifully produced, detailed compositions make for amazing headphone listening. But as we have continued seeing their shows over the past couple of years, HFE have also continued to develop as live performers who are comfortable turning Heroux’s studio compositions into a massive on-stage reveries. With their friends and fellow travelers Zambri providing the backing vocals once again (as they did at the Glasslands show in March), the more tribal, less four-to-the-floor tracks of the band’s latest, True Loves, came alive at this Bowery Ballroom homecoming show with tourmates Cymbals Eat Guitars (that recording here). Only two of the big, dance-y Momo tracks – “Rolling/Nectarine” and “Get Home” – made an appearance, as the set focused on the more mature True Loves material, including its two standout tracks, “True Loves” and “Black Trees”. Even those who didn’t know the band at all – and there were several near me – were chanting their name by the end of the set, and why not? This is the kind of band that is worth cheering for.

I recorded this set in the same manner as the Cymbals Eat Guitars recording, and the sound is excellent. Thanks again to Aaron Treptow for the hospitality. Enjoy!

Stream “No Love”:
[audio:https://www.nyctaper.com/H7206HFE0201/06 No Love.mp3]

Stream “Sails”:
[audio:https://www.nyctaper.com/H7206HFE0201/01 Sails.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hooray for Earth
2011-10-27
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard+Schoeps MK41>CMC6>Sound Devices USBpre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Sails
02 Bring Us Closer Together
03 Get Home
04 True Loves
05 Rolling/Nectarine
06 No Love
07 Realize It’s Not the Sun
08 Black Trees

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Hooray For Earth, visit their website, and purchase their debut EP Momo and their new LP, True Loves directly from Dovecote Records.

Cymbals Eat Guitars: October 27, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 2, 2011
By

ceg2012-04-02-1
[Photo by acidjack]

Cymbals Eat Guitars were critical darlings out of the gate, praised for the fully-realized vision of their 2009 debut album, Why There Are Mountains. While they used many 90s acts as touchstones – Pavement in particular – they were always viewed as purveyors of something new. Indeed, their latest effort and Barsuk Records debut, Lenses Alien, is a challenging followup record that combines frontman and songwriter Joseph D’Agostino’s dense verbiage with a caustic, acid-drenched sound. In this celebratory homecoming at the Bowery Ballroom, fresh off a national tour, the band showed us again what made them so special in the first place. Their songs can shift effortlessly from pop lullabyes to punk screeds, and they often do, keeping the listener on edge – witness the explosive ending to the creepy narrative “Plainclothes.” Although the attendance suffered a bit from the nasty weather, this show was a fitting coda to a tour whose sendoff was at Music Hall of Williamsburg. After playing “And the Hazy Sea” for their second encore – egged on by Noel from Hooray For Earth – CEG left the stage, tired but satisfied. And so were we.

I recorded this set with a soundboard feed from CEG’s longtime engineer Aaron Treptow and Kenny at Bowery Ballroom, and the Schoeps microphones. Aaron is supposedly retiring from live sound work for awhile – work from which he’ll be missed – but we know he will be successful in his future endeavors. We would like to thank him for hosting us.

Stream “Wind Phoenix”:
[audio:https://www.nyctaper.com/C2140CEG2990/15 Wind Phoenix (Proper Name).mp3]

Stream “Plainclothes”:
[audio:https://www.nyctaper.com/C2140CEG2990/02 Plainclothes.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cymbals Eat Guitars
2011-10-27
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard+Schoeps MK41>CMC6 (Balcony, DFC, PAS)>SD USBpre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, track, amplify, balance)>FLAC Level 8

Tracks
01 Indiana
02 Plainclothes
03 Shore Points
04 Wavelengths
05 [banter]
06 Definite Darkness>
07 Another Tunguska
08 Rifle Eyesight
09 The Current
10 Keep Me Waiting
11 Cold Spring
12 Secret Family
13 [encore break]
14 Gary Condit
15 Wind Phoenix (Proper Name)
16 [encore break 2]
17 And the Hazy Sea

If you enjoyed this NYCTaper recording, we expect that you will PLEASE SUPPORT Cymbals Eat Guitars, visit their website, visit their MySpace page, and purchase Lenses Alien from the links at their web store [HERE].

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

October 11, 2011
By

backyard_brunch-22
[Photo by Dominick Mastrangelo]

When I first heard Aly Spaltro, aka Lady Lamb the Beekeeper, I flat-out couldn’t believe a girl so small (the band’s Facebook page cheekily describes her as 6’2″) – and so young (early 20s) – could make such a large, mature sound. Her “band” is no more than her and her guitar, but Aly never sounded intimidated or lonely on that empty stage. She cold-opened with an a cappella number – “Up In the Rafters” – that gave me chills. Stripped bare, the song is a sustained cry of longing, at once sultry, dangerous and sweet, and it’s delivered fearlessly. She closes out “Rafters” and moves straight into “Mezzanine”, this time accompanied by her guitar. Her playing is the equal of that lovely gravel in her voice, taking abrupt and unexpected twists in time and tempo. Both songs appear on LLTB’s current release Mammoth Swoon, a collection of unreleased, rare, and bedroom tracks that Aly released at the end of last year. You may be asking yourself how a young artist like Aly manages to have a rarities comp already, and that would be a good question. But head to LLTB’s bandcamp page, and you’ll see that she is already three releases deep. This set of six songs was culled from several of her records other than Mammoth, and each song showcased her unique songwriting ability. It’s hard for the word “precocious” not to come to mind, but LLTB would be an act of striking talent and depth at any age.

Backyard Brunch Sessions work best with artists who have the confidence to let their music stand unadorned. In a simple East Village backyard surrounded by a garden, new friends (and some delicious French Toast Grilled Cheese Sandwiches), Aly Spaltro fit this show’s aesthetic perfectly. She’s been playing alone on that empty stage since day one.

I recorded this set with a combination of high-end microphones, including the DPA 4021 that you can see miking Aly’s vocals. The sound quality is excellent, other than a two-second spot during “Up In the Rafters” where her guitar hit the mic stand. Enjoy!

Lady Lamb the Beekeeper’s next show will be a Windish Agency CMJ Showcase at Rockwood Music Hall on October 21.  More info here.

Stream “Up in the Rafters”
[audio:https://www.nyctaper.com/L1009LLTB0211/Rafters.mp3]

Stream “Southernfly”
[audio:https://www.nyctaper.com/L1009LLTB0211/Southernfly.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter | visit the backyard brunch sessions homepage

Lady Lamb the Beekeeper
2011-10-09
Backyard Brunch Sessions
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod pair, on guitar amp)+DPA 4021 (on vocals)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (studio effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Up In the Rafters
03 Mezzanine
04 Between Two Trees
05 Florence Berlin
06 Southernfly
07 [banter]
08 Crane Your Neck
09 [outro]

PLEASE SUPPORT Lady Lamb the Beekeeper, like her on Facebook, visit her website, and purchase her releases from her bandcamp page.

Vetiver: September 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

September 21, 2011
By

Vetiver-010
[Photos courtesy of JC McIlwaine.  Check out his photography page here.  More of his Fruit Bats concert photos, and a review of the show, are available at Bowery Ballroom’s “House List” site here]

It’s hard to have a truly great time at a concert without a headliner that kills it.  But an almost-equal treat is catching an opener that you haven’t seen on tour before, whose music you don’t really know, and who equals or even surpasses the headliner.  Such was the case with this nearly co-headlining (in terms of length) set by the San Francisco band Vetiver, who opened the Bowery Ballroom for the Fruit Bats (that recording here). In fairness, the bands aren’t entirely separate entities; Fruit Bats frontman Eric Johnson has also played in Vetiver, and joined them during this show for “I Must Be In A Good Place Now.”  But despite the range of collaborators (which also include Devendra Banhart, Joanna Newson, Hope Sandoval and Johnson), Vetiver is first and foremost the brainchild of songwriter Andy Cabic, who has been performing with this band since 2004. Utilizing elements of the breezy, 60s-inspired sound big these days among the likes of Kurt Vile and the War on Drugs (and tagged, like anything even vaguely so, with the prefix “psych-“), and more traditional Americana and roots music (“Wishing Well” could just about be the Grateful Dead), Cabic’s songs are well-crafted and timeless in the best of ways. “Can’t You Tell”, from the band’s latest, The Errant Charm, is beautifully paced, riding a bouncy organ riff and head-bobbing backbeat.  I was also instantly charmed by “It’s Beyond Me”, another track from the new record, a slow-burner that manages to have a deliciously anthemic feel despite never cranking the volume to 11.  You can imagine Vetiver fitting in well in a lot of different settings – with various permutations of the indie set, with the folk crowd, with the Wilco fans – but this combo with the Fruit Bats was a particularly strong one, making for a perfect night of music.  The Fruit Bats closed it out strong, but it wouldn’t have been possible without Vetiver.

I recorded this set with a soundboard feed and the DPA microphones, and the resulting pull is even better than the Fruit Bats recording. Enjoy!

Stream “It’s Beyond Me”
[audio:https://www.nyctaper.com/V0913Vetiver0211/vetiver2011-09-13bowery_acidjack-07.mp3]

Stream “Can’t You Tell”
[audio:https://www.nyctaper.com/V0913Vetiver0211/vetiver2011-09-13bowery_acidjack-13.mp3]

Direct download of MP3 files [HERE] | Direct download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Vetiver
2011-09-13
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (EQ, effects, mixdown, smooth peaks, amplify and balance, downsample to 44.1kHz)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 Wonder Why
02 Streets of Your Town [Go-Betweens]
03 Strictly Rule
04 Hard to Break
05 Right Away
06 Everyday
07 It’s Beyond Me
08 You May Be Blue
09 I Must Be In A Good Place Now*
10 [banter]
11 Rolling Sea
12 Wishing Well
13 Can’t You Tell
14 More of This

* w/ Eric Johnson from Fruit Bats

If you enjoyed this recording, PLEASE SUPPORT Vetiver, visit their website, and purchase their official releases from Sub Pop Records at its online store [HERE]

White Fence: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

August 30, 2011
By

White Fence
[photo by Maryanne Ventrice]

One of the real joys of seeing live shows is seeing an opening band that just blows you away. That was the case with this opening set from White Fence on a stacked Bowery Ballroom bill led by NYCTaper favorites Woods. White Fence’s records are the solo effort Tim Presley, who also does time in the Strange Boys and Darker My Love, so for this show his backing band consisted of Nick Murray on Drums, and two members of Woods (Jarvis and Kevin), who handled Presley’s material as capably as if it were their own. Presley brings a Dylanesque vocal turn to his garage-psych songs, but the laid-back vibe of the songs doesn’t mean the playing isn’t also top notch, particularly Presley’s guitar work. The band’s entire set brought the rapidly-packing room to peak energy level, climaxing with jammed-out version of “Sticky Fruitman Has Faith” that was worthy of the night’s headliner in its ambitious scope. Whatever Presley’s other commitments musically, I hope he makes this project a priority, as White Fence is a can’t-miss band on any bill they’re on.

We recorded this set in the same manner as the Woods set, and the results are similarly outstanding. Enjoy!

Stream “The Love Between”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/03 The Love Between.mp3]

Stream “Sticky Fruitman Has Faith”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/15 Sticky Fruitman Has Faith.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

White Fence
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Mr. Adams>
02 Who Feels Right
03 The Love Between
04 Baxter Corner
05 [banter]
06 Be Right Too
07 When There Is No Crowd
08 Growing Faith
09 Enthusiasm
10 Harness
11 Lillian (Won’t You Play Drums?)
12 Get That Heart
13 [banter]
14 Sara Snow
15 Sticky Fruitman Has Faith

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit his MySpace page, and purchase his latest record Is Growing Faith directly from Woodsist records [HERE]

Joan of Arc: August 10, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

August 27, 2011
By

joa2011-08-10-2
[Photo by acidjack]

Whether you find Joan of Arc frustrating or incredible is likely to come down to your overall view of what rock music is about: If you hold the attitude of “I am here, you must entertain me with classics and catchy tunes”, you are likely to be in the former camp.  You’re also probably that person that customizes every dinner order beyond recognition. A sauce-on-the-sider, if you will. People like you would do well to avoid bands like Joan of Arc, who tend to reward the other type of listener, who enjoys being challenged, who enjoys taking in the breadth of an artist’s vision, and who would rather see something new than something familiar.

Which is not to say that this set by Tim Kinsella’s main project of the past 15 years was not thoroughly entertaining. Kinsella, who made his name in Cap’n Jazz before that band split up (other than their brief reunion last summer that we recorded HERE and HERE), can put on a fierce live show, and keep some wacky stage banter in the mix as well. Eschewing emo-or-whatever-you-call-it tradition, Joan of Arc’s set is heavy on variety – a short burst of almost-pure pop here, a lengthy instrumental there. This set had both, as well as encore songs from another Kinsella side project, Owls. The band’s virtuosity couldn’t be denied – they rocked, time signature or structure-of-the-moment be damned. Songs thrive on dense, angular riffs and plaintive vocals. The resulting recording is a thing of beauty as well – as clear an indication if there ever was one that a small club, excellent sound engineer (Kevin, as usual) and band that knows what they’re doing is an unbeatable combination.

Kevin’s soundboard feed blended perfectly with the Schoeps supercardiod microphones, and the resulting recording is clear, crisp and excellent. Enjoy!

Stream “Every Day I Saw Was the Same Face [Owls]”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/13 Every Day I Saw Was the Same Face.mp3]

Stream “I Saw the Messed Blinds of My Generation”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/08 I Saw the Messed Blinds of My Generation.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Joan of Arc
2011-08-10
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics at 7.5′
Mastering: 2x24bit/48kHz WAV>Audacity (mix down, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks:
01 Night Life Style
02 Howdy Pardoner
03 Still Life
04 Let’s Wrestle
05 Who’s Afraid of Elizabeth Taylor?
06 On A Bedsheet In the Breeze on the Roof
07 [instrumental]
08 I Saw The Messed Blinds of My Generation
09 Love Life
10 [banter]
11 Like Minded
12 [long banter]
13 Every Day I Saw Was the Same Face [Owls]
14 [banter]
15 Anyone Can Have A Good Time [Owls]
16 My Summerlong High Wipeout

If you enjoyed this recording, PLEASE SUPPORT Joan of Arc, visit their website, and purchase their products and releases from their online store [HERE]

Deerhunter: August 23, 2011 Webster Hall – FLAC and MP3 Downloads + Streaming Songs

August 25, 2011
By

deerhunter ventrice
[Photo by Maryanne Ventrice]

The first show I saw by the ultra-talented recording artist Bradford Cox was an Atlas Sound set at the ATP New York music festival in 2009. It was a disaster. Consisting mostly of pedal troubles and tuning woes that took up more than half the set, with Bradford apologizing profusely, it didn’t live up to the promise of the recorded material. So, despite the unique, compelling sound of Bradford’s records, I was reluctant about the live show – even though both Deerhunter and Atlas Sound have been featured on this site many times (albeit not my recordings).

This Deerhunter show at Webster Hall erased my doubts – and made me kick myself for not going to see this band sooner. This show was one of the best I have seen this year, with Bradford confidently, brilliantly owning his instrument, his voice, and the stage. Deerhunter is rock music – popular(ish) rock music, at least – at its bleeding edge, where Radiohead used to be, creating an entirely new sound from the tools that have (mostly) been there for rock’s 40+ years. This show kicked off with the anthemic “Fluorescent Grey”, featuring original bandmember Colin Mee, who stuck around for the first five songs. The band spent the entire show bathed in green light, with Cox commanding a visceral torrent of sound. The band’s live sound feels like a living, breathing thing – an alien form that surges, crackles, crinkles and trills. The band’s best songs on this night were otherworldly: “Nothing Ever Happened” morphed into an extended jam, with Cox melding in some of Patti Smith’s “Land”. “Twilight at Carbon Lake”, closing the main set, held us in rapture. Almost the entire show was seamless, with extended guitar loops and chirps filling in between songs. The show ended with “Calvary Scars II”, which bled into an extended loop that terminated as the lights went up.

As this show ended, I understood what had happened at ATP a few years ago. Cox may not always be perfect – someone as prolific, as ambitious as he is almost can’t be. But he is the kind of artist whose excesses must not only be tolerated, but celebrated – this creator needs every encouragement we can give him to create and succeed. And when he does succeed, you get a night like this night: phenomenal.

I recorded this set from the center of the floor with the DPA microphones. I spent a great deal of time post-processing and was rewarded with an excellent recording than is free of unnecessary crowd chatter almost throughout. No recording can match the experience of being at a show like this – but turn this up, and you might get close. Enjoy!

Stream “Nothing Ever Happened”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/11 Nothing Ever Happened.mp3]

Stream “Earthquake”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/07 Earthquake.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Deerhunter
2011-08-23
Webster Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audition (EQ, effects, parallel compression, downsample to 44.1kHz)>Audacity (tracking, fades, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:30:31]
01 Fluorescent Grey
02 Intro>
03 Cryptograms
04 White Ink
05 Lake Somerset
06 [banter]
07 Earthquake
08 Don’t Cry
09 Revival
10 Never Stops
11 Nothing Ever Happened
12 Twilight at Carbon Lake
13 [encore interlude]
14 Desire Lines>
15 Calvary Scars II

If you enjoyed this recording, PLEASE SUPPORT Deerhunter, visit their MySpace page, visit the band blog, visit the Halcyon Digest page, and purchase Halcyon Digest from 4AD Records [here].

SUPPORT NYCTaper




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