Posts Tagged ‘ johnny fried chicken boy ’

Los Lobos: July 11, 2012 Brooklyn Bowl – FLAC / MP3 / Streaming Songs

August 30, 2012
By


[Photos by acidjack and Johnny]

Any performer worth their salt would love to be in a band like Los Lobos.  While their rendition of “La Bamba” may have put them on the map (and the version by which all others are measured, in my humble opinion; sorry, Ritchie Valens), their stellar output through a nearly 40 year career has kept them there.  These guys have a level of musicianship that most players can only dream of and would kill for.  Los Lobos are capable of playing nearly anything and many respected artists have cited them as their favorite group to jam with.  That’s why it was no surprise that during Tom Waits‘ recent, and exceedingly rare, late-night television appearances guitarist/vocalist David Hidalgo was part of his band.  An American institution very proud of their Mexican/SoCal roots, they began this show by playing acoustic Tejano that, over several songs, subtly transformed and transitioned into electric rock.  It was pretty spectacular to behold and they made it appear so effortless.  When they pulled Jolie Holland on stage for a gorgeous duet and opener Livingston Leo for a few cuts, it sounded and felt like they had all been playing together for years.  Over the course of the night, they played some brilliant covers and tracks off many of their discs including a healthy dose from ‘Kiko‘, not only one of their best albums but arguably some of the finest music ever recorded.  I am repeatedly amazed every time I get the opportunity to catch these guys and if you have a bucket list of bands you must see, Los Lobos should be at or near the top.

acidjack and I recorded this concert with sets of Schoeps MK22’s and Milab VM-44 Links.  The microphones complimented each other beautifully and we were able to make an excellent capture.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Dan Gale for the setlist help, and to Peter Costello and the staff at Brooklyn Bowl for their hospitality.

Stream “Chuco’s Cumbia”:

Stream “Short Side of Nothing”:

Direct download of the complete show in MP3 [HERE]

Direct download of the complete show in FLAC [HERE]

If either of the links are not working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Los Lobos
Wednesday, July 11, 2012
Brooklyn Bowl
Brooklyn, NY, USA
(opener: Livingston Leo)

Source: AUD > Milab VM-44 Links (cardioid) + Schoeps MK22’s [> CMC6 > Sound Devices USBPre2] >> Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded by: acidjack and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:53:22]
01. [intro]
02. Canto a Veracruz
03. El Cascabel  [Lorenzo Barcelata]
04. La Pistola y El Corazón  [*]
05. [banter]
06. Los Ojos de Pancha  [Juan Romero]
07. Saint Behind the Glass
08. Teresa
09. [banter / tuning]
10. Chuco’s Cumbia
11. Will the Wolf Survive?
12. Angels with Dirty Faces
13. Wicked Rain
14. Short Side of Nothing
15. That Train Don’t Stop Here
16. One Way Out  [Elmore James / Sonny Boy Williamson]
17. Kiko and the Lavender Moon
18. [banter / tuning]
19. Let’s Say Goodnight
20. Ay Te Dejo en San Antonio  [Santiago Jiménez]
21. How Much Can I Do?
22. Not Fade Away  [Buddy Holly] [#]
23. Bertha  [The Grateful Dead] [#]
24. [encore break]
25. Don’t Worry Baby  [#]
26. Mas y Mas  [#]

* with Jolie Holland
# with Livingston Leo

If you download this recording, we expect that you will PLEASE SUPPORT Los Lobos, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

Sean Rowe: July 21, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 10, 2012
By


[Photos by acidjack]

Sean Rowe has that kind of deep, bone-shaking voice that sticks with you; the dark, harrowing type that gives voice to a thousand souls. Born and raised in upstate New York, Rowe has been kicking around there for awhile, doing his thing in local bars and clubs, playing to whoever will listen. In a welcome development, ANTI Records picked him up a few years ago and re-released his first solo album, Magic.  Since then, he has enjoyed a wider audience, and this show at Mercury Lounge found Sean on the cusp of his second ANTI release, The Salesman and the Shark, which drops at the end of this month. Joined onstage by Sarah Pedinotti from Railbird on keys, Rowe showcased several new songs from Salesman as well as some truly classic covers.

Magic reflected Rowe’s other main passion, being a naturalist, and was the result of 24 days spent foraging in the wilderness. Based on what we were previewed at this show, Salesman will be another dramatic artistic statement, with songs like “Joe’s Cult” evoking some of rock and folk’s most cherished vocalists. You can imagine Rowe sharing the stage with any number of great artists: Tom Waits, Bob Dylan, Steve Earle, Johnny Cash, were he still with us. Rowe’s baritone has a timeless, evocative quality, and that made his covers at this show as memorable and true as his originals.  Because everything has to have a label to hang it on, PR people have taken to calling this “alt-folk”, and maybe, as the work of an accomplished woodsman with a love and respect for the outdoors, that makes some sense. But I don’t think Rowe is trying to be the “alternative” to anything; his music is classic, as well as relevant. Although, in fairness to the “alt” tag, he had a bit of fun with us at the end with his cover of the Violent Femmes’ “Gone Daddy Gone” – an 80s staple that, like Rowe’s own music, wears awfully well.

Rowe will be performing two NYC shows in September – on the 19th at Mercury Lounge, and on the 20th at Brooklyn Bowl.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed from Kevin, the head engineer at Mercury.  Like the Field Report recording from this same night, it is outstanding in quality.  Enjoy!

Stream “Joe’s Cult”
[audio:http://www.nyctaper.com/S2107SeanRowe2120/04 Joe’s Cult.mp3]

Stream “Jesus Gonna Be Here [Tom Waits]”
[audio:http://www.nyctaper.com/S2107SeanRowe2120/07 Jesus Gonna Be Here.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sean Rowe
2012-07-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and Johnny Fried Chicken Boy
Produced by acidjack

Soundboard + Schoeps MK41>CMC6>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (various)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Flying
02 Bird On A Wire [Leonard Cohen]
03 [banter]
04 Joe’s Cult
05 [banter]
06 The Walker
07 Jesus Gonna Be Here [Tom Waits]
08 To Leave Something Behind
09 Gone Daddy Gone [Violent Femmes]

If you enjoyed this recording, please support Sean, visit his website, and pre-order The Salesman and the Shark from ANTI Records [HERE].

Helmet: August 2, 2012 Webster Hall – FLAC / MP3 / Streaming

August 9, 2012
By


[Photos by acidjack]

Our younger readers are fortunate not to remember the Columbia House Music Club, which promised eight to ten CDs for 1 cent in exchange for signing up for a “club” that would mail you a (usually lame) CD-of-the-month at an exorbitant price, unless you mailed it back first. The club bore more than its fair share of customer complaints, and its selection was weak. But if you were a kid and didn’t have a lot of cash or access to good music stores (and you were diligent about declining that CD of the month), it wasn’t a bad way to get ahold of new music in the pre-Internet era.  One thing I can thank Columbia House for is introducing me to Helmet and their standout albums Meantime and Betty, each still a tour de force of hardcore-influenced rock twenty years on.

Frontman Page Hamilton has moved on from his former bandmates, and is the only original member of the lineup, but as Johnny Fried Chicken Boy observed last October, Hamilton and his new cast of characters can still very much bring the heat. Hurtling through a Webster Hall set that included five songs from the band’s 2010 record Seeing Eye Dog (plus another from 2004’s Size Matters) with a fairly even blend of songs from their four 90s albums, Strap It On, Meantime, Betty and Aftertaste. One feature that always set Helmet apart from many hardcore and metal bands of the era was their more intelligent approach to their music, both in terms of Hamilton’s classically-informed playing and their eschewing of the macho heavy metal aesthetic of contemporaries like Pantera. Hamilton, who relocated from New York to LA at the end of the 90s, remains a gifted frontman, and songs like two of my favorites, “In the Meantime” and “Wilma’s Rainbow” were delivered with ferocity. Although this set clocked in at barely over an hour thanks to Webster’s curfew and the fact that this was a co-headlining tour with Toadies, Hamilton and the band packed in sixteen songs, and stirred up a mosh pit in the process (kind of a feat when you consider how early it was in the night, and the age of many of the fans).

Johnny Fried Chicken Boy recorded this set with four microphones in our usual balcony location. I ended up using the Schoeps MK41 source alone for this post, as both sources were a bit “muddy” in the low-mid bass region, and combining them would only have accentuated that flaw.  After some time spent editing, although this is not my favorite of my recordings quality-wise, this recording should be a very good listen, if not quite up to the standard of Johnny’s Bowery Ballroom recording linked above.  Enjoy!

Stream “In the Meantime”
[audio:http://www.nyctaper.com/H1110Helmet1120/19 In the Meantime.mp3]

Stream “Wilma’s Rainbow”
[audio:http://www.nyctaper.com/H1110Helmet1120/08 Wilma’s Rainbow.mp3]

Direct download of MP3 files [HERE] |  Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Helmet
2012-08-02
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack and Johnny Fried Chicken Boy

Schoeps MK41 (DFC, BOB, DINa)>KC5>CMC6>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ)>Audition CS 5.5 (parallel compression)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:04:55]
01 Sinatra
02 So Long
03 Welcome To Algiers
04 Renovation
05 Exactly What You Wanted
06 White City
07 Bad Mood
08 Wilma’s Rainbow
09 [banter]
10 Miserable
11 Blacktop
12 Overrated
13 In Person
14 [banter]
15 Smart
16 Ironhead
17 Milquetoast
18 [short encore break]
19 In the Meantime

If you download this recording, we expect that you will PLEASE SUPPORT Helmet, visit theirwebsite, visit their Facebook and MySpace pages, and purchase their official releases (including their most recent album, Seeing Eye Dog) and merchandise [HERE].

Wilco: July 28, 2012 Brewery Ommegang – FLAC / MP3 / Streaming Songs

July 31, 2012
By


[Photos by acidjack and Johnny]

After catching Wilco’s excellent show at Terminal 5 earlier in the week, to say that we were excited about trekking up to the lovely Brewery Ommegang in Cooperstown to see them again would be a gross understatement.  It’s becoming a bit of a tradition for the entire NYCtaper crew to make it to at least one outdoor Wilco concert a year and we decided to expand our range outside of the city after the superb Central Park gigs last September (HERE and HERE).  The tradition also appears to bring rain with it, but judging by the fabulous time both the band and attendees were having you wouldn’t have guessed a single drop fell that night.  No doubt the exceptional Belgian-style beers the brewery serves as well as their hospitality and the gorgeous upstate surroundings bolstered our good spirits.  It became evident early on that Jeff Tweedy and company were as impressed with the fans as we were with them, citing a checklist of criteria that makes for a great crowd at one point.  Along with regular favorites “Heavy Metal Drummer” and “Impossible Germany” (which is always an opportunity for the impressive Nels Cline to shine on guitar), the troupe shrugged off the wet weather with an infrequent showing of “Either Way”, and brought the rare “Laminated Cat” and “What’s the World Got in Store” back into rotation.  Topping the evening with two encores, including a triple-shot of songs from ‘Being There‘, it’s nights like these that keep us eager for the next show and make recording them so enjoyable.

The rain aside, between the four of us we ran no less than six pairs of microphones and were able to set up very close to center right in front of the soundboard.  Having so many choices at hand, we ultimately decided to use acidjack‘s Schoeps and Johnny’s Milabs for our mix.  With Wilco’s FOH engineer extraordinaire Stan Doty at the helm, the sound was exemplary and, in light of the weather conditions, our recording is really quite excellent.  We hope you like what you hear as much as we did.  Enjoy!

Stream “I Might”:

[audio:http://www.nyctaper.com/W2238Wilco2297/WilcoMight.mp3]

Stream “Handshake Drugs”:

[audio:http://www.nyctaper.com/W2238Wilco2297/Wilco_-_Handshake_Drugs.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Wilco
Saturday, July 28, 2012
Brewery Ommegang
Cooperstown, NY, USA
(opener: Lee Ranaldo)

Source: AUD > Milab VM-44 Links (cardioid) + Schoeps MK22’s [> KC5 > CMC6 > Sound Devices USBPre2] >> Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded by: acidjack, hi and lo, nyctaper and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:07:51]
01. Dawned on Me
02. War on War
03. I Might
04. Sunken Treasure
05. Either Way
06. Hummingbird
07. Impossible Germany
08. Born Alone
09. Laminated Cat
10. [banter 1]
11. What’s the World Got in Store
12. Handshake Drugs
13. Whole Love
14. [banter 2]
15. Kamera
16. Box Full of Letters
17. I’m Always in Love
18. [banter 3]
19. Heavy Metal Drummer
20. I’m the Man Who Loves You
21. A Shot in the Arm
22. [1st encore break]
23. Poor Places
24. Art of Almost
25. Standing O
26. [2nd encore break / banter]
27. Airline to Heaven
28. [banter 4]
29. Hate It Here
30. Can’t Stand It
31. Red-Eyed and Blue
32. I Got You (At the End of the Century)
33. Outtasite (Outta Mind)

If you download this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE].

Wilco: July 25, 2012 Terminal 5 – Flac and MP3 Downloads + Streaming Songs

July 27, 2012
By


[photos by JC McIlwaine]

A few hours after this post appears on the site, the entire NYCTaper crew will drive four hours up to Cooperstown to see Wilco again at the Ommegang Brewery. The reason why we will travel so far is essentially encapsulated in this recording. On Wednesday, we all saw Wilco at Terminal 5, and the band once again reminded us about why we’ll make sacrifices as fans to see them live. The meme of all the Wilco reviews on nyctaper (and there are a lot) is that this band is extremely good to its fans. The long sets, interesting song selections, lengthy encores and full dedication to the performance positions Wilco as the preeminent live band around today, and for the better part of the last two decades. On Wednesday, we were treated to a “deep cut” setlist where songs were performed that we haven’t seen very often or at all since the 1990s. “What’s The World Got in Store” is probably the rarest of the tracks — a song from the first record of the two-lp 1996 album Being There. We are streaming it below, along with “Passenger Side”, another early era nugget that has seen infrequent plays in recent years. The final treat was a heartfelt final encore (the 9th encore song) of “The Lonely 1”, another Being There song and one that I’m not sure that I’ve ever actually seen live. Its these kinds of treats that keep us coming back. I’m sure Cooperstown will yield the same kind of satisfaction.

I recorded this set along side the rest of the crew. For this recording, I’m using the Neumann and Sennheiser 4-mic rig and relying heavily on the hypercard Neumanns. I’ve also patched acidjack’s Schoeps recording for the first track since I experienced some technical issues during the first song. Overall it an excellent capture. Enjoy!

Stream “What’s The World Got In Store:”
[audio:http://www.nyctaper.com/W2238Wilco2297/09.%20What%27s%20The%20World%20Got%20In%20Store.mp3]

Stream “Passenger Side”:
[audio:http://www.nyctaper.com/W2238Wilco2297/21.%20Passenger%20Side.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wilco
2012-07-25
Terminal 5
New York, NY USA

Digital Master
Front of Board Four-Track Audience Recording

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper, acidjack, hiandlo and johnnyfriedchickenboy
2012-07-26

Setlist:
[Total Time 2:14:29]
01 One Sunday Morning
02 Art Of Almost
03 I Might
04 At Least That’s What You Said
05 She’s A Jar
06 Kamera
07 Can’t Stand It
08 Too Far Apart
09 What’s The World Got In Store
10 Impossible Germany
11 Born Alone
12 Capitol City
13 Laminated Cat
14 Summer Teeth
15 Whole Love
16 Theologians
17 I’m The Man Who Loves You
18 Dawned On Me
19 A Shot in the Arm
20 [encore break]
21 Passenger Side
22 Casino Queen
23 Candyfloss
24 Hesitating Beauty
25 A Magazine Called Sunset
26 Kicking Television
27 [second encore break]
28 The Late Greats
29 Dreamer In My Dreams
30 The Lonely 1

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, and purchase their official releases directly from their website [HERE].

Patterson Hood & the Downtown Rumblers: July 23, 2012 Bell House – FLAC/MP3 Downloads + Streaming Songs

July 25, 2012
By

Patterson
[still from this video]

Patterson Hood must be holding back his best material. Or, at least, the solo material on display at this appearance at The Bell House wowed both Johnny Fried Chicken Boy and me to a greater level than his most recent work with his main gig, the Drive-By Truckers, has. That’s not meant as a knock on the Truckers – that band is a collaborative effort, and Hood has never been the whole equation as far as songwriting for it goes. But he has always been, at least for me, the beating heart and mascot of that band, the friendly drunk with a wink in his eye, the one who reminds you of that reliably Southern buddy you wish you had.

Hood is also the band’s great storyteller. His honest, unvarnished tales manage to be universal, even if you don’t know jack shit about moonshine and pickup trucks. His new record is called Heat Lightning Rumbles in the Distance, and the title track is a tribute to Patterson’s recently deceased great uncle, who raised him for much of his childhood.  If you’ve seen actual heat lightning spread its electric fingers out over a black Southern sky, seemingly tousling the pines, you know what a majestic sight it is. And why it reminded Patterson of a loved one, about to be dearly departed. Because that image, like that person you love, will never leave you.

Many of his images don’t.  There’s Billy Ringo, the hapless stoner who nearly dies every day, nearly falling from a window but still keeping his hand on his bong. There are the liquor store fanboys of “12:01”, hanging outside the store on Sunday at midnight, fighting off the shakes until they can get their whiskey fix. There are the torn pages from the back of a Gideon Bible, scrawled with a love song of a moment’s inspiration.

Hood is a gifted songwriter, blessed with the common touch and an uncommon amount of insight. He’s a generous writer and performer, too; even by the standards of rock n’ roll, you can tell how much he loves doing both. Only somebody with that much love puts on a nearly two hour  performance of solo album material on a Monday night.  This show covered much of Heat Lightning, which will be released on September 11, but also offered some of his earlier favorites like “Pollyanna” was well as notable covers, including Big Star’s “September Gurls” and Todd Rundgren’s “The Range War”. Hood and this band, christened the Downtown Rumblers, were as free spirited and lively as ever, passing a bottle of Patron around as they dug deep into Hood’s catalog at a solid, but measured pace. Hood likes to take his time to cue up his songs, to put a frame around them, if you will, and that is one of the most rewarding aspects of his live show. By the time this one wrapped, it felt like we’d spent an evening with an old friend. The show ended, appropriately, with the Eddie Hinton song “Everybody Needs Love”, and we had felt plenty of it from Patterson tonight.

This set was recorded with Schoeps MK41 microphones, whose directionality helps to reduce some of the “boomy” nature of this room, and a soundboard feed. I think you will like the results. Enjoy!

Minor assistance with the setlist would be appreciated. Also, the tag for the first track should be changed to “Depression Era”. Thanks to Patterson, the Bell House and Dave for their hospitality.

Stream “Heat Lightning Rumbles In the Distance”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/21 Heat Lightning Rumbles In the Distance.mp3]

Stream “September Gurls [Big Star]”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/11 September Gurls.mp3]

Stream “12:01”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/03 12_01.mp3]

Download the MP3 and FLAC files and stream this entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Patterson Hood and the Downtown Rumblers
2012-07-23
Bell House
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>Sound Devices USBPre2 + SBD >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ AUD)>Adobe Audition CS 5.5 (light DR compression on SBD, mixdown)>Izotope Ozone 5 (additional EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:53:08]
01 Depression Era
02 Pride of the Yankees
03 12:01
04 [banter]
05 Leavin’ Time
06 Little Bonnie
07 [banter]
08 Billy Ringo
09 [banter]
10 Disappear
11 September Gurls [Big Star]
12 Old Timer’s Disease
13 (untold pretties)
14 The Range War [Todd Rundgren]
15 Betty Ford
16 Uncle Disney
17 Better Off Without
18 Pollyanna
19 After the Damage
20 Screwtopia
21 Heat Lightning Rumbles in the Distance
22 Come Back Little Star
23 15 Days
24 [encore break]
25 Back of a Bible
26 Everybody Needs Love [Eddie Hinton]

If you enjoyed this recording, PLEASE SUPPORT Patterson Hood, visit his website, and buy his official releases in the Drive By Truckers Online Store.

Kelli Scarr: June 5, 2012 Joe’s Pub – FLAC / MP3 / Streaming Song

July 5, 2012
By


[Photos by Johnny]

We seem to be in the right place at the right time when it comes to Kelli Scarr.  The last time she appeared on the NYCtaper website, Kelli had just released her debut album ‘Piece‘.  Nearly two years later and we were fortunate to catch the release show at Joe’s Pub for her sophomore disc, ‘Dangling Teeth‘.  Backing her amazing voice, she had a good number of her group from the Backyard Brunch Session on hand including pianist/vocalist Jo Schornikow, pedal steel player extraordinaire Jonathan Lam, bassist Andrew Southern, flugelhorn player Dan Brantigan, guitarist Scott Metzger, drummer Taylor Floreth, violinist Claudia Chopek and cellist Eleanor Norton.  The set consisted of all the tracks from the wonderful new record and Kelli led her incredible band through the different flavors on it, from rock-tinged country to sultry-voiced chanteuse.  Combining that with the very appreciative crowd and it made for a pretty exceptional evening.  Kelli Scarr is now on tour through the beginning of August.  If she’s playing near you, make a concerted effort to catch her show.  You won’t be disappointed.

On this night, acidjack and I were able to set up nearly dead-center in the terrific sounding Joe’s Pub and we couldn’t have asked for a better location.  This recording is the maiden voyage of my Milab VM-44 Link microphones and the results are excellent.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Kelli Scarr and Joe Rogers at Silence Breaks for making this recording possible, and to the staff at Joe’s Pub for their courtesy and cooperation.

For Kevvie.

Stream “You Could Be So Great”:

[audio:http://nyctaper.com/K2180KelliScarr1020/Kelli_Scarr_-_You_Could_Be_So_Great.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are not working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Kelli Scarr
Tuesday, June 5, 2012
Joe’s Pub
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

TRACKLIST:
[Total time: 51:06]
01. Dangling Teeth
02. You Could Be So Great
03. Our Joy
04. Thank You
05. Phoenicia
06. Airon
07. Trouble
08. It Ain’t Me
09. 400 Days
10. I’ll Always Wait

If you download this recording, we expect that you will PLEASE SUPPORT Kelli Scarr and her bandmates, go see her shows, visit her website, Facebook and MySpace pages, and purchase official releases and merchandise [HERE].

The Word: June 2, 2012 Mountain Jam – FLAC and MP3 Downloads + Streaming Songs

June 30, 2012
By


[Photo from the Mountain Jam Facebook Page]

With its all-star lineup of sacred steel/modern jazz/blues musicians, you can’t help but call The Word a supergroup.  Featuring Robert Randolph (pedal steel guitar), John Medeski (keyboards), and all three members of North Mississippi Allstars – Luther Dickinson (electric guitar), Cody Dickinson (drums, washboard), and Chris Chew (bass guitar), The Word don’t generally get to tour together often (although they’ve done some festival dates this summer), but when these players share a stage, it’s an event. This year’s Mountain Jam was one such moment, as the players gave us 75 minutes of classic religiously-themed pedal steel compositions, including many from their sole album, 2001’sThe Word.  The combination of the lovingly rendered compositions served up by these hypertalented musicians against the backdrop of the Catskills could fairly be called a religious experience of its own.

I recorded this set with AKG 414 large diaphragm mics set to wide cardiod mode.  The excellent house mix for this set, coupled with some post-processing, makes this my favorite of my Mountain Jam recordings (you can also download Ben Folds Five, Gov’t Mule and Givers).

Stream “Blood On That Rock”
[audio:http://www.nyctaper.com/W0062Word0212/10%20Blood%20On%20That%20Rock.mp3]

Stream “I’ll Fly Away”
[audio:http://www.nyctaper.com/W0062Word0212/12%20I%27ll%20Fly%20Away.mp3]

Direct download of MP3 files [HERE] | Download the FLAC files [HERE]
If the FLAC link is not working, Email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Word
2012-06-02
Mountain Jam
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (wide cardiod, 11ft, A-B)>Edirol R-44 [OCM]>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:18:12]
01 [intro]
02 You Haven’t Done Nothin’ [Stevie Wonder]
03 Without God
04 At The Cross
05 [unknown 1]
06 I Shall Not Be Moved
07 New Word Order
08 [unknown 2]
09 Joyful Sounds>
10 Blood On That Rock
11. Waiting On My Wings>electric washboard jam*
12 I’ll Fly Away

* = w/Cody Dickinson on Electric Washboard and Luther & Robert both on Drums

Robert Randolph – pedal steel guitar
John Medeski – keys
Luther Dickinson – guitar
Cody Dickinson – keys
Pierre Wells – bass

If you enjoyed this recording, please support these musicians by supporting and visiting the websites of Robert Randolph, The North Mississippi Allstars, and Medeski, Martin & Wood.

Givers: June 2, 2012 Mountain Jam – FLAC and MP3 Downloads + Streaming Songs

June 27, 2012
By


[All photos courtesy of Dino Perrucci Photography]

We have been fans of the feel-good rock of Givers ever since we spent a balmy summer afternoon with them at the Backyard Brunch Sessions last year.  Nearly a full year later, they have seen their star continue to rise, playing large venues in NYC and elsewhere and finding favor with fans of all ages. This year’s Mountain Jam made the wise move of adding them to the roster, as Givers gave the proceedings a younger, more musically diverse flavor while still complementing the other acts on the bill. Unlike the stripped-down BBS show, this performance represented the band’s more typical stage setup, with fully electric guitars and a full drum kit for drummer/vocalist Tiffany Lamson. I was again impressed by the interplay between the smoky-voiced Lamson and the more youthful, sweet tones of Taylor Gaurisco. Unsurprisingly for a festival set, this hit all of the highlights of the band’s debut album In Light, including the hits “In My Eyes,” “Meantime” and the set closer “Up Up Up”. We also enjoyed rocking out to the band’s sequence of Talking Heads covers, when they segued from “Girlfriend Is Better” into “This Must Be the Place” and on into “Sugar On My Tongue”.

I recorded this set in the same manner as the Ben Folds Five recording, with AKG 414 microphones set to “wide cardiod” mode. After some editing, the sound is good, albeit with a few spots of PA distortion early in the set. Enjoy!

Stream “In My Eyes”
[audio:http://www.nyctaper.com/G1806Givers1102/04 In My Eyes.mp3]

Stream “Girlfriend Is Better [Talking Heads]”
[audio:http://www.nyctaper.com/G1806Givers1102/06 Girlfriend Is Better.mp3]

This recording is now available for download in FLAC or MP3 at Archive.org [HERE].

Follow acidjack on twitter

Givers
2012-06-02
Mountain Jam
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (wide cardiod, 11ft, A-B)>Aerco MP-2>Edirol R-44 [OCM]>Izotope Ozone 5 (EQ, imaging)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Saw You First
02 Meantime
03 Ripe
04 In My Eyes
05 Atlantic
06 Girlfriend Is Better >
07 This Must Be The Place (Naive Melody) [Talking Heads]>
08 Sugar On My Tongue [Talking Heads]
09 Ceiling Of Plankton [Talking Heads]
10 Up Up Up

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Givers, like them on Facebook, and purchase In Light from iTunes or your favorite retailer.

Pontiak: June 14, 2012 NYCTaper Northside Festival Showcase at 285 Kent – FLAC and MP3 Downloads + Streaming Songs

June 25, 2012
By


[Photos by Jill Harrison at For the Love of Brooklyn]

The way that the brothers Jennings, Van and Lain Carney – aka Pontiak – are able to live their lives as musicians is about as far from the New York experience as you can get. Where our musicians live in cramped apartments, borrow or rent practice space, and live near the places where they play, the Carneys record and practice their music on their own farm/studio in rural Virginia, where they decamped to after a five year stint in the Baltimore scene, where they played with compatriots like Arbouretum. The brothers’ rural location has given them flexibility to record how and what they want that their urban counterparts would surely envy. But it does mean a very long drive when you want to do a one-off show for the Northside Festival.

Given the distance involved, and the fact that the band tours much more regularly in Europe, I was honored that Pontiak agreed to co-headline our second annual Northside Festival showcase at 285 Kent. For me, Pontiak was not just a band that I liked and hoped would play a showcase; to me, it is a band that distills to its essence what is right and good about live music. Their sets are unpredictable, drawing from a deep catalog of nine releases, and they take fearless and surprising turns stylistically, even from song to song. Yes, Pontiak are unquestionably a “heavy” band, but that simple tag belies a huge range of influences you can hear in their material. They can evoke Sabbath-style riff-driven metal, stoner rock, psych rock, indie rock, southern rock and math rock, and they can even showcase a quieter, more acoustic side. The band’s most recent EP, Comecrudos, which predated this year’s excellent full-length LP Echo Ono, was a five-part piece inspired by the drive from Marathon, Texas to Phoenix, and featured guest musicians on horns and deep, penetrating psychedelic guitar musings. Echo Ono, on the other hand, “cuts out all the bullshit” (as Van Carney put it to the A.V. Club) and is a much more straight-ahead psychedelic rock album than some of their earlier work.

As a live band, it’s also fair to say the Carneys cut out all the bullshit. Up on the stage with their stripped-down selection of vintage gear cranked to ear-blistering levels, the brothers tore through this 40-minute set with few pauses or breaks. As always, the interplay between the brothers was deft and natural, and their material showed the full range of their catalog.  Although several tracks from Echo Ono were played for the first time (for me), my personal highlight was when the band slowed things down a bit to play Part III of Comecrudos. We could not have been more honored to have them on stage on our behalf.

nyctaper and I recorded this set in the same manner as the other sets of the night, with Sennheiser MKH-8040 microphones, Audio Technica microphones split wide at the stage lip, and a soundboard feed. The sound is excellent. Enjoy!

Special thanks to Pontiak, White Hills, Rhyton and EULA for playing this show and to ToddP for helping to host the event.  You can download While Hills’ set [HERE], Rhyton [HERE] and EULA [HERE].

Stream “Part III [Comecrudos]”
[audio:http://www.nyctaper.com/P2011Pontiak2010/05 Part III.mp3]

Stream “Across the Steppe”
[audio:http://www.nyctaper.com/P2011Pontiak2010/01 Across the Steppe.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
email nyctaper for the location of the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pontiak
2012-06-14
NYCTaper Northside Festival Showcase
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Sennheiser MKH-8040 (ROC, 8ft, PAS) + Soundboard + Audio Technica 3031 (stage lip, NOS)>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>3x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (EQ, gentle tube)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 40:03]
01 Across the Steppe
02 Laywayed
03 The North Coast
04 Left With Lights
05 Part III
06 Shell Skull
07 The Expanding Sky
08 Royal Colors
09 Panoptica [short version]
10 Lions of Least

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Pontiak, visit their website, and purchase their official releases, including Echo Ono from Thrill Jockey directly [here].

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