Posts Tagged ‘ brooklyn ’

Chris Corsano & Bill Orcutt: January 29, 2019 Union Pool

March 20, 2019
By

The long-running collaboration of drummer Chris Corsano and guitarist Bill Orcutt has been characteristically slippery, as their series of ridiculously limited LPs, 7″s, and tapes appear and disappear from merch tables faster than the duo can churn out another frenzied jam. Their latest collision, and first to take place in the studio, is called Brace Up! The cover depicts a stage diver in mid-flight, heading straight for an atomic bomb’s mushroom cloud—which is pretty much the best description anyone has come up with for what these two do. Back in January, Corsano and Orcutt once again joined forces at Union Pool, each playing solo sets before recreating that same intensity of the album with a duo set.

I recorded this set from our usual location at Union Pool at the soundboard, combined with a feed from FOH Doug Graham. The sound is excellent. Enjoy!

Download both sets in MP3 and FLAC



Bill Orcutt
2019-01-29
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [31:49]
01. Untitled 1
02. Untitled 2
03. Untitled 3



Chris Corsano & Bill Orcutt
2019-01-29
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [29:59]
01. Untitled 1
02. Untitled 2
03. Untitled 3
04. Untitled 4

Buy Brace Up! via Bandcamp

Ryley Walker: March 12, 2019 Union Pool

March 14, 2019
By
Photo by Drew Gardner

Listen to this recording for the in-between song comedy, if nothing else.

Huh? Oh, right, but this is Ryley Walker we’re talking about — the Very Serious Musician who writes Very Serious Songs and does Very Serious Things like 55 minute psych-improv blowouts with Steve Gunn and Ryan Jewell. This is Ryley Walker, who does a 2LP song-by-song cover of an unreleased Dave Matthews album as his second record of the year — a cover album so good that it convinces music snobs that yes, Dave Matthews is actually a pretty darn great musician. Come for comedy if you must, but become lifelong believer because of the music.

This was Ryley’s second of four residency shows this month at Union Pool. In addition to a truly hilarious extended riff about garage bands at SXSW circa 2009 (with a note-accurate parody song included) and Chicago bands who fail to get picked up by Touch N Go (with a note-accurate parody song based around the riff from June of 44’s “Dexterity of Luck”), Ryley and drummer Jewell delivered a new jam (title TBD), a very familiar cover (“If I Were A Carpenter”), songs from the exceptional 2018 LP Deafman Glance, and “Primrose Green,” from the 2015 album of the same name that seems like aeons ago musically. Whether or not certain naysayers at the time made lame Van Morrison comparisons (based as much on the album’s cover art as its sound), many of those songs are really good, and it’s a joy to see them coming back in the rotation.

As I’ve mentioned before, what feels like the biggest difference from the 2015-era shows is how Walker’s live renditions more closely match the album’s style. Sure, it’s still “sad acoustic guitar indie folk man” music in a sense (as Walker put it), but “Telluride Speed” and “Spoil With the Rest” were played here more or less in the style of the album versions, versus the 14-minute jam version of “Halfwit In Me” that’s long been a tour staple. I don’t know if it means that Walker feels more comfortable with the Deafman songs as the band played them in the studio, or if these songs are just waiting their turn for the extended treatment, but either way, it’s working.

This show also features a hilarious story about taking acid in relation to a King Crimson concert (listen to the story) and some self-deprecating musings about Primrose Green. This might be the first show I’ve witnessed by a serious musician that almost seemed to spawn a new genre: sort of a Yo La Tengo Hanukkah set with a comedian, except that the comedian appears during the set.

There are two more Tuesday nights this month where you can catch Ryley Walker at Union Pool, with more special guests promised. Based on the first two, it’s pretty clear that you shouldn’t come with any preconceived notion of what you’ll hear, but be prepared to enjoy yourself. Tickets for next week’s show are here.

Doug Graham once again outdid himself behind the board. Combined with my Schoeps MK5 mics, it’s yet another excellent recording for you to enjoy.

Download the recording from its Live Music Archive page

Ryley Walker
2019-03-12
Union Pool (Residency Night 2)
Brooklyn, NY USA

Recorded and produced by acidjack

Soundboard (Engineer: Doug Graham) + Schoeps MK5c (XY, at SBD, DFC)>KC5>CMC6>>Sound Devices MixPre 6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.2.2>FLAC ( level 8 )

Tracks [Total Time 1:04:03]
01 [intro]
02 The Halfwit In Me
03 [diaper rap]
04 [new jam 1]
05 Spoil With the Rest
06 [garage rock and Thrill Jockey rap]
07 Telluride Speed
08 [King Crimson rap]
09 If I Were A Carpenter [Tim Hardin]
10 [primrose rap]
11 Primrose Green

PLEASE SUPPORT RYLEY WALKER: Bandcamp | Dead Oceans

Grateful Shred: March 1, 2019 Brooklyn Bowl

March 13, 2019
By

Take a look around at a Grateful Shred show and you notice something…different. Folks in the crowd don’t look like they saw the Grateful Dead in the 70s, the 80s, or hell even in the 90s. No, Grateful Shred aren’t your dad’s Dead tribute band and here (mostly) everyone’s under forty. Maybe that’s just Brooklyn, but you can tell the Shred are aiming for something different as much by their approach to the catalog as by their openers and guests: local jammers Garcia Peoples opened this most recent pair of shows while San Francisco’s Howlin’ Rain played last year. The newly-local Ryley Walker (who seems to be showing up everywhere this month) joins in during “Space” and sticks around to solo on “Touch of Grey.” Touchhead or no, the result is delightful. That jam concludes a long second-set suite that includes “Estimated Prophet” into “Truckin” into “The Other One,” capping off over forty uninterrupted minutes of bliss and probably the highest high I’ve seen Grateful Shred hit yet. These guys just keep getting better.

I recorded this set with the MBHO hypercardioids from my usual spot at Brooklyn Bowl, resulting in a pretty good audience tape. There’s an expertly made board tape also over at the LMA, if that’s your thing.

Downloads available at the Live Music Archive

Grateful Shred
2019-03-01
Brooklyn Bowl
Brooklyn, NY

Recorded and produced by Eric PH

MBHO KA500HN/603A (FOB, ROC) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [2:15:25]
01. Jack Straw
02. Mama Tried >
03. Mexicali Blues
04. They Love Each Other
05. Loose Lucy
06. Feel Like a Stranger
07. Shakedown Street
08. Cold Rain and Snow
09. Cumberland Blues
10. Estimated Prophet >
11. Truckin’ >
12. The Other One >
13. Space >
14. Touch of Grey
15. Man Smart Woman Smarter
16. Shining Star >
17. Samson and Delilah
18. Encore Break
19. Casey Jones

13-14 with Ryley Walker on guitar

Grateful Shred Website

Ryley Walker, Steve Gunn & Ryan Jewell Trio: March 5, 2019 Union Pool

March 7, 2019
By
Photo by Drew Gardner

Ryley Walker led off his March 2019 Union Pool residency with a shot of his usual self-deprecating humor, telling us he just got dumped and that this was his first show as a New Yorker (he’s lived here for months and performed quite a few sets here since). For those of us who’ve followed his career for the past five-plus years, we knew at least one thing to expect next: Ryley’s music is as serious as his stage persona is flippant.

Still, that couldn’t quite prepare us for the trio set with Steve Gunn and Ryan Jewell that followed. This trio could have done any number of things well, but what we ended up with reminded me tonally of Gunn’s collaborations with the drummer John Truscinski — with a hundred percent more guitar. Over the course of this 50 minute improvisational piece (titled by yours truly given the lack of a given one), I was struck by how, in the right hands, an instrument can be a person’s voice. Take Walker at his word — or put yourselves in the shoes of almost anyone who first moves to NYC from their hometown — and you knew what kind of energy he was working with: frenetic, exuberant and relentless. He played like a person aching to be seen, announcing themselves in an unfamiliar place. It wasn’t his first show as a New Yorker, but it might be the first one with that alchemical mix of awe, anxiety and urgency that turns you into the kind of person who belongs here.

Gunn’s trademark guitar tone undergirds the entire piece, a beacon for what’s to come. There’s a sweetness and calm to even Gunn’s noisiest work that’s of a piece to his own stage persona: confident but laid-back about it, extraordinary without overreaching. Like his recent guest appearance with William Tyler, this collaboration with Walker made for an incredible combination of peer guitarists operating at their creative and artistic peaks (not to say they won’t enjoy more). Likewise the conservatory-trained Jewell, an almost-constant among Ryley’s touring bandmates, who comes in and out of the foreground of this extended improv at the right moments, adding drone-style percussion at critical ebbs in the volume.

From his noise roots to his folk-leaning earlier albums to his wholly-new current material, Walker proves over and over that he refuses not to stretch himself artistically. It was hard to take photos of this show. You could get a clear shot of Steve, eyeing Ryley from stage left. But Ryley Walker, he was a blur, especially at this piece’s final, ecstatic climax. Like a true New Yorker, he never stops moving.

I recorded this set with a flawless feed from Union Pool’s engineer Doug Graham, together with Schoeps MK5 microphones at the soundboard. The quality is excellent. Enjoy!

Thanks as always to the artists and the Union Pool team for having us.

Download the complete show from its Live Music Archive page.

Ryley Walker, Steve Gunn & Ryan Jewell Trio
2019-03-05
Union Pool
Brooklyn, NY  USA

Recorded and produced by acidjack

Soundboard (engineer: Doug Graham) + Schoeps MK5 (XY, at SBD, DFC)>KC5>CMC6>>Sound Devices MixPre 6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.2.2>FLAC ( level 8 )

Tracks [Total Time 51:41]
01 [Chicago rap]
02 Exodus 2 Brooklyn pt 1
03 Exodus 2 Brooklyn pt 2
04 Exodus 2 Brooklyn pt 3

Ryley Walker – guitar
Steve Gunn – guitar
Ryan Jewell – drums

Dire Wolves: February 7, 2019 Union Pool

February 15, 2019
By
Photos by Drew Gardner

San Francisco’s Dire Wolves don’t come around too often, but when they do they bring the heat. This one features the Wolves’ Jeffrey Alexander backed by what he calls a “strange” version of the band: Jesse Sheppard (Elkhorn) on bass, Jeff Tobias (Sunwatchers) on sax, and Scott Verrastro (Bardo Pond) on drums. What results is the Wolves’ shaggy psych mixed with jazzy excursions.

Speaking of which, it’s Excursions to Cloudland, released on Beyond Beyond is Beyond Records, that hipped me to Dire Wolves. And then there’s also this fantastic split with Headroom that I’ve gravitated towards when looking for a fix. Dire Wolves will have another one out with BBiB sometime soon so stay tuned to find out what new lands they’ve got in store.

Thanks to Jeff Conklin for putting on this awesome bill. Tune in to The Avant Ghetto on WFMU for more of the goods!

I recorded this set with our usual setup for Union Pool: a board feed from FOH extraordinaire Doug combined with the MBHOs in DIN configuration at the board. The sound is excellent. Enjoy!

Download MP3/FLAC


Dire Wolves (Inspiration Family Band)
2019-02-07
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [55:32]
01. Grow Towards The Light
02. Transmigrations
03. Enter Quietly > Take A Step Back
04. West Ellet Fadeaway

Buy Dire Wolves music via Bandcamp
• •
Buy Excursions to Cloudland via Beyond Beyond is Beyond

Heron Oblivion: December 9, 2018 Baby’s All Right

January 22, 2019
By
Photos by Michael Baca

Last month, the East Coast got a rare dose of live Heron Oblivion action in which Brooklyn lucked into this soaring seventy-minute set that includes five new songs. Holy cow! Hard to believe it’s been nearly three years since Heron Oblivion released their self-titled record. Since then they put out The Chapel, a live album recorded in January 2017 with a new, untitled song (the same one we heard back in 2016 at Union Pool) and a cover of Doug Sahm’s “At the Crossroads.” More recently, they’ve been quietly touring a set full of new songs that hopefully will see the light of day on LP2. All signs point to more greatness to come!

I recorded this set with a pair of MBHO omnidirectional mics on stage, plus a board feed from the Baby’s crew. The sound is excellent. Enjoy!

Downloads available at the Live Music Archive

Heron Oblivion
2018-12-09
Baby’s All Right
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Additional mixing by acidjack
Photos by Michael Baca

Soundboard + MBHO KA100N/603A (on stage, DFC) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [1:09:59]
01. Oriar
02. Untitled 1
03. Untitled 2
04. Untitled 3
05. Untitled 4
06. Sudden Lament
07. Untitled 5
08. Faro
09. Rama
10. At the Crossroads [Doug Sahm]

Buy Heron Oblivion via Sub Pop
• • Connect with the band on Facebook
• • • Buy assorted Howlin Rain, Comets on Fire, and Feral Ohms music via Silver Current
• • • • Buy Meg Baird’s solo LP Don’t Weigh Down the Light via Drag City
• • • • • Buy Assemble Head in Sunburst Sound records via Tee Pee

Garcia Peoples: December 22, 2018 Union Pool

January 8, 2019
By
Art by Arnold Conklin

West Coasters! Garcia Peoples hit the road with Howlin’ Rain starting this Thursday, January 10th, in Bellingham, Washington and continuing through Washington, Oregon, Nevada, and California. The full listing of dates with ticket links can be found at Howlin’ Rain’s website. Do go out and see both bands!

In other exciting Garcia Peoples news, they recently announced their second LP, Natural Facts, and it’s up for preorder from Beyond Beyond is Beyond. The Garcias played a couple of songs from the album in Brooklyn last month, “High Noon Violence” and “Break Me Down.” Unexpectedly, the band also played a pair of covers to celebrate Jeff Conklin’s birthday, “Laila Pt. 2” by Agitation Free and “Easy Ride” by Relatively Clean Rivers. If you listen to The Avant Ghetto on WFMU (and you should) you’ll likely recognize these two bands as a couple of Jeff’s favorites.

I recorded this set from our usual location at the soundboard, with a feed courtesy of Union Pool FOH Jase Hottenroth. The sound is excellent. Enjoy!

Downloads available at the Live Music Archive

Garcia Peoples
2018-12-22
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Artwork by Arnold Conklin

Soundboard (engineer: Jase Hottenroth) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [40:52]
01. Hangin’ On >
02. Break Me Down
03. Laila Pt. 2 [Agitation Free] >
04. High Noon Violence
05. World’s Illusion >
06. Easy Ride [Relatively Clean Rivers]
07. [banter]
08. Show Your Troubles Out

Preorder Natural Facts via Bandcamp

Wet Tuna: December 22, 2018 Union Pool & September 8, 2018 Three Lobed / WXDU Annual Ritual of Summoning

January 3, 2019
By

Straight from the ever-expanding Tunaverse, here’s a double header of shows from last year. The first finds the duo traveling down to Raleigh, North Carolina for the “Three Lobed / WXDU Annual Ritual of Sommoning,” the yearly Hopscotch day party that’s become one of the festival’s biggest draws. Next is another duo set from last month at Jeff Conklin’s birthday party. Fun was had by all and here’s the documentation to prove it.

While you’re enjoying these live Wet Tuna dispatches, head over to their blog to order Mountain Busted, a 7-CD set of multitracked live shows. I’ve been lost in these recordings for a couple weeks now and the sound is absolutely phenomenal—more than enough reason to dive in head first. The set gets a little sweeter thanks to a trio of Root Cellar gigs with special guest spots from J Mascis, John Moloney, Jim Bliss, and more, that hail from another plane of existence.

I recorded the Union Pool gig from our usual spot at the soundboard, combined with a feed courtesy of Jase Hottenroth. Acidjack recorded the Raleigh show with his usual six track rig at King’s. Both sound excellent. Enjoy!

Union Pool Download: [FLAC/MP3]
Three Lobed / WXDU Annual Ritual of Summoning Download: [FLAC/MP3]

Wet Tuna
2018-12-22
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Jase Hottenroth) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [40:56]
01. I’d Rather Be Hayin’ > Hay Space
02. Roomtone
03. I Know You Rider
04. Roomtone
05. New York Street

MV/PG Six/Coot Moon



Wet Tuna
2018-09-07
Three Lobed / WXDU Annual Ritual of Summoning
King’s
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK4V (onstage, DFC)>KC5>CMC6 + Behringer C2>>Zoom F8>24/48 WAVs>Adobe Audition CC (align, mix down, limiter)>Izotope Ozone 5 (effects, EQ)>Audacity 2.2.2 (track, amplify)>FLAC ( level 8 )

Tracks
01 I Know You Rider
02 Water Train
03 New York Street

Bandcamp

Headroom: December 9, 2018 Baby’s All Right

January 1, 2019
By
[Photos by Michael Baca]

I keep thinking about headspace and headroom, in the context of Headroom, a band that opens both inward and outward. Kryssi Battalene splits her time churning out shoegazey riffs for the immeasurable Mountain Movers, Headroom being her side gig that distills her soloing into the main event. In 2017 she put out Head in the Clouds, a particularly spaced-out affair that’s as soaring in its scope as her other band. With Movers’ Rick Omonte on bass and Ross Menze on drums, Headroom doesn’t stray too far from the mold, blowing up new spaces to get lost in. Last month we finally got to see Headroom in action at Baby’s All Right, where the band played three tracks from Head in the Clouds, plus the new “Skyliner.” I don’t think I’m the only person in attendance who suggested Headroom visit us more often.

I recorded this set with a pair of MBHO omnidirectional mics onstage combined with a board feed from the Baby’s crew. The sound is outstanding. Enjoy!

Download: [MP3/FLAC]

Headroom
2018-12-09
Baby’s All Right
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Michael Baca

Soundboard + MBHO KA100N/603A (on stage, DFC) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [35:12]
01. How to Grow Evil Flowers
02. Millers Pond
03. Skyliner
04. Flower of Light

Buy Head in the Clouds via Bandcamp

Ryley Walker: December 14, 2018 Baby’s All Right

December 16, 2018
By

Ryley Walker has become something of a Renaissance man in 2018, with his highly-lauded album Deafman Glance, a full-album cover of an unreleased Dave Matthews Band LP, his endlessly entertaining Twitter account, and an ongoing series of Vice articles where Ryley’s just being Ryley. Listen to some of his between song banter and it’s clear Walker loves music and knows how to engage an audience. Yet for all his extracurricular antics, the tunes are nothing if not sincere.

Somewhat surprisingly given it’s high level of publicity, Walker and band are not touring Dave Matthews tunes, but instead continue touring this year’s excellent Deafman Glance—Walker’s best album yet. Especially great here is their rendition of “Spoil With the Rest” and a pair of tunes with trumpeter Jaimie Branch, “22 Days” and “Funny Thing She Said.”

I recorded this with a pair of MBHO cardioid mics on stage in stereo DIN configuration, combined with a soundboard feed courtesy of the Baby’s crew, Dan and Jesse. The sound is outstanding. Enjoy!

Downloads available at the Live Music Archive

Ryley Walker
2018-12-14
Baby’s All Right
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineers: Dan & Jesse) + MBHO KA200N/603A (on stage, DFC, DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [1:09:03]

01. [intro]
02. Telluride Speed
03. [who loves live music]
04. The Halfwit in Me
05. [capo jokes]
06. Spoil With the Rest
07. [banter]
08. 22 Days
09. [band intros]
10. Funny Thing She Said
11. [thanks]
12. The Roundabout

Ryley Walker: guitar, vocals
Brian Sulpizio: guitar
Andrew Young: bass
Ryan Jewell: drums
Jaimie Branch: trumpet on tracks 8 and 10

Buy Ryley Walker music on Bandcamp

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