nyctaper Recordings

concert discussion and free flac downloads

Hurray For The Riff Raff: June 15, 2012 Mercury Lounge – Flac and MP3 Downloads + Streaming Songs

June 18, 2012
By


[photo courtesy of Tilebreaker – full set here]

Its been a couple of years since we last saw New Orleans’ Hurray For The Riff Raff. While band leader Alynda Lee was born in the raised in the Bronx, over the last three years the band has not come north enough for us to get a chance to see them. In the interim, they released a couple of albums and made an appearance on HBO’s award winning show Tremé. But nearly three years to the day since HFTRR played a show we produced at Monster Island, they triumphantly returned to NYC in support of the band’s brilliant new album Look Out Mama. The show at Mercury Lounge on Friday night was tight, energetic and driven. Hurray For The Riff Raff is a more mature and confident band and the music has evolved — Alynda’s americana’s influences have been fleshed out and we can now hear everything from dixieland to surf rock. At Mercury, the band worked through a setlist that included some of the new album (we’re streaming “What’s Wrong With Me”), but also three new or unreleased songs, and a superb cover of “Time Is On My Side”, that veered more towards the Irma Thomas version and less to the Stones. “Time” also featured Alynda’s vocals chops and the band’s ability to let loose and have some rip roaring fun. Hurray For The Riff Raff have finished their current tour, but will return to the road for a tour of the UK later this Summer.

I recorded this set with the Sennheiser cards mounted on a stand at the front of the soundboard and mixed with a board feed. The sound quality is excellent. Enjoy!

Stream “What’s Wrong With Me”:
[audio:https://www.nyctaper.com/H1208Hurray0022/09.%20What%27s%20Wrong%20With%20Me.mp3]

Stream “Time Is On My Side [Irma Thomas cover]”
[audio:https://www.nyctaper.com/H1208Hurray0022/12.%20Time%20Is%20On%20My%20Side%20(Irma%20Thomas).mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2012-06-15
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-06-17

Setlist:
[Total Time 44:56]
01 Little Black Star
02 [banter]
03 Look Out Mama
04 Slow Walk
05 End of the Line
06 Just A Heart
07 Take Me
08 Small Town Heroes
09 What’s Wrong With Me
10 Lake Of Fire
11 The St. Roch Blues
12 Time Is On My Side (Irma Thomas)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Olivia Tremor Control: June 15, 2012 Good Company – FLAC and MP3 Downloads + Streaming Songs

June 18, 2012
By


[Photos by hi and lo]

One of the benefits of presenting your own showcase at this year’s Northside Festival was access to the press/VIP lounge located at the Williamsburg bar Good Company, which was (heavily) sponsored by Jameson Black Barrel and featured ample free doses of the aforementioned spirit plus, more importantly, some rare and intimate acoustic shows. The highlight of all of them was this set by the legendary Athens, GA band Olivia Tremor Control, who are now fully back from their mid-2000s hiatus and working on their first full-length record since Black Foliage back in 1999. OTC’s presence at this year’s Northside Festival was a huge highlight for me, especially after they whetted my appetite by playing some OTC songs as part of the Elephant 6 Holiday Surprise Tour back in March (that recording [HERE]).  While the band would go on to play a proper full set at Music Hall of Williamsburg the following night, this unamplified acoustic performance on Good Company’s back patio will go down as the more unique and exclusive of the two performances. The loose backyard-type atmosphere suited a band still getting back into their groove with a series of high-profile festival shows (they have played Primavera Sound and are on their way Pitchfork). In a short half-hour set, the band hit many of their highlights, including “Define A Transparent Dream”, “California Demise” and “A Sunshine Fix”, each a pleasure to see reworked for the all-acoustic environment. OTC have released a 3-song suite on Secretly Canadian to tide us over while they record a new album, and we can’t wait to hear that new record when it’s ready!

hi and lo recorded this set with a pair of Schoeps MK5 microphones up close near the band, and the sound is excellent. Enjoy!

Special thanks to Northside Festival and the L Magazine, and to hi and lo for hauling it over to Good Company to get this recorded.  Expect to see a recording of the band’s Music Hall of Williamsburg set shortly, along with many other Northside recordings.

Stream “Define A Transparent Dream”
[audio:https://www.nyctaper.com/O6150OTC0212/02 Define A Transparent Dream.mp3]

Stream “Hideaway”
[audio:https://www.nyctaper.com/O6150OTC0212/08 Hideaway.mp3]

Download the MP3 and FLAC files, and stream the entire show, on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Olivia Tremor Control
2012-06-15
Good Company
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by acidjack

Schoeps MK5>NBox Cables>PFA>Tascam DR-680 (24/48)>Audacity (set fades, tracking, amplify and balance, envelope audience noise, slight EQ, downsample)>FLAC ( level 8 )

Tracks
01 Jumping Fences
02 Define A Transparent Dream
03 California Demise Pt. 1
04 Holiday Surprise 1, 2, 3
05 [tuning]
06 A Sunshine Fix
07 Gravity Car
08 Hideaway
09 [banter]
10 I Have Been Floated
11 Hilltop Procession

If you enjoyed this recording, please support Olivia Tremor Control by visiting their website and purchasing The Game You Play is in Your Head Pts 1, 2 and 3 from Secretly Canadian [HERE]

Rhyton: June 14, 2012 NYCTaper Northside Festival Showcase at 285 Kent – FLAC and MP3 Downloads + Streaming Songs

June 16, 2012
By


[Photos by Jill Harrison at For the Love of Brooklyn]

Rhyton is the latest project helmed by Dave Shuford – best known for his work with No Neck Blues Band and D. Charles Speer and the Helix – and compatriots Jimy SeiTang (Psychic Ills) and Spencer Herbst (Messages, Matta Llama). I have been an admirer of Shuford’s for awhile now; he is a musician’s musician, who pursues his vision relentlessly without regard to genre, style, texture or time. While Shuford has played everything from country-blues to Greek folk music during his career, Rhyton expresses he, SeiTang and Herbst’s experimental impulses. The band’s first self-titled LP is a masterwork of improvisation – the result of a three-day recording session, the record captures the raw, live feel of these players at their best.

I invited Rhyton to be the second band at the NYCTaper 2012 Northside Festival Showcase in hopes of seeing the exact kind of set they delivered – a two-segment, free flowing live jam so new that these songs did not have formal titles. This is music that rewards set and setting, and the post-industrial 285 Kent space, with its psychedelic wall art, was the perfect venue for the band’s mind-bending style of playing. While we (and the band) would have loved for it to be longer, Rhyton’s set hinted at the new thrills to come on their forthcoming Three Lobed Recordings LP The Emerald Tablet, due out later this year.

I recorded this set with Audio Technica 3031 microphones split wide at the stage lip, combined with a soundboard feed, to create an upfront, “in your face” style of recording that provides maximum separation between instruments.

The entire set is streaming in full below. Enjoy!

Special thanks to Dave Shuford and Rhyton for playing the show.

Stream “Transitory Screed”
[audio:https://www.nyctaper.com/R1406Rhyton2012/rhyton2012-06-14_285kent_acidjack-01.mp3]

Stream “Paroon”
[audio:https://www.nyctaper.com/R1406Rhyton2012/rhyton2012-06-14_285kent_acidjack-02.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Rhyton
2012-06-14
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 3031 (stage lip, NOS)>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube effect)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Transitory Screen
02 Paroon

If you enjoyed this recording, please support Rhyton, visit their page on Thrill Jockey Records, and purchase their self-titled LP directly from Thrill Jockey [HERE] and look for their forthcoming album on Three Lobed Recordings.

EULA: June 14, 2012 NYCTaper Northside Showcase at 285 Kent – FLAC and MP3 Downloads + Streaming Songs

June 16, 2012
By


[Photo by MaryAnne Ventrice]

The first thing you notice at most EULA shows these days is the high number of photographers. Looking at the fine photography we are offering with this post, it’s not hard to see why.  I have said before that Alyse Lamb is one of the most compelling frontwomen in the scene today, with the kind of onstage energy, musical chops and look (complete with DIY stage outfits) that makes people pay attention. The first time I saw this band, I was completely blown away by their raw energy and their ability to completely give themselves over to their performance. I invited them to be the first act at our 2012 Northside Festival showcase pretty much the next day, and I am thrilled that I did. This performance at 285 Kent completely raised the bar on that earlier show. The band tore through their ten-song set in under 30 minutes, barely coming up for air between songs as Lamb howled and writhed like a consummate rock star. This set was both grittier and better than I have seen the band before [ed. was it the bourbon?] and set the tone for an incredible night of music. Better yet, several new songs were played that are not on the band’s debut album, Maurice Narcisse.  Still, I found that album’s title track to be one of the show’s high points, as the band delivered a searing, slightly improvised take on the song.

I recorded this set with a new method we have not used in this venue before, placing a pair of Audio Technica 3031 cardiod microphones directly at the stage lip and combining that with a soundboard feed to boost the vocals (which are still a tad low in this mix).  The results are incredible – literally like being in the front of the crowd.  Enjoy!

Special thanks to EULA for playing our show. You can find out more Northside Festival shows [HERE]

Stream “Dirty Hands”
[audio:https://www.nyctaper.com/E2020EULA2012/02 Dirty Hands.mp3]

Stream “Honor Killer”
[audio:https://www.nyctaper.com/E2020EULA2012/05 Honor Killer.mp3]

Stream “Maurice Narcisse”
[audio:https://www.nyctaper.com/E2020EULA2012/07 Maurice Narcisse2.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


[Photo by Jill at For the Love of Brooklyn]

EULA
2012-06-14
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 3031 (stage lip, NOS)>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube effect)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Intro>Above the Weather
02 Dirty Hands
03 Housewolf
04 Wake Up
05 Honor Killer
06 Texas Stampede
07 Maurice Narcisse
08 Fight Riff
09 Rosie the Riveter

If you enjoyed this recording, PLEASE SUPPORT EULA, visit their website, and purchase Maurice Narcisse directly from their bandcamp page.


[Photo by MaryAnne Ventrice]

Howth: May 6, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

June 15, 2012
By


[Photos by acidjack]

After catching our friends Howth at Cameo Gallery back in March, we were pleased to join them again to celebrate the release of their record, Newkirk at Mercury Lounge.  This headlining set gave the band time to explore additional songs from Newkirk, and their tightness and timing were even better than just a couple of months ago. The set’s three additions from the record, “Deep In My Heart”, “Grand Marais” and “Keep Me Away From the Mirror” each showed another dimension of the band.  I particularly favored the ballad “Grand Marais”, which derives its name from a tiny lakeside town in vocalist Carl Creighton’s home state of Minnesota. Howth will be playing out to support the new record, including two shows this weekend – at Open Road Rooftop in Manhattan on Friday, and Saturday at Pete’s Candy Store.

I recorded this set in our usual fashion for Mercury Lounge, with a soundboard feet from the experienced house engineer Kyle and Schoeps MK41 microphones.  The recording is outstanding.  Enjoy!

Stream “Out In Eagan”
[audio:https://www.nyctaper.com/H2930Howth0212/11 Out In Eagan.mp3]

Direct download of MP3 files [HERE] | 

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Howth
2012-05-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (align, adjust levels, set fades, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks [Total Time 46:06]
01 Deep In My Heart
02 Snow Bank
03 Idaho #1
04 Wind Blows Cold
05 Grand Marais
06 [banter]
07 Only Right Turns
08 [banter]
09 Needles and Pins
10 Keep Me Away From the Mirror
11 Out In Egan

If you enjoyed this recording, PLEASE SUPPORT Howth, order Newkirk on their bandcamp page, and check out their page and the other excellent roster of acts at Mecca Lecca Recording Co.

DIIV: June 8, 2012 285 Kent – FLAC and MP3 Downloads + Streaming Songs (including rare Nirvana cover!)

June 14, 2012
By


[Photos by acidjack]

Beach Fossils‘ Zachary Cole Smith is such an unabashed Nirvana fan that he named his new musical project “DIIV” after the band’s b-side “Dive”. This Friday night madhouse of a show at 285 Kent headlined by DIIV as a “secret guest” had much of the same  joyful chaos as the better shows of Nirvana’s pre-Nevermind career. A full house packed 285 until it was a virtual sweat lodge, teeming with teenage bodies flying through the air, moshing and having a hell of a time (this all-ages show was also a celebration of somebody’s graduation). DIIV tore through a good chunk of the numbers from their soon-to-be released album, Oshin, with Smith ruling the frenzied proceedings like a man who wasn’t sweating bullets. The highlight of the night for me was an homage to Nirvana, when the band covered an extremely obscure unreleased Cobain song known to bootleg collectors as either “Bambi Slaughter” or “Creation”. Even if DIIV aren’t exactly Nirvana (yet anyway), the show was a reminder that rock n’ roll isn’t supposed to be tidy, or clean or safe – it’s blood on the floor, bodies in the air, sweat soaking your shirt, heads banging, hair flying. It’s wonderful, isn’t it?

This was a very difficult recording environment and situation. The extreme levels of humidity and heat in the club played havoc with both the onstage equipment and my equipment, and there is some distortion in both the soundboard feed and in my microphones as a result. I spent several hours working on this to make it was good as I could, but it is still not a very good recording by the standards of this site. That said, it is still quite listenable, and an accurate representation of a very interesting and fun night.

Thanks to Ian Perlman for the setlist, and the inspiration to try and mix this thing down right.

Stream “Bambi Slaughter” [Nirvana]
[audio:https://www.nyctaper.com/D8600DIIV2012/11 Bambi Slaughter.mp3]

Stream “Human”
[audio:https://www.nyctaper.com/D8600DIIV2012/03 Human.mp3]

Direct download of MP3 files [HERE]| Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DIIV
2012-06-08
285 Kent
Brooklyn, NY USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, A-B)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Izotope Ozone 5 (various edits, EQ and changes)>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (further edits)>Audacity (set fades, balance, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Druun
02 Past Lives
03 Human
04 Big Joke
05 Air Conditioning [w/ “All Apologies” tease]
06 How Long Have You Known
07 [tuning]
08 Wait
09 Follow
10 Sometime
11 Bambi Slaughter [Nirvana]
12 Doused

If you enjoyed this recording, PLEASE SUPPORT DIIV, like them on Facebook, pre-order Oshin from Insound, and be on the lookout for their upcoming shows in the area, including Saturday June 23rd at Glasslands.

Glen Hansard: March 15, 2012 Hotel Vegan at SXSW – Flac and MP3 Downloads + Streaming Song

June 13, 2012
By


[photo courtesy of Tim Griffin and brooklynvegan]

Glen Hansard played Housing Works last night, plays Beacon Theatre later this month, and he will release his first solo album Rhythm and Repose tomorrow. So we figured it would be a good time to post this short solo set that Glen played at Hotel Vegan’s Thursday daytime show at SXSW in March. At just four songs its a bit of a tease, but interestingly the set represents each of period of his career. He opened with show with a song perhaps from Glen’s busking days in Dublin, the Irish traditional number “Spencer the Rover”. The balance of the show consisted of one each of a song from his upcoming solo album (“Love Don’t Keep Me Waiting”), a Frames song (“What Happens When The Heart Just Stops”, streaming below), and a song from The Swell Season. This sampler set is a good preview for the Beacon show, for which tickets are still available.

I recorded this set in the same manner as all of the other Hotel Vegan shows, with the Sennheiser MKH-8040 Cardioids mixed with a well balanced board feed. Other than some minor ambient noise from the outside tent location, the sound quality is excellent. Enjoy!

Stream “What Happens When The Heart Just Stops”:
[audio:https://www.nyctaper.com/G1503GlenHansard1202/06.%20What%20Happens%20When%20The%20Heart%20Just%20Stops.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Glen Hansard
2012-03-15
Hotel Vegan – SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-06-12

Setlist:
[Total Time 18:08]
01 [introduction]
02 Spencer The Rover
03 Love Don’t Keep Me Waiting
04 [banter]
05 Low Rising
06 What Happens When The Heart Just Stops*
*with “Caravan” (Van Morrison) lyrics

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Glen Hansard, visit his new website, and purchase Rhythm and Repose from the Store at Glen’s website [HERE].

Steel Phantoms: May 15, 2012 Cameo Gallery – FLAC and MP3 Downloads + Streaming Songs

June 13, 2012
By


[Photos by acidjack]

Brooklyn’s Steel Phantoms had been on my list of bands to see for awhile. The band makes catchy, tightly-wound rock n’ roll that incorporates elements of 80s postpunk, new wave and prog-rock, and it is an infectious combination in any setting. Though they were the first act on a four-deep bill at Cameo Gallery on this night (and had the good nature to joke about it), the Phantoms owned the rapidly-filling room with their rapid-fire set that featured mostly-new material, plus a total of three tracks from their Forer and Steel Phantoms EPs (both available on their bandcamp page). After a caffeinated kickoff that featured “Fast Stop” and “Evening Routine” from their first EP and a new song, “’94”, the band slowed it down with the midtempo “Mona” before kicking things back into high gear. The band saved the best for last with their new song, “I Get You”, which gave guitarist Jesse Newkirk a chance to show off his versatility with the instrument. This is a band with loads of potential and a wide potential audience that is, we think, on the way up.

I recorded this set in the same manner as the Doe Paoro recording, and this particular capture is even better than that one – truly flawless. Enjoy!

Stream “’94”
[audio:https://www.nyctaper.com/S0515SteelPhantoms0212/03 ’94.mp3]

Stream “I Get You”
[audio:https://www.nyctaper.com/S0515SteelPhantoms0212/08 I Get You.mp3]

Direct download of MP3 files [HERE]| Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Steel Phantoms
2012-05-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, PAS)>CMC6>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mix down, adjust levels, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Fast Stop
02 Evening Routine
03 ’94
04 Mona
05 Blade Runner
06 Bedouin
07 [banter]
08 I Get You

If you enjoyed this recording, PLEASE SUPPORT Steel Phantoms, like them on Facebook, and grab their EP Forer for free on their bandcamp page.

The Spinto Band: May 24, 2012 Rock Shop – FLAC/MP3 Downloads + Streaming Songs

June 12, 2012
By

Photo by hi and lo
[Photo by hi and lo]

We recorded The Spinto Band last month who are fresh off the May 1 release of their self-produced album Shy Pursuit. This was the last night of a four night residency for the Delaware band and they showed a remarkable range of sounds including heavy guitar solos, steady synthesizers, and an army of kazoos. For fifty minutes the band played a great set of infectious indie-folk with most of the songs coming from their new album Shy Pursuit and from 2005’s Nice and Nicely Done.

The band choose an excellent venue in Rock Shop, one of Brooklyn’s absolute best sounding venues, and I was lucky enough to get to record this show using a pair of Schoeps cardioid microphones and a soundboard feed graciously provided by the house engineer. I had a bit of an issue with my preamp and the audience recording, but the final mix turned out to a be a very nice capture of the final night of their residency. We hope you enjoy!

Stream “The Living Things”
[audio:https://www.nyctaper.com/S2405spintoband1122/spintoband2012-05-24.t01.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Spinto Band
Rock Shop
Brooklyn, NY, US
2012-05-24

Recordist : hi and lo
Source : Soundboard + Schoeps MK5 > Naiant Tinybox V2 > Tascam DR-680 @ 24 bit / 48 kHz

Tracklist:
01. The Living Things
02. Summer Grof
03. Muesli
04. Take It
05. Brown Boxes
06. Cookie Falls
07. Leave Yourself Alone
08. Unknown
09. Direct to Helmet
10. Jackhammer
11. Oh Mandy
12. Brazil
13. Atari

Please support The Spinto Band by checking out the band’s website, by following them on Twitter, and by visiting their official store (get the vinyl!).

Ben Folds Five: June 2, 2012 Mountain Jam – FLAC and MP3 Downloads + Streaming Songs

June 11, 2012
By


[Photos courtesy of Dino Perrucci Photography]

As someone who spent their college years in North Carolina at the turn of last century, Ben Folds Five has always been special to me. A native North Carolinian introduced me to Ben Folds’ music, and the themes in the music – romantic frustration, fear of consequences, and straight-up rage at lovers who jilt you – found natural purchase in my young self. I saw the band a bunch of times between 1997 and 2000 in my then-home state, outdoors and on the quad, at the Cat’s Cradle and the Ritz. Folds and his band never disappointed, and his confessional lyrics – delivered with catchy, approachable piano melodies and vocal harmonies – were easy to sing along to (or not, since I was usually taping). It was a fitting soundtrack to a certain time of my life, made more special because the band were local boys done good. I’m sure their songs blared in my car stereo at one point or another on every state on the Eastern seaboard.

While Folds has continued with his solo work, BFF itself had not played a show together since 2008 until they took the stage on the Saturday of this year’s Mountain Jam in Hunter, NY. The memories came flooding back quickly as Folds began to pound out the opening of “Jackson Cannery” and by “Battle of Who Could Care Less” (always my favorite BFF song) I was back in full-on nostalgia mode. The band sounded as good as ever (even if the house mix did them no favors), and they gave fans a mix of their bigger hits like “Brick”, “Battle of Who Could Care Less”, and “Army” with older favorites and deeper cuts “Where’s Summer B.?”, “Uncle Walter” and another of my favorites, “Emaline”. More than a decade after their most significant albums dropped, no band is really doing what BFF is doing (please don’t bring up Billy Joel), and it was a thrill to see them doing their thing again. Even better, Folds indicated that the band will be putting out a new release some time soon. The band will be back in NYC for a Central Park show on September 14 as well.

I recorded this set with AKG 414 large diaphragm mics in “wide cardiod” mode. The first 15 or so seconds are marred by me making some adjustments to my preamp levels. After that, the only significant flaw of this recording is the overblown house mix, in which the distortion-pedal-driven bass guitar was at times too high in the mix. With those caveats, enjoy!

Stream “Battle of Who Could Care Less”
[audio:https://www.nyctaper.com/B1998BFF0220/10 Battle of Who Could Care Less.mp3]

Stream “Emaline”
[audio:https://www.nyctaper.com/B1998BFF0220/13 Emmaline.mp3]

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Ben Folds Five
2012-06-02
Mountain Jam
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (wide cardiod, OTS, 12ft, A-B)>Aerco MP-2>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audacity (set fades, EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:23:43]
01 Jackson Cannery [fades in]
02 Theme from Dr. Pyser
03 Fair
04 [banter]
05 Selfless, Cold and Composed
06 Uncle Walter
07 [banter]
08 Where’s Summer B?
09 Mess
10 Battle of Who Could Care Less
11 Brick
12 [banter]
13 Emaline
14 Army
15 Kate
16 Alice Childress
17 [banter]
18 Song for the Dumped
19 Narcolepsy
20 [improv]
21 Underground
22 One Angry Dwarf and 200 Solemn Faces

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