nyctaper Recordings

concert discussion and free flac downloads

The Suburbs: September 27, 2013 Mercury Lounge – Flac/MP3/Streaming

October 3, 2013
By

suburbs mercury
[photo by Mark Hervey]

So yeah, its the Summer of 1986. About a month after I attended that legendary Replacements show about which I’ve written on this site, another one of the great 1980s Minneapolis bands played the Ritz. The Suburbs did not have the exposure of MN bands like Husker Du and The Replacements, but they were on Twin/Tone for five years or so before moving onto a major label. Love Is The Law was their first major album and it was a college radio staple for a couple of years. By the time they appeared at the Ritz in ’86 as the second of three bands opening for the Australian band The Church, the Suburbs had been together for eight years and released 4 albums and 2 EPs of their quirky glam new-wavish blue-eyed soul. And I had every single one of them on vinyl. I recall the set that night was all familiar material and since the band traveled with a horn section, the finale was “Love Is The Law”. I didn’t even stay for the “headliner”. But little did I realize on that warm summer night that it wouldn’t be for another 27 years before the Suburbs would play New York again. The band broke up in 1987 and although they’ve played multiple reunion shows over the years, all of the shows have been in Minnesota. But fate has a funny way of intervening and when the Minnesota marriage equality movement adopted “Love Is The Law” as their theme song and the Minnesota legislature legalized marriage for all, the Suburbs performed the song on the steps of the Capital with the Governor on guitar. The increased exposure seemed to give the band momentum to finish recording some new songs, and after a successful Kickstarter, the Suburbs’s first album of new material in nearly 30 years was born. If Si Sauvage is an historically unlikely album, its a remarkably good one. The Suburbs always had a quirky edge that has perhaps softened a bit, but the songcraft (and sense of humor) are as strong as ever. On Friday night the band returned to NYC and although it wasn’t 1986 all over again, the Suburbs delivered a tight one-hour set mixed between the new album and old classics. Of the older material, “Music for Boys” from 1981’s Credit in Heaven was a near perfect version and we’re streaming it below. But like the Ritz all those years ago, it was “Love Is The Law” to close the set. I suspect it won’t be another 3 decades before I see the Suburbs again.

I recorded this set with the Sennheiser cards mounted in front of the soundboard and mixed with a soundboard feed. The crowd is a little rowdy and you can hear that even in the mixdown, but overall the sound quality of this recording is superb. Enjoy!

Stream “Music For Boys”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suburbs
2013-09-27
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-28

Setlist:
[Total Time 54:41]
01 Born Under A Good Sign
02 Waiting
03 Reset The Party
04 Music For Boys
05 Dumbass Kids
06 Dish It Up
07 What’s It Like Out There
08 Turn The Radio On
09 Life Is Like
10 Rattle My Bones
11 Cows
12 [banter – cowbell]
13 Si Sauvage
14 Love Is The Law

If you enjoyed this recording, PLEASE SUPPORT The Suburbs, visit their website, and purchase Si Sauvage directly from their site [HERE].

Promised Land Sound: September 7, 2013 Paradise of Bachelors / WXYC Day Show, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 2, 2013
By

IMG_5810
[Photos by acidjack]

The young Nashville band Promised Land Sound represents a bold new move by the fledgling North Carolina label Paradise of Bachelors. It’s their first attempt to officially break a new act. And, if the quality of PLS’ live performance at the PoB/WXYC Hopscotch Music Festival Day Show is any way to gauge it, I’d say they have a good shot at succeeding. The Bachelors signed the band on a bit of a whim, having caught them as an opening act for established underground artists Wooden Wand and MV & EE at William Tyler‘s venue The Stone Fox. The band fits well into PoB’s musical vision, with a catalog that expresses a continuous line from the rock of decades ago to today’s artists. Which is to say that while PLS is new, their country-inflected barroom choogling could have lit a fire under people’s ass back when the band members’ parents were still on the prowl.

This set covered both material from their just-released debut LP, Promised Land Sound (which features Tyler as a guest performer), as well as some earlier material from their Stoned Eagle EP from 2012. The boys’ live performance emphasized the grittiness of their sound, and in many ways flattered the hands-off approach taken to the record’s production, which has a good bit of similarity to the live sound. Rocking out in the lovely Stephenson Amphitheatre in the late summer sun, I could see how the comparisons made between such luminaries as CCR, Jim Ford and Gene Clark in the press materials were more than fair. Promised Land Sound should have a lot to look forward to in the years ahead.

I recorded this set in the same manner as the other PoB Day Show recordings, with Schoeps MK4V cardiods at the stage lip and a soundboard feed. While the performance, and the quality of the capture of the instruments on stage is excellent, the PA suffered from some distortion that is evident on the recording, primarily in the vocals. With the understanding that this is a limitation of the equipment and not the band, this should be a worthwhile introduction to this up-and-coming young act. Enjoy!

Stream “Fadin’ Fast”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5807

Promised Land Sound
2013-09-07
Paradise of Bachelors Day Party
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Schoeps MK4V>KC5>CMC6 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [POB Intro]
02 [instrumental]
03 The Storm
04 Yes You Can
05 Weed and Wine
06 Fadin’ Fast
07 Fuck Cancer
08 If Only
09 All the Time

If you enjoyed this recording, PLEASE SUPPORT Promised Land Sound, like them on Facebook and buy Promised Land Sound from Paradise of Bachelors. Support the University of North Carolina-Chapel Hill’s WXYC by paying them a visit as well.

Superchunk: September 27, 2013 Bowery Ballroom – Flac/MP3/Streaming

October 2, 2013
By

superchunk-71
[photos by PSquared Photography]

I couldn’t make the Friday night Superchunk show, as I was attending The Suburbs at Mercury (recording very soon). But fortunately, intrepid correspondent neild was there for the capture. Neil reports:

“First things first: Not to contradict our fearless leader, but Superchunk didn’t technically go on hiatus after 2001’s Here’s to Shutting Up. There were occasional shows and EPs here and there, whenever Mac McCaughan and Laura Ballance could take time away from their main gig running Merge Records. But the band’s masterful 2010 CD Majesty Shredding still deserves to be ranked with the most impressive comeback albums of all time, featuring instant classics like “Digging For Something” and “Learned to Surf” that melded the band’s guitar crunch with McCaughan’s pop hookery more deftly than ever before. And this year’s I Hate Music (spoiler alert: they don’t actually) is more of the same – or rather, another step forward in the same direction, stretching the band’s boundaries while still staying true to its strengths in rocking out.

This show was the first of two nights at the Bowery Ballroom (the second is available here), and the sold-out crowd was not disappointed: From the opening clap-along bars of “This Summer” (a throwaway single release from last year that might just be their catchiest tune ever), the band was in fine form, with McCaughan bouncing around the stage for almost the entire hour and a half of music. (As my spouse, a Superchunk first-timer, remarked with understatement, “Mac sure has a lot of energy.”) With Ballance sidelined by ear problems, drummer Jon Wurster’s Bob Mould band mate Jason Narducy subbed in as a replacement, and was an excellent fit both on bass and on backing vocals. The setlist featured a spate of songs from I Hate Music, plus a selection from the band’s catalog that managed to be almost entirely different from the next night’s set; “Skip Steps 1 and 3,” “Hyper Enough,” “Rope Light,” and “Driveway to Driveway” (streaming below) were among the highlights here that didn’t reappear on Saturday.

I recorded this from the Bowery’s left balcony, which made for reduced crowd noise and a nice direct sound from the left speaker stack. It was recorded with two sets of mics, Core Sound Binaurals and Church Audio CA-14 cardioids, which were later mixed to provide optimum depth and presence.

Do not sell this under any circumstances, buy all of Superchunk’s records if you don’t have them already (did you get their 2008 EP Leaves In The Gutter? you probably believed that “hiatus” thing and missed it, didn’t you?), and by all means, do yourself a favor and go see them live when they come to your town.

(Special thanks to nitcomb for the setlist.)

Stream “Driveway to Driveway”:

Download the Complete Show [MP3] or [MP3] (off site) / [FLAC] or [FLAC] (off site)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Superchunk
Bowery Ballroom, NYC
September 27, 2013

Source 1: AUD > CoreSound Binaurals > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF
Source 2: AUD > Church Audio CA-14 Cardioids > Line In > iRiver H320 (Rockboxed) > AIFF
Mixing: AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC
Recorded and mastered by neil d
Extremely light dynamic compression in Sound Studio

01 intro
02 This Summer
03 FOH
04 Me and You and Jackie Mittoo
05 Learned to Surf
06 Skip Steps 1 and 3
07 Staying Home
08 Void
09 Out Of The Sun
10 Kicked In
11 Nu Bruises
12 Low F
13 Animated Airplanes Over Germany
14 Rope Light
15 Digging For Something
16 Slack Motherfucker
17 encore break
18 Tiny Bombs
19 What Do I
20 Brand New Love (Sebadoh)
21 Hyper Enough
22 encore break 2
23 Driveway To Driveway
24 The First Part

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase I Hate Music directly from Merge Records [HERE].

Torres: September 25, 2013 Glasslands – Streaming Full Set

October 1, 2013
By

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[Photos by acidjack]

Consider any of the singing competitions that rule TV-land and it’s obvious that there’s no shortage of perfectly good singer-songwriters. Many a loser of The Voice is capable of killing on a few cover songs in a coffee shop. There are dozens and dozens who can hit the right notes and make the right faces and get somebody to vote for them on their phone. What almost all of them don’t have, not really, is what Torres, aka Mackenzie Scott, has. She sings with grit, with feeling, and sometimes it’s not as pretty as it should be or as tied with a neat bow as a fifteen year old on an iPhone might like. When she sings “Honey” you hear the pleading and the hurt, and when her hushed voice grows into a harsh, wailing peak, you feel like you’re right there with her. This one of many good reasons that her self-released album grabbed the attention it did. Torres isn’t just putting a bunch of so-so tracks out there, hoping somebody cares. Her work demands to be heard.

Finding Glasslands pretty busy on a Wednesday night these days is hardly news, but Torres owned the audience in a way many artists can’t. From the leadoff track to her record, “Mother Earth, Father God” to the solemn, solo closer “November Baby,” she held the crowd rapt, the noise of the bar kept at bay through sheer force of will. She doesn’t take her audience for granted, but her set isn’t accommodationist, either. A lesser artist sitting on a single self-released album wouldn’t play multiple songs stretching past the five-minute mark, including her encore, but such is Scott’s confidence and skill that I didn’t even notice the track lengths until I mixed this recording down. Considering this was Scott’s first Brooklyn show as a borough resident (she comes from Nashville), I think she’s more than made the case that she’ll be around a while.

I recorded this set with the installed house sound system including a board feed from Glasslands engineer  Matt. The sound quality is excellent. Enjoy!

At the request of Torres’ management, this recording is offered in streaming format only.

Stream the full set

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Torres
2013-09-25
Glasslands
Brooklyn, NY USA

Exclusive live stream hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Matt) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, light parallel compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mother Earth, Father God
02 Moon & Back
03 [banter]
04 Jealousy and I
05 [banter2]
06 When Winter’s Over
07 [banter3]
08 “Proper Polish Welcome” [new]
09 Honey
10 [banter4]
11 Come To Terms
12 Waterfall
13 [encore break]
14 November Baby

If you enjoyed this recording, PLEASE SUPPORT Torres, visit her website, and buy her record (including pre-orders for physical copies) there.

Superchunk: September 28, 2013 Bowery Ballroom – Flac/MP3/Streaming

September 30, 2013
By

superchunk-34
[photos by PSquared Photography]

I don’t believe its quite accurate to say that Superchunk is the best working band in America today, but you’d be hard pressed to name one that’s actually better. For more than two decades, minus a few years hiatus, Superchunk has consistently released high quality albums filled with excellent songs. There’s not a clunker among any of their ten studio albums — heck, there isn’t even a bad song in their catalog. The newest release came out last month, and I Hate Music not only continues the streak, but its one of the strongest albums in their history. The band is currently on tour in support of the album and performed two shows at Bowery Ballroom this weekend, and we were there for Saturday’s barnburner. Superchunk opened the show on high octane, working through a democratic mix of songs from the new album interspersed with the classics in an hour-long set that barely came up for air. And the very-sold out crowd was with them throughout. From our standard balcony perch we could see the craziness on the floor, but the manic crowd response even spread to the balcony itself, where we witnessed enough pogoing to shake the floor of the upper deck. But it was in the ten song encore segment where all hell broke loose. The band welcomed out Merge recording artist Eleanor Friedberger for two legendary punk covers (we’re streaming the Patti Smith one below) and then just continued to play a series of their own deep tracks in maniacal fashion. The show reached its climax when Mac laid down his guitar, took over behind the kit and drummer Jon Wurster came out to deliver a couple of hardcore covers to end the night.

I recorded this set with the Sennheiser cards mixed with an excellent board feed. There is a couple of minutes of static near the very end of the set caused by a problematic mic on the snare drum, but otherwise this is a superb capture. Enjoy!

We will also have a recording of the first night of Superchunk’s Bowery shows. That recording should be available by the end of the week.

Stream “Free Money” (Patti Smith cover with Eleanor Friedberger):

Stream “Digging for Something”:

Download the Complete show [MP3] or [MP3] (off site) / [FLAC] or [FLAC] (off site)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

superchunk-80

Superchunk
2013-09-28
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-29

Setlist:
[Total Time 1:32:11]
01 Breaking Down
02 FOH
03 Crossed Wires
04 Detroit Has A Skyline
05 Punch Me Harder
06 Staying Home
07 [banter – video]
08 Void
09 Like A Fool
10 Tower
11 Iron On
12 Water Wings
13 [banter – requests]
14 Out of the Sun
15 Me and You and Jackie Mittoo
16 Cast Iron
17 Digging For Something
18 Trees of Barcelona
19 [encore break]
20 Seed Toss
21 [Eleanor introduction]
22 Free Money [Patti Smith]
23 Oh Oh I Love Her So [Ramones]
24 Slack Motherfucker
25 Precision Auto
26 [second encore break]
27 Animated Airplanes Over Germany
28 Throwing Things
29 Fishing
30 20 Eyes [Misfits]
31 My War [Black Flag]

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase I Hate Music directly from Merge Records [HERE].

High Aura’d: September 6, 2013 Hopscotch Music Festival, Long View Center (Raleigh, NC) – FLAC/MP3/Streaming

September 27, 2013
By

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[Photo courtesy of Freddie Ross]

With High Aura’d, the multi-talented John Kolodij creates sonic landscapes with an understated energy. This set at Long View Center — pretty much the home base for much of the drone/ambient and less-noisy avant-garde music during Hopscotch Music Festival — began with the sound of crickets. Washes of guitar and other sound began to ebb and flow underneath. The repetition was hypnotic, slightly dangerous, as if we were about to enter a world we did not know. As the undertones of bass throbbed beneath, Kolodij faced the crowd through the blackness. The intensity of the guitars crested to a torrent of noise, while the crickets kept chirping. Something had entered that dark little world.

That was just the first of three songs, each long-form compositions. Two of these songs are brand-new — newer, even than the band’s latest 7″, a split with Blood Bright Star. The middle song, “Methodist Bells,” appears on High Aura’d’s outstanding 2012 release Sanguine Futures, on the Asheville, North Carolina-based Bathetic Records. Look for at least one of these tracks on High Aura’d’s next LP release on Bathetic, date TBD.

Friend of the site David Schwentker recorded this set with a direct soundboard feed. The sound quality is outstanding. Enjoy!

Stream and download the full set:

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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[Photo by Ross Grady]

High Aura’d
2013-09-06
Hopscotch
Long View Center
Raleigh, NC USA

Recorded and produced by David Schwentker

soundboard feed>Olympus LS-10>24bit/48kHz WAV>Audacity (tracking, amplify, downsample)>Trader’s Little Helper>FLAC ( level 8 )

Tracks
01 [new]
02 Methodist Bells
03 [new]

If you enjoyed this recording, PLEASE SUPPORT High Aura’d, like him on Facebook, buy Sanguine Futures from his bandcamp page and check out his new split 7″ here.

Gross Ghost: September 6, 2013 Hopscotch Music Festival Main Stage (Raleigh, NC) – FLAC/MP3/Streaming

September 26, 2013
By

grossghost-1
[Photo courtesy of Abby Nardo]

If you’ve been following our Hopscotch Music Festival posts, you could be forgiven for thinking the festival is geared heavily toward rather arty, possibly over-serious bands (since I happen to like them). Well, Gross Ghost are a more approachable kind of fun, bringing punk-inflected rock n’ roll to all comers. The band’s core duo are scene veterans Mike Dillon and Tre Acklen, who spawned the band name in the best way possible — that is, after partying hard late into the night a number of times. What a surprise, then, that Gross Ghost’s sound leans toward looser, rougher-hewn, garagey good-time music rather than the cerebral (also great) stuff hosted at some of the festival’s other stages.

The band had the honor of kicking off the main stage, the festival’s largest, and drew curious onlookers streaming into the City Plaza in the heart of downtown Raleigh, North Carolina. One of the festival’s main missions is to highlight North Carolina acts (a fairly large percentage of the festival’s lineup), and Gross Ghost fall into that category. The Carrboro, NC band has been working on Public Housing, the follow-up to 2012’s Brer Rabbit, which should be hitting the streets at the end of October. Expect Public Housing to be their most musically focused and pop-driven yet, if the slew of new songs played here were any indication. From the show opener, which was the album’s kickoff track, Seeds” through the final number, the brand-new “Howlin'”, the Ghost showed off a knack for lyric-driven pop anthems that were the right way to start off the first weekend night of Hopscotch.

I recorded this set with Schoeps MK4V microphones and a mono soundboard feed. Given the relatively long distance from the stage and the outdoor setting in particular, the sound quality is quite good. Enjoy!

Stream “Howlin'”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DSC09001
[Photo courtesy of Ash Crowe]

Gross Ghost
2013-09-06
Hopscotch Music Festival Main Stage
Raleigh, NC USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (at SBD, DFC)>KC5>CMC6 + Soundboard (mono)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, set fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Seeds
03 Other Side
04 You Will
05 [tuning]
06 They Say
07 Leslie
08 You Tell Me
09 Trying
10 Memory Screen
11 [banter]
11 Howlin

If you enjoyed this recording, PLEASE SUPPORT Gross Ghost, like them on Facebook, follow them on Twitter, and buy their music from their bandcamp page.

grossghost-2
[Photo courtesy of Abby Nardo]

Desert Heat: September 6, 2013 Three Lobed Recordings/WXDU Day Show, King’s (Raleigh, NC) – FLAC/MP3/Streaming

September 26, 2013
By

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[Photo courtesy of Tim Bugbee at Tinnitus Photography]

You know it’s something very, very special when Steve Gunn and John Truscinski (who plays with Gunn in Gunn-Truscinski Duo and their new trio arrangement) team up with Irish guitar phenom Cian Nugent and Jason Meagher (of, among others, No Neck Blues Band and D. Charles Speer & the Helix) for the North American debut of their collaboration Desert Heat. Hopscotch Music Festival is always a special time, but what drew me back for a second year, and will again for a third, was the Three Lobed Recordings/WXDU day show, held again this year at King’s Barcade. Among several rare collaborations and one-time appearances, Desert Heat was one of the most hotly anticipated, and by the time these players took the stage, the medium-sized venue had a line out front. Give it one listen and you’ll hear why; Gunn and Nugent are among the most creative and exciting guitarists and songwriters of this era, and both were on fire for this special performance that showed off the A side from the new Cat Mask at Huggie Temple 12-inch, the band’s sole release, before delving into some unknown territory with a new long form jam currently titled “Desert Whythe”. To top it all off, the band tore through Velvet Underground’s “Oh! Sweet Nuthin'” with their own special wall-of-guitars twists, with Gunn handling the vocal duties. On a day filled with outstanding performances (many of which will be shared here over time or released by Three Lobed), this was undeniably one of the highest of the highlights.

I recorded this set with a soundboard feed that I customized for both this recording and the simulcast on Duke University’s radio station WXDU, plus Schoeps MK4V microphones right at the stage lip. The sound quality is outstanding; easily one of a handful of the best recordings I have ever shared on this site. Enjoy!

Stream and download MP3s of the full set: 

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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[Photo courtesy of Mark Johnson via the Three Lobed Facebook Page]

Desert Heat
2013-09-06
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (custom stereo mix)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Cat Mask at Huggie Temple
03 [tuning]
04 Desert Whythe
05 Oh! Sweet Nuthin!

Players: 

Steve Gunn – Guitar, Vocals
Cian Nugent – Guitar
Jason Meagher – Bass
John Truscinski – Drums

If you enjoyed this recording, PLEASE SUPPORT THESE ARTISTS by visiting their websites and purchasing the new very limited edition Cat Mask At Huggie Temple 12″ directly [HERE]. For U.S. orders, you can also try contacting your local record store or e-mailing Bull City Records in Durham, NC. You can also buy Gunn-Truscinski and Steve Gunn records from Three Lobed and Gunn’s latest from Paradise of Bachelors. Support WXDU by donating and listening to their station!

White Fence: September 18, 2013 Glasslands – Flac/MP3/Streaming

September 25, 2013
By

White-Fence-#1
[photos by PSquared Photography]

Its hard to believe that it had been since early 2012 since we had last seen White Fence live. We were so impressed with the band’s high-energy authentic mid-60s styled psychedelia at a gig opening for Woods at Bowery, and then again at the NYCTaper 2011 CMJ show. I was also lucky to catch them at SXSW 2012. Last Wednesday at Glasslands, it was encouraging to see that eighteen months later, White Fence continues to churn out kinetic proto-psych with confidence and abundant energy. Tim Presley’s supporting band seems to be the same group that he had at SXSW ’12, and at Glasslands they were tight and in perfect sync — certainly necessary to keep up with the quick chord and tempo changes in the music. For instance, we’re streaming “Baxter Corner”, a song that is two minutes on record but live is stretched out to almost seven — a lengthy high-tempo jam that features the talents of each member of the quartet. The setlist contained quite a number of older songs, but also featured a heavy dose of the newest White Fence album Cyclops Reap (Castle Face Records). After this outstanding show, we hope it won’t be another eighteen months before we see White Fence again.

I recorded this set with the installed NYCTaper rig at Glasslands, and the sound quality is superb. Enjoy!

Stream “Baxter Corner”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

White-Fence-#89

White Fence
2013-09-18
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-21

Setlist
[Total Time 54:11]
01 Ring Around a Square
02 Mr Adams
03 Who Feels Right
04 Pink Gorilla
05 Tildas
06 Baxter Corner
07 [tuning]
08 The Pool
09 And By Always
10 She Relief
11 To the Boy I Jumped in the Hemlock Alley
12 White Cat
13 Chairs in the Dark
14 Swagger Vets and Double Moon
15 Breathe Again
16 Got That Heart
17 Harness

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit the White Fence blog, the White Fence Facebook page, and purchase the latest record Cyclops Reapdirectly from Castle Face Records [HERE].

White-Fence-#99

Villages: September 6, 2013 Hopscotch Music Festival, Kennedy Theater (Raleigh, NC) – FLAC/MP3/Streaming

September 24, 2013
By

IMG_5776
[Photo by acidjack]

One of the best things about festivals like Hopscotch Music Festival is being exposed not just to artists you know you want to see, but ones you didn’t know you wanted to see. I wasn’t aware of Asheville, NC based Ross Gentry, who records as Villages, before he took the stage at Kennedy Theater on the second night. But as soon as Gentry began creating his custom-made soundscape, I was grateful to be in the right place to hear the work of this brilliant emerging artist in the world of ambient and drone music. After a frantic day of day shows and main stage recording, sitting in the cool, dark Kennedy Theater for this Villages set felt like a reset button on the whole day. During this piece, you can hear the wash of running water, keyboards, guitars, found sounds and more combine to create an organic whole that is as soothing as it is thought-provoking.

At times it’s difficult with this kind of music to actually understand what the artist is doing, so I asked Ross to explain. Here is how this set was constructed:

All of the sounds I use are created using organic instruments and field recordings. My sets basically consists of a series of tape loops, which were present on stage, as well as electric guitar which was running through a series of effects pedals. The laptop itself it basically a means of triggering field recordings and various atmospheres, and recording and looping my guitar and tapes to further process and expand the sounds. It’s a very open and evolving process. It certainly leaves a lot of room to really feel out a space and develop pieces naturally.

The result on this night was a piece I felt was a beautiful meditation on the human experience, an oasis of calm in the midst of a frantic (but fun) festival. Gentry’s work was some of the most moving and powerful that I experienced at the entire festival and I hope more fans have a chance to experience his work. Please check out Villages’ extensive discography on his bandcamp page, where you can buy his releases on vinyl and cassette as well.

This recording was made with Schoeps MK41 microphones from an ideal spot in the venue. The recording captures the feel of the room very well and makes for a particularly good listen on headphones. Enjoy!

Stream and download the full set:

(To download the MP3, click the “Download” link in the upper right corner of the stream)

Download as FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Villages
2013-09-06
Hopscotch Music Festival
Kennedy Theatre
Raleigh, NC USA

Schoeps MK41 (DINa)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (trim)>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 improvisation

If you enjoyed this recording, PLEASE SUPPORT Villages by liking him on Facebook, visiting his bandcamp page and purchasing his releases there.

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