nyctaper Recordings

concert discussion and free flac downloads

Parquet Courts: November 16, 2012 285 Kent – Flac/MP3/Streaming

November 25, 2012
By


[photos by PSquared Photography]

Several months ago, a friend told me to keep an eye out for Parquet Courts. He had seen them at Death By Audio and was so impressed with their excellent garage-styled pop and their new album Light Up Gold, that he went out of his way to secure permission for me to record the band when I saw them live. Last week at 285 Kent, I got the chance and Parquet Courts lived up to expectations. This is a tight quartet with a strong sense of melody, rhythm and a wicked sense of humor. The songs are with one exception two-minute nuggets and in their thirty-minute show at 285, they managed to fit ten of them in the set. For what its worth, the single “Borrowed Time” received this week “best new music” at Pitchfork a couple of months too late, but evidence that the band is gaining the kind of notoriety that will make these 285 Kent nights a thing of the past. We are streaming that song below. The other obvious highlight was the set closer, a six-minute song called “Stoned and Starving” that calls to mind the vocal stylings of Jonathan Richman while referencing current Brooklyn locations in a lengthy groove. It was the perfect ending for this superb set. Parquet Courts will return to Brooklyn for a show opening for Fucked Up at Warsaw, before they head out on a Midwest tour.

I recorded this set with the Sennheiser cards mounted 10 feet from the stage and mixed with a board feed. The sound quality is limited only by the acoustics of the venue, but is otherwise excellent. Enjoy!

Stream “Borrowed Time”:

Download the Complete show in [MP3] / [FLAC]

Parquet Courts
2012-11-16
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-11-24

Setlist:
[Total Time 30:33]
01 Tears O Plenty
02 Master Of My Craft
03 Borrowed Time
04 [banter]
05 Donuts Only
06 Yonder is Closer to the Heart
07 Mezzanine
08 Light Up Gold II
09 Yr No Stoner
10 N Dakota
11 Stoned and Starving

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Parquet Courts, visit their website and purchase Light Up Gold from the Dull Tools Records website [HERE].

Port St. Willow: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

November 20, 2012
By


[Photos courtesy of MaryAnne Ventrice]

The documented connection between Port St. Willow frontman Nick Principe and childhood friend Peter Silbermann of The Antlers goes beyond their shared background. Both have a grandiosity and mournfulness to their sounds; both share a similar vocal style – a soaring falsetto that is its own instrument, at times obscuring the lyrics themselves. But where The Antlers lean more toward narrative storytelling and show a continued passion for rock dynamics, Principe is more comfortable in the realm of more obtuse, atmospheric composition. The songs on his debut record, Holiday, offer a variety of textures to plumb; some have described the record as “airy”. After catching an impressive set opening for The Antlers this summer at Glasslands, Port St. Willow was right at the top of the list of bands to play our unofficial CMJ Day show at Cake Shop, and this set delivered on the promise of that earlier experience. Principe, backed by his touring live band, played a set of six songs in a near-seamless 35-minute set. Even in mid-afternoon, the 10+ minute opener “Hollow” wowed the sizable crowd as Principe & Co. built his delicate compositions from scratch before our eyes. The recording that you have here is arguably the best quality of all that we recorded during this show, and other than a couple of spots where the vocal mic distorted during “Tourist”, it is virtually flawless. We hope that you enjoy, and head to Port St. Willow’s bandcamp page to check out Holiday in its full glory.

Stream “Hollow”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Port St. Willow
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (split and edit SBD tracks, mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Hollow
02 Amawalk>
03 On Your Side
04 Five Five Two Five>
05 Tourist

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Port St. Willow, and visit the Bandcamp page to purchase Holiday [HERE].

Guardian Alien: November 9, 2012 Knitting Factory – FLAC/MP3/Streaming

November 19, 2012
By


[Photos by acidjack]

The drummer Greg Fox is in rare company; simply put, he is one of the absolute best rock drummers in New York. After parting ways with the band Liturgy last year, Fox has continued to pursue his own vision through projects like GDFX and now, Guardian Alien. Freed from the strictures (such as they are) of the traditional rock song format, Guardian Alien gives Fox free rein to follow his most avant-garde instincts. It takes guts, and a great player, to build an entire band around drums, and Guardian Alien succeeds at that, both live and on their Thrill Jockey debut See the World Given To A One Love Entity. This set at the Knitting Factory consisted of a single extended piece that Fox is currently calling “Holotropic Breathwork”, which is expected to appear on the band’s next album. Fox’s hyperfast drumming made a waterfall of sound during the song as washes of synth, moaned vocals and other electronics filled out the soundscape. This was a magical moment to witness live, and we’re looking forward to the next record.

I recorded this set with MBHO KA200N cardiod microphones and an excellent soundboard feed from the Knit engineer, Rob.  The sound is outstanding.  Enjoy!

Stream the full set (“Holotropic Breathwork”):

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Guardian Alien
2012-11-09
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 (slightly ROC, PAS)>Sound Devices USBPre2 + Soundboard (engineer: Rob)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mix down, light EQ to AUD source, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Holotropic Breathwork

If you enjoyed this recording, PLEASE SUPPORT Guardian Alien, visit their website, and purchase their records from Thrill Jockey [HERE]

Wormburner: September 14, 2012 Mercury Lounge – Flac/MP3/Streaming

November 17, 2012
By


[photo courtesy of Bob Mason]

For geographical reasons, Wormburner only plays a handful of shows a year. And now having seen them six times, I’ve come to the conclusion that these semi-rare appearances are not to be missed. The musicianship is always solid, but its the live energy particularly from lead singer Steve “Hank” Henry that elevates the performance to “must see” level. Back in mid-September we saw another rousing Wormburner show at Mercury Lounge, which included solid numbers from their most recent album 2010’s Placed By The Gideons, several new numbers from an upcoming album, and some rare treats. Last week, Wormburner announced their annual Holiday show at Mercury Lounge with special guests. We recorded the holiday show in 2010 and if recent experience is any measure, it should be a heck of a party.

I recorded this set with the Sennheiser cards mixed with an excellent board feed from Mercury’s superb sound engineer Kevin. I relied mostly on the audience mics in order to accentuate the experience of the show. The result is some extra chatter which is very much compensated by the overall energy of the recording. Enjoy!

Stream “Pike City Proper”:

Download the Complete show in [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wormburner
2012-09-14
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-11-17

Setlist:
[Total Time 47:33]
01 Today Might Be Our Day
02 Two Kinds of People
03 Peekskill
04 Stolen Tags
05 Ghosts of the Confederacy
06 [untitled new song]
07 Delores If You Please
08 Hopscotch Gunner
09 Pike City Proper
10 The Interstate
11 [thanks]
12 Parliaments on Sundays

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wormburner, visit their website, and purchase their official releases from the Store at their website [HERE].

Widowspeak: November 3, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

November 15, 2012
By


[photos by P-Squared Photography]

Among us, we have seen Brooklyn’s Widowspeak at least seven times in the past couple of years, including hosting them at last year’s NYCTaper CMJ Day Show. What we have seen each time is a band that keeps getting better and, most crucially, continuing to write great new songs. True to form, half of the songs played during this opening set for Woods at Music Hall of Williamsburg were new (relative to their LP), and they stood up well alongside some of the best numbers from their 2011 self-titled LP like “In the Pines”. Of the newer material, four of these songs will appear on the band’s second Captured Tracks LP, Almanac, which comes out on January 22.  I continue to be amazed at the depth added to the band’s sound by the addition of Pamela Garabano-Coolbaugh on bass, as it gives lead guitarist Robert Thomas and singer/guitarist Molly Hamilton more room to focus on their own guitar work. Sonically, Widowspeak is a moody, downbeat band, but they are clearly enjoying the ride; even if they don’t sound like it, they look like they’re having a lot of fun up there. With the band’s next NYC show scheduled for their record release date of January  22 at Mercury Lounge, we have plenty to look forward to from Widowspeak in 2013.

nyctaper and I recorded this set with my Schoeps MK41 microphones and an excellent soundboard feed by the house engineer, Ian, at MHOW.  The sound is excellent. Enjoy!

Stream “Sore Eyes”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Widowspeak
2012-11-03
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DIN, DFC)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Ian)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mix down, set fades, tracking, amplify, balance, light EQ)>FLAC ( level 8 )

Tracks
01 Perennials
02 Devil Knows
03 Gun Shy
04 7 Minutes
05 Harsh Realm
06 Ghost Boy
07 Sore Eyes
08 Spirit is Willing
09 In the Pines
10 Nightcrawlers

If you enjoyed this recording, PLEASE SUPPORT Widowspeak, visit their Facebook page, visit their Bandcamp page, and purchase their LP Widowspeak from Captured Tracks.

William Tyler: October 18, 2012 Merge Records CMJ Show, Mercury Lounge – FLAC/MP3/Streaming

November 14, 2012
By


[Photo by Jill Harrison at For the Love of Brooklyn]

After catching two solo sets, and several other appearances at Hopscotch Festival back in September, I’ve seen a lot of the Nashville guitar prodigy and Lambchop member William Tyler lately. Luckily, Willy T always has something new to share with his fans – be it songs, stories or both – and in this case, he came to the Merge Records CMJ Showcase at Mercury Lounge armed with new songs from his forthcoming 2013 record on Merge (his first for the label)  as well as some hilarious new tales from his life. Although he’s a young guy, Tyler has the easy, mannered onstage presence of someone who’s been doing this for decades, and it’s hard for audiences not to be won over by his charm. Dig, for example, is story of the inspiration drawn from the 70s film Heaven’s Gate as he introduces “Country of Illusion”, or his tale of his first job at TCBY (that’s The Country’s Best Yogurt, for those from non-TCBY parts of the country). Along with new songs such as “We Can’t Go Home Again” and “Country of Illusion” that are slated to be included on the new record, Tyler shared “A Portrait of Sarah”, available only on a 2011 split 7″ with Alistair Galbraith, as well as live staples like “Impossible Truth” and the set closer “Tears and Saints”. While Tyler is adept on both acoustic and electric, this set’s acoustic numbers, particularly “A Portrait of Sarah”, seemed to come across best of all.

As I barely had arrived at the venue in time to catch Willy T’s set, and did not have my mics ready yet, this recording is a straight soundboard feed from an excellent house mix by Mercury’s head engineer Kevin Mazzarelli.  Given that it is a solo guitar performance, pretty much nothing was lost from not having the mics, and Mercury’s high-end board sounded as good as ever for this show. Enjoy!

Stream “A Portrait of Sarah”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

William Tyler
2012-10-18
Merge Records CMJ Showcase
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli)>Edirol R-44 [OCM]>24bit/48kHz WAV>Audacity 3.0 (tracking, amplify, downsample, fades)>FLAC ( level 8 )

Tracks
01 We Can’t Go Home Again
02 [banter]
03 A Portrait of Sarah
04 [banter]
05 Country of Illusion
06 [banter]
07 Impossible Truth
08 [banter]
09 Tears and Saints

If you enjoyed this recording, PLEASE SUPPORT William Tyler, visit his website, and purchase Behold the Spirit from Amazon or your favorite retailer. Look out for his forthcoming album on Merge next year!

Purling Hiss: November 3, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

November 13, 2012
By


[photos courtesy of PSquared Photography]

Its always an encouraging story when talent, hard work and persistence are rewarded. We have been big fans of Purling Hiss for a couple of years, and we have been convinced since we first saw them in early 2011 at Bowery Ballroom that Mike Polizze’s band was ultimately going to reach a large audience. Mike is an extraordinarily talented guitarist and the band’s ferocious performing style fits with the aggressive garage-punk songs. At Music Hall of Williamsburg last week, we learned before the show that Purling Hiss has signed to the excellent label Drag City Records. We expect a new album to appear in March. At Music Hall some of the newer songs were performed, and while the songcraft remains strong, there is definitely a more melodic tint to the material. Purling Hiss wasted no time in their thirty-five minute opening set and immediately got down to business, transitioning each song into the next. We’re streaming old favorite “Almost Washed My Hair” which was both the finale and the band’s chance to stretch out and shred.

Acidjack and I recorded this set with a combination of four room mics, his Schoeps hyper-cards and my Sennheiser cards and mixed with an excellent board feed. The sound is superb. Enjoy!

Stream “Almost Washed My Hair”:

Download the Complete show in [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Purling Hiss
2012-11-03
Music Hall of Williamsburg
Brooklyn, NY USA

Six Channel Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s + Schoeps MK41 > KC5> CMC6 > Sound Devices USBPre2 > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav files > Soundforge (mix 6 channels, level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-11-11

Setlist:
[Total Time 33:17]
01 Run From the City
02 Lolita
03 Voices
04 Don’t Even Try It
05 Rat Race
06 I Don’t Know
07 Mercury Retrograde Mary Bumblebee
08 Almost Washed My Hair

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Purling Hiss, visit their Facebook page, and purchase their official releases from from the Mexican Summer website [HERE], and their other releases from Woodsist Records [HERE]. Keep an eyes on the Drag City Records site for updates on their new album.

The Loom: September 4, 2012 Glasslands – FLAC/MP3/Streaming

November 12, 2012
By


[Photos by acidjack]

If you read this site regularly, it should be pretty clear by now that we just can’t say enough good things about the Brooklyn band The Loom, who we’ve been fans of for four years now. We continue to watch this band grow, develop and change, evolving and tweaking their sound and taking their music in new directions. What has not changed over those four years is the high quality of this band’s live shows, or their kindness and generosity as performers. This year has found the Loom completing a touring cycle for their first LP, 2011’s Teeth, and charting a course toward finishing their second album, which should be out next year. While the shift is subtle, the band is seeing some evolution in their sound as they approach the new record. Where the Teeth-era material would easily locate the band in the “acoustic indie folk” realm, the band’s newest songs show the influence of some of the heavier bands they have been playing shows with, like The Phantom Family Halo. While The Loom have hardly given themselves over to psych rock, songs like the new “Fire Makes” are drenched in heavier guitar riffs than we have seen from them before. “Morning Song, Mountain Song”, which we first heard back in December, is a more high-octane version of the band’s style from Teeth and “The Reading Room”, perhaps my favorite new track, falls somewhere between the two. Hearing the new material at Glasslands – possibly my personal favorite Brooklyn venue, and also one where new music and new musical directions flourish – seemed appropriate. As long as The Loom continue to put out this kind of effort, they will always be a favorite of ours.

I recorded this set with Naiant X-X microphones split on stage, combined with a soundboard feed from the Glasslands engineer Josh Thiel. The sound is outstanding, even by the standards of our other recordings of this band.  Enjoy!

Stream “Fire Makes”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Loom
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, EQ, balance)>FLAC ( level 8 )

Tracks
01 Song For the Winter
02 Snowed In
03 [banter]
04 Like Lampglow
05 For the Hooves That Gallop and the Heels That March
06 Fire Makes
07 The Reading Room
08 Your Wilderness Years
09 Morning Song, Mountain Song

Please support The Loom by seeing them on their current tour and by visiting their MySpace. If you’ve enjoyed this recording, you may also purchase a copy of their new album directly from the band’s bandcamp page or from iTunes.

Futurebirds: October 27, 2012 Irving Plaza – FLAC/MP3/Streaming

November 9, 2012
By


[Photos by acidjack]

Futurebirds continue to broaden their audience and appeal, as the Athens, GA band refines their live sound and, of course, books opening slots with well-loved acts like the Heartless Bastards. When I caught them last year at Union Pool, the venue and the atmosphere gave the proceedings a more boozy, party-band vibe. That isn’t necessarily untrue of this Irving Plaza set – it was Halloween weekend, the band was the only one of the night’s acts to roll in with Halloween costumes, and the crowd was drinking plenty – but the bigger stage and sound system gave the band a more commanding presence. Here, their music had a bit more of an epic scope, so much so that they reminded me of a pedal steel-playing, more countrified version of fellow Southerners My Morning Jacket. The band, whose last record is a live album that documents the strength of their live sound, is using these Heartless Bastards shows to work out new material, and three of those as-yet-unnamed tunes were on offer on this night. Together with regular tour classics like their cover of Stevie Nicks’ “Wild Heart” and “Johnny Utah”, this show reaffirmed my view that we’ll be seeing more of Futurebirds in the years to come.

I recorded this set with MBHO KA200N cardiod microphones from the center of the floor. Despite the challenges of the boomy room, with some TLC the recording is quite good. Enjoy!

Stream “[new song 2]”

Stream “Johnny Utah”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Futurebirds
2012-10-27
Irving Plaza
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (FOB, DFC, PAS)>MBP 603a>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [new song 1]
02 Battle For Rome
03 [new song 2]
04 M J B
05 [banter]
06 Johnny Utah
07 [banter]
08 [new song 3]
09 [banter]
10 Wild Heart [Stevie Nicks]
11 Ski Chalet

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Futurebirds, visit their Facebook page, and purchase Hampton’s Lullaby directly from Autumn Tone records (on CD or in any download format) here.

He’s My Brother She’s My Sister: October 25, 2012 Knitting Factory – FLAC/MP3/Streaming

November 8, 2012
By


[Photos by acidjack]

The L.A. band He’s My Brother She’s My Sister have multiple personalities: Their twang suggests country, their style suggests retro, the natural bounce to their songs suggests a touch of swing. You cannot fairly call them any of these things, but once it’s all happening on stage, it makes sense – and it’s a fun, theatrical affair to boot.  This pre-Sandy, pre-Halloween weekend show at the Knitting Factory seems like it was a long time ago now, but it otherwise would have been the perfect way for its crowd to enter the big weekend.  He’s My Brother She’s My Sister (which does include siblings Robert and Rachel Kolar) is a millennial party band through and through, and if you couldn’t get that from the upbeat first chorus of “How’M I Gonna Get Back Home”, their costumes probably gave it away. Their fan base – drawn heavily from those millennials – seemed to know them well, and they did their part by partying their asses off through the full hour. And they should have – in just over one hour, this band gave us a veritable tour of some of the best music of the last fifty years, from the dancefloor ready honky tonk of “Let’s Go” to the 60s rock of “Escape Tonight” and the combo of bluesy guitars and Broadway exuberance of “Touch the Lightning”. The band has just released its debut full length record, Nobody Dances In this Town, and while no recorded music could fully bottle the lightning of the band’s live show, it comes pretty damn close. Appropriate to the Halloween spirit, the set ended with the band’s signature number “Tales That I Tell”, made all the more festive by the band inviting scores of costumed, dancing audience members onstage with them.

I recorded this set with a soundboard feed provided by the Knit’s great engineer, Rob, as well as new MBHO cardiod microphones. While a malfunction in the microphone bodies results in some odd-sounding distortion during the applause between tracks at points, the sound of the recording is overall excellent, and does not have this flaw during the music itself. Enjoy!

Stream “Let’s Go”

Stream “Touch the Lightning”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

He’s My Brother She’s My Sister
2012-10-25
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (Engineer: Rob) + MBHO KA200N>MBP 603a>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition 3.0 (compress SBD, mixdown, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 How’m I Gonna Get Back Home
02 Let’s Go
03 Let It Live Free
04 Escape Tonight
05 [banter]
06 Touch the Lightning
07 [banter]
08 Choir of the Dead
09 Slow It Down
10 Lazy Days
11 Can’t See the Stars
12 The Same Old Ground
13 Clackin’ Heels
14 Electric Love
15 [banter]
16 Tales That I Tell

If you enjoyed this recording, PLEASE SUPPORT He’s My Brother She’s My Sister, visit their website, and buy Nobody Dances In this Town from the band [HERE]

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