Posts Tagged ‘ cake shop ’

Hurray For The Riff Raff: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

November 2, 2012
By


[Photos by Jill Harrison at For the Love of Brooklyn]

As Hurricane Sandy’s damage continues to be assessed here on the East Coast, it seems grimly appropriate to highlight the CMJ performance of an outstanding New Orleans-based band that represents that city’s history as well as its brightening future. Hurray For the Riff Raff have been favorites of this site for a while now, and we did everything we could – including picking them up from the airport – to make it possible for them to play our unofficial CMJ day show at Cake Shop, just hours after they got off a plane from Germany. If this minimalist version of the band – lead singer and guitarist Alynda Lee Segarra and guitarist Sam Doores, plus special guest Matt Davidson of Spirit Family Reunion on fiddle – was worn out from traveling, they didn’t show it during this acoustic set. In fact, Alynda, Sam and Matt looked to be having a hell of a lot of fun as they played stripped-down versions of new songs, older songs, and a choice cover of the Ronettes classic, “Be My Baby”. After seeing a fantastic performance from the band back in August, it was a special treat to be able to see them again so soon. While the band has returned to New Orleans to enjoy some much-needed time to de-compress, we’ll be happy to welcome them back as soon as they are ready.

I recorded this set with a soundboard feed provided by the day’s engineer Justin, plus Schoeps MK5 microphones mounted at the front of the stage. The sound is excellent. Enjoy!

Stream “Look Out Mama”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For the Riff Raff
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 Lake of Fire
02 Slow Walk
03 Look Out Mama
04 [tuning]
05 Down By the River
06 Daniella
07 Blue Ridge Mountain
08 [banter]
09 Saint Roche Blues
10 [banter]
11 The Junebug Waltz
12 Be My Baby [Ronettes]

If you enjoyed this recording, PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Hans Chew: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 30, 2012
By


[Photos by acidjack]

Hans Chew plays a brand of old-time, piano-driven rock n’ roll you may not have even realized you were nostalgic for. As the piano man for Brooklyn country-psych stalwarts D. Charles Speer & the Helix, Chew proved himself as a composer and vocalist in his own right on his debut album Tennessee & Other Stories.  Imbued with a honky-tonk barroom quality, Chew’s piano playing is even more central to his solo project than it is to his work with Speer, and that’s all to the good. As a Southerner now living in New York, Chew’s work remains rooted down south, and incorporates elements of country, bluegrass and Southern boogie. Like D. Charles Speer, Chew isn’t simply a revival act, but a modern performer who has taken a classic, regionally-rooted sound and imbued it with new ideas and new vitality.

We were thrilled to have a chance to invite Chew to play our fifth annual unofficial CMJ day show at Cake Shop, and Chew and the band delivered in a big way, with a set of almost all-new material that continued on Tennessee’s promise. “Strange Love” shone among the new numbers, with its funky guitar groove and catchy refrain. “Junker’s Blues”, which closed the set, was the kind of timeless-but-new number we expect from Chew, and it ended his part of the afternoon on a high note. We would have loved to have Chew at our show in any capacity, but getting this rare preview of new material made it an even bigger honor.

I recorded this set with house engineer Justin’s mix combined with Schoeps MK5 microphones in the cardiod setting mounted on the ceiling just in front of the stage lip and spread wide. The results are outstanding. Enjoy!

Stream “Strange Love”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hans Chew
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Chango>
03 Tom Hughes Town
04 Strange Love
05 Magnet Moon
06 [banter]
07 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

Heliotropes: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 29, 2012
By


[Photo courtesy of MaryAnne Ventrice]

At first, it’s hard to grasp that the women of Heliotropes are your showcase’s heaviest band by far. From looking at them, you might not guess that the diverse group of young women makes monster, Sabbath-inspired rock with chunky, wah wah riffs and a raging backbeat. Also one of the newest acts on our CMJ day show bill, these ladies are kindred spirits of modern stoner/psych rockers like The Midnight Ghost Train, Pontiak and others, and they don’t hold back onstage. For a band whose current output consists of some singles on their bandcamp page, Heliotropes already have a well-developed sound and delivery – and based on this set at our unofficial CMJ day show at Cake Shop, are well on their way to an LP. Most of the tracks played at this show were new other than the released single “Ribbons”, and that new material is consistently hard hitting. The band closed out with a favorite of mine from Nirvana’s first album Bleach, the scorching “Negative Creep”, which the women of Heliotropes brought down in tempo a touch to give a more dirge-like sound to the song.

I recorded this set with a soundboard feed provided by the day’s excellent engineer Justin together with Schoeps MK5 microphones in the cardiod setting mounted directly in front of the stage.  The sound is “in your face” and excellent. Enjoy!

Stream “Quatto”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files
Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Heliotropes
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 Psalms
02 Early In The Morning
03 Light and Dark
04 Ribbons
05 Quatto
06 Negative Creep

If you enjoyed this recording, PLEASE SUPPORT Heliotropes, like them on Facebook, and check out their music on their bandcamp page.

Hans Chew also playing the NYCTaper CMJ Day Party at Cake Shop (Thursday Oct 18)

September 25, 2012
By

Yesterday we posted about our first CMJ show of 2012, the day party on Thursday October 18, 2012 at Cake Shop. We revealed two artists for this amazing bill, with clues about the other five acts. Today, we’re filling in another name — the inimitable Hans Chew. A little bio about Hans:
“Hans Chew’s 2010 debut album, Tennessee and Other Stories…, received four-stars from Rolling Stone Magazine who called it “fantastic… timeless…”. Uncut Magazine included the record in their Top 50 Albums of the Year and their list of the 20 Best Americana Albums, while also nominating Hans for their highest honor, The Uncut Music Award. Hans Chew is alive and kicking in New York City. He is currently working on his next record, due in 2012.”

Yesterday, Hans revealed his appearance at our show with this tumblr post:

We’re all set to play the @nyctaper @cmj 2012 day party at @cakeshopnyc !!!
This show is sure to be a highlight of CMJ 2012 in October…our band is like a bunch of rabid thoroughbreds kicking in their stalls raring to rock and roll a New York City crowd after a long local hiatus…not to be missed… Also on the bill are New Orleans’ own Hurray For the Riff Raff, who recently appeared on HBO’s Treme, and have been touring Europe extensively, and recently played a spectacular show in Brighton, UK promoted by our European management company Brighthelmstone Promotions. Plus Merge Records’ act Mount Moriah, and more TBA…
http://www.nyctaper.com/2012/09/nyctaper-at-cmj-2012-first-show-thursday-october-18-day-party-at-cake-shop/

We’re all set to play the @nyctaper @cmj 2012 day party at @cakeshopnyc !!!

This show is sure to be a highlight of CMJ 2012 in October…our band is like a bunch of rabid thoroughbreds kicking in their stalls raring to rock and roll a New York City crowd after a long local hiatus…not to be missed…
Also on the bill are New Orleans’ own Hurray For the Riff Raff, who recently appeared on HBO’s Treme, and have been touring Europe extensively, and recently played a spectacular show in Brighton, UK promoted by our European management company Brighthelmstone Promotions. Plus Merge Records’ act Mount Moriah, and more TBA…

So now the bill looks like this:
6:00 – Hurray For The Riff Raff
5:15 – [awesome all female quartet]
4:30 – Hans Chew
3:45 – [female folk singer extraordinaire – after year playing keys for BK indie vets]
3:00 – Mount Moriah
2:15 – [talent-rich songscape creator – childhood friend of nyctaper faves]
1:30 – [irresistable Michigan-based pop trio]

NYCTaper at CMJ 2012: First Show Thursday October 18 — Day Party at Cake Shop

September 24, 2012
By

The success of a dogged pursuit can be sweet. In the case of our first 2012 CMJ lineup, its sweet several times over. As our longtime readers are aware, we’ve been fans of Hurray For The Riff Raff since 2008, but its been their recent album Look Out Mama that put it over the top. After the two outstanding concerts they played at Mercury Lounge this Summer, we pursued them heavily for CMJ. HFTRR is currently on tour in Europe, which will take them literally to the day before our show at Cake Shop on Thursday October 18. They fly from Europe over night, and land in NYC in the early afternoon of the 18th. We are sending a car service to take them directly from the airport to Cake Shop, where they’ll play the final set of our CMJ party. Quite an amazing set of circumstances, and one that we’ll not soon forget.

In another nice bit of coincidence, Hurray For The Riff Raff appeared on last night’s season premiere of Treme, HBO’s series about post-Katrina New Orleans. The band is playing outside of the coffee shop where the character Sofia works, and Sofia’s new boyfriend sings with the band. We hope HFTRR will be making regular appearances this season on Treme.

Another one of our dogged pursuits for CMJ was Mount Moriah. Last Fall, they played a set at Bowery Ballroom that was both impressive and moving. I’ve burned my recording of that performance to CD and play it in my vehicle more than literally any other CD that I own. The music is now burned into my brain. When we invited the band to play our CMJ show, it was admittedly a bit of a long shot. Mount Moriah is from North Carolina and have played multiple US tours. There was another fact in their development we did not know at the time — they’ve signed to Merge Records. But in another beautiful bit of synchronicty, Merge Records is hosting their first CMJ show since 2008 on Thursday night at Mercury Lounge, and Mount Moriah is on the bill. Shortly after the announcement of their Merge gig, the band agreed to play our show, and we could not be more excited.

NYCTaper CMJ 2012 Day Party
at Cake Shop
Thursday October 18, 2012
Doors 12 Noon
Music begins at 1:30pm

More musical guest to be announced this week. We’ll fill in the set times as we go along (see if you can guess!) …

6:00 – Hurray For The Riff Raff
5:15 – [awesome all female quartet]
4:30 – [Brooklyn-via-Tennessee ragtime piano genius]
3:45 – Jo Schornikow
3:00 – Mount Moriah
2:15 – Port St. Willow
1:30 – [irresistible Michigan-based pop trio]

Wussy: March 3, 2012 Cake Shop – Flac and MP3 Downloads + Streaming Song

March 8, 2012
By


[photo by nyctaper]

I can’t imagine that Robert Christgau gets out to many shows these days. But last Saturday at Cake Shop, there he was at Wussy‘s first NYC show in almost two years. I suppose its a bit of a novelty that one of the current favorite bands of a legendary music critic is a relatively obscure self-described “midwestern drone” outfit. But Christgau has it right. As the current band of Chuck Cleaver, the leader of 90s underground legends The Ass Ponys, Wussy is a solid guitar-bass-drums quartet with an excellent mix of male and female vocals and tremendous songcraft. For this tour, the band brought along another former Ass Ponys guitarist John Erhardt to play pedal steel. The Cake Shop show was perhaps a tad short because they were the third band in a four band bill (with a late show to follow), but Wussy worked through a mix of older and newer numbers, including songs from their recent release Strawberry. The band did not hold back for the set’s closer, a raging version of “Rigor Mortis” that concluded with a noisy guitar-drenched episode that left the packed crowd asking for more. We’re streaming that song below. Wussy will play several SXSW shows and we’re hoping to catch them, before they play more midwest shows, and then there is an anticipated Summer tour (with more East Coast dates).

I recorded this set in the same manner as the recent Old Monk recording, with the DPA 4021s on a mount on the low ceiling above the stage and the DPA 4061 omnis mounted in front of the PA. The sound quality is excellent except for a crackling (blown amp) sound which persists for several songs in the middle of the set. With that caveat, enjoy!

Stream “Rigor Mortis”:
[audio:http://www.nyctaper.com/W1604Wussy2211/11.%20Rigor%20Mortis.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2012-03-03
Cake Shop
New York, NY USA

Digital Master
Upfront Four Channel Audience Recording

DPA 4021s + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95(tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-03-06

Setlist:
[Total Time 39:14]
01 Waiting Room
02 Pulverized
03 Grand Champion Steer
04 [banter – Wings]
05 Maglite
06 [banter]
07 Happiness Bleeds
08 Pizza King
09 Muscle Cars
10 Airborne
11 Rigor Mortis

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases including Strawberry directly from the Music section of their website [HERE]

Old Monk: February 22, 2012 Cake Shop – Flac and MP3 Downloads + Streaming Song

March 7, 2012
By


[photo courtesy of Bleary Eyed Brooklyn]

Old Monk is a band from Brooklyn with the perfect self-description — indie-prog. The indie part is easy, as they write energetic and catchy guitar-trio indie-style rock. But the tag of “prog” doesn’t get thrown around much here. The time and signature changes, abrupt turns in melody and tendency to cram three songs into one characterize the progressive elements of pop music. Their debut album Birds of Belize has more “indie” than prog, as the songs are shorter and more straightforward. But live, Old Monk stretches it out a bit and the trio’s tight instrumentation allows for the twists and turns to flow more naturally. At Cake Shop a couple of weeks back, we caught the final night of Old Monk’s month-long February residency. The thirty minute set contain several Belize songs, but also quite a few new songs that indicate that the band isn’t shying away from more complicated material. At the show, I gravitated more towards the songs that I knew (“Warm Moustache” is streaming below), but after multiple listenings to this recording, the stronger material is perhaps the new songs that are challenging but ultimately more accomplished. It remains to be seen whether the fickle NYC indie crowd will exercise enough patience to appreciate Old Monk. If they do, they will be rewarded.

I recorded this show with a new method for this venue. The DPA 4021 cardioids were mounted above the stage for an “onstage” recording of the instruments, and the DPA 4061s were mounted in front of the PA speakers for a vocal-heavy signal. The two sources mixed produce a fine balanced recording. Enjoy!

Stream “Warm Moustache”:
[audio:http://www.nyctaper.com/O1202OldMonk1220/02.%20Warm%20Moustache.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old Monk
2012-02-22
Cake Shop
New York, NY USA

Digital Master Recording

DPA 4021s + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-02-23

Setlist:
[Total Time 30:30]
01 Butter and Toast
02 Warm Moustache
03 Napoleon’s Wife
04 Volcanic Prisons
05 Running Boards/Promethea
06 Art Heist
07 Wimpy Olympians
08 Skullsplitter
09 Attica

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Old Monk, visit their website, and purchase Birds of Belize directly from Eenie Meanie Records [HERE]

NYCTaper Top 25 Concert Moments of 2011: MP3 Downloads and Streaming Songs

December 23, 2011
By

SONY DSC

Live music in 2011 saw several newer bands consolidate their hold on greatness, while well-established acts from the 90s brought out crowds for reunion shows and, sadly, farewells. For those of us at the site, we were inspired by crowds of people who were, in a lot of cases, younger than we were checking out bands like Archers of Loaf live for the first time, or finally gaining appreciation for the work of artists like Cass McCombs and Bill Callahan. At the same time, favorite new or new-er bands like Widowspeak, The War on Drugs, White Fence and Mr. Dream, each of whom we saw multiple times, saw their fanbases grow quickly. If you heard their music for the first time on this site, and liked it enough to give them a look for yourself, well, we are all the more honored and grateful.

With four tapers contributing recordings to the site on a regular basis, picking the “best” 25 moments of an entire year is practically impossible. Looking back on another great year for the site, though, each of these particular moments from a show we recorded stands out in some particular way (though they are in particular order). A complete seamless mix is available for download below, plus streaming selections of each. We hope you enjoy our picks, and look forward to sharing more great artist-approved recordings in 2012.

Want the first word about recordings in 2012 (including in-show updates)? Follow nyctaper and acidjack on Twitter, and like NYCTaper on Facebook.

DOWNLOAD A FULL SET OF ALL 31 SONGS IN MP3 FORMAT [HERE]

1. Sonic Youth – “Inhuman” (Williamsburg Waterfront, August 12)

[audio:http://www.nyctaper.com/2011Best25/24 Inhuman.mp3]

Well-publicized changes in the personal lives of Thurston Moore and Kim Gordon, the reigning king and queen of indie rock for the past two decades, may mean that Sonic Youth‘s performance at the Williamsburg Waterfront in August was their last NYC show. We hope that’s not the case. But if it is, wow, this band went out in as massive a style as possible, delivering a set full of rarities with the energy of 18-year-old punks instead of “elder” statesmen. The night closed with the apocalyptic noise squall of “Inhuman”, an at-times brutal piece of music that highlighted Sonic Youth’s roots as an art-punk noise band. While it is probably the worst quality recording of anything in this top 25, this blowout show closer, with its blasts of feedback, was easily one of the most memorable. Maybe there was something even more personal in those screams and feedback than we realized at the time.

Full post of this show [HERE]

2. The War on Drugs – “Arms Like Boulders” ( Bowery Ballroom, January 8 )

[audio:http://www.nyctaper.com/2011Best25/02 Arms like Boulders.mp3]

The War on Drugs were a band we unabashedly fell in love with this year. An act that we first saw as an opening band, and who we saw in a huge range of venues this year (from Cameo Gallery to Webster Hall), these guys have earned their acclaim the old-fashioned way. First, their 2011 album Slave Ambient was an instant classic, a Dylanesque masterpiece. Second, they played a flat-out great live show, and they just kept getting better as the year went on. We chose this recording from the Bowery Ballroom because, well, it’s Bowery, and that place always sounds amazing.

Full post of this show [HERE]

2011_01_08_WarOnDrugs002

3. Deerhunter – “Flourescent Grey” (Webster Hall, August 23).

[audio:http://www.nyctaper.com/2011Best25/01 Fluorescent Grey.mp3]

Although Deerhunter and Atlas Sound had appeared on this site several times, I (not speaking for the others from the site) counted myself as a Bradford Cox skeptic. That is, until Bradford and the band led off this show at Webster Hall with this song. The band’s sound became a living alien beast, breathing and hissing as the stage was bathed in an eerie green glow. The effect was aurally and visually arresting, and the show didn’t slow down a bit from there. I count myself a believer now.

Full post of this show [HERE]

4. Cass McCombs – “County Line” (Bowery Ballroom, May 12)
[audio:http://www.nyctaper.com/2011Best25/03 County Line.mp3]

The American songwriter Cass McCombs is a critical darling, and has been since his first releases early last decade. Humor Risk, his new release on Domino Records, seems like the record that will make Cass a favorite with fans as well as critics. We know for sure that he sold out this show at Bowery quite handily, and Wit’s End has made an appearance on many a year-end list. This song, in particular, is a highlight, and this beautiful recording is a nearly flawless capture of Cass at his best.

Full post of this show [HERE]

5. The Psychic Paramount – “Ddb” (Union Pool, July 26)

[audio:http://www.nyctaper.com/2011Best25/02 Ddb.mp3]

The Psychic Paramount provided me with one of those classic moments where an opening band completely overshadows the headliner, and wins a ton of new fans in the process. I caught the band this summer at Union Pool after reading some positive notice for their latest record, II. The album is an excellent work of psychedelic instrumental rock, but the live show – with the band shrouded in a stream of thick smoke, shredding on their guitars – took the experience to the next level.

Full post of this show [HERE]

6. The Smashing Pumpkins – “Muzzle” (Terminal 5, October 18)

[audio:http://www.nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.Muzzle.mp3]

The latest addition to our team, hi and lo, is a longtime Smashing Pumpkins taper who has crisscrossed the country covering the band. This was another act that I admittedly had somewhat given up on after their late-90s release Machina failed to ignite. Once again I was more than happy to be proven wrong, and reminded of the original greatness of this band. hi and lo invited the entire crew to this show, and it was one of the best we saw this year – a powerfully delivered, rocking performance that rivaled this band at their stadium rock peak in the mid-90s. The Mellon Collie and the Infinite Sadness track “Muzzle” – slightly lesser known but one of that album’s best – was a highlight in a show that was filled with them.

Full post of this show [HERE]

SP_2011-10-21_c

7. Low – “Witches” (Bowery Ballroom, April 27)
[audio:http://www.nyctaper.com/2011Best25/07 Witches.mp3]

Low are a longstanding band who recently proved that they may yet hit their critical peak. Their 2011 release, C’mon, was outstanding – an artistic triumph, and one of their best since their inception in 1993. This show, as I put it then, demonstrated the value of speaking softly, as the band delivered a set of understated grace and majesty. The song “Witches”, with its somber guitar riff, is one of my favorite on the new record, and was one of the highlights of the night.

Full post of this show [HERE]

8. DELETED

9. Lucero – “Across the River” (Mercury Lounge, July 23)

[audio:http://www.nyctaper.com/2011Best25/07 Across the River.mp3]

Johnny Fried Chicken Boy went to see “Nobody’s Darlings” booked as the late show at Mercury Lounge knowing full well that who this mystery band would be. Taking a pause from their stint on the Warped Tour, Lucero rocked an appreciative and typically rowdy weekend Mercury crowd with a 100-minute, free-ranging set. This is the kind of band that defines live rock n’ roll – great players who sound natural, relaxed and like they’re having as good a time as you are. Since first seeing this band as an opener for The Black Keys back in 2009, we have watched their star continue to rise. With a headlining show coming up the day before New Year’s Eve at Brooklyn Bowl, you can be sure Lucero has plenty left in the tank for this year.

Full post of this show [HERE]

10. Godspeed You Black Emperor! – “World Police and Friendly Fire” (Brooklyn Masonic Temple, March 16)

[audio:http://www.nyctaper.com/2011Best25/04 World Police and Friendly Fire.mp3]

I wrote what I thought was my best review that year on my iPhone during the first run-through of this song I heard the night before – so inspired by what I was seeing and hearing I had to capture my thoughts that instant. Of the show, I said in part: “GYBE are an unabashedly political band, and their music, as well as the intense visuals that their live performances soundtrack, are political in a mostly-abstract way. The visuals are mash-ups that evoke the world’s extremes; majesty and beauty in the midst of nascent dread. Here you see the fires of smoldering factories soundtracked by a plaintive surge of sound, where the sound of even the lowly triangle can take on menace. But there is beauty there, as there is in an unmolested glen; in a snippet of a nostalgic ramble that is both endearing and creepy. During the two and a half hour opus that was this phenomenal return to Brooklyn at the Brooklyn Masonic Temple … we were reminded that out of each paroxysm of suffering and bout of anxiety, there remains the zeal and fervor of hope.”

Full post of this show [HERE]

GYSBE

11. Yo La Tengo feat. David Byrne – “Thank You For Sending Me An Angel [Talking Heads]” (Maxwell’s, March 23)

[audio:http://www.nyctaper.com/2011Best25/18 Thank You For Sending Me An Angel.mp3]

Our original goal for this post was not to repeat any bands that made the list last year, but Yo La Tengo deliver something so special at every show, it was impossible to ignore this once-in-a-lifetime happening. Musicians across New York and the United States were moved to help their brethren in Japan after the terrible damage wrought by the tsunami and subsequent nuclear reactor meltdowns. Yo La Tengo did their part by throwing this very special benefit show at their homebase venue of Maxwell’s, with all proceeds going to Peace Winds Japan. David Byrne appeared with the band and performed a special rendition of this Talking Heads classic. A direct donation to Peace Winds Japan was required to be able to download this set, and through those donations, we have raised over $5,000 for the organization to date.

Full post of this show [HERE]  donation to Peace Winds Japan is required to download the show.

yolatengobyrnejapan

12. Destroyer “Kaputt” (Webster Hall, April 3)

[audio:http://www.nyctaper.com/2011Best25/08 Kaputt.mp3]

Pitchfork may have ultimately handed the #1 spot on their year-end best-of to Bon Iver, but I called it back in April that Destroyer’s Kaputt would be close. A weird, wonderful album that resurrected the saxophone for new generation of rock fans, as I put it back then, “…Bejar’s music is almost radically foreign to what else is going on in American music today. Which is to say, Kaputtisn’t really dance music, nor can it be considered “rock” of most common varieties, and neither is it some fist-pumping, amped-up hybrid of the two. Bejar’s edges are soft, his choruses delivered on a silky train of trumpet and sax trills in a moderate, almost diffident tone. If the common mode for today’s bands is a marriage of post-punk and hard dance music, 2011’s Destroyer could be, well, “indie rock and smooth jazz…” This live show at Webster Hall was a hotly anticipated one this year, and Bejar nailed it.

Full post of this show [HERE]

13. The Antlers – “Putting the Dog To Sleep” ( Knitting Factory, May 8 )

[audio:http://www.nyctaper.com/2011Best25/11 Putting the Dog to Sleep.mp3]

The Antlers continued their rise in the ranks of local bands this year with the release of their new album, Burst Apart. We were fortunate enough to catch a very special secret show at The Knitting Factory sponsored by BrooklynVegan, at which the band played the entire new album for a group of hardcore fans. This was the first time we had heard a number of these songs live, and it was evident from the start that Burst Apart was a huge creative leap forward for the band.

Full post of this show [HERE]

theantlers04

14. Wye Oak – “The Alter” (Rock Shop, January 27)

[audio:http://www.nyctaper.com/2011Best25/01 The Alter.mp3]

It was absolutely freezing out when I went to see Wye Oak, performing a special invite-only show after opening for The Decemberists the night before. The band was on the cusp of releasing Civilian, an album destined for many best-of lists, and they were surrounded by friends and family to debut many of its songs live. The intimate jewel box of Rock Shop was the perfect place to do it, feeling like our personal living room as we watched the duo play. After going through the experience of being an opening act at the Beacon Theatre the night before, I’m sure it felt like a sort of homecoming for the Baltimore natives.

Full post of this show [HERE]

15. White Fence – “Baxter Corner” (Bowery Ballroom, August 13)

[audio:http://www.nyctaper.com/2011Best25/04 Baxter Corner.mp3]

Our first exposure to White Fence came as they opened for Woods at Bowery Ballroom, on a night when the NYCTaper crew decided to team up and use a combination of our finest equipment. Not only is our capture one of our best recordings of the year, but this new “band” (basically the solo artist Tim Presley, with members of Woods and drummer Nick Murray as his backing band) blew us away with its catchy garage-psych tunes.

Full post of this show [HERE]

16. Family Band – “Again” (Backyard Brunch Sessions, July 23)

[audio:http://www.nyctaper.com/2011Best25/09 Again.mp3]

Our friends at the Backyard Brunch Sessions held another successful summer season of intimate outdoor shows. Not only did they give the NYCTaper team the chance to show off what we can do recording-wise, but they introduced us to some fantastic new talent. Of all the acts hosted at the BBS this summer, Family Band was probably my single favorite. Lead by the husband and wife team of Jonny Olsin and Kim Krans, the band played a mesmerizing set on this sweltering midsummer afternoon. They call their music “death prom,” and indeed, it is downbeat, but its pastoral quality is one of its greatest strengths, well earned in the band’s upstate Catskills recording location.

Full post of this show [HERE]

bbs-family-band-6

17. Blitzen Trapper – “Good Times Bad Times [Led Zeppein]” (Maxwell’s, December 9)

[audio:http://www.nyctaper.com/2011Best25/29 Good Times Bad Times.mp3]

Blitzen Trapper were out east from Portland for a live appearance on Letterman, and decided to grace their big fans with a Maxwell’s show while they were at it. The tight, energetic and totally fired-up crowd lapped up the 25-song set, which culminated with a ripping cover of “Good Times Bad Times” by the mighty Led Zeppelin.

Full post of this show [HERE]

18. Bill Callahan – “Say Valley Maker” (Bowery Ballroom, July 12)

[audio:http://www.nyctaper.com/2011Best25/11 Say Valley Maker.mp3]

Bill Callahan is an uncanny musician – with songwriting chops, unique phrasing and a distinctly American style that is both timeless and timely. His new record Apocalypse is but one of a long run of critical and fan favorites from the songwriter, who recorded during most of the 90s under the moniker Smog.  This show found Callahan combining a set heavy on new material with some of his earlier favorites.  Callahan and his band performed a rich set that found some numbers stretching into lengthy instrumental meditations, and none so much as this nearly 10-minute rendition of “Say Valley Maker” from his 2010 effort, Rough Travel for a Rare Thing.

Full post of this show [HERE]

bill-callahan_dana

19. The Hold Steady – “How A Resurrection Really Feels” (Beekman Beer Garden, September 17)

[audio:http://www.nyctaper.com/2011Best25/24 How a Resurrection Really Feels.mp3]

Four years to the day that the site first covered The Hold Steady, we caught them again at an outdoor show that took full advantage of Craig Finn’s barroom-friendly tunes. We saw the Hold Steady twice this year, and both times the band continued to capture the magic they’ve had since their inception. Finn slows no sign of slowing down – or selling out.

Full post of this show [HERE]

holdsteady1

20. Fucked Up – “Running On Nothing” (Warsaw, November 15)

[audio:http://www.nyctaper.com/2011Best25/07 Running on Nothing.mp3]

In some ways, it’s appropriate that Fucked Up would follow The Hold Steady on this list – both are known for raucous, exceptionally fun live shows. Fucked Up is my one repeat choice from last year, and the reason I chose them again is simple: Once again, they have transcended the confines of their ostensibly “punk” roots to deliver an album of exceptional complexity and bravado. This show at Warsaw was a complete run-through of that album, David Comes to Life, and this song, with its dueling guitars, was one of the highlights.

Full post of this show [HERE]

21. Tristen – “Doomsday” (NYCTaper CMJ Day Party at Cake Shop, October 21)

[audio:http://www.nyctaper.com/2011Best25/09 Doomsday.mp3]

For the last several years, NYCTaper has thrown an unofficial “day party” during the CMJ Music Festival – an opportunity for us to get drunk throw a concert for artists we appreciate and make some damn fine recordings, too. Tristen released a new record this year, earned lots of good reviews, but hadn’t really hit the NYC scene very hard, despite the immediate accessibility of her country-tinged indie-folk. Several people thanked us for urging them not to miss her set at our show at Cake Shop. But if you did, here’s a second chance – don’t miss Tristen.

Full post of this show [HERE]

tristen01

22. Jessica Lea Mayfield – “Run Myself Into the Ground” (Glasslands, November 17)

[audio:http://www.nyctaper.com/2011Best25/10 Run Myself Into the Ground.mp3]

Glasslands was my most common haunt this year for a couple of obvious reasons – the semi-DIY Williamsburg venue and its partnership with PopGun Booking continue to bring in some of the best up-and-coming talent in this city in an artful, relaxed environment – and it sounds great most nights, thanks to current house engineer Josh Thiel. As to Jessica Lea Mayfield, we’ve caught her in fancier environs like Bowery, but this intimate, packed and sold-out show was the best of hers that we’ve seen. It was hard to pick a single favorite of the many revelatory shows I saw at Glasslands, but this one is certainly in my top few.

Full post of this show [HERE]

23. Archers of Loaf – “Dead Red Eyes” (Music Hall of Williamsburg, June 25)

[audio:http://www.nyctaper.com/2011Best25/15 Dead Red Eyes.mp3]

Archers of Loaf had been gone long enough at this point that some original fans had forgotten to even miss them. Well, that’s OK – there were plenty of new ones to take their place at this show at Music Hall of Williamsburg. Screaming out for songs they’d never heard live, singing along with lyrics, plenty of new fans showed up for this gig. Plenty of veterans did, too – after reliving this band’s greatness on records like Vee Vee and Icky Mettle. Frontman Eric Bachmann hasn’t stopped making music (he’s Crooked Fingers more often these days), and it showed in his instant poise once back together with his old bandmates. This slow burner was one of many memorable moments of a night that made us hope Archers of Loaf would stick around awhile.

Full post of this show [HERE]

24. Guided by Voices – “Don’t Stop Now” (McCarren Park, June 18)

[audio:http://www.nyctaper.com/2011Best25/35 Don’t Stop Now.mp3]

The NYCTaper crew contributed this recording as an official release that is for sale on the Guided by Voices website. In case you were wondering, we weren’t paid for doing it – our goal was only to make the definitive recording of this legendary band. “Definitive” or not, I think this one is very good – and a perfect representation of the highlight show of this year’s Northside Festival.

This show for sale at gbvdigital.com [HERE]

GBV-Ventrice

25. Mountain Goats – “This Year [with Craig Finn]” (Bowery Ballroom, March 28)

[audio:http://www.nyctaper.com/2011Best25/27 This Year.mp3]

Appropriately, our year-end compilation ends with John Darnielle and guest Craig Finn singing the perfect sendoff to 2011. “I am gonna make it through this year if it kills me” could mean a lot of things, but for us, we’re fortunate that we were able to continue to do what we love doing as a hobby, without financial support, and to – yeah – be able to continue to treat this thing that we do as a hobby rather than a job. Bands like the Mountain Goats, and their consistently surprising, fan-friendly performances are a big part of what makes this site worth doing. The other part is of course you, our readers. Happy New Year!

Full post of this show [HERE]

HONORABLE MENTIONS:

Lemonheads – “My Drug Buddy” (Bowery Ballroom, October 10)

[audio:http://www.nyctaper.com/2011Best25/06 My Drug Buddy.mp3]

Sebadoh – “Willing to Wait” (Maxwell’s, November 11)

[audio:http://www.nyctaper.com/2011Best25/39 Willing to Wait.mp3]

Deer Tick – “Bastards of Young [The Replacements]” (Webster Hall, November 20)

[audio:http://www.nyctaper.com/2011Best25/09 Bastards Of Young.mp3]

Hoop Dreams – “Home Alone” (Glasslands, August 2)

[audio:http://www.nyctaper.com/2011Best25/08 Home Alone.mp3]

Lemonheads15

Sharon Van Etten – “Love More [w/ Peter Silberman]” ( Bowery Ballroom, January 8 )

[audio:http://www.nyctaper.com/2011Best25/16 Love More (with Peter Silberman).mp3]

Melvins – “Second Coming>The Ballad of Dwight Frye” (Music Hall of Williamsburg, June 6)

[audio:http://www.nyctaper.com/2011Best25/09 Second Coming_The Ballad of Dwight Frye.mp3]

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year. And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2012. Happy New Year!

Mr. Dream: October 21, 2011 NYCTaper CMJ Day Party at Cake Shop – FLAC and MP3 Downloads + Streaming Song

November 8, 2011
By

mrdream02
[Photos courtesy of Amanda M. Hatfield]

We were thrilled that recent site favorites Mr. Dream were able to headline our CMJ Day Party this year at Cake Shop. With two Harvard-educated former music journalists in their lineup, Mr. Dream’s SST-and-Pixies-influenced sound reflects the bandmembers’ excellent taste in heavy but melodic music. Their live approach takes a similar long view of what makes a modern punk show successful. Their music is unrelenting and ballsy, but it’s also well-played, and it has a sense of humor. The band has garnered a ton of critical notice for their first full-length, Trash Hit, which has led to gigs with luminaries like LCD Soundsystem and Sleigh Bells. Not content to rest on their Trash Hit accolades, the band has continued working on new material that has slowly trickled out at recent live shows. This set boasted three of those new numbers in a row: “Moneybags” (which we saw debut at the band’s Northside Festival show), “What A Mess”, and “Palace Complex”. They rounded out this six-song set with three of their other can’t-miss numbers, closing out with the tongue-in-cheek “Learn the Language”. We couldn’t have been happier with Mr. Dream to send our crowd off to start the rest of their CMJ night.

This set was recorded in the same manner as the other CMJ 2011 sets, and is similarly outstanding. Enjoy!

Stream “What A Mess”
[audio:http://www.nyctaper.com/M3400MrDream2011/03 What A Mess.mp3]

Stream “Learn the Language”
[audio:http://www.nyctaper.com/M3400MrDream2011/07 Learn the Language.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

mrdream01

Mr. Dream
2011-10-21
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Digital Master Recording
Recorded by nyctaper
Produced by acidjack

DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, light EQ, downsample)>FLAC ( level 8 )

Tracks
01 Trash Hit
02 Moneybags
03 What A Mess
04 Palace Complex
05 [banter]
06 Winners
07 Learn the Language

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mr. Dream, visit their MySpace page, and purchase Trash Hit from Amazon or your favorite record store.

Prussia: October 20, 2011 Cake Shop + October 22, 2011 Cameo Gallery (CMJ Shows) – Flac and MP3 Downloads and Streaming Songs

November 1, 2011
By


[photos by Amanda Hatfield]

Prussia is a self-described “experimental pop” band from Detroit. With two keyboards, often three guitars, and a range of sound effects to supplement the unique vocals of singer Ryan Spencer, Prussia is at the forefront of the burgeoning Michigan underground music scene. Last week, the band traveled to NYC for CMJ and performed seven times. We were fortunate to have them play at both shows we hosted this year — the NYCTaper CMJ show at Cake Shop on Thursday and the Golden Ratio / BirdDog Promo / NYCTaper show at Cameo Gallery on Saturday. Prussia played in the second slot for both shows, but the early afternoon set time did not detract from their energy or musical prowess. Behind all of the inventive experimental indie is simply five outstanding musicians. Prussia’s third release is their new album Poor English, which is available in a “name your price” format on Bandcamp. Their set included four of the new songs, two of which are streaming below.

I recorded the Cake Shop set in the same manner as all the of the recordings already posted from that day and the sound quality is superb. The Cameo Gallery recording is a mix of the Neumann microphones on a stand in front of the soundboard booth and mixed with a soundboard feed. The room is a boomier than Cake Shop, so that while the sound is quite excellent, its a very different recording from the Cake Shop one. Enjoy both!

Stream “Bleeder” from Cake Shop:
[audio:http://www.nyctaper.com/P2010Prussia1110/03.%20Bleeder.mp3]

Stream “Sheep Hunt” from Cameo Gallery:
[audio:http://www.nyctaper.com/P2010Prussia1110/05.%20Sheep%20Hunt.mp3]

Direct download of complete show in MP3 files
Cake Shop (HERE)
Cameo Gallery (HERE)

Direct Download of the Complete show in FLAC:
Cake Shop [HERE]
Cameo Gallery [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Prussia
2011-10-20
Cake Shop
NYCTaper CMJ Show
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-31

Setlist:
[Total Time 25:59]
01 Girl Cop
02 Mediator
03 Bleeder
04 Sleeper
05 Sheep Hunt
06 Annie

*********************

Prussia
2011-10-22
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-10-31

Setlist:
[Total Time 25:19]
01 Girl Cops
02 Mediator
03 Bleeder
04 Sleeper
05 Sheep Hunt
06 Annie

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT Prussia, visit their website, and and purchase their new album Poor English from their Bandcamp page [HERE].

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