Posts Tagged ‘ brooklyn ’

Lightning Love: September 7, 2012 Spike Hill – Flac/MP3/Streaming + Playing NYCTaper CMJ Show!

October 2, 2012
By


[photo courtesy of Doug Coombe]

When we announced the first couple of bands that are playing the NYCTaper CMJ Day Party this year, we teased/hinted at the other bands on the bill. Lightning Love, who I described as an “irresistible Michigan-based pop trio” will be opening the show. The description is partly based on the vocals of Leah Diehl, whose voice captures an earnestness and vulnerability that fits their quick and quirky pop songs perfectly. At Spike Hill a few weeks ago, Lightning Love accomplished a rarity. As an out-of-town band playing immediately after a local band with friends and family in the audience, their pop hooks quieted the chatter of the other band’s fans and turned heads. The balance of their too-short set was played to an attentive room and undoubtedly earned them some new fans, including yours truly.

I recorded this set with the Sennheiser cards on the stand in front of the soundboard and mixed with a board feed. The early chatter and mix issues were resolved after a few songs and the result is an excellent recording. Enjoy!

Stream “When You Sleep”:

Download the Complete show in MP3 [HERE]
Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lightning Love
2012-09-07
Spike Hill
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-09-20

Setlist:
[Total Time 25:53]
01 Together
02 Deadbeat
03 Just Friends
04 I Know
05 Awkward
06 I’ll Never Love No One Else
07 CP80
08 Good Time
09 So Easy
10 When You Sleep

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lightning Love, visit their website, and purchase their new album Blonde Album directly from their bandcamp page [HERE].

The Soft Moon: September 20, 2012 Glasslands – FLAC/MP3/Streaming

September 24, 2012
By


[Photos courtesy of Eric Groom Photography]

The tastemaking label Captured Tracks has developed a unique ability to find bedroom recording projects and other oddball solo visions that are capable of being something more. The Bay Area band The Soft Moon was originally such a project from frontman/guitarist Luis Vasquez, and that was the genesis of the band’s breakout debut LP, The Soft Moon. Seeing the band live at Glasslands this past Thursday, with the benefit of hindsight, it’s hard to see how Vasquez could not have pictured those songs as vital live tunes. This was easily among the most slam-packed, sold-out Glasslands shows I have been to, and the energy of this night was unmistakable; music fans lined the entire Kent Ave. block of Williamsburg that featured three completely full venues. With driving synths and an electronically-augmented backbeat, these darkwave revivalists had little difficulty getting this crowd dancing. The twelve-song set covered a solid portion of the Soft Moon material, as well as some numbers from the band’s 2011 Total Decay EP and at least one track, “Die Life”, that will appear on their forthcoming album, Zeros, which drops in a little over a month.

Vasquez was enjoying the attention and lighthearted between songs. After only five songs he  said “we’ve got one more song” – followed by groans of disappointment from the sardines in the audience.

“I’m just fucking with you” he continued, before launching into a fiery version of the gothic midtempo number “Total Decay” – a relatively mellow midpoint to a set that stayed on fire for the remaining six songs. What began with one guy in his bedroom is now quite clearly a band to be reckoned with. Best of all, New Yorkers can get a second shot at seeing The Soft Moon live when they return to Bowery Ballroom on October 30 to celebrate the release of Zeros.  Tickets are on sale now.

I recorded this set with a pair of Audio Technica 3031 microphones right at the stage lip, plus a soundboard feed from the night’s engineer, Chris. This recording method gives you the feeling of standing right at the front of the crowd, and you can hear some semi-funny comments from audience members in between songs as a result. Enjoy!

Stream “Die Life”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Soft Moon
2012-09-20
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Audio Technica 3031 (onstage, ORTF)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (tape effects and EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 We Are We
02 Circles
03 Dead Love
04 Into the Depths
05 [tuning]
06 Breathe the Fire
07 Total Decay
08 Alive
09 Die Life
10 Insides
11 Parallels
12 [non-encore break]
13 When It’s Over
14 Tiny Spiders

If you enjoyed this recording, PLEASE SUPPORT The Soft Moon, like them on Facebook, and purchase their releases, including Zeros when it is available October 30, from Captured Tracks [HERE]

Death Blues: September 4, 2012 Glasslands – FLAC/MP3/Streaming

September 20, 2012
By


[Photos by acidjack]

Death Blues is the new project from the hypertalented drummer and percussionist Jon Mueller, who has joined a new cast of players to make some seriously inspired math/post-rock. Mueller’s bio includes work with members of Swans, Wilco, and Bon Iver; helping to found the bands Pele, Collections of Colonies of Bees and Volcano Choir; and work with Rhys Chatham, James Plotkin and many others. The level of output represented by his discography would be humbling to most musicians.

So enter Death Blues and their inaugural NYC show, which took place at Glasslands, possibly the best place in this city for such things. Death Blues incorporates Mueller’s relentless percussion with hammered guitars, a trio of vocalists, an upright bass, and additional percussion. The result is a melodic but gripping live experience, with the throat-singing of the vocalists carrying over Mueller’s polyrhythmic drumming. The nearest guidepost sound-wise here is probably late 80s/early 90s acts like Slint and June of 44, but with less commitment to traditional song structure. This five-song set of mostly-extended numbers (including the 14+ minute centerpiece, “Death Blues”) gave the Glasslands crowd a preview of what this group will be delivering with its forthcoming Hometapes debut, Death Blues. We can’t wait to see what else Mueller has in store.

We saw Death Blues play the Hopscotch Music Festival in Raleigh, North Carolina a few days later, and we hope to have a recording of that set from the person who recorded it available to share as well soon.

I recorded this set with Naiant X-X omnidirectional mics at the lip of the stage, plus a flawless soundboard feed by Josh, the house engineer.  The sound is outstanding, and one of my finest recordings of the year. Enjoy!

Stream “Impatience:

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 

Death Blues
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Impatience
02 [tuning]
03 Death Blues
04 Acceptance
05 Impermanence
06 Iron String

If you enjoyed this recording, PLEASE SUPPORT Death Blues, visit their website, follow them on Twitter, and purchase Death Blues when it becomes available from Hometapes later this year.

Holly Miranda: September 12, 2012 Zebulon – Flac/MP3/Streaming

September 16, 2012
By


[screen cap from this video]

It was two years ago when Holly Miranda spent her last night in NYC before moving to Los Angeles performing for an intimate crowd at the wonderful Vivo in Vino. That show was one of our favorites of the year and such an incredible memorable night — great music, great company, superb wine and a rooftop afterparty to remember. That year of 2010 was a banner one for Holly. Her album The Magician’s Private Library was one of the best of the year and her tour was a triumphant celebration of the album. The Bowery show in particular was another highlight of 2010. But in the last two years, Holly has lived a fairly quiet domestic life while working on her new album through a Pledge Music campaign that has shown the dedication of her fans — the pledge has reached over 200% of the original target. The relaxed pace of the production of the new album has also given the artist an opportunity to share demos, covers, and some obscure nuggets on her Soundcloud page, which has become a must-visit page. On Wednesday, Holly Miranda made a very rare visit to NYC to play a fairly under-publicized show at the intimate Zebulon. I had already committed to recording a show at 285 Kent that night, but left in between sets and brought over my small mobile rig to capture Holly’s set. Fortunately, the timing all worked out perfectly. Holly took the stage with Tim Mislock, a new drummer and saxophonist. With an opener of “Waves”, the two years melted away and it was as if Holly hadn’t left. The following number, her moving Etta James cover was an added gift. The balance of the too-short set consisted of new songs and a couple of covers. The Morphine song “Mary Won’t You Call My Name?” was a raver that got the boisterous crowd to move in unison, and we’re streaming it below. Holly has no current plans to play NYC, but rest assured when she ultimately returns, we’ll be there.

I recorded this set with the DPA 4061 small omnis with the mics attached to a mount in the ceiling of the venue about fifteen feet from the stage. The venue was packed and the crowd was rather chatty, so that this isn’t exactly the best thing we’ve had on the site lately. But its certainly listenable and full of energy. Enjoy!

Stream “Mary Won’t You Call My Name?” [Morphine cover]:

Download the Complete Show in MP3 [HERE] or FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Holly Miranda
2012-09-12
Zebulon
Brooklyn, NY USA

Digital Master Recording
Upfront Center – Recorded 15 Feet from Stage

DPA 4061s (Dynamic Audio Custom Mod) > Dynamic Audio Custom Battery Box > Edirol R-05 > 16bit 44.1kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-09-15

Setlist:
[Total Time 40:36]
01 Waves
02 I’d Rather Go Blind [Etta James]
03 Desert Call
04 Nobody Sees Me Like You Do [Yoko Ono]
05 Mark My Words
06 Everlasting
07 Mary Won’t You Call My Name [Morphine]
08 [banter – band intro]
09 Until Now

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Holly Miranda, visit her website, and go to Pledge Music to support Holly’s new album [HERE].

Ben Sollee: September 8, 2012 Backyard Brunch Sessions – Flac/MP3/Streaming

September 15, 2012
By


[photo by Dominick Mastrangelo]

The Backyard Brunch Sessions is in its third year of summer events and it continues to draw an incredible roster of performers to a very intimate and unique setting. Last weekend, Ben Sollee played a BBS that was brought indoors because of inclement weather. But the experience remained the same — an opportunity for a small selected group of people to experience an abundant amount of talent from up close. For us, very close. Ben Sollee is one of those performers whose rare combination of stage presence, likeability and sheer talent is magnetic. He is also a natural for the setting of BBS, and on Saturday Ben was fast friends with everyone in the room and effortlessly brought us all into the world of his music. As a duo with percussionist Jordon Ellis, who literally played a customized wooden box as a drum, Ben dipped into some older numbers but mostly focused on material from his new album Half Made Man, which will be released on September 25. Ben opened with “DIY” and ended the first set with “Unfinished”, two of the stronger tracks from the new album. We are streaming “Hurting” from Ben’s 2011 album Inclusions, as it was personally one of my favorite performances from this set and also features some incredible vocalizing at the conclusion of the song. Ben Sollee will be touring (via bicycle!) this month through the South and Midwest, dates [here].

I recorded this set with four microphones placed strategically around the performers. The Neumann hypercards were used primarily for vocals and the Sennheiser cards for instruments. A light amount of reverb was added in post to the vocals and the mixdown is weighted towards the vocals by about 60/40. The quiet room and hushed crowd provided a near perfect recording atmosphere so that this recording is really quite superb. Enjoy!

For more content from this performance, check this week on the sites of our partners for this event, Backyard Brunch Sessions and Consequence of Sound.

Stream “Hurting”:

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ben Sollee
2012-09-08
Backyard Brunch Sessions
Brooklyn, NY USA

Digital Master Recording
On Stage 4-Track

Neumann KM-150s + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (mix down, level adjustments, slight reverb to vocals, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-09-13

Setlist:
[Total Time 44:21]
01 DIY
02 [banter – intro]
03 Some Lovin
04 [banter – bicycle tour]
05 The Globe
06 [banter – Half Made Man]
07 Unfinished
08 Teach Me
09 [banter – Captivity intro]
10 Captivity
11 [banter – questions]
12 Cajun Jam
13 [banter – geeking out]
14 Hurting
15 [banter – bike tour story]
16 Panning For Gold

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Ben Sollee, visit his website, and pre-order Half Made Man from Ben’s online Store [HERE].

Altos: September 4, 2012 Glasslands – FLAC / MP3 / Streaming

September 14, 2012
By


[Photos by acidjack]

Milwaukee’s Altos (formerly/sometimes known as Group of the Altos) are a tough band to fit comfortably on most stages. With twelve members, and a variety of strings, keys, upright bass, trumpets, guitars percussion and more, the band’s sound is anything but stripped down. Sonically, they belong alongside fellow big bands like Godspeed You Black Emperor! with their commitment to melodies and stretched-out song structures that eschew pop convention. But unlike their fellow-travelers from up north, Altos’ sound is a bit more folk-inflected (think Broken Social Scene) and considerably less apocalyptic. This 40-minute set at Glasslands, a warmup to an upcoming gig at Hopscotch Festival in North Carolina, consisted of a total of four songs, including three longer-form compositions and the tighter, more vocal-driven “Race” (streaming below).   The band deploys the large crew of players wisely, creating songs that are sonically dense, yet cohesive and spacious.

As with many bands arising from the Milwaukee scene right now, Altos have a Bon Iver connection, too – their eponymous current record was recorded at Justin Vernon’s April Base studio, and is available on vinyl and digital here (with an album cover that is, appropriately enough, composed of headshots of each of the 12 band members).

I recorded this set with new Naiant X-X omnidirectional microphones at the lip of the Glasslands stage, together with a soundboard feed provided by the head engineer Josh. The sound quality is truly outstanding. Enjoy!

Stream “Race”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Altos
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance)>FLAC ( level 8 )

01 Begong Ava, Bagong Hele
02 Race
03 Sing (for Trouble)
04 Never Named

If you enjoyed this recording, PLEASE SUPPORT Altos, like them on Facebook, and purchase their new LP, Altos, on vinyl or digital [HERE]

MMOSS: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

September 13, 2012
By


[Photos by acidjack]

We first checked in with the Dover, NH psych rockers MMOSS back in May, when they opened for Woods at 285 Kent. This show at the somewhat more “formal” Knitting Factory in Brooklyn gave the band an opportunity to wow Brooklyn audiences with a significantly more capable sound system, and the results show in this recording. As with the May show, the band played a five song set that ended with the mammoth “War Sux”, though this set swapped in their April single release, “Spoiled Sun”, which became another of our favorites immediately. With the addition of flute to the mix of organs and guitars, MMOSS has a distinctly retro vibe that puts them in good company with many 60s forebears, and their album i is, as we noted before, a collection of instant classics. “War Sux” was even more extended this night than at the last show, giving the band a chance to show off their jamming chops.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Knit’s engineer, Rob. The sound is excellent.  Enjoy!

Stream “Spoiled Sun”
[audio:https://www.nyctaper.com/M0505MMOSS1202/04 Spoiled Sun.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

MMoss
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, EQ, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Wonder
02 Another Day
03 Another Dream
04 Spoiled Sun
05 War Sux

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT MMOSS, visit their Bandcamp and Facebook pages, and purchase their album i from Burger Records [HERE].

Jennifer Castle: August 1, 2012 Union Pool – FLAC / MP3 / Streaming

September 6, 2012
By


[photos by acidjack]

You may not have heard of Canadian singer-songwriter Jennifer Castle, who has a new album, Castlemusic, out on Flemish Eye Records in Canada and re-released by our own No Quarter, as well as two other titles out under the band name “Castlemusic”. But even if you haven’t heard of her, chances are, if you’re a fan of Canadian indie music, you’ve heard her. That is because Castle has collaborated with several high profile Canadian bands and artists, including Fucked Up, Constantines, and Doug Paisley. On her own, Castle writes intricate, compelling songs, with a lovely voice that easily stands on its own. This show at Union Pool, opening for Family Band, gave Castle a chance to perform some of her new material solo, and she made the most of it. Several of the Castlemusic songs, like “Powers” were standouts, along with a few that were (I think) new.

I recorded this set in the same manner as the Family Band recording, with Schoeps MK41 microphones and a soundboard feed.  This recording, which consists of only vocals and guitar, therefore favors the board feed, and the sound is excellent, although there are a couple instances of the vocal mic overpeaking during the first song. Enjoy!

Please correct any errors in the setlist if you know them.

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Stream the complete set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Jennifer Castle
2012-08-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KC5>CMC6>Sound Devices USBPre2 >> R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Down by the Water
02 You Don’t Have to Be
03 Sailing Away
04 Powers
05 Neverride
06 Bring Me My Friends
07 Tonight
08 Paper Woman

If you enjoyed this recording, PLEASE SUPPORT Jennifer Castle, like her on facebook, and purchase her records from No Quarter or Flemish Eye.

Los Lobos: July 11, 2012 Brooklyn Bowl – FLAC / MP3 / Streaming Songs

August 30, 2012
By


[Photos by acidjack and Johnny]

Any performer worth their salt would love to be in a band like Los Lobos.  While their rendition of “La Bamba” may have put them on the map (and the version by which all others are measured, in my humble opinion; sorry, Ritchie Valens), their stellar output through a nearly 40 year career has kept them there.  These guys have a level of musicianship that most players can only dream of and would kill for.  Los Lobos are capable of playing nearly anything and many respected artists have cited them as their favorite group to jam with.  That’s why it was no surprise that during Tom Waits‘ recent, and exceedingly rare, late-night television appearances guitarist/vocalist David Hidalgo was part of his band.  An American institution very proud of their Mexican/SoCal roots, they began this show by playing acoustic Tejano that, over several songs, subtly transformed and transitioned into electric rock.  It was pretty spectacular to behold and they made it appear so effortless.  When they pulled Jolie Holland on stage for a gorgeous duet and opener Livingston Leo for a few cuts, it sounded and felt like they had all been playing together for years.  Over the course of the night, they played some brilliant covers and tracks off many of their discs including a healthy dose from ‘Kiko‘, not only one of their best albums but arguably some of the finest music ever recorded.  I am repeatedly amazed every time I get the opportunity to catch these guys and if you have a bucket list of bands you must see, Los Lobos should be at or near the top.

acidjack and I recorded this concert with sets of Schoeps MK22’s and Milab VM-44 Links.  The microphones complimented each other beautifully and we were able to make an excellent capture.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Dan Gale for the setlist help, and to Peter Costello and the staff at Brooklyn Bowl for their hospitality.

Stream “Chuco’s Cumbia”:

Stream “Short Side of Nothing”:

Direct download of the complete show in MP3 [HERE]

Direct download of the complete show in FLAC [HERE]

If either of the links are not working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Los Lobos
Wednesday, July 11, 2012
Brooklyn Bowl
Brooklyn, NY, USA
(opener: Livingston Leo)

Source: AUD > Milab VM-44 Links (cardioid) + Schoeps MK22’s [> CMC6 > Sound Devices USBPre2] >> Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded by: acidjack and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:53:22]
01. [intro]
02. Canto a Veracruz
03. El Cascabel  [Lorenzo Barcelata]
04. La Pistola y El Corazón  [*]
05. [banter]
06. Los Ojos de Pancha  [Juan Romero]
07. Saint Behind the Glass
08. Teresa
09. [banter / tuning]
10. Chuco’s Cumbia
11. Will the Wolf Survive?
12. Angels with Dirty Faces
13. Wicked Rain
14. Short Side of Nothing
15. That Train Don’t Stop Here
16. One Way Out  [Elmore James / Sonny Boy Williamson]
17. Kiko and the Lavender Moon
18. [banter / tuning]
19. Let’s Say Goodnight
20. Ay Te Dejo en San Antonio  [Santiago Jiménez]
21. How Much Can I Do?
22. Not Fade Away  [Buddy Holly] [#]
23. Bertha  [The Grateful Dead] [#]
24. [encore break]
25. Don’t Worry Baby  [#]
26. Mas y Mas  [#]

* with Jolie Holland
# with Livingston Leo

If you download this recording, we expect that you will PLEASE SUPPORT Los Lobos, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

K-Holes: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

August 28, 2012
By


[Photos by acidjack]

For fans of 60s psych and garage rock, you’d be hard-pressed to find a Brooklyn band more compelling than K-Holes. This band’s style is no prettified nostalgia trip. As their name implies, K-Holes’ energy comes from a dark place; a song where they scream the refrain “We are rats!” ain’t exactly to be featured on the next Strokes record. The New York of the K-Holes is the grittier world of the early 80s, and their sound reflects it. As one of many bands that grew up around the dearly departed Monster Island, one of many gentrification victims of the last few years around here, they’ve gotten to live a little bit of it, too.

Besides the contrast in tone, this band also presents a different look and appeal than many of their peers. First, the band is a mixed-gender crew that consists of singer-guitarist Jack Hines, singer Vashti Windish, Hines’ wife Julie (whose uber-cool bass playing is perhaps the best visual in the band’s live show), drummer Cameron Michel and saxophonist Zumi Rosow. The male and female lead vocals, and Rosow’s sax flourishes, give the bands’ songs added depth and texture – and they also look a bit more exotic than, say, a trio of scruffy dudes.  But ultimately, it’s the songs that get a band noticed, and K-Holes have got a ton of good ones, spread across their latest record on Hardly Art, Dismania, and their eponymous first album. “Child”, which leads off Dismania and closed this Knitting Factory set, is one of those clarion call-style tracks that demands to be turned up to 11, and the live version was a standout. “Rats” and “Numb” (streaming below along with “Child”) were two more Dismania tracks that absolutely killed. But no need to take my word for it; K-Holes will be on the bill at the epic Ty Segall / Thee Oh Sees Show at The Wick/The Well on September 22, and after that they’ll be in Europe for all of our friends on the continent. Do yourself a favor and don’t miss them.

I recorded this set with a soundboard feed from Rob, the engineer at the Knitting Factory, and Schoeps MK5 microphones. Of my three recordings from this night (along with Night Beats), this is probably my favorite.  Enjoy!

Stream “Child”
[audio:https://www.nyctaper.com/K8600KHoles2012/10 Child.mp3]

Stream “Numb”
[audio:https://www.nyctaper.com/K8600KHoles2012/04 Numb.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

K-Holes
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ROB, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 33:21]
01 Native Tongues
02 Gutter
03 Meat Man
04 Numb
05 Creatures of War
06 Acid
07 Mosquito
08 Rats
09 Swamp Fires
10 Child

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