Posts Tagged ‘ Sennheiser MKH-8040 ’

Cass McCombs: December 12, 2013 Bowery Ballroom – Flac/MP3/Streaming

December 18, 2013
By

CassBoweryWeAllWant
[photo by Will Oliver at We All Want Someone To Shout For]

Cass McCombs new album Big Wheel and Others is a real departure from his recent work. In 2011, he released both Wit’s End and Humor Risk and both albums owed much to the influence of the more sleepy Laurel Canyon music school. The shows in support of those albums were compellingly mellow and in particular the Bowery show in 2011 was one of the best shows we saw all that year. But Big Wheel is anything but sleepy — its pretty much a straight rock album and an ambitious double album at that. The tour in support of the album has been a lengthy cross-country trip that arrived at Bowery Ballroom on Thursday night. Cass’s band is a quartet of individual renowned in their own right, with the drums manned by Joe Russo, whose name has popped up often on this site in 2013. Dan Iead from the late great powerpop band The Broken West played both lead guitar and pedal steal, with versatile Portlander Jon Shaw (Battle Hymns and Gardens, Ez Weiss Quartet) (correction, thanks to comment: “Wolf!, Shpongle, Nicole Atkins, The Broken West, The Complete Last Waltz, etc”) on bass. The strength of the band was obvious from the start, as the album opener led off the set with a burst of energy. We’re streaming that track below. The balance of the set was a nice mix of material young and old — there were just six of the nineteen Big Wheel songs along with a democratic selection from each of Cass’s prior records. The Cass McCombs US tour is over, but he’ll be in Europe for six weeks in January and February.

I recorded this set with the Sennheiser Cards mounted at our usual spot in the center balcony. The room mix was quite superb with kudos to Cass’s tour FOH Chris Preston. We mixed in a very conservative amount of board feed to supplement the room mics and the sound quality is quite excellent. Enjoy!

Stream “Big Wheel”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cass McCombs
2013-12-12
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:35:01]
01 Big Wheel
02 There Can Be Only One
03 Love Thine Enemy
04 Crick in My Neck
05 Morning Star
06 Angel Blood
07 Aeon of Aquarius Blues
08 Dreams Come True Girl
09 Lionkiller
10 The Burning of the Temple 2012
11 You Saved My Life
12 What Isn’t Nature
13 The Same Thing
14 County Line
15 That’s That
16 [band intro/encore break]
17 Sacred Heart

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cass McCombs, visit his website, and purchase Big Wheel And Others from the Domino Records website [HERE].

The Numbers Band (15.60.75): December 6, 2013 Bowery Electric – Flac/MP3/Streaming

December 11, 2013
By

DSC_0211
[photos by P Squared Photography]

The Numbers Band (aka 15.60.75) is the fount from which much of the great Ohio-based music of the last four decades emanates. If that’s too big a statement, then let’s look at the facts. The Numbers Band debut album Jimmy Bell’s Still in Town was once described by Pere Ubu’s David Thomas as “one of the great moments of our culture”, and another time as “the only good album ever recorded by anyone”. The band’s members have included Gerald Casale (Devo), Chris Butler (The Waitresses, Tin Huey), and Terry Hynde (Chrissy Hynde’s brother). The band’s leader Robert Kidney has played with Anton Fier in the Golden Palominos, and along with his brother Jack with Ubu’s David Thomas. In 2012 Robert was awarded the Cleveland Arts Prize Lifetime Achievement Award. Locally in Ohio the band is a legend, but outside the midwest The Numbers Band is woefully under-appreciated and has never quite eclipsed cult status. On Friday night, the band returned to NYC for their first show here in many years to promote the re-issue of Jimmy Bell’s by the excellent Brooklyn-based but Ohio-centric record label Exit Stencil. It was very satisfying that Bowery Electric was packed to the rafters and the band both acknowledged and played off the energy of the crowd. Robert in particular, even given his age and recent health woes, seemed to be in great spirits and in prime form. The set began as the album does, with “Animal Speaks” and this version was on fire — we’re streaming it below. The energy never let up as the band worked through many Jimmy Bell’s tracks and a few deep cuts before they played essentially two encores. In the end it was really an honor to capture this set and gratifying to see a legendary band capable of an epic set and still around to receive the crowd adoration they deserve.

I recorded this set with the Sennheiser Cards mounted about 15 feet from the stage and mixed with a fine board feed. There was some crowd yapping at the back bar that can be heard during quieter moments, and a tad bit of peak static in the vocal mics at high volumes, but those are fairly minor flaws to an otherwise superb recording. Enjoy!

Stream “Animal Speaks”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DSC_0143

Numbers Band (15.60.75)
2013-11-06
Bowery Electric
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:36:22]
01 Animal Speaks
02 Nobody’s John
03 Red Stick
04 The New Matchbox Blues
05 Sucker Punch
06 I Wish You Would [Billy Boy Arnold]
07 Battery B
08 [Tony Maimone intro]
09 Jimmy Bell
10 Eye Game
11 Back To Disaster
12 Rosalee
13 Thunderhead
14 Keep A Knockin

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Numbers Band, visit their website, and purchase the reissue of Jimmy Bell’s Still In Town from Exit Stencil Records [HERE].

The Notekillers: November 5, 2013 Trans Pecos – Flac/MP3/Streaming

December 8, 2013
By

Notekillers Trans Pecos
[photos by Allen Yee]

The Notekillers are one of the more interesting and unique stories in music, an history that we outlined when we recorded the band nearly two years ago at a benefit for Jonathan Toubin. The Notekillers have not played an NYC show since that night in 2012, but the band came together for another special night on Thursday. The space at 915 Wyckoff has been dormant since the Summer of 2011 when the Silent Barn was closed. In the interim, the building has been brought up to code and ToddP has now opened the new fully legal venue Trans Pecos on the site. Thursday was the debut show for the venue and we were fortunate to be there and get a good look at the place. The venue will continue to evolve in terms of physical layout and site upgrades (including outdoor patio) and the music and entertainment aspect will be produced by a series of excellent curators. The fine Brooklyn boutique label Northern Spy Records will curate every Thursday and their first event was a eclectic mix of genres. The Notekillers set was forty minutes of their proficient instrumental avant punk/prog/jazz and it was engaging from start to finish. From up close, it was a treat to watch a musician of such accomplishment as David First, but the band is truly a trio of equals as bassist Stephen Bilenky and drummer/saxophonist Barry Halkin certainly held their own. The band played songs from both their 77-81 Compilation and their 2011 comeback album We’re Here To Help, including “Eyelash” that we are streaming below.

I recorded this set with the Sennheiser cardioids mounted on-stage in the middle of the three performers, and mixed with a slight bit of soundboard feed as enhancement and volume for the sax. The mix is primarily the onstage mics, which captured the sound superbly. Enjoy!

Stream “Eyelash”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Notekillers Trans Pecos 2

Notekillers
2013-12-05
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 37:46]
01 Airport
02 Eyelash
03 Braindance
04 Roll Over Stockhausen
05 [banter]
06 Punk Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Notekillers, visit their website, and purchase their official releaes from The Ecstatic Peace Records website [HERE] and the Prophase Music website [HERE].

The Blind Shake: October 27, 2013 285 Kent – Flac/MP3/Streaming

December 4, 2013
By

Blind Shake
[still from this video]

When Thee Oh Sees toured last month, John Dwyer brought Minnesota’s The Blind Shake on the road with them. Last month, we saw Blind Shake twice in NYC, but much preferred the more intimate 285 Kent set. The band plays an angular brand of garage punk, not dissimilar from Thee Oh Sees, but with a decidedly less 60s feel and perhaps a bit of a post-punk edge. Their set at 285 was fast and furious — the band literally took no significant breaks in between songs, so that they played 13 songs in barely 30 minutes. The Blind Shake have two full albums, an EP and several singles and their most recent record Key To A False Door is on Dwyer’s Castle Face Records. The setlist drew from their releases and also seems to include some unreleased tracks. The band just completed a lengthy US tour, so there are currently no dates but we’ll be sure the catch The Blink Shake when they return to NYC.

I recorded this set in the same manner as the Thee Oh Sees set and the sound is excellent. Enjoy!

Stream “Out Of Work”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Blind Shake
2013-10-27
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 31:02]
01 Garbage on Glue
02 I’m Not An Animal
03 Out of Work
04 Yellow
05 Go Go 78
06 Can’t Stand Life
07 Calligraphy
08 Fly Right
09 Young Carnival Waste
10 Porto Alegre
11 Man Leaves House
12 Seriousness
13 O’Rider

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Blind Shake, visit their website, and purchase Key To A False Door from Castle Face Records [HERE].

The Complete Last Waltz: November 27, 2013 Capitol Theatre Portchester – Flac/MP3/Streaming

December 1, 2013
By

Waltz1
[photos by Joe Madonna Photography]

It took place on Thanksgiving night 1976, and it is perhaps the greatest rock and roll concert ever — certainly in the top ten. As a concert, The Band’s The Last Waltz featured one of the premiere acts in the history of rock music retiring from touring in their prime and playing their greatest material accompanied by a who’s-who of guests. This isn’t just a few cameos from some big names — these are all-time performances from the greatest of the great. Dylan, Clapton, Neil, Van, Joni, and many others including everyone from Neil Diamond to Muddy Waters. The movie was directed by Scorcese is also perhaps the best concert film ever recorded. As a tribute to this remarkable and historical event in music history, The Complete Last Waltz is a project of tremendous ambition and respect for the history of the event. Last year the project was performed in San Francisco, but this year it moved East to the Capitol Theatre in Portchester on Thanksgiving Eve. The house band presented a bookend of sorts for this year for me personally, as the musicians were in large part the same group that had performed so admirably for Joe Russo’s Almost Dead at Brooklyn Bowl in January. On this night, the band lead was taken by Sam Cohen and he did an extraordinary job both performing the songs to which he was assigned and passing the spotlight to the queue of outstanding guests. For this four-hour event it would be unwise to summarize every highlight, as there were plenty. I’ve chosen to stream four tracks from this event, which were personal favorites. Eric D. Johnson of the Fruit Bats (RIP) performed Van Morrison’s “Caravan” with Van’s 70s energy and his clothing outfit, including the bell bottom jeans. Eric Earley, from nyctaper-faves Blitzen Trapper, performed the entire Dylan suite impeccably with “I Don’t Believe You” echoing the career highlight of the Dylan & The Band collaboration, the 1966 tour. Another site favorite Cass McCombs played three Band songs, of which we thought he completely nailed “Stage Fright”. Finally, Kenny Siegel of whom we were not previously familiar summoned the ghost of Richard Manuel for a perfect rendition of “The Shape I’m In”. But those four songs are just a sample of the amazing music made that night. If you were there (and listening) you know from what I speak, if you were not there please download and experience this show.

I recorded this set with the four-mic rig from the unfortunate official taping location in this venue, which is situated behind the soundboard and about 30 feet back from the balcony overhang. The other unfortunate circumstance at this show was the outrageous persistent yapping from much of the crowd — I mean people just would not stop talking. This despite a very nicely worded request on page two of the official Program asking people to refrain from talking or move the lobby. With those two very big caveats, please enjoy this recording!

Stream “The Shape I’m In” (Kenny Siegel):

Stream “Stage Fright” (Cass McCombs):

Stream “Caravan” (Eric D. Johnson):

Stream “I Don’t Believe You” (Eric Earley):

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Waltz2

Complete Last Waltz
2013-11-27
Capitol Theatre
Portchester, NY

Digital Master
Four-Track Audience Recording
Recorded from Behind the Soundboard Booth

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 3:25:37]
01 Last Waltz Theme (Antibalas horns)
02 Up On Cripple Creek (Sam Cohen)
03 The Shape I’m In (Kenny Siegel)
04 Life Is A Carnival (Ryan Miller)
05 W.S. Walcott Medicine Show (Alec Ounsworth)
06 Georgia on My Mind (Alecia Chakour)
07 Ophelia (Scott Metzger)
08 Rag Mama Rag (Marc Black)
09 King Harvest (Jeremy Black and Jared Samuel)
10 Mystery Train (Matt Vasquez)
11 Who Do You Love (Matt Vasquez)
12 The Night They Drove Old Dixie Down (Cass McCombs)
13 Stage Fright (Cass McCombs)
14 It Makes No Difference (Cass McCombs)
15 Such a Night (Marco Benevento)
16 Down South in New Orleans (Andy Cabic)
17 This Wheel’s On Fire (Andy Cabic)
18 [Nels rap]
19 Further On Up the Road (Nels Cline)
20 All Our Past Times (Nels Cline)
21 Helpless (Nicole Atkins)
22 Four Strong Winds (Nicole Atkins)
23 Coyote (Jocie Adams)
24 Furry Sings the Blues (Jocie Adams)
25 Dry Your Eyes (John Roderick)
26 Mannish Boy (Binky Griptite)
27 Caledonia (Binky Griptite)
28 Tura Lura Lural (Eric D. Johnson and Ryan Miller)
29 Caravan (Eric D. Johnson)
30 The Genetic Method (Ensemble)
31 Chest Fever (Kenny Siegel)
32 Evangeline (Parkington Sisters)
33 Acadian Driftwood (Parkington Sisters)
34 The Weight (Ensemble)
35 Baby Let Me Follow You Down (Eric Earley)
36 Hazel (Eric Earley)
37 I Don’t Believe You (Eric Earley)
38 Forever Young (Eric Earley)
39 Baby Let Me Follow You Down Reprise (Eric Earley)
40 I Shall Be Released (Ensemble)
41 [encore break]
42 Don’t Do It (Alecia Chakour and Scott Metzger)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Complete Last Waltz, visit the Facebook page, and support the many artists by following the links on the setlist to purchase their official material, for instance at the Royal Potato Family Records site where several artists reside [HERE].

Complete Last Waltz Playbill

Beach Fossils: November 22, 2013 285 Kent – Flac/MP3/Streaming

November 29, 2013
By

beach fossils 285
[a still from unartignyc video of entire show]

Beach Fossils began their set last Friday at 285 Kent midnight show at about 2 am. The band has been on tour since late October, and this was their homecoming party. As these “friends-only” shows tend to be, this night was loose, fun and at times inspired as heck. The show was really two shows — the first half a standard run-though Fossils favorites, including a nice mix of songs from both albums. The second half of the show began with the pairing of “Careless” and “Clash The Truth” — long versions with extended noise jams. It was after the introduction of Chris Hansell and the cover of anti-hardcore band No Trend (“Reality Breakdown”), that things began to get wild. For the balance of the set, the band played extra loose and the final two songs were crazy and cacophonous — and extremely fun and entertaining.

I recorded this set with the Sennheiser cards mounted on the beam ten feet from the stage and mixed with a board feed. The sound quality is excellent. Enjoy!

This set was also recorded on video by UnArtigNYC, and those videos can be found [here].

Stream “Youth”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Beach Fossils
2013-11-22
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:04:38]
01 [intro]
02 Calyer
03 Moments
04 What A Pleasure
05 Daydream
06 Shallow
07 [banter – birthday]
08 Generational Synthetic
09 Youth
10 [banter – one song]
11 Careless
12 Clash The Truth
13 [Chris intro]
14 Reality Breakdown [No Trend]
15 Birthday
16 [banter – best thing]
17 Burn You Down
18 [banter – thanks]
19 Crashed Out
20 Twelve Roses

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Beach Fossils, visit their Facebook page, and purchase Clash The Truth from Captured Tracks [HERE].

Kevin Devine: November 22, 2013 Webster Hall – Flac/MP3/Streaming

November 25, 2013
By

kevin devine webster okane
[photos by Sean O’Kane]

These days, Kevin Devine is the worst kept secret in pop music. For the first ten years of his career, Kevin was one of those performers who felt like he was yours alone — until you’d come to his shows and finding that you were hardly his only rabid fan. The front rows of Kevin’s shows are always filled with the kind of fans who know every single word to every song and buy tickets whenever he’s in town. Or, as the girl who yelled out a compliment about the Washington DC show on this tour, whenever he’s in any town. At Webster Hall on Friday night, it was the hometown show of a lengthy tour that’s brought Kevin Devine and the Goddamn Band across the country. Ostensibly to promote Bubblegum, the “rock” album of his dual album release (along with Bulldozer) that was fully funded in less than one day on Kickstarter, this tour has been a victory lap of sorts. Bubblegum and Bulldozer aren’t just new albums to support on a tour — they were at first affirmative proof that an artist of tremendous talent with an extremely dedicated underground fanbase could break free from the label trap and forge his own path on his own terms. But more than that, these two albums are superior works of art. Bubblegum on display at Webster is the full-band album that rocks from start to finish. There isn’t a weak track on the album, quite inapposite every track is a scorcher. If some of the larger music sites on the web haven’t yet caught onto these simple facts, its a credit to Paste Magazine, who reviewed Bubblegum with a 8.9 rating. At Webster on Friday, after the classic “Cotton Crush” opener, the band ripped through the first three tracks of the album in order and didn’t really come up for air throughout the entire hour-long main set. The encore set was a bit of a goof, with the band playing portions of a bunch of rock classics, before Kevin ended the show with a couple of solo songs. We’re streaming “Ballgame” which has closed each of the shows on this tour. This is Kevin’s early confessional song but at this point in his career maturity, it seems to be less about him and more about us and our obsessions with the current flavor-of-the-month. For the last few years, Kevin has added a verse for the live version of “Ballgame” which seems to be an evolving set of lyrics. The new last section was the most poignant — “wake up, cause you’re not done. You can fix yourselves up kids, and you can learn how to love, the way you’ve wanted to love someone besides yourself for once, and mean something for more than six months. There’s work to be done”. And that’s how the show ended. Kevin Devine will return in the Spring with a tour to support Bulldozer, and we’ll expect a little bit of a different format, but undoubtedly the same commitment and intensity.

I recorded this show with the Sennheiser cards mounted inside the sub-balcony of the soundboard booth and mixed with a board feed. There was a problematic microphone on one of the drums heads that caused some static in the middle of the show and can be heard at points. With that caveat, enjoy!

Stream “Bubblegum”:

Stream “Ballgame”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Kevin Devine
2013-11-22
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:35:46]
01 Cotton Crush
02 Nobel Prize
03 Private First Class
04 Fiscal Cliff
05 Carnival
06 [banter – spirit animal]
07 Bloodhound
08 Bubblegum
09 Buried By the Buzz
10 Another Bag of Bones
11 [banter – Now Now]
12 A Story A Sneak
13 She Can See Me (Bubblegum version)
14 Somewhere Unoccupied
15 I Don’t Care About Your Band
16 [banter – not cool]
17 Brother’s Blood
18 [encore break]
19 Sweet Child of Mine [Guns N Roses]
20 Thunderstruck [ACDC]
21 Round Here [Counting Crows]
22 Enter Sandman [Metallica]
23 El Scorcho [Weezer]
24 Stir It Up [Bob Marley]
25 Lose Yourself [Eminem]
26 Stan [Eminem]
27 [banter – 2 albums]
28 Little Bulldozer
29 I Could Be With Anyone
30 Redbird
31 Safe
32 Ballgame

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, and purchase Bulldozer and Bubblegum from the Merch link at his website [HERE].

Julia Weldon: October 17, 2013 NYCTaper CMJ at Cake Shop – Flac/MP3/Streaming

November 20, 2013
By

juliaweldon1
[photos by Amanda Hatfield]

We have made no secret of the fact that we believe that Julia Weldon is destined for great things. We’ve recorded her twice previously this year, including the CD release party for her new album Light Is A Ghost, and each time we became more convinced of the inevitably of her musical upward mobility. Julia was an obvious choice for our NYCTaper CMJ Day Party at Cake Shop this year, and we were so pleased when she accepted our invite. And despite the afternoon set time, a good chunk of her fans managed to see this outstanding performer again impress with a set of her country-tinged indie folk. The week of this show, Julia’s new video for the song “Careful In The Dark” was premiered by the Village Voice, and her performance of that song at this show was particularly strong. We’re streaming it below. Julia Weldon has scheduled a series of upcoming shows, including this Friday at Wellesley College and Sunday night in a solo opening slot at the Knitting Factory.

I recorded this set in the same manner as the previous CMJ Cake Shop recordings and the sound quality is equally superb. Enjoy!

Stream “Careful In The Dark”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

juliaweldon2

Julia Weldon
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 36:16]
01 All I Gave Her
02 Meadow
03 Went To My Woman
04 Icarus
05 Careful In The Dark
06 [band introductions]
07 Marian
08 Everybody Says
09 Soon
10 Round Again

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julia Weldon, visit her website, and purchase Light is a Ghost from the links at her website [HERE].

The Deslondes: November 4, 2013 Mercury Lounge – Flac/MP3/Streaming

November 18, 2013
By

Deslondes
[still from this video]

The Deslondes aren’t a new band, but they’re a band with a new name. The group is led by our old friend Sam Doores and his writing partner Riley Downing and were once called The Tumbleweeds. Sam took a couple of years to play with Hurray For The Riff Raff, and he returned full time to his own band the Deslondes were born. The name is taken from the street in New Orleans where Sam lives, and the band plays down home Americana with touches of country, bluegrass and honky tonk. This Fall the Deslondes were the support on the recent Spirit Family Reunion / HFTRR tour that came to NYC a couple of weeks back, and we caught the “secret” show at Mercury Lounge. The Deslondes set featured some older Tumbleweeds songs and some new tracks destined to be recorded soon, and was well received by the packed house. We’re streaming set highlight “Depression Blues”.

I recorded this set in the same manner as the Hurray For The Riff Raff recording and the sound quality is equally superb. Enjoy!

Stream “Depression Blues”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deslondes
2013-11-04
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 33:32]
01 I Got Found
02 Throw Another Cap in the Fire
03 Those Were Could Be the Days
04 Less Honkin More Tonkin
05 The Real Deal (This Time)
06 Low Down Soul
07 Depression Blues
08 [banter]
09 This Mornin I Was Born Again

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Deslondes, visit their website, visit their Facebook page, and shop at the Store at their website [HERE].

The Echo Friendly: October 17, 2013 NYCTaper CMJ Cake Shop – Flac/MP3/Streaming

November 15, 2013
By

theechofriendly1
[photos by Amanda Hatfield]

Last year, The Echo Friendly achieved a prime song placement — their song “Same Mistakes” was featured as the closing credit music during an episode of HBO’s Girls. For an indie band from Greenpoint whose songs are often about the fact that the group’s two protagonists are ex’s, the song placement couldn’t have been any more appropriate. What follows is the big question — if The Echo Friendly can parlay this exposure into career momentum. When we experienced their outstanding performance to a packed room at our CMJ show at Cake Shop, there was a palpable sense of excitement in the room and the big question was answered with a resounding yes. The songs are there, the band is tight, and the stage energy is intense. We expect big things from The Echo Friendly, and we’re pleased to have been able to have them at our party this year.

I recorded this set in the same manner as the previous recordings from this show and the sound is equally superb. Enjoy!

Stream “Same Mistakes”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

theechofriendly2

The Echo Friendly
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 22:29]
01 Worried
02 Panic
03 I Wanna Get High With You
04 Same Mistakes
05 Apartment
06 Ain’t No Grave
07 Supplies for Arson (For Billy Cassidy)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Echo Friendly, visit their Facebook page, visit their page at Cantora Records, and purchase their official releases from their bandcamp page [HERE].

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.