Posts Tagged ‘ soundboard ’

Purling Hiss: November 3, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

November 13, 2012
By


[photos courtesy of PSquared Photography]

Its always an encouraging story when talent, hard work and persistence are rewarded. We have been big fans of Purling Hiss for a couple of years, and we have been convinced since we first saw them in early 2011 at Bowery Ballroom that Mike Polizze’s band was ultimately going to reach a large audience. Mike is an extraordinarily talented guitarist and the band’s ferocious performing style fits with the aggressive garage-punk songs. At Music Hall of Williamsburg last week, we learned before the show that Purling Hiss has signed to the excellent label Drag City Records. We expect a new album to appear in March. At Music Hall some of the newer songs were performed, and while the songcraft remains strong, there is definitely a more melodic tint to the material. Purling Hiss wasted no time in their thirty-five minute opening set and immediately got down to business, transitioning each song into the next. We’re streaming old favorite “Almost Washed My Hair” which was both the finale and the band’s chance to stretch out and shred.

Acidjack and I recorded this set with a combination of four room mics, his Schoeps hyper-cards and my Sennheiser cards and mixed with an excellent board feed. The sound is superb. Enjoy!

Stream “Almost Washed My Hair”:

Download the Complete show in [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Purling Hiss
2012-11-03
Music Hall of Williamsburg
Brooklyn, NY USA

Six Channel Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s + Schoeps MK41 > KC5> CMC6 > Sound Devices USBPre2 > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav files > Soundforge (mix 6 channels, level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-11-11

Setlist:
[Total Time 33:17]
01 Run From the City
02 Lolita
03 Voices
04 Don’t Even Try It
05 Rat Race
06 I Don’t Know
07 Mercury Retrograde Mary Bumblebee
08 Almost Washed My Hair

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Purling Hiss, visit their Facebook page, and purchase their official releases from from the Mexican Summer website [HERE], and their other releases from Woodsist Records [HERE]. Keep an eyes on the Drag City Records site for updates on their new album.

The Loom: September 4, 2012 Glasslands – FLAC/MP3/Streaming

November 12, 2012
By


[Photos by acidjack]

If you read this site regularly, it should be pretty clear by now that we just can’t say enough good things about the Brooklyn band The Loom, who we’ve been fans of for four years now. We continue to watch this band grow, develop and change, evolving and tweaking their sound and taking their music in new directions. What has not changed over those four years is the high quality of this band’s live shows, or their kindness and generosity as performers. This year has found the Loom completing a touring cycle for their first LP, 2011’s Teeth, and charting a course toward finishing their second album, which should be out next year. While the shift is subtle, the band is seeing some evolution in their sound as they approach the new record. Where the Teeth-era material would easily locate the band in the “acoustic indie folk” realm, the band’s newest songs show the influence of some of the heavier bands they have been playing shows with, like The Phantom Family Halo. While The Loom have hardly given themselves over to psych rock, songs like the new “Fire Makes” are drenched in heavier guitar riffs than we have seen from them before. “Morning Song, Mountain Song”, which we first heard back in December, is a more high-octane version of the band’s style from Teeth and “The Reading Room”, perhaps my favorite new track, falls somewhere between the two. Hearing the new material at Glasslands – possibly my personal favorite Brooklyn venue, and also one where new music and new musical directions flourish – seemed appropriate. As long as The Loom continue to put out this kind of effort, they will always be a favorite of ours.

I recorded this set with Naiant X-X microphones split on stage, combined with a soundboard feed from the Glasslands engineer Josh Thiel. The sound is outstanding, even by the standards of our other recordings of this band.  Enjoy!

Stream “Fire Makes”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Loom
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, EQ, balance)>FLAC ( level 8 )

Tracks
01 Song For the Winter
02 Snowed In
03 [banter]
04 Like Lampglow
05 For the Hooves That Gallop and the Heels That March
06 Fire Makes
07 The Reading Room
08 Your Wilderness Years
09 Morning Song, Mountain Song

Please support The Loom by seeing them on their current tour and by visiting their MySpace. If you’ve enjoyed this recording, you may also purchase a copy of their new album directly from the band’s bandcamp page or from iTunes.

Woods: November 3, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

November 6, 2012
By


[photos by PSquared Photography]

After a week without power, internet, regular food, and just about any semblance of normal life, it was extraordinarily comforting on Saturday to get back to something familiar — a show. This wasn’t just any event though, but prolific nyctaper-recordees Woods at Music Hall of Williamsburg. It also helped that the support bands included two other NYCTaper favorites, Widowspeak and Purling Hiss. We’ve recorded Woods for five years, and there are more than a dozen recordings on this site. Its a testament to the band that we keep coming back and find new things to enjoy about their music. In May at 285 Kent, we noted that longtime drummer Jarvis Taveniere had come out from behind the kit and played most of the set on guitar. As we learned speaking to Jarvis before the show, that change is now permanent. With a new drummer, Woods is now also apparently a quartet as original member tape-loop/effects player G. Lucas Crane was absent from this gig. But it was the addition of Jarvis’s guitar work, which included several different axes including a neat 12-string, that ignited the guitar interplay within the band. The main focus of the set was precise back and forth between Jarvis, Jeremy and bassist Kevin Morby, who anchored center stage. The show began with a segue of three folk numbers before the band got a chance to stretch out and jam a little with new album title track and longtime jam vehicle “Bend Beyond”. The guitar trio seemed to be having fun on stage and their enjoyable interplay culminated in the highlight of the night an intense 15-minute “I Was Gone” that we are also streaming below. Its these types of performance that will keep us coming back, as this band continues to evolve into one of the best live acts around.

Acidjack and I recorded this set from the center and back of the soundboard booth mixing the Sennheisers with an excellent feed. The result is a superb capture. Enjoy!

Stream “I Was Gone”:

Download the Complete show in [MP3] or [FLAC].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Woods
2012-11-03
Music Hall of Williamsburg
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper 2012-11-03

Setlist:
[Total Time 1:04:19]
01 Pushing Onlys
02 Suffering Season
03 Cali in a Cup
04 Bend Beyond
05 Size Meets the Sound
06 Is it Honest
07 Be All Be Easy
08 Find Them Empty
09 Blood Dries Darker
10 I Was Gone
11 [encore break]
12 To Have in the Home
13 Rain On

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit the Woodist page and purchase their official releases including new album Bend Beyond from Woodist Records [HERE].

Mac McCaughan: October 18, 2012 Merge Records CMJ Showcase, Mercury Lounge – FLAC/MP3/Streaming

November 5, 2012
By


[Photo by Jill Harrison of For the Love of Brooklyn]

Merge Records co-founder and Superchunk and Portastatic frontman Mac McCaughan has more than earned his beloved status in the indie rock community. His contributions to the Chapel Hill and Durham, NC music scenes, and music in general, could have taken two lifetimes, and his confessional, direct songwriting continues to resonate and remain fresh more than two decades into his music career. As for Merge, the label has been one of those remarkable and rare successes in music, remaining staunchly independent and committed to promoting quality releases – and finally earning a Grammy for its current mega-artist, Arcade Fire. So, after we wrapped up our own CMJ showcase down the street at Cake Shop, the NYCTaper crew headed over to Mercury Lounge where McCaughan joined William Tyler, Mount Moriah, Reigning Sound, Eleanor Friedberger and Telekinesis for Merge’s CMJ Showcase.

McCaughan performed as a solo act, an uncommon treat to see in the New York area. As usual, this set combined new and old Superchunk songs with Portastatic classics like “Autumn Got Dark.”  The set also included a brand new number that McCaughan said should appear on a Superchunk release next year, which we are streaming below. Though the singer-songwriter format lacked some of the punch of a normal Superchunk gig, it gave McCaughan’s lyrics and voice the spotlight. McCaughan’s exuberant, earnest delivery still comes across like that of a brash, young artist, and the themes of his writing continue to prove their timelessness. On a night that in many ways celebrated McCaughan’s success, this set was another one.

I recorded this set with a soundboard feed provided by house engineer Kevin Mazzarelli, with Schoeps MK5 microphones providing just a bit of room ambiance. The quality is excellent. Enjoy!

Stream “Autumn Got Dark”

Stream “[untitled new Superchunk song]”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mac McCaughan
2012-10-18
Merge Records CMJ Showcase
Mercury Lounge
New York, NY USA

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK5 (cardiod, ROC, PAS)>KCY>Z-PFA>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mixdown, set fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Trash Heap
03 Good Dreams
04 Rope Light
05 Through With People
06 Autumn Got Dark
07 Home At Dawn
08 Driveway to Driveway
09 [banter]
10 A Small Definition
11 [new song 1]
12 Digging For Something
13 [banter]
14 I Wanna Know Girls
15 [banter]
16 San Andreas

If you enjoyed this recording, PLEASE SUPPORT Mac McCaughan and Merge Records by visiting the Merge website and buying the many fine releases available there, including Superchunk and Portastatic’s albums.

Oneida: September 8, 2012 Hopscotch Festival Day Show (Raleigh, NC) – FLAC/MP3/Streaming

November 4, 2012
By


[Photos by acidjack]

Our friends in Oneida were a late but welcome addition to the “Megafaun and Friends” day show at Hopscotch Music Festival, and as usual, nobody knew what to expect in terms of the setlist. Joined by a number of special guests throughout the set (including the ubiquitous man-of-the-festival, the drummer Chris Corsano), Oneida filled the streets of downtown Raleigh, NC with their complex improvisational post-rock. For this show, we were treated to a rendition of the band’s LP Preteen Weaponry, which this site also recorded a live performance of back in June of last year. As we eagerly await their next album, A List of the Burning Mountains, out on November 13, this just-over-half-hour set of another of the band’s classic albums whetted our appetites for what they have in store for us in just under two weeks.

I recorded this set with a soundboard feed provided by the day’s hardworking sound team, plus Schoeps MK5 omnidirectional microphones. The sound is excellent, after some initial adjustments to the board mix. Enjoy!

Oneida plays their record release show at Secret Project Robot on December 1.

Stream “Part II”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oneida
2012-09-08
Hopscotch Festival Day Party
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, at soundboard, split 3ft)>KC5>CMC6>>Edirol R-44 [OCM]>2x24it/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (set fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks [Preteen Weaponry]
01 Part I
02 Part II
03 Part III

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains (available for pre-order NOW) and their other releases from Jagjaguwar [HERE]

Hurray For The Riff Raff: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

November 2, 2012
By


[Photos by Jill Harrison at For the Love of Brooklyn]

As Hurricane Sandy’s damage continues to be assessed here on the East Coast, it seems grimly appropriate to highlight the CMJ performance of an outstanding New Orleans-based band that represents that city’s history as well as its brightening future. Hurray For the Riff Raff have been favorites of this site for a while now, and we did everything we could – including picking them up from the airport – to make it possible for them to play our unofficial CMJ day show at Cake Shop, just hours after they got off a plane from Germany. If this minimalist version of the band – lead singer and guitarist Alynda Lee Segarra and guitarist Sam Doores, plus special guest Matt Davidson of Spirit Family Reunion on fiddle – was worn out from traveling, they didn’t show it during this acoustic set. In fact, Alynda, Sam and Matt looked to be having a hell of a lot of fun as they played stripped-down versions of new songs, older songs, and a choice cover of the Ronettes classic, “Be My Baby”. After seeing a fantastic performance from the band back in August, it was a special treat to be able to see them again so soon. While the band has returned to New Orleans to enjoy some much-needed time to de-compress, we’ll be happy to welcome them back as soon as they are ready.

I recorded this set with a soundboard feed provided by the day’s engineer Justin, plus Schoeps MK5 microphones mounted at the front of the stage. The sound is excellent. Enjoy!

Stream “Look Out Mama”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For the Riff Raff
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 Lake of Fire
02 Slow Walk
03 Look Out Mama
04 [tuning]
05 Down By the River
06 Daniella
07 Blue Ridge Mountain
08 [banter]
09 Saint Roche Blues
10 [banter]
11 The Junebug Waltz
12 Be My Baby [Ronettes]

If you enjoyed this recording, PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Hans Chew: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 30, 2012
By


[Photos by acidjack]

Hans Chew plays a brand of old-time, piano-driven rock n’ roll you may not have even realized you were nostalgic for. As the piano man for Brooklyn country-psych stalwarts D. Charles Speer & the Helix, Chew proved himself as a composer and vocalist in his own right on his debut album Tennessee & Other Stories.  Imbued with a honky-tonk barroom quality, Chew’s piano playing is even more central to his solo project than it is to his work with Speer, and that’s all to the good. As a Southerner now living in New York, Chew’s work remains rooted down south, and incorporates elements of country, bluegrass and Southern boogie. Like D. Charles Speer, Chew isn’t simply a revival act, but a modern performer who has taken a classic, regionally-rooted sound and imbued it with new ideas and new vitality.

We were thrilled to have a chance to invite Chew to play our fifth annual unofficial CMJ day show at Cake Shop, and Chew and the band delivered in a big way, with a set of almost all-new material that continued on Tennessee’s promise. “Strange Love” shone among the new numbers, with its funky guitar groove and catchy refrain. “Junker’s Blues”, which closed the set, was the kind of timeless-but-new number we expect from Chew, and it ended his part of the afternoon on a high note. We would have loved to have Chew at our show in any capacity, but getting this rare preview of new material made it an even bigger honor.

I recorded this set with house engineer Justin’s mix combined with Schoeps MK5 microphones in the cardiod setting mounted on the ceiling just in front of the stage lip and spread wide. The results are outstanding. Enjoy!

Stream “Strange Love”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hans Chew
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Chango>
03 Tom Hughes Town
04 Strange Love
05 Magnet Moon
06 [banter]
07 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

Chelsea Light Moving: September 12, 2012 285 Kent – Flac/MP3/Streaming

October 24, 2012
By


[photo by acidjack]

Chelsea Light Moving is Thurston Moore’s new band. As Sonic Youth is on hiatus and has left the future of the band somewhat of a mystery, the various members have pursued their own projects. Thurston chose to debut Chelsea Light Moving with a series of concerts throughout Europe, but their very first show in NYC took place in mid-September at 285 Kent. The show was presented by Issue Project as a Benefit for Tom Carter, which acidjack outlined in his post of the Gunn-Truscinski Duo set from this show. Suffice to say, we applaud the artists who performed for Tom at this show. You too can support Tom by following this link.

Chelsea Light Moving has released four songs at Matador and through various media outlets in anticipation of a full length release later this year, or early next. At 285 Kent, the band began the set with those four songs. We’re streaming “Frank O’Hara Hit” in which Thurston riffs on the concept of having a birthday in July. Its also the most “familiar” sounding song of the bunch for SY fans. The balance of the set consisted of material that has not yet been released, and the song titles are approximated from our research into info about CLM online. The song we’ve titled “I Come to Get Wasted” (at the suggestion of this Spin review of the show) gave Thurston an opportunity to really stretch and his guitar playing on this track is notable for both its aggression and imagination. We expect that Thurston will continue to grow this material and we look forward to the development of this new project.

I recorded this show in the usual manner for this venue. The Sennheiser Cards were mounted near the stage and after requesting and receiving permission to supplement the somewhat boomy room with a board feed, we mixed in about 25% of the board for clarity in the vocals and guitars. The result is an overall excellent recording, as SY’s FOH Aaron mixed this difficult room about as well as anyone has done. Enjoy!

Stream “Frank O’Hara Hit”:

Download the Complete show in MP3 [HERE] or FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chelsea Light Moving
2012-09-12
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-10-23

Setlist:
[Total Time 47:48]
01 Groovy and Linda
02 Burroughs
03 [tuning]
04 Frank O’Hara Hit
05 Empires of Time
06 Sleeping Where I Fall
07 I Come to Get Wasted
08 [instrumental]
09 [banter]
10 Too Fucking Bad

LEARN HOW YOU CAN HELP TOM CARTER – BY BUYING MUSIC AND DONATING TO HIS MEDICAL EXPENSES – HERE

Support Thurston Moore and Chelsea Light Moving by visiting the band’s page at Matador Records, the band blog, the Sonic Youth site, and purchasing Thurston’s official releases at the Store [HERE].

Gunn-Truscinski Trio: September 12, 2012 285 Kent (Issue Project Room Benefit for Tom Carter) – FLAC/MP3/Streaming

October 22, 2012
By


[Photos by acidjack]

LEARN HOW YOU CAN HELP TOM CARTER – BY BUYING MUSIC AND DONATING TO HIS MEDICAL EXPENSES – HERE

The guitarist Steve Gunn joined longtime collaborator John Truscinski (with whom he comprises the unit Gunn-Truscinski Duo), and bassist Justin Tripp (along with Laura Ortman on violin for most of the set) for a very special trio performance to benefit the guitarist Tom Carter. Carter, who has worked on many projects over the years but is best known for his work in Charalambides, contracted a serious form of pneumonia while on tour in Europe, and has incurred significant medical bills while being treated in intensive care and, more recently, at recovery centers in both Germany and the United States. This show at 285 Kent, sponsored by the Issue Project Room, was designed to raise funds for Carter’s ongoing recovery. The community of avant-garde guitarists and musicians is incredibly tight-knit and supportive, and this contribution in New York was one of many efforts to support Tom around the world.

This set consisted of both new material and work from Gunn’s two most recent LPs for Three Lobed Recordings, one highlight of which was “The Lurker”, Gunn’s side from the out-of-print Three Lobed 10th anniversary box set. For that song, Gunn & co. were joined by Marc Orleans, who most recently collaborated with Carter on the Northern Spy Records release Eleven Twenty Nine. The song, like much of Gunn’s work, showcases a range of styles and unique phrasing, and Orleans’ participation made it all the more memorable. Streaming below is a rollicking full-band version of the 2012 Gunn classic “Trailways Gramble”, which appeared on Three Lobed’s compilation of work of eight outstanding American underground guitarists, Eight Trails, One Path. While a lot of this night’s crowd may have been there for the headliner, Thurston Moore’s Chelsea Light Moving, it was perhaps this unique collaboration of guitar talents that was the most fitting tribute to Carter and the work he has done to this point in his life. We wish Carter a speedy recovery, and encourage you to donate by buying music, donating via PayPal, or attending other benefit shows, all of which can be done by clicking the link at the top of this post.

nyctaper and I recorded this set in our usual manner for this venue with Sennheiser MKH-8040 microphones and a soundboard feed. While 285 Kent can always be a bit of a challenge with quieter acts, we feel this is a recording of excellent quality. Enjoy!

The Chelsea Light Moving set was also recorded and will be posted this week.

Stream “Trailways Gramble”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Gunn-Truscinski Trio
2012-09-12
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Sennheiser MKH-8040>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ and compression to individual files)>Audition CS 5.5 (mixdown)>

Tracks [Total Time 48:00]
01 [intro]
02 [unknown1]
03 [banter/tuning]
04 Old Strange
05 [tuning]
06 Banh Mi Ringtones
07 [banter/tuning]
08 The Lurker (w/ Marc Orleans)
09 [banter/tuning]
10 Trailways Gramble

Players
Steve Gunn (guitar)
John Truscinski (drums)
Justin Tripp (bass)
Laura Ortman (violin)

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and purchase his records from Three Lobed [HERE].  Please also support Tom Carter by visiting helptomcarter.org, buying his music, and donating to his medical expenses.

 

The Mountain Goats: October 16, 2012 Bowery Ballroom – Flac/MP3/Streaming

October 20, 2012
By


[photo by John R. Palmer]

Last night, I was told by someone in the know that John Darnielle thought that Saturday night’s show in Brooklyn was perhaps the best of the tour. Our review concurred, as we found it one of the best Mountain Goats shows I’ve ever seen. So the question would be whether tMG matched that intensity for the other night we saw them on this tour, Tuesday at Bowery Ballroom. Bowery is undoubtedly one of our favorite venues — it feels like “home”. Its hard not to have a good time there. With that backdrop, its not for me to objectively say whether Tuesday night was “better” or “as good as” the epic Saturday performance. Suffice to say, it was a Mountain Goats show with a superb setlist, some neat banter, and horns (!). It would not be possible to go wrong with that combination and rather than try to analyze it, I’ll just that say I had a great time, the new album is outstanding, we’ll see tMG whenever we can, and the recording is killer. That should be enough.

This recording is a testament to the talents of the band’s tour FOH Brandon and the consistent excellence of Bowery and their staff. It was captured with the Sennheiser cards mixed with an excellent feed. The room mics are about 70% of the mix. Its sounds superb and we hope you enjoy!

Stream “Transcendental Youth”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mountain Goats
2012-10-16
Bowery Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-10-17

Setlist:
[Total Time 1:32:29]
01 [Pink Floyd intro music]
02 Dinu Lipatti’s Bones
03 Birth of Serpents
04 First Few Desperate Hours
05 Amy aka Spent Gladiator 1
06 [banter – Frankie Lymon]
07 Harlem Roulette
08 [banter – spoke intros]
09 Pure Milk
10 Jenny
11 Linda Blair Was Born Innocent
12 Song For The Julian Calendar
13 You Were Cool
14 Ezekiel 7 and the Permanent Efficacy of Grace
15 [banter – hats]
16 Lakeside View Apartments Suite
17 [banter – Jackson Browne]
18 Never Quite Free
19 White Cedar
20 In Memory Of Satan
21 Spent Gladiator 2
22 Cry For Judas
23 Broom People
24 [encore break]
25 Transcendental Youth
26 This Year
27 [second encore break]
28 See America Right
29 Palmcorder Yajna
30 [banter – Proposition 13]
31 No Children

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT the Mountain Goats, visit their website, and purchase the latest album Transcendental Youth from Merge Records [HERE].

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