Posts Tagged ‘ acidjack ’

Maps & Atlases: August 12, 2010 Mercury Lounge – FLAC/MP3 Downloads

September 16, 2010
By


[Photos courtesy of The Owl Mag]

With this stellar set at Mercury Lounge, Chicago’s Maps & Atlases announced their arrival as strong contenders on the indie scene.  Touring behind their third release (but first official full length), the quantum-leap-forward Perch Patchwork, the band gave fans far more than originally promised, closing out with an acoustic set on the floor of the venue.  Albeit in a very different way, these Chicagoans, like their neighbors in Tortoise, don’t sound like anybody else.  For lack of a better term, I like to call their sound freak folk meets math rock.  While the concept of “freak folk-meets-math rock” may be hard to grasp, the band’s technical rhythmic sense (including dual percussion at times), combined with singer/guitarist Dave Davison’s vocals and a vaguely folk-based guitar approach make them hard to describe otherwise.  This crowd at Mercury, like many I have seen at the venue recently, were rowdy and going wild for the headliners after a strong night of music.  One group was screaming for “Solid Ground” from the get go, and the version heard here does not disappoint.   That song, like many from their new record, demonstrates the band’s emerging pop sensibility, and the promise of greater things to come.  These guys could go in many directions from here; I can see them wearing the indie crown just as easily as ingratiating themselves to the Bonnaroo scene.  As they are not easily categorized, different fans will understand them in different ways.  Ultimately that acoustic set on the floor tells the story best – these guys want to play music even after most of the crowd has gone home, even after the contractually agreed set time.  They can’t help themselves.  Listen to Perch Patchwork and tell me if you can resist.

I recorded this set with a top quality board feed combined with the Schoeps microphones.  The sound quality of the main set is among the finest of my recordings with this rig and is a testament to the hard work of the Mercury production team.  The acoustic set – which I had to record a bit on the fly – is a bit rougher given that there was no board feed, and the mics picked up some handling noise, but it is still quite good.  Enjoy!

Maps & Atlases are touring Iowa and Europe in September and October.  See the dates on their MySpace page.

Direct download of MP3 files [HERE] | Direct Download of the FLAC Files [HERE].

Maps & Atlases
2010-08-12
Mercury Lounge
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+stereo soundboard feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Right side of soundboard, mics at 7.5ft, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, set fades, EQ (1dB cut of sub-100Hz frequencies, slight brilliance bump at 10-12kHz), tracking, amplify and balance channels, hard limit clapping on acoustic set, delete some clapping on acoustic set)>FLAC Level 8

Tracks
01 Living Decorations
02 Israeli Caves
03 Ted Zancha
04 Will
05 The Charm
06 [tuning]
07 Witch
08 [banter]
09 If This Is
10 Carrying the Wet Wood
11 Everyplace Is A House
12 Solid Ground
13 Daily News
14 Glamorous Glowing [Cast Spells]
15 The Sounds They Make

Acoustic Set:
16 You Me and the Mountain
17 Banished Be Cavalier
18 Pigeon
19 [tuning]
20 The Ongoing Horrible

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Maps & Atlases, visit their MySpace page, and purchase Perch Patchwork from their official store here.

These United States: August 28, 2010 Mercury Lounge – FLAC/MP3/Streaming

September 6, 2010
By


[These United States at Mercury Lounge last year.  Photo by Anna Tucker]

The romance of a hard-working band is undeniable.  These are bands that never flag, no matter how many stages in how many cities they’ve sweated on, who above all else evince a percolating creative urge.  That is precisely how to describe These United States.  These boys from Lexington, KY and Washington, D.C. have become regulars in NYC and just about everywhere else in America over the past two years, bringing their Southern-inspired rock far beyond its natural borders.  Along with nearly non-stop touring, they have been releasing albums like crazy, with two in 2008, one in 2009, and their latest, What Lasts this July.  While they have undoubtedly lost a good deal of sleep in the process, what they haven’t lost is their generosity to their fans and their ability to give them a rowdy, spirited show.  This late show at the Mercury Lounge was the second-to-last of their latest tour, but you wouldn’t have known it, with amiable frontman Jesse Elliott chatting up the equally chatty crowd.  I am told that New York is one of the band’s favorite places to play, and if you consider the reception of at least vaguely kindred spirits (i.e., Southern rockers) like Kings of Leon and the Drive-By Truckers, it isn’t difficult to see why — New Yorkers can’t get enough of the sound of the South.

I recorded this set with an excellent board feed provided by the Mercury staff, and the Schoeps hypercardiod microphones.  The overall sound quality is outstanding, but the one caveat is so noteworthy I have to comment on it – a few songs, especially in the beginning, are marred by rude people talking.  Consider that the amount of conversation you hear at points in this recording is recorded from highly directional mics that are eight feet in the air, mixed almost 50/50 with a source that has no crowd noise at all.  Then consider how loud this would be to human ears in the crowd – or worse, on stage.  A rock concert isn’t church – everyone gets that.  But if you want to have a conversation, ignoring the band entirely, please show respect for both the other fans who paid to actually see music – and more importantly, the artists – and take your conversation to the bar or outside.  Whether they actually tell you or not, it bums both the other fans and the band out to have their concert experience marred by someone talking loudly over the music.  With that out of the way, enjoy!

Stream and download this set in FLAC, MP3 and other formats at the Live Music Archive [HERE]

Stream “The Great Rivers”:
[audio:http://www.nyctaper.com/T8029TheseUnitedStates9229/TUS-TheGreatRivers.mp3]

These United States
2010-08-28
Mercury Lounge
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack exclusively for nyctaper.com

Equipment: Schoeps CMC641+stereo soundboard feed>Edirol R-44 (24/44.1)
Position: Clamp to right side of sound booth, mics at 7.5?, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, EQ, set fades, tracking, amplify and balance channels)>FLAC (level 8 )

Tracks [Total Time 1:11:03]
01 Nobody Can Tell
02 [banter]
03 Dug Him In the Dirt
04 One You Believe
05 The Great Rivers
06 Susie at the Seashore
07 The Business
08 [banter]
09 Honor Amongst Thieves
10 [banter]
11 Study the Moon
12 [banter]
13 First Sight
14 Six Fast Bullets (Five Complaints)
15 [banter]
16 Life & Death She & I
17 The Important Thing
18 I Want You To Keep Everything
19 [banter]
20 What Lasts
21 [encore break]
22 Get Yourself Home

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT These United States, visit their website, visit their MySpace page, and purchase their official releases from the buy.it link at their site [HERE].

Built To Spill: July 28, 2010 Irving Plaza – FLAC/MP3/Streaming

August 1, 2010
By


[screen cap from this video]

Although known for their epic sets, including the several we recorded last yearBuilt to Spill’s set at Irving Plaza(thankfully renamed back from its brief, lame, “Fillmore East’ incarnation) was relatively short (clocking in around 80 minutes) and tighter than we expected.  That said, the band tore it up for every second that they were onstage, and frontman Doug Martsch’s vocals were dialed-in from moment one.   Playing very little of their recent There is No Enemy (though the leadoff of “Oh Yeah” was perfect), the band decided to play through the catalog, including an excellent version of their early classic, “Car” with the crowd fully behind it.  The band also played a highlight from their Live album, the Halo Benders cover “Virginia Reel Around the Fountain.”  The fact that a band’s 80-minute show is considered “short” is a testament to how much they normally give their fans.  In the end, not every show – even one with a serious player like Martsch – needs to serve up non-stop jams to be a winner.

We recorded this set from the center of the floor with the Schoeps and Neumann hypercardiod microphones parallel to each other on an 8-foot mic stand.  With some EQ tweaks to reduce some of the room characteristics, the sound is excellent.  Enjoy!

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Stream “Car”:
[audio:http://www.nyctaper.com/B2609BuilttoSpill8008/BuilttoSpill-Car.mp3]

Built to Spill
2010-07-28
Irving Plaza
New York, NY USA

Premiere download available exclusively at nyctaper.com

Recorded by acidjack and nyctaper
Produced by acidjack 2010-07-30

Equipment: Neumann KM150+Schoeps CMC641>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: FOB, DFC, mics at 8′, both pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (EQ, mixdown, set fades, tracking, amplify and balance channels, smooth peaks, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:18:40]
01 Oh Yeah
02 Three Years Ago
03 Distopian Dream Girl
04 Kicked It In the Sun
05 Wherever You Go
06 Hindsight
07 The Plan
08 [tuning]
09 Fly Around My Pretty Little Miss
10 [tuning]
11 Virginia Reel Around the Fountain
12 Carry the Zero
13 [encore break]
14 Time Trap
15 Car
16 Conventional Wisdom

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Built To Spill, visit their website, visit their MySpace page, and purchase their official releases from the Official Store at their website [Here].

The National: July 29, 2010 Terminal 5 – Flac and MP3 Downloads + Streaming Sample

July 30, 2010
By


[photo courtesy of Steve/hightea]

I’ll admit to some trepidation about The National‘s three-year break between albums. After 2005’s excellent Alligator, the band’s brilliant Boxer (2007) is perhaps the best album of the entire last decade. The National toured steadily throughout 2008, and played two of the best shows we saw that year, at BAM in February and Summerstage in August. A relatively quiet 2009 and news of the new album led to a significant amount of anticipation — could the band meet the expectations and reach the bar they had raised so high after Boxer. The day that High Violet was streamed on the New York Times website (!), I felt an almost palpable sense of relief as I listened to the album straight through. The National had produced another stunning achievement — an album with songcraft equal or better than the band’s best material but with more confidence and maturity. High Violet is the album that cements The National as one of those few bands that will provide consistent quality music for as long as they choose to make it. At Terminal 5 last night, the band’s live show complimented the triumph of the new album with a performance of sustained excellence. The newer material blended well with the classics and in some instances shown brighter — “Lemonworld” reached a crowd-pleasing crescendo, “Bloodbuzz Ohio” was a show-stopper, and “Terrible Love” was a powerful show-closer.

We recorded this set with the Neumanns and the Schoeps in a four-mic configuration from a 12 foot stand in front of the soundboard cage. The sound in the cavernous venue was not quite up to our expectations, and while the recording has a lot of character, it lacks the clarity we expect. With those caveats, enjoy!

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

The National
2010-07-29
Terminal 5
New York, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Booth

Neumann KM-150s + Schoeps MK-41s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper and acidjack
2010-07-30

Setlist:
[Total Time 1:23:21]
01 [introduction]
02 Start A War
03 Anyone’s Ghost
04 Bloodbuzz Ohio
05 Mistaken For Strangers
06 Brainy
07 Squalor Victoria
08 [banter]
09 Afraid Of Everyone
10 Vanderlyle Crybaby Geeks
11 [banter]
12 Lemonworld
13 Conversation 16
14 Apartment Story
15 Abel
16 [banter]
17 England
18 Fake Empire
19 [encore break]
20 Runaway
21 Mr. November
22 [band introductions]
23 Terrible Love

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The National, visit their website, and purchase their official releases from The National’s Shop [HERE].

Medications: July 23, 2010 Littlefield – FLAC and MP3 Downloads + Streaming Song

July 28, 2010
By


[Photos courtesy of Jonny Leather]

Our friend Jonny Leather has been putting on well-rounded and uniformly excellent showcase shows for awhile now, and we were pleased to have the chance to cover another of them last Friday night at Littlefield. As Jonny’s shows often do, this show spotlighted some bands from outside New York; in this case, the headliners Medications and Deleted Scenes are our Amtrak neighbors from Washington, D.C. Medications may not be a household name up here (yet), but they have an impeccable Dischord pedigree. The band is the brainchild of Devin Ocampo and Chad Molter, who also founded the influential math rock outfit Faraquet. Prior to that, Devin did time in one of my all-time favorite D.C. bands, the short-lived but phenomenal Smart Went Crazy. Medications are a more accessible band than either of its predecessors, retaining the intricate, instantly recognizable guitar work that Faraquet was known for, but with more melodic vocals and traditionally structured songs that reflect the members’ love of not only 70s punk and their contemporaries in the Dischord scene, but also their love of 60s pop. Despite the fact that all hell was breaking loose outside weather-wise, the weather couldn’t keep fans away from this show, which found the band playing through almost all of their recently released CompletelyRemoved, which is one of the strongest new records I have heard this year. Ocampo and Molter (as well as Mark Cisneros, who joined the band for this record) gave the crowd ample evidence of their chops at this show, playing the hell out of their instruments even after the PA feed was shut down due to the venue’s noise restrictions!

I recorded this set with a combination of a stereo soundboard feed provided by the Littlefield staff and the Schoeps microphones. The sound quality is excellent, though I do note that there were some fluctuations in the volume of the soundboard feed as the sound team had to reduce the volume due to the aforementioned noise restrictions. These adjustments should be mostly inaudible to the listener. All tracks are tagged for easy importing into iTunes or your favorite MP3 system. Enjoy!

This Recording is now available to Download in FLAC or MP3 and to Stream at Archive.org [HERE].

Medications
2010-07-23
Littlefield
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+Stereo Soundboard Feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: ROC, at left side of sound booth, mics at 7.5?, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, compression of peaks, set fades, volume adjustments, downsample to 16bit)>FLAC Level 8

Tracks [Total Time 42:21]
01 Seasons
02 Home Is Where We Are
03 Long Day
04 [banter/tuning]
05 We Could Be Others
06 Tame on the Prowl
07 [tuning/banter]
08 Postcards
09 Brasil ‘07
10 Rising to Sleep
11 [tuning/banter]
12 For WMF

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Medications, visit their website, and purchase CompletelyRemoved direct from Dischord records here.

Wavves: June 24, 2010 Northside Festival, Knitting Factory – FLAC/MP3/Streaming

June 25, 2010
By


[photo courtesy of Dave Wharton]

Sweaty bodies were flying all over the place at the Knitting Factory as Wavves headlined the official kickoff show of the 2010 Northside Festival.  Wavves may have been on the bill, and frontman Nathan Williams was certainly there, but otherwise, this was a very different band than the the duo I recorded at the Bowery Ballroom last year, when Nathan came onstage in a cast, chastened after a string of unfortunate incidents and bad press (which, if one judges by Brooklynvegan commenters, earned the man a lot of haters) – and blew the doors off the place in spite of it.  Now, Williams is back with new songs, and more importantly, a new rhythm section consisting of bassist Stephen Pope and drummer Billy Hayes, formerly known as Jay Reatard’s (RIP) band.  The new band does wonders for Wavves, for one thing, Wavves is now, in fact, a full actual band.  It may be party music, fine – but it’s good party music now.  Hayes keeps things lively in between songs with what seems to be the assumed mantle of stage banter duties, and Williams seems grateful not to have the burden.  As for the band’s new songs, from the forthcoming King of the Beach (out August 3rd), in the live setting, the departure is less dramatic than the well-mixed, lighter-feeling and less home-demo sounding songs that have been released to the Internet so far, but they are still a clear step forward.  Tonight we heard several forthcoming examples of what King of the Beach will have to offer, including the first single, “Post Acid,” “King of the Beach,” and “Green Eyes”.  Northside has stepped up its game even further and has the fans pumped – we can’t wait for the next few nights (and days) of shows.

I recorded this set with a stereo soundboard feed and Schoeps CMC641 microphones eight feet up.  The result is a nicely balanced and spot-on rendition of the night.  Enjoy!

Stream “Post Acid”:
[audio:http://www.nyctaper.com/W2206Wavves2990/wavves_postacid.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Wavves
2010-06-24
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+Stereo soundboard feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Clamp to right side of sbd booth, 8 ft up, DIN
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, set fades, slight EQ, adjust levels, downsample to 16bit)>FLAC Level 8

Tracks
01 intro
02 Friends Were Gone
03 King of the Beach
04 To the Dregs
05 Idiot
06 [interlude]
07 Wavves
08 Green Eyes
09 So Bored
10 Weed Demon
11 Post Acid
12 Take On the World
13 Stupid
14 In the Sand
15 [encore break]
16 Beach Demon
17 No Hope Kids

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wavves, attend their shows, visit their website, and pre-order King of the Beach from Fat Possum records.

Emanuel and the Fear: June 21, 2010 Knitting Factory – FLAC and MP3 Downloads + Streaming Entire Show

June 23, 2010
By


[iPhone photos by acidjack]

Emanuel and The Fear continue to expand their horizons and win over new fans with a multi-faceted sound that references classical music, bluesy barroom rock, folk, and indie pop.  On this Monday night at the Knitting Factory, the band was hosted by the Onion A/V Club for a showcase that featured The Silent League and NYCTaper pals Dinosaur Feathers. Since we last saw the band, they have debuted their new full length album Listen, which delivers on the promise of their lauded first EP.  This set gave ample coverage to the many different styles this 11-member band is capable of, including a new solo number by Emanuel Ayvas called “Drinking Song,” as well as many of the standouts from the 19-track Listen.  Thanks to Paper Garden Records for hosting us at this event.

I recorded this set with a four-microphone rig that perfectly captured both the room and the direct sound from the PA system.  You can stream the entire show below, and the files have been properly tagged for importing into iTunes or your favorite music player.  Enjoy!

Stream entire show:
[audio:http://www.nyctaper.com/E4090Emanuel9922/eatf2010-06-21knit_acidjack.mp3]

Direct download of MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Emanuel and the Fear
2010-06-21
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+DPA 4021>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Clamp to right side of SBD cage, at 8?, 4021s XY, hypers pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, tracking, amplify channels, downsample)>FLAC Level 8

01 Intro
02 Song for A Girl
03 Jimme’s Song
04 tuning/noise
05 Guatemala
06 Whatever You Do
07 The Rain Becomes The Clouds
08 banter
09 Want To Be
10 Drinking Song
11 Same Way
12 Over & Over
13 Alright
14 [encore break]
15 The Raiman

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Emanuel and the Fear, visit their website, and purchase their first full-length, Listen, from Paper Garden Records here.

Melvins: June 18, 2010 and May 15, 2009 Webster Hall – FLAC/MP3/Streaming

June 22, 2010
By

The Melvins
[At the May 2009 Webster Hall show.  This photo courtesy of Ryan Muir]

Melvins have now been at it for more than 25 years.  In that time, they inspired many rock legends in the Seattle/Pacific NW scene, Kurt Cobain and Nirvana among them, and have consistently made vital music that rarely if ever crossed paths with the mainstream.  Originally a trio, in recent years they have come out with an awe-inspiring two-drummer attack featuring original drummer Dale Crover and Coady Willis that only magnifies their sludgy personification of the Seattle sound.  The crowd and performance at both of these fantastic shows from Webster Hall – the earlier being one of their mammoth 25th anniversary shows from last year, the more recent one being a shorter set opening for metal gods Isis, who are on their final run before breaking up – spoke to the authenticity of this act.  For once, I attended a Friday night show where every fan stood at rapt attention as this foursome demolished ears and melted faces, including sharing several new songs from their latest, The Bride Screamed Murder.

Of the May 15, 2009 set, Johnny Fried Chicken Boy had this to say:

“This was one of several “25th anniversary” gigs the Melvins performed in the spring of ‘09 that included the album ‘Houdini‘ played in its entirety.  Technically, Buzz “King Buzzo” Osborne has been fronting the band under that moniker a little longer, but who’s counting?  I hadn’t seen the band since ‘97 and am I glad I pulled the trigger on getting tickets.  It was one of those shows that remind you that you’re alive; the energy was phenomenal and spilled over into the moderate pit that broke out.  Having forgotten how amazing these guys can be in a live setting, it brought back memories of this old man’s youth.  They opened with a short set of material from the ‘Mangled Demos from 1983‘ disc that had their first drummer, Mike Dillard, pounding the skins and current, long-time drummer, Dale Crover, on bass.  Trevor Dunn came out later to handle the low-end duties after Dale switched to the drums.  I’ve been to a lot of concerts but this was definitely in my top three of loudest shows I’d seen and I don’t have the memory or time to scratch my head remembering the other two.  It was so loud my clothes were vibrating, as were the keys and loose change in my pockets.  It was so loud my friend had to go sit down because she was getting nauseous.”

These shows were recorded in very different ways.  I recorded the June 2010 set with the DPA microphones mounted to an articulated arm clamped to the balcony, while Johnny recorded the May 2009 set using a lean and mean mobile rig.

Since some people may ask, please note that we were not permitted to record Isis.  Their management made it very clear that the band does not allow audio taping of any kind, and we respect their wishes.  We wish Isis the best in their final shows and future endeavors.

Direct download of complete June 18, 2010 show in MP3 [HERE] | FLAC [HERE]

Direct download of complete May 15, 2009 show in MP3 [HERE] | FLAC [HERE]

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Melvins
2010-06-18
Webster Hall
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Edirol R-44 (Oade Concert Mod (24/44.1)
Position: Clamp to left side of SBD cage, extended right, roughly DIN
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, EQ (cut 200Hz by ~2dB, boost frequencies above 10kHz by ~3dB), tracking, amplify/balance channels, downsample to 16bit)>FLAC ( level 8 )

Tracks [Time 1:09:50]
01 Sacrifice
02 Civilized Worm/Black Stooges
03 Pig House
04 Electric Flower
05 Anaconda
06 Black Bock/The Kicking Machine
07 Billy Fish/Lovely Butterflies
08 The Water Glass
09 Evil New War God/Amazon
10 The Talking Horse
11 Hung Bunny/Roman Bird Dog

Melvins
2009-05-15
Webster Hall
New York, NY, USA

Source: Church Audio CA-11 > SP-SPSB-8 > Edirol R-09 (WAV @ 24-bit/48kHz)
Lineage: R-09 > USB > PC > Adobe Audition (adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

Tracks:
01 intro
02 Walter
03 Forgotten Principles
04 If You Get Bored
05 Matt-Alec
06 Snake Appeal
07 Run Around
08 The Real You
09 Set Me Straight
10 I Don’t Know
11 Sunshine of Your Love  [Cream] / unknown
12 Second Coming  [Alice Cooper]
13 Ballad of Dwight Fry  [Alice Cooper]
14 It’s Shoved
15 Let Me Roll It  [Paul McCartney & Wings]
16 Suicide in Progress
17 Oven
18 Black Bock
19 Let God Be Your Gardener

[Houdini set – Buzz, Dale, Trevor Dunn on bass]
20 Drum intro > Hag Me
21 Pearl Bomb
22 Hooch
23 Honey Bucket
24 Night Goat
25 Lizzy
26 Joan of Arc
27 Set Me Straight (reprise)
28 Deserted Cities of the Heart  [Cream]
29 Sky Pup
30 Teet
31 Goin’ Blind  [Kiss]
32 Copache
33 Spread Eagle Beagle
34 With Teeth
35 The Bit
36 outro

If you download these recordings from NYCTaper, we expect that you will PLEASE SUPPORT Melvins, visit their website, and buy their records from Ipecac records here.

Drive-By Truckers: April 1, 2010 Webster Hall – FLAC and MP3 Downloads

April 3, 2010
By


[Drive-By Truckers’ Patterson Hood at the Terminal 5 show in 2008. Photo courtesy of One Louder Photo]

I have always been a little surprised by the mutual respect and admiration shown between the thoroughly Alabama-bred Drive-By Truckers and the fans of the NYC area.   Unfortunately, the years of suspicion and stereotypes between the South – particularly the deep South – and NYC aren’t totally past tense, even in an age when you can actually get a decent biscuit and sawmill gravy within the five boroughs.  But like certain other of the South’s best exports, New Yorkers seem to get the Truckers, partly because their music acknowledges and, in the best Southern tradition, celebrates many of their homeland’s contradictions and frustrations.  On April Fool’s Day the Truckers opted not to offer up any jokes or fake-outs, but drilled through a powerful set that showcased many songs from their brand-new The Big To-Do and a survey of their earlier classics like the heavy-hitters toward the end of the set, “Hell No, I Ain’t Happy,” “Lookout Mountain” and “Let There Be Rock”.  Despite Webster Hall’s “curfew” in order to start the venue’s dance party, the band played for over two hours with few breaks in between songs.  NYC may be a long way from Muscle Shoals, but tonight, everyone fell under the sway of this timeless act’s Southern charm.

I recorded this set with a four-microphone rig clamped to the balcony immediately to the right of the soundboard cage, with the two sets of mics at varied heights to capture both direct and ambient sound.   I am extremely happy with the results, and hope you are, too!  Enjoy!

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

Drive-By Truckers
2010-04-01
Webster Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Beyerdynamic MC950>Edirol R-44 (24/44.1)
Position: ROC (at right of board cage), DPA’s at 8?, MC950’s at 6?, DPAs DIN, MC950 pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, slight EQ, set fades, tracking, smooth peaks, amplify each channel)>FLAC ( level 8 )

Tracks
01 intro
02 4th Night of My Drinking
03 Birthday Boy
04 Girls Who Smoke
05 Marry Me
06 Sink Hole
07 Drag the Lake
08 I Told You So
09 Get Downtown
10 This Fuckin’ Job
11 Carl Perkins’ Caddy
12 Living Bubba
13 One of These Days
14 Dead, Drunk & Naked
15 Guitar Man
16 Home Field Advantage
17 Wig He Made Her Wear
18 Self Destructive Zones
19 Hell No I Ain’t Happy
20 encore break
21 Flying Wallendas
22 Zip City
23 Let There Be Rock
24 Lookout Mountain
25 People Who Died

If you email nyctaper for access to this recording we expect that you will PLEASE SUPPORT Drive-By Truckers, visit their website, and purchase their latest record, The Big To-Do directly from the band (including in lossless and MP3 digital formats) here.

We Were Promised Jetpacks: February 15, 2010 Knitting Factory – FLAC and MP3 Downloads

March 9, 2010
By


[Photo courtesy of Jonny Leather]

A friend recommended to me months ago that I check out We Were Promised Jetpacks when they were opening for The Twilight Sad on their tour last year.  Sadly, I missed that show, but in between, these Scotsmen have garnered some major buzz.  After what by all accounts was a killer performance at Bowery Ballroom, the band headed out to Brooklyn and the lovely new(-ish) Knitting Factory to do it all over again.   In a positive way, WWPJ strike me as a bit of a younger, hungrier, Scottish version of U2, with a style that trends heavily toward the room-shaking rock anthem, all soaring vocals and approachable chords.   Nonetheless, WWPJ aren’t acting the part of mega-rock stars just yet, showing great humility as well as appreciation for their fans, who pumped their fists and sang along to almost every song.   I wouldn’t be surprised if the next time these guys came through, they were the opening slot at MSG for you-know-who…. and deservedly so.

I recorded this set from the same equipment and position as the Bad Veins recording – DPA microphones on a pole at the soundboard and a top-notch stereo soundboard feed provided by Melanie of Knitting Factory.  The sound quality is excellent.  Enjoy!

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

We Were Promised Jetpacks
2010-02-15
Knitting Factory
Brooklyn, NY

An acidjack master recording
Recorded and produced by acidjack
Hosted at nyctaper.com

Equipment: DPA 4021 + stereo soundboard feed>Edirol R-44 (24/44.1)
Position: Clamp to center of SBD cage, mics at 8?, DIN
Mastering: 24bit/44.1kHz WAV>Audacity (mixdown, smooth peaks, set fades, tracking, slight EQ, downsample to 16bit, amplify each channel)>FLAC ( level 8 )

01 Intro>Keeping Warm
02 Quiet Little Voices
03 Moving Clocks Run Slow
04
05 banter/crowd
06 A Far Cry
07 It’s Thunder and It’s Light
08 Roll Up Your Sleeves
09 This Is My House, This is My Home
10 Ships With Holes Will Sink
11 Short Bursts

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT We Were Promised Jetpacks, visit their MySpace page, and purchase their newly-released EP The Last Place You’ll Look from Fatcat Records here.

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