Posts Tagged ‘ nyc ’

Prairie Empire: June 10, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

June 26, 2012
By


[Photos by Dominick Mastrangelo]

When I first head singer-songwriter Brittain Ashford, I knew right away that she was something special. With a voice that is sweet, delicate and whimsical, Ashford draws you in and keeps you in her headspace, with clear, confessional lyrics that give you that proverbial window into her soul. Prairie Empire is Ashford’s first full-band project, and musically, it is a successful one.  With a full complement of talented players with a range of instruments at their disposal that includes strings, cello, violin, viola, drums, sleigh bells, dulcimer and trumpet, the sum of Prairie Empire is far greater than its parts, and Ashford’s judicious arrangements give grace and power to her songs without cluttering them.

This show at Mercury Lounge celebrated the release of the band’s debut LP on Trailer Fire Records, and found Ashford and her bandmates delivering beautifully-realized live renditions of the majority of the record. The band’s LP is one of the most well-mixed and recorded albums I have heard in some time (the vinyl pressing is of exceptionally high quality), with a dry, dynamic mix, and I was thrilled to hear how well the band brought the material across live.  Along with “Give,” the studio version of which has been streaming on the band’s website for awhile, I was particularly partial to “Under Hum” and “Where You Are”, with its plaintive, emotionally wrenching chorus. We are thrilled to have had part of presenting this show, and wish the band the best of luck on their current tour.  If you are in one of the areas of the Midwest or East Coast where the band is touring, you owe it to yourself to go and see them.

I recorded this set with Schoeps MK5 microphones from the center of the room by the board, along with a stereo soundboard feed. Other than the occasional sound of the door between the show area and the bar  opening and closing, and some very light DI distortion on a couple of songs, the recording is flawless, and an outstanding representation of the band’s live sound. Enjoy!

Special thanks to Brittain Ashford and Prairie Empire for their invitation to us to present this show and to record it.

Stream “Under Hum”
[audio:https://www.nyctaper.com/P6001PrairieEmpire2012/05 Under Hum.mp3]

Stream “Where You Are”
[audio:https://www.nyctaper.com/P6001PrairieEmpire2012/08 Where You Are.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Prairie Empire
2012-06-10
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5(cardiod, DFC, POS, 7.5ft)>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (light EQ)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Tenfold
03 Snow
04 Winter Came
05 Under Hum
06 Give
07 [banter]
08 Where You Are
09 Pieces, Parts

If you enjoyed this recording, PLEASE SUPPORT Prairie Empire, visit their website, and purchase their record from Trailer Fire Records [HERE] or on iTunes.

NYCTaper Presents: Prairie Empire Record Release Show this Sunday at Mercury Lounge

June 7, 2012
By

Prairie Empire is the current project of the multitalented musician and songwriter Brittain Ashford, who is another Seattle transplant to Brooklyn that we are thrilled to have in our midst. As a singer, Ashford’s voice packs incredible emotional presence and range, as well as a little pixie dust pinch of whimsy; you feel an instant kinship with her and her music even if you’ve never met her. As for her band, their lush arrangements provide a broad sonic palette for Ashford’s compositions, incorporating strings, cello, violin, viola, drums, sleigh bells, dulcimer and trumpet, not to mention vocal harmonies. No surprise, then, that no less than eight other musicians played on the band’s new record.

Fresh off a recent Daytrotter performance, Ashford and her bandmates (several of whom live in Portland, making this no small trip) are celebrating the release of their eponymous debut album on Durham, NC’s Trailer Fire Records with this very special early show at Mercury Lounge this Sunday night. Although Prairie Empire has not been on the site before, everything we know about this band suggests that they will deliver a performance with a grace and beauty that more than does justice to their new album material. Opening the show will be the singer-songwriter Jo Schornikow, another young talent that we look forward to getting to know.

The NYCTaper crew will be on hand to capture audio of this event and to celebrate Prairie Empire’s new album and future success.  We hope that you will join us!

Tickets for the show are $10 and can be purchased [HERE] or fee-free at the Mercury Lounge Box Office.

Following this show, Prairie Empire will be going on an early summer tour of the Northeast and Midwest (and hopefully more to come).  Those tour dates are listed on their website [HERE].  You can also follow Brittain Ashford on twitter.

The show starts at 6:30pm SHARP (no, not 6:30pm “rock n’ roll time”)

Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming Song

May 24, 2012
By


[Photos courtesy of Robert Kidd.  See more of his excellent work HERE.]

To paraphrase the late Jerry Garcia, not everybody knows who Mike Watt is, but those who do really appreciate Mike Watt.  Having long been established as an elder statesman of punk, post-punk and alternative rock starting with the seminal Minutemen and the inspired fIREHOSE, his versatility has allowed him to play with many musicians of different stripes and genres.  He’s a bass player’s bass player; the go-to guy who you know will hold down the low-end duties superbly and is not afraid of working hard.  If it doesn’t already, his business card should read, “Have bass, will travel.”  That’s why when people in the know hear that Watt is coming to town, they run and don’t walk to get to the gig.

Initially announced as the NYC launch of his new book, ‘Mike Watt: On and Off Bass‘, and calling the event “Mike Watt & Friends”, word had it that he was also planning to dust off the Hellride East moniker (one of his many projects) and play Stooges tunes with J Mascis and Murph from Dinosaur Jr.  After an interview session with noted music writer Byron Coley, the music kicked off and it was indeed The Stooges from their first two excellent albums.  In his element, clearly enjoying himself and fingers hammering the strings, Watt and Mascis were the only two constant musicians during the set.  At any given time the drummers were rotating between Murph, John Maloney and Sonic Youth‘s Steve Shelley.  SY’s Thurston Moore took a turn or two on vocals as did Don Fleming, John Petkovic (also playing clarinet), Sharon Van Etten, Kurt Vile, Byron Coley and Noel Ford, the former soundman from the Continental (and current one for Dinosaur Jr.) or so I was told.  It was a whirlwind trying to keep up with the cavalcade of performers who kept jumping on stage.  With the pervasive sense of “what’s next?” in the air and the close proximity of all these great artists, the small Le Poisson Rouge felt more like a party at a friend’s house with a killer band than a concert.  That atmosphere prevailed even more so when the music ended and everyone milled around chatting and drinking while the guest of honor signed copies of his book and greeted all comers with a handshake.  A truly unique evening and, personally, I can’t wait for Mike to pop up here in our city again.  Wondering in just what permutation that will be should prove almost as much fun.

This night at Le Poisson Rouge presented a unique recording opportunity for us.  Rather than having to set up towards the back of the room so as not to be in the way, we were able to park our rig right at the stage lip and nearly dead center.  Recording in this manner makes the separation of the instruments and where they were on stage very distinct.  A monitor was just off to our right so while the vocals aren’t entirely centered, the overall effect is really cool and the next closest thing to being right up front at the show.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Mike Watt and all the performers for making this recording possible, and to Frankie, Bernie and the staff at Le Poisson Rouge for their courtesy and cooperation.

Stream “T.V. Eye”: [audio:https://www.nyctaper.com/W7025Watt2929/Mike_Watt_-_TV_Eye.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Mike Watt & Friends
(billed as Hellride East)
Wednesday, May 2, 2012
Le Poisson Rouge
New York, NY, USA

Source: AUD > Audio-Technica AT3031’s > Sound Devices MixPre > Roland R-05 (WAV @ 24-bit/48kHz)
Lineage: R-05 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

TRACKLIST:
[Total time: 1:20:43]
00. Mike Watt interviewed by Byron Coley
01. Real Cool Time  [Don Fleming (vocals), Murph (drums)]
02. T.V. Eye  [John Petkovic (vocals), John Maloney (drums)]
03. Loose  [Thurston Moore (vocals), John Maloney (drums)]
04. Dirt  [Sharon Van Etten (vocals), Steve Shelley (drums)]
05. Not Right  [John Maloney (drums)]
06. Down on the Street  [Thurston Moore (vocals), Murph (drums)]
07. No Fun  [Kurt Vile (vocals), Murph (drums)]
08. 1970  [Noel (vocals), Steve Shelley (drums)]
09. Little Doll  [Steve Shelley (drums)]
10. encore break / banter
11. Fun House  [Thurston Moore (vocals), John Petkovic (clarinet), Murph (drums)]
12. L.A. Blues  [Byron Coley (vocals), John Petkovic (clarinet), Murph & John Maloney (drums)]

If you download this recording, we expect that you will PLEASE SUPPORT Mike Watt, the performers and their projects, go see their shows, visit their websites (Mike’s is HERE), and purchase some of their official releases and merchandise [HERE] and [HERE].

Cymbals Eat Guitars: April 3, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 14, 2012
By


[Photos by acidjack]

We have featured Cymbals Eat Guitars several times on this site (most recently, a headlining Bowery show from last year), and we have always found their willingness to take risks refreshing. Not content to simply rework the more poppy sound of their breakout album, Why There Are Mountains, the band remain unafraid to take things in a more caustic direction. This Bowery Ballroom show found the band opening for Cursive (which we recorded, and will post if the band gets back to us about approval…), but the packed house for their set suggested equal fervor for these Staten Island natives.  The set focused on material from their latest record, Lenses Alien, but this also included some earlier favorites like “Indiana” and of course, “And the Hazy Sea”.

We recorded this set with a four-mic setup, but I thought the Sennheiser MKH-8040 source was sufficiently good to stand on its own.  We hope you agree. Enjoy!

Stream “And the Hazy Sea”
[audio:https://www.nyctaper.com/C2140CEG2990/06 And the Hazy Sea.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cymbals Eat Guitars
2012-04-03
Bowery Ballroom
New York, NY USA

Recorded by nyctaper and acidjack
Produced by acidjack

Sennheiser MKH-8040>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audacity (set fades, tracking, EQ, amplify and balance, downsample)>FLAC (level 8 )

Tracks
01 Definite Darkness
02 Another Tunguska
03 Rifle Eyesight
04 [unknown]
05 Indiana
06 And the Hazy Sea
07 [unknown]
08 Shore Points

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Cymbals Eat Guitars, visit their website, visit their MySpace page, and purchase Lenses Alien and their other records from the links at their web store [HERE].

This Is the Kit: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

May 8, 2012
By


[Not very good iPhone photo by acidjack]

For obvious reasons, we end up promoting a lot of NYC-based bands on this site. But it is always a rare treat to get a chance to share a recording by a band from overseas, particularly one that is new to us. This Is the Kit is a Paris and Bristol, UK-based project of vocalist/guitarist/banjo player Kate Stables that produces a grown-up brand of acoustic, blues-influenced rock of timeless beauty and grace – think of Cowboy Junkies or Sharon Van Etten as a reference point. Her music isn’t gimmicky or loud, brash or lo-fi.  This is a type of band that you want to listen to, try and focus on what’s being said through the hush (if you’re lucky, and there is, in fact a hush). And sure, your Dad might dig it, but that doesn’t mean you shouldn’t – a great song is a great song, no?

Mercury Lounge late show can often be a challenge to a band, after the bar has been open a few hours and two other bands have already done their thing. This Is the Kit were opening for Plants and Animals, who themselves had a fairly rowdy crowd. Hearing the opening notes of the spare, magnificent banjo intro of “Easy Pickings”, I feared for the worst. But a funny thing happened- the crowd paid attention, throughout a set that showcased several of the band’s numbers from Wriggle Out the Restless, a record originally released on the UK imprint Brassland and about to be re-released stateside (you can grab it for a steal on bandcamp right now for $3 or more… I suggest more). Out of a uniformly excellent set, it’s hard to pick favorites, but I was partial to the bluesy “rocker” of the group, “Earthquake”, the quiet leadoff track “Easy Pickings”, and the frenetic cross-rhythms of “Spinney” (currently the free track on the bandcamp page). Each of the songs in this set felt distinct, and the band managed to show a lot of different sides during this short opening performance. The next time they’re headlining, I’m there.

I recorded this set in the same manner as the Plants and Animals recording, but the quality of both the house mix and soundboard feed were better for this performance. Given the quiet nature of the set, this recording favors the soundboard feed, and the result is an outstanding and crisp recording.  Enjoy!

Stream “Earthquake”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Earthquake.mp3]

Stream “Spinney”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Spinney.mp3]

Direct download of MP3 files [HERE] |  Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

This Is the Kit
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mixdown, balance)>Izotope Ozone 5 (EQ, harmonic exciter (gentle tube), imaging (add width)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Easy Pickings
02 White Ash Cut
03 Vitamins
04 Earthquake
05 Two Wooden Spoons
06 [banter]
07 See Here
08 [banter]
09 Misunderstanding
10 Spinney
11 Bashed Out

If you enjoyed this recording, please support This Is the Kit, like them on Facebook, and visit their bandcamp page to buy Wriggle Out the Restless.

Lucero: April 20, 2012 Webster Hall & October 17, 2009 Webster Hall – FLAC & MP3 Downloads + Streaming Songs

April 29, 2012
By


[Photos by acidjack and Johnny Fried Chicken Boy]

There are two main paths that bands take to success these days: There are the bands with instant buzz, who find themselves on the late night TV circuit and playing large venues instantly. (They tend to flame out quickly, too). Then there are the bands who earn it the hard way – playing 200-plus shows a year, gigging every goddamn festival and radio station and bar in every corner of the country, putting thousands of miles on a broke down van and doubly more miles on their livers and sanity, all for the love of music, sure, but also for a shot at success.

Success, for a rock band these days, is a bit redefined, but Lucero have achieved it, and they’ve achieved it the hard way. An unabashedly masculine band, whose hardscrabble tales ring with authenticity, Lucero sometimes seems to be of another era. It’s hard to argue otherwise about a band that titles their current release (their eighth record, but first on ATO Records) Women and Work. After all, for the early 21st century American man, work is something he hasn’t got, and women – well, they’re too busy doing all the work.

But that’s the beauty of Lucero – they remind you of better days, but they also remind you of the simple pleasures of the days you’re in. The boys themselves always look like they’re having fun. Frontman Ben Nichols’ most frequently-uttered phrase between songs is “hell yeah!”, and the band made quick work of a handle of Jameson onstage. Lucero’s music, even when tackling sadder subjects, has good cheer to go with its honest grit. Today we are presenting two recordings  from Webster Hall – the first from October of 2009, the second from April 20 (yes, that date) of this year. These two shows are perhaps more telling in their similarities than in their differences; the band may have continued to expand their sound and personnel, but the core of their music is consistent and strong. Maybe there’s a bit more gravel in Nichols’ pipes, but that doesn’t hurt a thing. And despite spending virtually the entire past decade on the road, they sound as fresh and hungry as ever. For example, with its early curfew, Webster Hall practically demands short sets – but Lucero played a two-hour set of nearly 30 songs. Nobody told these guys about lowering expectations.

The songs – well, there are those to talk about too. That word “honest” comes up again, when you think about a Memphis band whose sound pays homage to the country and blues and even R&B that fuel the town, but with a bit of a punk flavor thrown in. At the 4/20 show, the new songs were a blast; it’s hard to argue with the rocker “I Can’t Stand To Leave You” or the honky-tonk “Like Lightning”. A stripped-down group of personnel played “The War”, the World War II tale that could easily resonate with soldiers in Afghanistan and elsewhere today. And of course, Lucero played the favorites that the band is probably expected to play at every show, and why not? “Nights Like These” is one of those songs you never get tired of; same for the valedictory “Last Night In Town”.

Of the October 2009 show, JFCB said:

Lucero made quite the impression on me when I first saw them in early 2009. After the release of the excellent ‘1372 Overton Park’ album later that year, they embarked on a tour with fellow Memphis musician Amy LaVere and blues/rock duo Cedric Burnside & Lightnin’ Malcolm. Billed as the “Ramblin’ Roadshow and Memphis Revue”, it was also the first time the group ever toured with a horn section to mirror the sounds on their recent disc. Being on the road with this handpicked crew must’ve had a positive influence as both the band and the particularly boisterous crowd on this Saturday night seemed to have a great time. While drinking and fielding song requests, Lucero played the majority of ‘Overton Park’ and dug out a number of older nuggets that had the party whooping and hollering for more.

We can keep spilling words about them, but really, all you need to know about Lucero is contained in their sendoff to us at the 4/20 show: “We appreciate each and every one of y’all making dreams come true. Dreams do come true!” A lot of things about rock music have changed in the fourteen years of Lucero’s career; a lot of dreams have changed, many for the worst. We’re pleased to raise a glass to these guys realizing theirs – they deserve it.

I recorded the 4/20 show with Schoeps MK5 cardiod microphones in a wider NOS configuration from directly behind the soundboard in order to give the recording a spacious, open sound. Johnny Fried Chicken boy recorded the October 2009 show with AKG 414 large-diaphragm mics that are always great-sounding, but especially for this band. If this is your first time reading about Lucero, you might check out his recording of the band from Mercury Lounge last year first – it’s an instant classic. Enjoy these recordings, and support Lucero!

Thanks to Lucero and their management for their accommodating treatment of us at this show and many others. 

Stream “Like Lightning” from the 4/20/2012 show:
[audio:https://www.nyctaper.com/L2006Lucero9020/26 Like Lightning.mp3]

Stream “The Devil and Maggie Chascarillo” from the October 2009 show:
[audio:https://www.nyctaper.com/L2006Lucero9020/Lucero_-_The_Devil_and_Maggie_Chascarillo.mp3]

Stream “The War” from the 4/20/2012 show:
[audio:https://www.nyctaper.com/L2006Lucero9020/23 The War.mp3]

Download the April 2012 show: [MP3] | [FLAC]

Download the October 2009 show [MP3] | [FLAC]

Follow acidjack on twitter | Follow Johnny Fried Chicken Boy on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lucero
Friday, April 20, 2012
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, NOS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>Izotope Ozone 5 (EQ, stereo image)>Audacity (set fades, additional EQ, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:54:33]
01 [intro]
02 That Much Further West
03 Downtown (Intro)>On My Way Downtown
04 Nights Like These
05 Kiss the Bottle [Jawbreaker]
06 Women & Work
07 Raising Hell
08 Hey Darlin’ Do You Gamble?
09 Juniper
10 Chain Link Fence
11 Sounds of the City
12 [banter]
13 It May Be Too Late
14 She’s Just That Kind Of Girl
15 Bikeriders
16 Slow Dancing
17 [banter]
18 I Can’t Stand To Leave You
19 Joining the Army
20 Last Night In Town

[Ben With Rick and Todd]
21 Mom
22 Hold Me Close
23 The War

[Full band]
24 [banter]
25 All Sewn Up
26 Like Lightning
27 My Best Girl
28 Tears Don’t Matter Much
29 [encore break]
30 Mine Tonight
31 Go Easy

——————————-

Saturday, October 17, 2009
Webster Hall
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by Johnny Fried Chicken Boy

Tracks:
[Total time: 1:47:06]
01 intro (“Welcome to the Jungle”)
02 Sounds of the City
03 That Much Further West
04 Can’t Feel a Thing
05 The Devil and Maggie Chascarillo
06 Nights Like These
07 What Else Would You Have Me Be?
08 Joining the Army
09 Last Night in Town
10 Sixes and Sevens
11 Goodbye Again
12 Kiss the Bottle [Jawbreaker]
13 I’ll Just Fall
14 Johnny Davis
15 Raising Hell
16 Hey Darlin’ Do You Gamble?
17 banter 1
18 Chain Link Fence
19 Sixteen
20 Sweet Little Thing
21 banter 2
22 The Last Pale Light in the West
23 Mom
24 Smoke
25 I Can Get Us Out of Here
26 Darken My Door
27 Tears Don’t Matter Much
28 encore break
29 All Sewn Up

If you enjoyed these recordings, please support Lucero by visiting their website, attending their shows, and buying their official releases, including Women & Work, from their web store [HERE]

Plants and Animals: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

April 26, 2012
By


[Photos courtesy of Patrick Proctor at Hippies Are Dead]

The Montreal band Plants and Animals has been at this for awhile now – they released their first EP in 2004 – and experience has clearly served them well, developing them into a band with considerable chops and obvious stage presence.  This show at Mercury Lounge came on the heels of the release of their third record, The End of That, a document of the three-piece’s continuing commitment to big, 70s-inspired rock. Big is a broad but appropriate word for the sound of a band whose songs routinely stretch beyond five or even six minutes – Plants and Animals take their time building their satisfying rhythmic structures on songs like “Mercy” and “Crisis”. While many bands use the excuse of being the fourth or fifth band of the night to wrap things up early-style, Plants and Animals anchored a long Thursday night of music at Mercury Lounge to deliver an 80-minute set that covered their three big releases and some deeper cuts from their with/avec EP like “Lola Who” and the set closer, a nine-minute version of “Faerie Dance”. The crowd was most pumped for the band’s latest single, “Lightshow”, and deservedly so – it’s an instantly memorable song with a loud/soft dynamic and a mind-glue riff.

I recorded this set with Schoeps MK41 microphones and a soundboard feed courtesy of the Mercury Lounge staff. Unfortunately, this being the Mercury “late show” and it being a popular drinking night here in NY (well, aren’t they all…), the crowd was very noisy, forcing me to mix in more of the soundboard feed than I otherwise would have preferred.  Although it is still a good capture, listeners on headphones may be distracted at times by the crowd chatter. With that  caveat, enjoy!

Stream “Lightshow”
[audio:https://www.nyctaper.com/P4018PlantsAnimals1220/13 Lightshow.mp3]

Stream “Crisis!”
[audio:https://www.nyctaper.com/P4018PlantsAnimals1220/02 Crisis!.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Plants and Animals
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS, 7.5ft)>CMC6 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (align, mixdown, tracking, amplify and balance, set fades)>FLAC ( level 8 )

Tracks [Total Time 1:21:17]
01 Bye Bye Bye
02 Crisis!
03 Good Friend
04 Control Me
05 Gameshows
06 No Idea
07 Lola Who?
08 The Mama Papa
09 Mercy
10 Why & Why
11 [banter]
12 Undone Melody
13 Lightshow
14 [encore break]
15 The End of That
16 Faerie Dance

If you enjoyed this recording, PLEASE SUPPORT Plants and Animals, visit their website, and purchase their official releases from their online store [HERE]

Conduits: April 2, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 24, 2012
By


[Photos by acidjack]

Conduits are a new band from the always-punching-above-its-weight music scene of Omaha, Nebraska, and we were fortunate enough to catch them right after the release of their promising self-titled debut on the label Team Love.  Conduits’ reference points include many bands I revere – Slowdive, My Bloody Valentine, Lush, Portishead and the underappreciated Irish band Scheer – so I was naturally taken with their sound. Lead singer Jenna Morrison, previously of another beloved Omaha band Son, Ambulance, is a commanding frontwoman and vocalist, with the sort of powerful but ethereal voice that works perfectly with the band’s layers of feedback-drenched sound. And far from affecting the distant posture of some of their sonic forebears, Conduits actually perform, again with Morrison and bandmates J.J. Idt (guitar), Nate Mickish (guitar), Mike Overfield (bass, keys), Roger L. Lewis (drums), and Patrick Newbery (synth, keys) sharing the intensity of the moment with the crowd. Knob-twiddlers and shoegazers they ain’t – this is a rock n’ roll band that, even at a young stage, looked and sounded totally comfortable on the relatively big Bowery stage.  Idt and Mickish, who founded the band, clearly assembled their fellow players wisely.

This opening set at Bowery Ballroom covered four of the eight tracks on Conduits, plus two other songs that were new to me. My personal favorites came back to back – the strong rocker “Blood” and the more dark, atmospheric “Last Dirge”. Although the set was brief, it established Conduits as a band to watch. We expect great things in the future.

nyctaper and I recorded this set with a combination of more directional Schoeps MK41 hypercardiod microphones and Sennheiser MKH-8040 cardiods.  While this was not my favorite house mix in this beautiful-sounding room, this remains a great capture and a worthwhile introduction to this band. Enjoy!

Stream “Blood”
[audio:https://www.nyctaper.com/C0042Conduits0212/02 Blood.mp3]

Stream “Last Dirge”
[audio:https://www.nyctaper.com/C0042Conduits0212/03 Last Dirge.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Conduits
2012-04-02
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Schoeps MK41>KCY>Z-PFA>SD USBPre2 + Sennheiser MKH-8040 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 Top of the Hill>
02 Blood
03 Last Dirge
04 Misery Train
05 The Wonder
06 Crow

If you enjoyed this recording, please support Conduits by liking them on facebook and purchasing Conduits directly from Team Love [HERE]

Alabama Shakes: April 11, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 17, 2012
By


[Photo courtesy of Eric Groom.  See more of his excellent work HERE.]

Alabama Shakes recent rise in popularity can be described as nothing short of meteoric.  Less than a year ago, they were virtually unknown outside of a handful of bars in the southeastern United States.  Getting a push via the internet, word of mouth and their Alabama brethren, Drive-By Truckers, the group began to blow up, playing gigs with DBT and flooring attendees at their NYC debut this past October as part of the CMJ Music Marathon.  After a follow up at the intimate Mercury Lounge in December, Alabama Shakes blitzed our city again with sold out, back-to-back shows at the Studio at Webster Hall, Bowery Ballroom and Music Hall of Williamsburg to coincide with the release of their first full-length album, ‘Boys & Girls‘.

The band took the stage of Bowery Ballroom to an exuberant crowd that was practically humming with anticipation.  And frontwoman Brittany Howard, bassist Zac Cockrell, guitarist Heath Fogg, drummer Steve Johnson, and keyboardist Ben Tanner brought their A-game.  With their blistering mix of soul, R&B and good old fashioned, kick-ass rock ‘n’ roll, the house was treated to a nearly non-stop set that left us smiling and wishing there were more songs for them to play.  On their current trajectory, I suspect that Alabama Shakes won’t be playing small venues for too much longer.  Definitely check them out when you can.

At the great sounding Bowery Ballroom, Alabama Shakes engineer Shane and house engineer Kenny had the sound perfectly dialed in on this night.  Set up in our usual balcony spot, we had a board feed to combine with our microphones and it has resulted in an excellent recording.  We hope you like what you hear as much as we did.  Enjoy!

Stream “Hang Loose”: [audio:https://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Hang_Loose.mp3]

Stream “Boys & Girls”: [audio:https://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Boys_and_Girls.mp3]

Download the MP3 / FLAC files and stream this entire show on the Live Music Archive [HERE]

Follow Johnny Fried Chicken Boy on Twitter.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Alabama Shakes
Wednesday, April 11, 2012
Bowery Ballroom
New York, NY, USA

Source: SBD + Audio-Technica AT3031’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Alabama Shakes’ sound engineer: Shane
Bowery Ballroom house engineer: Kenny
Recorded by: acidjack and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:06:00]
01. Goin’ to the Party
02. Hang Loose
03. Hold On
04. I Found You
05. Always Alright
06. Boys & Girls
07. Be Mine
08. Hurricane Strut
09. Mama
10. Making Me Itch
11. You Ain’t Alone
12. On Your Way
13. Rise to the Sun
14. Heavy Chevy
15. encore break
16. I Ain’t the Same
17. Heat Lightning

If you download this recording, we expect that you will PLEASE SUPPORT Alabama Shakes, go see their shows, visit their website, visit their Facebook and MySpace pages, and purchase their album, ‘Boys & Girls’, and merchandise [HERE].

Yellow Ostrich: April 12, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

April 16, 2012
By


[Photos by acidjack]

Yellow Ostrich was the first band I saw last year, at this same venue (Mercury Lounge). Back then, the band consisted of creative mastermind and frontman Alex Schaaf and drummer Michael Tapper, working hard to produce an on-stage re-recreation of the simple magic of the band’s then-current release, The Mistress. That record was one of those indie gems you might miss if you didn’t pay attention to the CMJ showcase circuit and the right blogs; it was a lo-fi, low-profile recording offered on Schaaf’s bandcamp page for free, and it was as simple and unadorned as a record could get. That sold-out show found Schaaf still finding his footing creatively and and as a performer; he was still a bit raw, but already compelling.

Much has changed since then.

The Mistress and its stellar reviews attracted wider notice, as good records tend to, and Schaaf signed to the Northwest imprint Barsuk Records, who obligingly remastered and re-released The Mistress, along with bankrolling the band’s new release of last month, Strange Land. Since that Mercury Lounge show last January, Schaaf has performed around the country in front of hundreds of audiences, and the band has added a critical third member, Jon Natchez, who has played with Beirut, Camera Obscura, Okkervil River, and The Antlers. What was once your favorite little indie bedroom project has grown into a full-fledged rock band with the songs to prove it.

This sold-out Mercury Lounge show was a valedictory one for the band, coming on the heels of a U.S. tour that took them to all corners of the country, not to mention its great middle (Wisconsin is where Schaaf calls home, and they have a serious following in flyover country). Not only are the standout tracks on Strange Land like “Marathon Runner” and “I Got No Time For You” already in top form, but older tracks like the quirky “WHALE” that first drew me to the band have been reworked with more layers of sound. Schaaf’s sweet, somewhat nasal voice and quirky songcraft have always recalled, for me, innovators like John Darnielle and Jeff Mangum. Schaaf, like Darnielle, has found a way to embrace a full-bodied, at-times-lush rock sound without losing the qualities of his music that make it unique. It’s appropriate, then, that he closed the set with one of the simplest and most plaintive tracks off of The Mistress, “Mary”. Even with all his new musical toys, Schaaf can be a pretty damn compelling performer without them.

I recorded this set in the same manner as I recorded Yellow Ostrich last year, with Schoeps MK41 microphones and a perfect soundboard feed from the Mercury Lounge head FOH. The sound quality, as with the last recording, is outstanding.  Enjoy!

Check out Yellow Ostrich on tour this summer with Los Campesinos! and at several festivals (including Lollapalooza).  Their next NYC dates are June 21 at Maxwell’s, June 22 at Le Poisson Rouge and June 23 at Brooklyn Bowl, each with Los Campesinos!  Thanks to the band for their support of NYCTaper.

Stream “Marathon Runner”
[audio:https://www.nyctaper.com/Y1400YellowOstrich2110/09 Marathon Runner.mp3]

Stream “Heaven [The Talking Heads]”
[audio:https://www.nyctaper.com/Y1400YellowOstrich2110/13 Heaven.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yellow Ostrich
2012-04-12
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41 (ROC, PAS, 8ft)>CMC6>Aerco MP-2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (patch 25sec of one channel)>Adobe Audition CS 5.5(mixdown, EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC Level 8

Tracks
01 WHALE
02 Up in the Mountains
03 I Got No Time For You
04 Hold On
05 Daughter
06 Campaign
07 Wear Suits
08 [banter]
09 Marathon Runner
10 Elephant King
11 The Shakedown
12 [encore break]
13 Heaven [Talking Heads]
14 Mary

If you enjoyed this recording, PLEASE SUPPORT Yellow Ostrich, visit their website, see them on tour with Los Campesinos! and at the other festivals they’re playing this summer, and purchase Strange Land and The Mistress directly from Barsuk [HERE].

SUPPORT NYCTaper




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