Posts Tagged ‘ williamsburg ’

Spray Paint: April 4, 2015 Union Pool – FLAC/MP3/Streaming

April 15, 2015
By

Spray Paint
[Photo by Walter Wlodarczyk]

Austin treble-punks Spray Paint wrangle more of a racket out of two guitars and a drum kit than most bands do with twice the instruments. Their minimalist onslaught is one of restraint, confining their infectious riffing to two or three minutes at a go (save for the eight-plus-minute “Cory’s Theme” that I’ll venture to guess has yet to be performed live). They’ve got three albums under their belt—two for Sacramento’s S-S Records (one self-titled, the other Rodeo Songs) and their latest, Clean Blood, Regular Acid, on Austin’s Monofonus Press. Spray Paint must write ’em even faster than they play ’em because a fourth, titled Punters on a Barge, is due out June 1 on Homeless.

Spray Paint showed up looking slightly road-weary at Union Pool last week, supporting Pampers along with Monofunus label-mates Beech Creeps. Nonetheless they delivered an energetic set, playing tracks drawn from across their recorded output. Picking favorites is a losing proposition here, so excuse the list of songs that follows. “Spock Fingers,” “Pink Pus,” and “Squaw” all hail from their earliest 7″s on S-S, which are way OOP so you’ll have to monitor Discogs closely if you want to grip one of those. Off the S-S LPs, they play “Canadian Trash,” “Bring Dumpster Back,” “George’s Theme,” and “Ultimate Umpire.” From Clean Blood, Regular Acid it’s “Rest Versus Rust” and then they follow with a couple off the forthcoming Punters on a Barge, “Ian’s Theme” and an ode to baseball’s unsung middle relief pitchers, aptly titled “Middle Relief.”

I recorded this set in the same manner as the Beech Creeps set from the same night. The full assault of Spray Paint’s set is captured here. Enjoy!

Spray Paint will be touring Japan and Australia in May and June. Check their website for details.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Spray Paint
2015-04-04
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, Tape Exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [27:55]
01. Bring Dumpster Back
02. Ultimate Umpire
03. Spock Fingers
04. Squaw
05. Pink Pus
06. George’s Theme
07. Rest Versus Rust
08. Ian’s Theme
09. Middle Relief
10. Canadian Trash
11. Cussin’

Support Spray Paint: WebsiteFacebook | Bandcamp | Buy Clean Blood, Regular Acid from Monofonus Press | Preorder Punters on a Barge from Homeless

Beech Creeps: April 4, 2015 Union Pool – FLAC/MP3/Streaming

April 10, 2015
By

Photo by Walter Wlodarczyk

[Photo by Walter Wlodarczyk]

If you see Beech Creeps creeping your way, don’t be alarmed. Despite the name, they share little in common with the other beach-themed bands out there. No, Beech Creeps are more akin to the Stooges’ seedy glam-rock and the Scientists’ swampy proto-grunge than any chillwave analog synth project. Veterans of some highly-regarded Brooklyn noise acts, these guys travel under the assumed identities of PP Coolata, formerly of Ex Models and Knyfe Hyts; Yuka Mofongo, formerly of Pterodactyl; and Ron Llave, formerly of People Get Ready and Yeasayer. Their debut self-titled record came out just last month on Monofonus Press, but they’ve been playing out consistently around Brooklyn since 2013. Their Union Pool set brings the heaviness with an air of confidence that belies the relatively short period the band has been together. Six out of the seven tracks off their record are represented here but it took only a couple to convert the packed crowd into true believers. If the eerie “Everybody Loves the Beach” giving way to the full-on guitar crunch of “Teenage Boogie” doesn’t do it, you’ll no doubt join the ranks of the converted after hearing standouts “Son of Sud” and “Arm of the T Rex,” both of which spotlight the full range of the ’Creeps. You may feel a little dirty afterwards—just rinse off the sand and you’ll be fine.

I recorded this set with the mics clamped to the balcony, along with a board feed from Union Pool FOH Leah. The sound is outstanding. Enjoy!

Beech Creeps will be playing a free show on April 24 at Brooklyn Night Bazaar with the legendary Moss Icon. Be sure not to miss it!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Beech Creeps
2015-04-04
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, Tape Exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [30:23]
01. Everybody Loves the Beach
02. Teenage Boogie
03. Times B Short
04. Son of Sud
05. Arm of the T Rex
06. Long Walk Home

Support Beech Creeps: Facebook | Bandcamp | Buy Beech Creeps from Monofonus Press

Steve Gunn: April 1, 2015 Baby’s All Right – FLAC/MP3/Streaming

April 5, 2015
By

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Steve Gunn is having a blockbuster spring, having signed recently to Matador Records, and announcing that he’ll be joining Wilco on their spring tour. Gunn’s music has been one of building slowly but methodically as he nurtured different aspects of his talent, from his early solo work, to his partnership with John Truscinski on two outstanding records, to his second solo phase represented by Time Off and Way Out Weather, two fine records that have launched him onto the bigger stages he deserves. This show at Baby’s All Right represented the end of Steve’s recent tour with the “Way Out Band” comprised of site favorite Nathan Bowles on drums, Jason Meagher on bass, and Paul Sukeena on guitar, and it may be the last proper club show for Gunn for a while.

While Steve’s tours have been increasingly turning up newcomers, there to see what the buzz is about, this show was all about the hometown crowd, with the front rows lined with Steve’s personal friends and musical associates, alternating love and tipsy-but-gentle heckling. The set reflected the mood, with the band serving up long-form, loose versions of Time Off and Way Out Weather regulars. “Old Strange” set the tone, with its hypnotic opening riff, and the songs that joined it kept up its feel, with Gunn and Sukeena trading guitar lines while Bowles and Meagher kept the beat. If the slightly different band (trading Sukeena for Jim Elkington) at the 2014 Rough Trade show felt like a band growing into itself, this one was that almost-same group spreading its wings, even more road-confident than when they returned to the area back then. “Street Keeper” was a new addition I hadn’t heard at recent NY shows, making this a winner setlist- as as well as performance-wise.

You can catch Steve Gunn this spring with Wilco; please show up early and make him feel welcome in those large arenas!

Kevin Mazzarelli mixed this live set and recorded various tracks to Pro Tools; I mixed and mastered them. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set and download individual tracks:

Steve Gunn
2015-04-01
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live engineered by Kevin Mazzarelli
Produced by acidjack

6 digital soundboard tracks + Audio Technica 4051>Pro Tools>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, hard limiter, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total time: 57:14]
01 Old Strange
02 Water Wheel
03 [banter]
04 Wildwood
05 [banter2]
06 Milly’s Garden
07 [banter3]
08 Street Keeper
09 [banter4]
10 Way Out Weather
11 Tommy’s Congo

Band:
Steve Gunn – vocals, guitar
Paul Sukeena – guitar
Jason Meagher – bass
Nathan Bowles – drums

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and buy his albums, all of which have “buy” links here.

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Moon Duo: March 10, 2015 Rough Trade NYC – FLAC/MP3/Streaming Full Set

March 27, 2015
By

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Ripley Johnson and Sanae Yamada have been making music as Moon Duo for a while now, churning out consistent albums on Sacred Bones (and earlier, Woodsist) that have delighted both Wooden Shjips fans and those who were drawn to the more organ-driven sound led by Yamada. With Shadow of the Sun, and this latest tour, the band has swung a bit more to the rock side of the things, bringing on drummer John Jeffrey, who appeared on the Live in Ravenna album as well. If Shadow represents yet another refinement rather than a quantum leap, the addition of the live drumming is noticeable, and even more so in the actual concert space — compare this set, for example, with the set I recorded in 2010.

Fans of the Ravenna live set would agree that this set at Rough Trade NYC built on some of the good things you can see there, with the live drums adding viscosity and punch to the band’s hypnotic flow. The set consisted of just under half-Shadow of the Sun material. “Wilding” made for as good a kickoff for the live set as it did for the album, while “Thieves” gave Ripley an opportunity for a hardcore guitar freakout. The trio were barely visible most of the time, shrouded by an electric light show that matched the pace and vibe of the setlist. The seventy minutes ended on a high note, with an extended “Set It On Fire” that, by the time it ended, made you feel almost as if you’d woken from a dream. This band can do that to you.

I recorded this set with Schoeps MK4V microphones mounted inside the soundboard cage, together with engineer Nick Cameron. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Moon Duo
2015-03-10
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [Engineer: Nick] + Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 1:10:00]
01 Wilding
02 I Been Gone
03 Circles
04 Free the Skull
05 Night Beat
06 Thieves
07 In the Sun
08 Motorcycle, I Love You
09 Goners
10 Animal
11 Set It On Fire

If you enjoyed this recording, PLEASE SUPPORT Moon Duo, visit their website, and buy their records from Sacred Bones Records.

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Ryley Walker: March 15, 2015 Baby’s All Right

March 22, 2015
By

ryley-walker
[photos by Jill Harrison]

There are many good singers, many more good writers of songs. More than enough to fill entire festivals with them year-round, to stuff streaming sites with more than anyone can listen to. But among that vast number, there are a tiny few in whom you can sense that something else, that spark, that undergirding realness, that makes their performance more than just-singing or just-playing-guitar. To see Ryley Walker perform is to experience a man singing to somewhere else, sending sound out to and for souls long since gone. That voice, that sound of his, the ecstatic yelps, those long, punch-drunk runs, threatening to split apart but never quite doing it, is singular. It may resonate with you, or it may not, but if it doesn’t, the thing missing in the equation is what you’re putting into it, not him.

This show at Baby’s All Right, our fourth time seeing Ryley in the last twelve months, finds him at an interesting point. Primrose Green, his tour-de-force second record, releases at month end, and has already found itself hailed in all the right places, turning Walker into a critical darling seemingly overnight. He’ll be at this summer’s Pitchfork Festival, at Wilco’s Solid Sound Festival, at Levitation in Vancouver, and any number of other places in the U.S. and Europe where of-the-moment acts can be seen. It’s hard to know what the effect of the crowds might be on this man, this music that requires him to give so much of himself emotionally every night. There are too many tales about how this part of the music world has split women and men in half.

But our best evidence about Ryley’s part of this story is this night at Baby’s All Right, in a jammed show room on a Sunday night. The 38 minutes of this set consist of just four songs, played this time with a band consisting of Ryley’s Chicago-based musician colleagues on second guitar, upright bass, and keys (over half of the band that we first saw perform in Raleigh back in September). The foursome appeared, as far as I know, only in Chicago and at this New York date — D.C. two nights before was a threesome (minus upright bass), as was Philadelphia just before the Brooklyn show — but their playing reminds you how well they know this material. The band weaved around Ryley’s lead as they reinterpreted Primrose Green songs that most of these fans probably haven’t heard original versions of yet on record. These weren’t idle-minded jams, either, but successful experiments, one after the other, from the new “Funny Thing She Said”, to tour staple “Summer Dress”, to “Primrose Green” to Ryley’s go-to cover song of late, Van Morrison’s “Fair Play” from Veedon Fleece. Shaved, hair clipped, wearing a collar and sweater that even had Ryley laughing at himself, Walker played with all the intensity he’s mustered every time we’ve seen him, but there was a new assuredness there, too, an ability to pull back just when he needed to. These thirty-eight minutes were like all of his sets I have seen: a thing of beauty, something memorable, something unique.

If you go to see one new artist this year because you read about them on this site, I hope Ryley Walker is the one. Nobody, not even him, knows where his story is headed. But this set proved once again where he deserves to be.

Baby’s All Right engineer Harrison Fore recorded and mixed this set live; I mixed this and the house-installed audience mics and mastered the recording in post. The sound quality is outstanding, equal to the quality of the performer you’re listening to. Enjoy.

Download the complete show from the Live Music Archive: [FLAC] | [MP3]

Ryley Walker
2015-03-15
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live mixed by Harrison Fore
Produced by acidjack

Soundboard (engineer: Harrison Fore) + Audio Technica 4051>digital multitrack>SD card>Adobe Audition CS 5.5 (mix down individual tracks, compression, fades)>Izotope Ozone 5 (EQ, imaging, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 38:06]
01 Funny Thing She Said
02 Summer Dress
03 [banter]
04 Primrose Green
05 [banter2]
06 Fair Play [Van Morrison]

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy Primrose Green from Dead Oceans.

ryley-walker-2

Suuns: February 28, 2015 Rough Trade – FLAC/MP3/Streaming

March 13, 2015
By

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[photos by Jill Harrison]

Suuns seem to have almost grown into the current moment, what with their reliance on atmospheric electronics to put a new spin on Joy Division-y guitar rock. We first saw the band in 2011, at south Brooklyn’s tiny-but-sweet Rock Shop, where they proved themselves ready for more. On this night at Rough Trade, coming off their second proper album, Images du Futur, Suuns gave an assured, dialed-in performance. The bill co-featured Chicagoans Disappears, and the pair made a perfect match, with Suuns’ own slow evolution on display right after their contemporaries’. The band’s live approach is an even slower burn than their albums, built together from segue elements that don’t appear on the records, allowing sounds to linger for extra minutes. There wasn’t an encore break on this night, so much as a break in the action while the last notes held on, waiting for the band’s return. Coming from one of the world’s most acclaimed music cities (Montreal), perhaps it’s not surprising that Suuns put so much effort into their live show. Though Images du Futur is still what they’re touring, the band has already moved beyond it, playing four new songs, three of which I believe are tentatively titled “Delay”, “Resistance” and “Pray” (the fourth is anyone’s guess). If those new songs are any guide, Suuns intend to keep doing what they’re doing, only getting better at it over time. It’s no shock that the crowd got most into Images’ strongest track, “2020”, but there were plenty of other good moments, including the closer on “Edie’s Dream”, a hypnotic, almost-pretty song amidst the dark tones in the band’s catalog.

Suuns are off the road for now, but be sure to catch them next time they’re through. It’ll be worth it.

I recorded this set with Schoeps MK4V microphones and a soundboard feed from Suuns’ touring engineer, whose name would be appreciated if you know it. The sound quality is the equal of the Disappears recording, meaning it is flawless. Enjoy!

Direct download of the complete show: [FLAC] | [MP3]

Stream the complete show: 

Suuns
2015-02-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [Engineer: Suuns FOH (please share name if you have it)] + Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 1:09:14]
01 Images du Futur
02 Music Won’t Save You
03 Powers of Ten
04 Delay [new]
05 Sunspot
06 2020
07 Resistance [new]
08 Pray [new]
09 [unknown1] [new]
10 Pie IX
11 Arena
12 [encore break]
13 Edie’s Dream

Note: New song titles may be subject to change.

If you enjoyed this recording, PLEASE SUPPORT Suuns, visit their Facebook page, and buy Images du Futur directly from Secretly Canadian.

Chris Forsyth & The Solar Motel Band: February 5, 2015 Union Pool

March 11, 2015
By

Chris Forsyth & The Solar Motel Band

It’s hard to believe that Chris Forsyth’s second outing with the Solar Motel Band, Intensity Ghost, is merely four months old. So even as the album’s songs hardly feel worn-in, it’s exciting that the band has already begun airing new material live. “High Castle Rock” is one such new song, but also one we’ve heard before. The band has been playing it live since even prior to the release of Intensity Ghost and the long gestation period has proven fruitful. Charting its progress over the last few months, each performance burns a bit hotter than the last. This version of the song from last month at Union Pool is an unforgiving, relentless jam. Playing for a packed crowd convinced to brave the cold by a New Yorker writeup, the band airs a second new song, “The Rarity of Experience, Parts 1–2.” That one, along with their standout cover of Richard and Linda Thompson’s “The Calvary Cross,” illustrates Forsyth’s increasing comfort with vocals. From Intensity Ghost the band plays the title track, the album’s standout jammer “The Ballad of Freer Hollow,” and closer “I Ain’t Waiting.”

I recorded this set in the same manner as the Horse Lords and Mind Over Mirrors sets from the same night: with the AKGs clamped to the balcony combined with a board feed from Union Pool FOH Leah. The sound is excellent. Enjoy!

Downloads available at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2015-02-05
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, EQ, mixdown) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [56:55]
01. The Ballad of Freer Hollow
02. [banter/tuning]
03. The Rarity of Experience, Parts 1–2
04. High Castle Rock
05. [banter/tuning]
06. The Calvary Cross [Richard & Linda Thompson]
07. [banter]
08. Intensity Ghost
09. [banter]
10. I Ain’t Waiting

If you enjoyed this recording, PLEASE SUPPORT Chris Forsyth. Visit his website, like him on Facebook, and buy Intensity Ghost from No Quarter.

Disappears – February 28, 2015 Rough Trade – FLAC/ALAC/MP3/Streaming

March 9, 2015
By

16058237663_f96625ebfc_o
[photo by enobo]

We’ve been on the Disappears train for a while now, but the band has taken things up another notch with their latest song cycle, Irreal. Backing away from the progression of the last few records, including the excellent Era from 2013, Irreal retreats into the darkness, trading some of the band’s more propulsive melodies for deeper textures and adding to the sense of gloom that’s always been a part of the band’s sound. If that doesn’t sound like the ideal soundtrack for a Saturday night to you, though, you’re wrong.

Disappears and Canadian fellow travelers Suuns sold out this double bill at Rough Trade, and anticipation had peaked by the time Disappears took the stage with the clanging, slow burn of “Interpretation”, the leadoff track from Irreal. It made for a daring but great choice, sucking the crowd in before picking the pace of with Era’s “Elite Typical”. From there, the setlist jumped across the band’s catalog, with the Irreal songs strengthening the older material by providing a change of pace and tone, giving us a chance to appreciate the layers of sound the band built up around Noah Leger’s laser-sharp percussion. But just as soon as a song like “I/O” lulls you into a trance, “Ultra” comes back and smacks you sideways. That dynamic continued for the hour, and gave the show a dimension that will serve them well on the rest of this tour. The band’s current engagements are on the West Coast, with Hookworms, which is another double bill not to be missed.

I recorded this set with Schoeps MK4V cardiod microphones, an Aerco custom preamp, and a dialed-in soundboard feed from the Rough Trade engineer Kam Biehl. The sound quality is outstanding, probably our best recording yet from this venue. Enjoy!

Download the complete set: [MP3] | [FLAC] | [Apple Lossless]

Stream the complete set:

Disappears
2015-02-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2 + Soundboard [Engineer: Kam] >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks
01 Interpretation
02 Elite Typical
03 JOA
04 I/O
05 Ultra
06 Another Thought
07 Minor Patterns
08 Replicate
09 Irreal
10 Halcyon Days

If you enjoyed this recording, PLEASE SUPPORT Disappears, visit their website, and buy Irreal and their other releases here.

Grooms: February 17, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 3, 2015
By

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Many bands are forced to admit that their best album was probably their first. Grooms can take pleasure in having just released their high watermark four albums in. That album, Comb the Feelings Through Your Hair, marries their sense of melody and pop appeal to a level of musical skill befitting a band that has stayed together long enough to see personnel come and go, but emerge stronger in the process. A three-piece, Grooms manage to make their music rhythmically complex (thanks in no small part to drummer Steve Levine, who recently enjoyed notoriety on TV’s Better Call Saul) without overcomplicating it, and that works especially well live. Watching the three men onstage, you more appreciate how their arrangements leave room to feel what each player is doing.

This show at Music Hall of Williamsburg, on a bill shared with A Place to Bury Strangers (that set here), celebrated the new record’s release, but didn’t park the setlist there. Starting with a rapid succession of new songs, Grooms then dug back in to 2013’s under-toured Infinity Caller and even their debut Rejoicer, the band gave us a sense of the continuity in their music as well as some of the new ideas percolating in Comb the Feelings. While the album itself is the band’s best-produced to date, adding lush electronics to the band’s guitar-bass-drums mix, the live versions proved that the record isn’t just a success on that account. Songs like the title track are more than just well put together; they’re just good songs. Grooms were one of many bands tied to Death By Audio (including A Place to Bury Strangers), and now, like their scene itself, they will enter a different phase. So far, it’s working for them.

I recorded this set with Schoeps MK41 microphones in the soundboard cage. The sound quality is quite good for a straight audience recording. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream “Comb the Feelings Through Your Hair”

Grooms
2015-02-17
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ, imaging)>Adobe Audition CS 5.5 (adjust levels)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 37:30]
01 Bed Version
02 Comb the Feelings Through Your Hair
03 Infinity Caller
04 [banter1]
05 Grenadine Scene From Inside
06 Doctor M
07 Lion Name
08 Foster Sister
09 [banter2]
10 Cross Off

If you enjoyed this recording, PLEASE SUPPORT Grooms, visit their Facebook page, and buy Comb the Feelings Through Your Hair here.

Mind Over Mirrors: February 5, 2015 Union Pool – FLAC/MP3/Streaming

February 24, 2015
By

Mind Over Mirrors

Since 2007, Mind Over Mirrors has been the solo outlet for Jaime Fennelly’s explorations with an Indian pedal harmonium processed through analog electronics and synthesizers. With the recent cassette release of The Voice Calling on Immune Recordings, Fennelly is joined by vocalist Haley Fohr, better known as Circuit des Yeux. At Union Pool, the duo played in near darkness, set up on the floor rather than on the stage, with Fennelly and Fohr facing inwards towards an impressive array of electronics. The crowd gathered around close as the room became a tight fit with the bulk of gear arranged mid-floor. The dark stillness punctured only by the swirling rhythms of Fennelly’s harmonium and Fohr’s ritualistic vocal paroxysms, the subtle glow of electronics and the occasional clinking of glasses at the bar. The three songs, all off of The Voice Calling, are played as a single piece, one subtly transmuting into the next. Performed live, each song eclipses its recorded counterpart’s length as if expanding to fill its new, larger container and seeking out new spaces to inhabit. The setting necessitates a hyper-acuteness to the experience and at the set’s conclusion there is a collective release of held breath as the tension between harmonium and voice resolves. It’s unclear if the collaboration between Fennelly and Fohr is intended to be long-term or whether it’s a one-off experiment; but either way, the results both live and on the album are compelling.

I recorded this set with the AKGs clamped to the balcony combined with a board feed from Union Pool FOH Leah. The sound is excellent. Enjoy!

Mind Over Mirrors just completed a tour with Daniel Bachman and their next scheduled performance is at the Levitation Festival in Chicago, March 13–14.

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mind Over Mirrors

Mind Over Mirrors
2015-02-05
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [36:19]
01. Motioning
02. Whose Turn Is Next
03. Calling Your Name

If you enjoyed this recording, PLEASE SUPPORT Mind Over Mirros. Visit their website, their Bandcamp page, and buy The Voice Calling from Immune Recordings.

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.