Posts Tagged ‘ bowery presents ’

Ween: June 6, 2017 Brooklyn Steel

June 11, 2017
By

Our friend Chris Davis from “Team Dirty South” came north to capture this show for NYCTaper, and he reports:

Ween @ Brooklyn Steel on June 6, 2017 – A Team Dirty South/NYCTaper Joint

After some mild subway misdirection, an uber dropped me off at Brooklyn Steel exactly at 7:00. I was surprised to find a long line well around the corner. In Charleston, music fans show up an hour late for everything. This was my first indication that this Brooklyn Ween crowd was hungry and eagerly anticipating this two-night run following the band’s reuniting just last year. Conversation around me in line was entirely Ween focused: a spirited Brooklyn Bowl-Las Vegas February run discussion, Sunday’s Baltimore setlist review and expectations for the evening. Clearly, this crowd was excited and ready for a rock show.

The line moved quickly and in about 10 minutes I was getting patted down at the entrance. My recording gear seemed to be understood; however the microphone stand was a source of confusion. Luckily, the NYCTaper crew had rolled out the red carpet and I knew exactly who to ask for. Another taper and I waited patiently until Anthony, the venue manager came over. Anthony had seen the likes of us before; and quickly instructed us on how Brooklyn Steel wants it done. No worries, Anthony was very accommodating and friendly, and instantly we were inside hoisting mics and pressing buttons.

Wow. This crowd was ravenous. Fans started screaming around 8:00 and didn’t stop. The place erupted when Ween took the stage around 8:30. Meandering slowly into “The Stallion”, then launching into “You Fucked Up”; this crowd knew the gloves were off and we were all in for a serious “all ages” Ween show! The set was richly scattered with Ween favorites (or classics if you can say that about the Ween catalog): “Transdermal”, “Push the Daisies”, “Roses are Free”, things were moving on and the Ween crowd was fully engaged. I heard very little crowd chatter and the recording reflects it. The band continued on through a twisty “HIV Song” and a rocking “Spinal Meningitis”. About halfway through the set, Gene pulled out the acoustic and announced “this is the first time we’ve ever played this”, and tuned into the opening chords of “Among His Tribe” off the 2003 Quebec album. What a surprise! As if not to take themselves or the moment too seriously, Ween followed quickly with “Piss Up a Rope”. The room would erupt again when the band announced a “nice party jam” and led us through David Bowie’s “Let’s Dance”; a cover recently performed in Baltimore after a 6 year absence since New Years 2011. Immediately following, we were treated to the first live version of “Seconds” since summer 2002. The band lit the room up again with a super-funky “Going Gets Tough”, then winded things down with “Someday”. After a nearly 5-minute encore break; Ween gave us a Gene-less “Fiesta”, with Gene returning to the stage to shut things down with “The Mollusk”. The band left the stage at 10:42, following a few mentions of “tomorrow night”. Ween certainly left this crowd engaged and primed for another show!

I was a quick Uber back to Manhattan by 11:15, with a Shake Shack burger and a bottle of cabernet delivered to my hotel room, only in NYC for this Team Dirty South taper!

Download this Recording from Archive.org [MP3] / [FLAC-24] [FLAC-16] and stream below:

Ween
Brooklyn Steel
Brooklyn, NY
June 6, 2017 [Tuesday]

****Team Dirty South Recording****

source: Peluso cecm6/ck41 [pas] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]
location: dfc / light booth railing / stand @ 9′
transfer: DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar

One Set:
01 – intro
02 – The Stallion Pt 1
03 – You Fucked Up
04 – Transdermal Celebration
05 – I Gots A Weasel
06 – Golden Eel
07 – The Argus
08 – Push th’ Little Daisies
09 – Big Jilm
10 – Roses are Free
11 – Did You See Me?
12 – Exactly Where I’m At
13 – Mutilated Lips
14 – The HIV Song
15 – Spinal Meningitis
16 – Among His Tribe*
17 – Piss Up A Rope
18 – Pork Roll Egg And Cheese
19 – Dr. Rock
20 – Object
21 – Buckingham Green
22 – Happy Colored Marbles
23 – Mister Richard Smoker
24 – Let’s Dance
25 – Seconds**
26 – The Goin’ Gets Tough From The Getgo
27 – It’s Gonna Be A Long Night
28 – Someday
29 – crowd

Encore:
30 – Fiesta
31 – The Mollusk

*first time played
**first time since 8/22/2002

#descorchados2017!

PLEASE Support Ween: Website | Store | Facebook

Ween: June 7, 2017 Brooklyn Steel

June 9, 2017
By

For the second night of Ween‘s run at shiny new venue Brooklyn Steel, the band continued to reiterate what has made them such a cult favorite. As a newcomer to the band, I can’t claim to be any kind of expert in the ins and outs of the setlists, but if you’re curious what has made them one of the more welcome “reunions” of recent years, I can offer some thoughts. First, the musical diversity of the band’s sound has long been well-known, mixing bar-room rock, punk, psychedelia, country, new wave, funk and more. Though the recent accumulation of Phish fans to their ranks has been talked about, the more logical touch points for understanding this band are willfully-weird bands like the Butthole Surfers and the Meat Puppets, who similarly can’t be pigeonholed into a genre so much as a vibe. Second, in Ween’s case, there’s a brand of outrageous humor at work in many of their songs, of a kind that prompts debate on the Internet over the funniest Ween songs. Whether or not songs like “Deez Nutz” or “Bananas and Blow” are your thing doesn’t necessarily determine whether you have to like or dislike the live show, just as some Phish get more turned on by the Gamehendge element than others. Personally, I was more fired up about songs like the sprawling 1994 jam “A Tear for Eddie,” or 1990’s Butthole Surfers-esque “Licking the Palm for Guava” (also dedicated here to Gibby Haynes).

Since I know fairly little about the band, I decided to consult a long time fan on the show to get his take. In his read, compared to the previous Brooklyn Steel show, this was a relatively sedate affair, focusing more on the band’s country sound and skipping some of what this fan deemed “essential” Ween songs such as a classic cover, or any of “Dr. Rock,” “Spinal Meningitis (Got Me Down),” “Push the Little Daisies,” “You Fucked Up,” “Golden Eel,” and “Buckinham Green” — all of which made it into the first night setlist.  Along with the “A Tear For Eddie” that I did, he pointed out that “Mushroom Festival In Hell” and “I’ll Be Your Johnny On the Spot” as highlights.

Wherever you are in your Ween fandom, you can’t deny that they’re as hard working a band as they come. When they promised “an evening” with them, we got one, a full two hours and ten minutes of mostly uninterrupted playing that fired up the slam-packed Brooklyn Steel floor. I have no doubt that the show was ten times more engaging for those better acquainted with the inside jokes and the general band lore, but based on this performance, I’d be up for finding out more.

Finally, if you haven’t been to Brooklyn Steel yet, know that longtime sufferers of its predecessor will finally have a mid-large venue for more popular bands that offers a full view of the stage from almost every place in the room. We’ve already enjoyed a few shows here so far, and look forward to many more. As always thanks to the professional staff of Bowery Presents for making our presence there feel both safe and welcome.

I recorded this set from the “taper’s section” with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Night one was also recorded and will be posted soon.

Download the complete set from its home on the Live Music Archive: [MP3] | [FLAC]

Ween
2017-06-07
Brooklyn Steel
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, PAS)>KCY>Z-PFA>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (fades, compression, limiter)>Izotope Ozone 5 (EQ, effects)
>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 2:10:07]
01 Chocolate Town
02 Tried and True
03 Birthday Boy
04 Help Me Scrape the Mucus off My Brain
05 [banter1]
06 Take Me Away
07 Fat Lenny
08 Cold & Wet
09 Boys Club
10 [banter2]
11 Nan
12 Gabrielle
13 Bananas and Blow
14 My Own Bare Hands
15 A Tear for Eddie
16 [banter3]
17 Licking the Palm for Guava
18 Mushroom Festival in Hell
19 I Can’t Put My Finger on It
20 [banter4]
21 Baby Bitch
22 Flutes of Chi
23 [banter5]
24 I Saw Gener Cryin’ in His Sleep
25 I’ll Be Your Jonny on the Spot
26 [banter6]
27 Learnin’ to Love
28 Deez Nutz
29 Polka Dot Tail
30 [tuning]
31 Drifter in the Dark
32 Powder Blue
33 Hey There Fancypants
34 [encore break]
35 Don’t Shit Where You Eat
36 What Deaner Was Talkin’ About

Support Ween: Website | Store

Animal Collective: May 23, 2017 Brooklyn Steel

May 29, 2017
By


[photos by Will Oliver of We All Want Someone blog]

Last year, I wrote about this site’s history with Animal Collective and celebrated the serious rejuvenation of the band’s fortunes. That show at Irving Plaza was our first introduction to the live performances of the Painting With material. We also caught the show later in the year at Terminal 5. In the ensuing months, Animal Collective released two EPs with material related to the album and continued to tour. This Spring saw their return to NYC for a show at the new Bowery Presents venue Brooklyn Steel and last Tuesday’s show was perhaps the most powerful Animal Collective performance we’ve experienced in more than a decade of seeing the band.

This was our first experience at Brooklyn Steel and I was impressed. There’s definitely a nice vibe to the venue, and the sound quality from our vantage point was on point — full spectrum rich sound with no boominess at all. The intensity of the acoustics in the venue served the band well, as Animal Collective provided thundering bass beats to accompany the multi-layered three-pronged sound delivery system. This tour’s version of the band features Panda, Geologist and Avey across the front accompanied by drummer Jeremy Hyman at center rear of the stage. The set featured much of the recent material but also satisfied long-time fans with older tracks democratically selected from their many releases and some deep cuts not heard in years. The sold-out crowd called the band back after a healthy 75 minute main set and we were treated to an extended encore set that closed the night with a lengthy and rousing version of “Summertime Clothes”.

Animal Collective’s tour continues with some June and July shows, all dates [here].

I recorded this set with the Neumann hypercards mounted at the elevated area inside of the soundboard area and with the mics raised high. The amazing sound in the venue and the choice of microphones worked perfectly as this recording is really quite superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Animal Collective
2017-05-23
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:36:14]
01 Kinda Bonkers
02 Hounds of Bairro
03 Sweet Road
04 Bees
05 Guys Eyes
06 Taste
07 Lying in the Grass
08 Pride and Fight
09 Peacemaker
10 Summing the Wretch
11 FloriDada
12 [encore break]
13 Kids on Holiday
14 On Delay
15 Summertime Clothes

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Xenia Rubinos: April 13, 2017 Bowery Ballroom

April 26, 2017
By


[photo from Xenia Rubinos Twitter]

There’s no earthly reason why Xenia Rubinos should not be a household name in the very near future. She is an artist of immense talents as a writer, composer and performer and her art is true. The musical genres that are home to Xenia Rubinos’ exemplary music have been previously culturally appropriated by the likes of well-to-do Ivy League grads, a Smith grad from Connecticut, and a guy from Forest Hills. But as a person of color who has lived the bitter mistreatment of her protagonists, Xenia is in a position to present a necessary point of view at a troubling historical time when authenticity is crucial. The world needs more voices like Xenia Rubinos and her time is now.

In July Xenia Rubinos released Black Terry Cat, her first album for the Anti- label and second overall. The album received an 8.0 from Laura Snapes over at Pitchfork and pretty much universally positive reviews worldwide. In support, she’s toured tirelessly throughout the US and this month saw her triumphant return to NYC.

The Bowery Ballroom show was a special night for Xenia. Not only was it her largest show to date, but it was also her mother’s birthday. Given that her first album was in part a tribute to her recently passed father, it was particularly moving that this performer had a close family connection on such an important career night. The other important participants at Bowery were the crowd, who were both voluminous and dancing throughout, and her two accompanying musicians — longtime collaborator and producer Marco Buccelli who played a variety of drums, keys and effects, and for this tour Jack Hill on bass, moog and guitar. The set began with the opening track from Cat before the trio blasted through a fifteen-song set that fully represented Xenia’s catalog thus far. There were multiple pockets of fans who literally did not stop dancing throughout the entire set and were engaged with the performer throughout. But it was Xenia who was the well-deserved center of attention as she pivoted from keys to bass to solo vocals as an unstoppable kinetic ball of energy. At the end of the hour-long set she was called back for multiple encores — a true affirmation that an artist with integrity and abundant talent will ultimately succeed.

Xenia Rubinos just began an extensive eleven-date tour of Europe in April and May before she returns to the US for a variety of Summer shows, dates [HERE].

I recorded this set with the Schoeps cards set up in our usual front balcony position and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Xenia Rubinos
2017-04-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:10:45]
01 Romeo
02 Lonely Lover
03 Just Like I
04 Help
05 Don’t Wanna Be
06 See Them
07 Right?
08 I Won’t Say
09 Whirlwind
10 Cherry Tree
11 Laugh Clown
12 Black Stars
13 [encore break – Happy Birthday]
14 Pan y Cafe
15 Hair Receding
16 [band introductions]
17 Mexican Chef

PLEASE SUPPORT Xenia Rubinos: Facebook | Bandcamp | Artist Page at Anti- | Purchase Black Terry Cat [HERE]

Chuck Prophet: March 29, 2017 Bowery Ballroom

April 19, 2017
By


[screen shot from this video]

neild reports:
Chuck Prophet is one of those musicians who went from barely-known to me to a perennial favorite in the course of a single song — or really a single riff, as all it took was hearing the opening guitar line from “Sonny Liston’s Blues,” off his terrific 2009 album Let Freedom Ring. Prophet gets described frequently as the “indie rock Tom Petty,” and it certainly fits his vocal style and commitment to old-school rock ’n’ roll, but if anything it sells him short: He combines a heart worn boldly on his sleeve with character observations that are by turns astute and hilarious, sometimes in the course of the same phrase.

This show at the Bowery Ballroom came toward the end of the tour for Prophet’s excellent new album Bobby Fuller Died for Your Sins. Live, not only is Prophet’s dry wit given free rein, but the Mission Express, consisting of guitar wizard James DePrato (here playing even more slide than usual), the superb rhythm section of bassist Kevin White and drummer Vicente Rodriguez, and the unbeatable keyboardist/vocalist (and Prophet’s wife) Stephanie Finch, can spread out songs like “Summertime Thing” and “You Did (Bomp Shooby Dooby Bomp)” into loping jams that would be rock radio staples in an alternate universe. I’ve never seen a bad Chuck Prophet and the Mission Express show, and this was among their best, charging along without letup for nearly two hours.

This recording was made with Church Audio CA-14 cardioid mics from lip of the Bowery Ballroom balcony, mixed with a soundboard feed provided by the Bowery’s supremely talented and helpful new soundperson Danielle.

Please pay what you wish for the download (all proceeds other than Paypal and Bandcamp fees go to the artist), and visit chuckprophet.com for all your merch and info needs — I highly recommend subscribing to his email newsletter, which is always a terrific read even if you’re not interested in finding out when he’s coming to your town (though if you’re not, I don’t know what’s wrong with you).

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Chuck Prophet
2017-03-29
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

CA=14 Cards + Soundboard [engineer Danielle] > Sony PCM-M10 > WAV (24/48) > Sound Studio (light dynamic compression and mixing) > FLAC (16/44.1) > Tag > FLAC

Recorded and Produced by
neild

Setlist:
01 Bobby Fuller Died For Your Sins
02 Ramona Say Yes [Chuck Berry]
03 Lonely Desolation
04 Bad Year for Rock and Roll
05 Temple Beautiful
06 Who Shot John
07 Barely Exist
08 Jesus Was a Social Drinker
09 You Did (Bomp Shooby Dooby Bomp)
10 In The Mausoleum
11 Ford Econoline
12 We Got Up and Played
13 Iodine [Leonard Cohen]
14 Summertime Thing
15 Countrified Inner City Technological Man
16 Wish Me Luck
17 Willie Mays Is Up At Bat
18 Let Her Dance [Bobby Fuller Four]
19 You And Me Baby (Holding On)

PLEASE SUPPORT Chuck Prophet: Website | Purchase Bobby Fuller Died for Your Sins from Yep Roc Records

Son Volt: April 7, 2017 Bowery Ballroom

April 16, 2017
By


[photo by Joe Kelly]

Son Volt is currently on tour in support of their new album Notes of Blue, the band’s ninth record in more than twenty years of work. Despite the early years as torch-carriers for the alt-country/No Depression movement, Son Volt has built a career on solid roots/Americana rock. Like band leader Jay Farrar, there’s nothing particularly flashy about the group, they’re just built on a consistent foundation of high quality music. The new album continues in that vein, if not a tad bit more focused on the “roots” sound more representative of the Son Volt’s recent output.

The Son Volt tour came through NYC last week for a few local dates, and we were fortunate to attend the Bowery Ballroom show which sold out months ago. Like the band, the fans of this band are consistent and faithful — members of our group for the Bowery night came from Ireland, Boston and Missouri to see this show. And the band did not disappoint. After the early set concentrated heavily on Blue material, Son Volt delivered a twenty-six song show with a setlist pulled democratically from all eras of the band. Indeed there were three Uncle Tupelo songs in the encore set, and the night ended with Keith Richards penned Stones cover. Son Volt will be on tour throughout the next two months mostly in the West and Midwest, dates here.

I recorded this set with room mics only, running the Schoeps from our traditional spot in the front center of the balcony. The sound quality reflects the show experience — excellent quality sound supplemented by some feisty fans. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Son Volt
2017-04-07
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:26]
01 Cherokee St
02 Lost Souls
03 Buzz and Grind
04 Static
05 Damn Shame
06 The Picture
07 Dynamite
08 Tear-Stained Eye
09 Midnight
10 Sinking Down
11 Back Into Your World
12 Catching On
13 Cairo and Southern
14 Ten Second News
15 Promise the World
16 [band introductions]
17 Back Against the Wall
18 Bandages and Scars
19 Driving the View
20 Route
21 Drown
22 Afterglow 61
23 [encore break]
24 Still Be Around
25 Windfall
26 Graveyard Shift
27 Chickamauga
28 [second encore break]
29 Happy [Rolling Stones]

PLEASE SUPPORT Son Volt, visit their website, and purchase Notes of Blue and other official releases directly from the Official Son Volt store [HERE].

Lambchop: March 30, 2017 Bowery Ballroom

April 6, 2017
By


[photo by PSquared Photography]

In my not so humble opinion, Lambchop’s FLOTUS was the best album of 2016. In a similar regard, “In Care of 8675309” is the best song released this decade. What makes it more remarkable is that the album represents for Kurt Wagner a stylistic pivot from a twenty-five year career of eclectic americana. For FLOTUS, Wagner used modern technology juxtaposed with his intimate lyrics to create a masterpiece about the maintenance of an interpersonal connection in a world increasingly enslaved to machines.

We were fortunate to capture the live debut of the FLOTUS material at Hopscotch in September. Since that time Lambchop has toured the world and performed this material more than fifty times in a live setting, so that by the time they arrived at Bowery Ballroom last Friday, we were excited for the development of the songs. Our expectations were met early in the proceedings when Wagner sweetly crooned a subdued version of “NIV” that blended seamlessly into a guitar-driven truncated version of “The Hustle” that was transformed from the hypnotic electronic bifurcated melody on the album to a more unified alt-folk ballad live. “8675309” was placed in the middle of the set but Wagner’s intense vocal performance of the epic number was perhaps the highlight of the evening. The band’s setlist included a handful of older numbers and one cover, but this night was dedicated to FLOTUS and sans the title track, the album was nearly completely performed. The keyboardist Tony Crow provided several ace solos (and some hilarious banter) and the band also includes veteran bassist Matt Swanson and Wye Oak’s percussionist/electronic wiz Andy Stack, whose expert multitasking we’ve noted previously in this pages. But it was Wagner centerstage, and while his abundant use of vocals effects may have startled some of the old guard, the packed house was clearly on board for the FLOTUS sound and hovered on every note. Lambchop’s current tour comes to a close in the next few weeks, and they’re going back to Europe in the Summer festival season, but we expect that they will return to NYC in the Fall.

I recorded this set with the Schoeps mounted in our usual balcony spot and mixed with a flawless soundboard feed. The crowd’s great respect for this performer and this material permitted us to capture the often quiet moments of this set without distraction and as a result the sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Lambchop
2017-03-30
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:16]
01 NIV
02 The Hustle
03 Directions to the Can
04 Poor Bastard
05 Old Masters
06 Writer
07 [banter – physical comedy]
08 In Care Of 8675309
09 [band introductions]
10 The New Cobweb Summer
11 [banter – build character]
12 Howe
13 JFK
14 Relatives #2
15 Harbor Country
16 [encore break]
17 My Blue Wave
18 When You Were Mine [Prince]

PLEASE SUPPORT Lambchop: Website | Buy FLOTUS at Merge Records

Robyn Hitchcock: March 1, 2017 Bowery Ballroom

March 6, 2017
By


[photos by Ellen]

The night after Robyn Hitchcock’s very memorable Rough Trade show, the performer and backing band performed in Manhattan for what proved to be an entirely different experience from the the previous show. Aside from the fact that the venue is twice the capacity than in Brooklyn, a sold-out show at Bowery Ballroom tends to have a discernible buzz and an energetic crowd. And for this particular special event, many long-time fans and some industry folk were in attendance and let their voices be heard.

As a full album two-set show, it was in the second set where this night diverged from the previous show. After a set of Black Snake Diamond Role in which Robyn bantered more and dealt with some vocal microphone issues, the band returned for a second set that mixed it up quite a bit from the Rough Trade show. At Bowery we got a mini quiet set with “I Often Dream of Trains” as the highlight, a chugging version of Dylan’s “Obviously Five Believers” and a pretty rare Love cover in the encore set. These two nights of prime Robyn Hitchcock and band playing at the peak of their skills were best-of-year quality shows and I expect we will be revisiting them often.

I recorded this set with the Schoeps mounted next to the soundboard booth in the front of the balcony. The sound in the venue was again outstanding and other then some crowd rowdiness, this is another superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Robyn Hitchcock
2017-03-01
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:52]
Set 1 (Black Diamond Snake Role)
01 The Man Who Invented Himself
02 Brenda’s Iron Sledge
03 Do Policemen Sing
04 The Lizard
05 [banter – chocolate]
06 Meat
07 [banter – precision]
08 Acid Bird
09 [banter – New York Rocker]
10 I Watch the Cars
11 [banter – grey dove]
12 Out of the Picture
13 City of Shame
14 Love
Set 2
15 Wey Wey Hep Uh Hole
16 It’s a Mystic Trip
17 Give Me a Spanner Ralph
18 [banter – British Rail]
19 I Often Dream of Trains
20 Winter Love
21 Let There Be More Darkness
22 Obviously Five Believers [Dylan]
23 Going Down to Liverpool [The Waves]
24 Kingdom of Love
25 [banter – thanks]
26 He’s a Reptile
27 [encore break]
28 Rock ‘n’ Roll Toilet
29 Stephanie Knows Who [Love]
30 Airscape

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Robyn Hitchcock: February 28, 2017 Rough Trade Brooklyn

March 5, 2017
By


[photo by nyctaper]

It was twenty years ago this month that I recorded Robyn Hitchcock at the old Knitting Factory on Leonard Street from the first row of the balcony when that venue still had seats upstairs. That recording has for years been one of my favorite Robyn recordings in large part because the banter is both hilarious and sublime in his very unique stream-of-consciousness manner. I saw Robyn Hitchcock many times in that era, mostly as a solo performer sometimes accompanied by the great Deni Bonet. It wasn’t until a decade later that I saw Robyn with a full band — that 2007 tour featured the Venue 3 (Peter Buck, Scott McCaughey, Bill Rieflin) — in the very same Leonard Street spot. The two shows were entirely different musical experiences and proved the versatility of this prolific performer.

It took another decade, and a completely different full band for me to experience Robyn again. This time it was in a two-set affair with the first session featuring a complete performance of his first solo album Black Snake Diamond Röle and a second act consisting of rare tracks, covers and a few familiar standards extending all the way back to the 1970s Soft Boys period. At Rough Trade on Tuesday night, the Brit ex-pat was less interested in monologues and more focused on the songs — many of which had not been performed in years and perhaps decades. The result was a stunning display of musical dexterity and proof positive that Hitchcock is perhaps the most overlooked living genius of the last half-century of modern music. The second set highlights included Robyn’s tribute to his Soft Boys bandmate Kimberly Rew in the performance of “Goin Down to Liverpool” and the a spot-on version of mega-influence Syd Barrett in Pink Floyd’s first album stand-out “Lucifer Sam”.

I recorded this set with the Schoeps mounted centered inside the soundboard booth. This straight audience recording accentuates the superb room mix of one the best FOH pros in the business, Mark Luecke, and the credit for the superb sound goes directly to him. This is truly one of the best audience recordings we’ve ever featured on this site. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Robyn Hitchcock
2017-02-28
Rough Trade
Brooklyn NY

Digital Master Audience Recording
Recorded inside Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:45:55]
Set 1 (Black Diamond Snake Role)
01 The Man Who Invented Himself
02 Brenda’s Iron Sledge
03 Do Policemen Sing
04 The Lizard
05 Meat
06 [band introductions]
07 Acid Bird
08 I Watch the Cars
09 Out of the Picture
10 City of Shame
11 Love
Set 2
12 [introduction]
13 Wey Wey Hep Uh Hole
14 All I Wanna Do Is Fall in Love
15 It’s a Mystic Trip
16 A Skull, a Suitcase, and a Long Red Bottle of Wine
17 I Got a Message for You
18 Ye Sleeping Knights of Jesus
19 Going Down to Liverpool [The Waves]
20 Run Run Run [Velvets]
21 Kingdom of Love
22 He’s a Reptile
23 [encore break]
24 Rock ‘n’ Roll Toilet
25 Lucifer Sam [Pink Floyd]
26 Airscape

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Ryley Walker: January 26, 2017 Rough Trade BK

January 30, 2017
By


[photo by nyctaper]

There’s a period in every premiere artist’s career when their prolific songwriting outpaces their ability to record their songs. Ryley Walker is currently in that kind of fruitful songwriting phase. A few months out from the release of his outstanding Golden Sings That Have Been Sung album, Ryley toured the East coast and arrived at Rough Trade on Thursday night. The set consisted of as many new songs as tracks from the album — three of the four new songs so fresh that Ryley doesn’t even quite have titles for them yet.

But first, there were the familiar ones. The set began with an extended guitar interplay that led into Golden’s “The Roundabout”, followed by another lengthy jam intro to the title track from 2015’s Primrose Green. Between the music was a nice dose of banter and give and take between the admiring audience and the modest troubadour. We saw how Ryley can morph a performance from a “show” to an event that feels like he’s hanging out in your living room at Market Hotel this past Spring. This night at Rough Trade had the same familiar feel — its one of Walker’s most endearing traits. But ultimately its about the songs and to finish the set we got two solo acoustic numbers that accentuated the unique talents of this performer.

I recorded this set with the Schoeps cards mounted at center of the Soundboard table and mixed with a board feed. The sound quality is quite excellent. Enjoy!

Download the Complete Show in FLAC and MP3 at Archive.org [HERE]

Stream the Complete Show:

Ryley Walker
2017-01-26
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Leah Zipkin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:20:04]
01 [introduction]
02 The Roundabout
03 [banter – mental breakdown]
04 Primrose Green
05 [banter – anytizers]
06 Sullen Mind
07 [banter – Bobo]
08 [new song 1]
09 [banter]
10 [new song – I Can’t Say Why]
11 [banter – thanks]
12 [new song 3]
13 [banter – New York]
14 Shaking Like The Others
15 The Halfwit in Me

SUPPORT Ryley Walker: Website | Facebook | Purchase Golden Sings

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