Posts Tagged ‘ MBHO ’

Mission of Burma: July 28, 2013 Maxwell’s (Early Show) – FLAC/MP3/Streaming

August 2, 2013
By


Mission-Of-Burma4
[photos by PSquared Photography]

Mission of Burma didn’t hold back on this two set bill on the Maxwell’s closing weekend. Each of the two sets featured the same kind of raw energy that has represented not only this band and this club, but the best of independent music over the past 35 years. As we noted in our review of the late set, this was a night to acknowledge history, and this set did plenty of that, but it also reminded us that there is more to come. Many of the people I saw pumping their fists for Burma — myself included — were kids or not even born the first time they played there. On this night, songs like “7s” from their latest, Unsound, sounded right at home next to old, rare numbers like “Peking Spring”, which was first released on cassette in 1985 and didn’t see broader release until showing up on a 1993 CD compilation. As they did for the second set, the band closed with “Academy Fight Song”. Then I turned off my deck, took down my equipment, and took one last look. I would never set foot in Maxwell’s again, and after their second set, neither would they. Now Hoboken has gone quiet, but the echoes of thousands of memorable nights remain.

I recorded this set with MBHO cardiod microphones from our usual spot in the venue. Other than a few light spots of wind noise from the A/C ducts, the sound is excellent. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Stream “Peking Spring”

Download the Complete Show: [MP3] | [FLAC]

Stream the complete show

Mission-Of-Burma70

Mission of Burma
2013-07-28
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 (FOB/LOC/PAS)>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:18:10]
01 Fell Into Water
02 7s
03 [Chupies]
04 Fun World
05 Dirt
06 Einstein’s Day
07 Outlaw
08 Peking Spring
09 This Is Not A Photograph
10 Dead Pool
11 [Panic]
12 Donna Sumeria
13 2wice
14 Let Yourself Go
15 That’s How I Escaped My Certain Fate
16 Red
17 [encore break]
18 Secrets
19 Trem Two
20 Academy Fight Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase Unsound from the Fire Records website [HERE] and purchase other Mission of Burma material from the Store at their website [HERE].

Holy Wave: April 23, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

July 9, 2013
By

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[Photos by acidjack]

The Austin band Holy Wave didn’t shy from the task of warming up the Music Hall of Williamsburg crowd last month before GOAT’s epic performance (that one here). Rocking a dense, intricate psychedelic style reminiscent of bands like The Black Angels and the Brian Jonestown Massacre, the band played material from their current release, Evil Hits (a combination of their The Evil Has Landed and Knife Hits EPs) plus new material that we hope will see the light of day soon. Set against the backdrop of swirling live light projections, the band gave us a taste of what they had in store for the Austin Psych Fest, which they played later that week, and gave us an appropriate intro to the wild GOAT set that was to follow.

I recorded this set in the same manner as the GOAT recording, with MBHO microphones. The sound quality is excellent. Enjoy!

Stream “Spooky Fuckin Blues”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Holy Wave
2013-04-23
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown1]
02 Spooky Fuckin Blues
03 [tuning]
04 Albuquerque Freakout
05 [unknown2]
06 [tuning2]
07 [unknown3]
08 Lady Madonna’s Operation
09 [unknown4]

If you enjoyed this recording, please support Holy Wave by visiting their bandcamp page, where you can purchase Evil Hits in digital, cassette or vinyl formats.

Yo La Tengo: June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3/Streaming Song

July 7, 2013
By


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[Photo by P Squared Photography]

There’s not a ton more I can add about Yo La Tengo that hasn’t been said about them on this site already and recently, at that. Suffice it to say, they are a classic band who have only continued to grow and evolve with time, and any opportunity to see YLT is one worth taking. The band has been on an intense tour schedule for most of this year behind their latest, Fade, but they still sound as fresh as they did debuting the new material back in December at Maxwell’s. This one-hour set at the Solid Sound Festival is an abridged version of a full YLT show, but YLT still packed in a variety of great material, including the excellent combination of “Ohm” and “Blue Line Swinger” to close out the night. They will be hitting a number of other festivals and various shows in North America, the UK and Japan this summer, and we‘d recommend you not miss them if they’re in your city.

Site contributor Kubacheck recorded this set with MBHO cardiod microphones from near the soundboard. While the large room and the distance from the band were not ideal, the sound quality of the recording is nonetheless quite good. Enjoy!

Stream “Blue Line Swinger”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, parallel compression, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:00:19]
01 Stupid Things
02 Stockholm Syndrome / Autumn Sweater
03 The Point Of It
04 Decora [Acoustic]
05 I’ll Be Around
06 Before We Run
07 Nothing To Hide
08 Ohm
09 Blue Line Swinger

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade from Matador Records [HERE].

Futurebirds: June 7, 2013 Mountain Jam IX (Hunter, NY) – FLAC/MP3/Streaming Full Set

July 2, 2013
By


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[Photos by acidjack]

The Futurebirds have built a following in the grand tradition of rock bands of yore — touring like hell and putting on a solid show at each stop, whether they’re the headliner or the undercard. Thus, we’ve gone from seeing them at Union Pool (capacity: 100) as headliner in 2011 to opener for Heartless Bastards at Irving Plaza in 2012 to headlining Bowery Ballroom in 2013. Color me less than surprised that the Mountain Jam organizers — eager to broaden that festival’s base beyond the purely “jam band” scene but wanting to stock the fest with acts whose live show could pass muster — added Futurebirds to the bill. While being on the smaller Healey Brothers indoor stage may not have seemed like a blessing at first, this Friday of the festival had non-stop torrential rain from afternoon until late night, meaning this set gave fans an opportunity to not only see a great act, but to get dry for a bit. Those smart enough to do so got sixty solid minutes of Futurebirds, in a set that hit many of their live show highlights like “M J D”, “Battle For Rome” and “Virginia Slims” and left fans wanting more. Dressed in rain ponchos they didn’t bother to take off, the band’s energy and enthusiasm made a strong argument for an invite to the bigger stage next year.

I recorded this set with MBHO microphones at the soundboard. This room had a sub-optimal design for live sound, especially at the relatively long distance from the stage where I was setup. Further, there is some crowd chatter that can be heard from time to time. While this recording is not up to the standard of the site’s other three Futurebirds recordings, it is a worthwhile listen. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:


futurebirds2013-06-07-1

Futurebirds
2013-06-07
Healey Brothers Stage
Mountain Jam IX
Hunter, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time
01 [intro]
02 Tanlines
03 Sam Jones
04 Serial Bowls
05 Battle For Rome
06 Virginia Slims
07 Johnny Utah
08 [banter]
09 M J B
10 [banter2]
11 Wild Heart [Stevie Nicks]
12 Yur Not Ded

If you enjoyed this recording, PLEASE SUPPORT Futurebirds, visit their website, and buy their records and merch from their online store.

Low: June 19, 2013 Music Hall of Williamsburg + June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3 Downloads + Streaming Songs and Full Sets

June 25, 2013
By


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[Photos by acidjack]

Our affection for the band Low is well-known; we were blown away by their performance earlier this year at the Society for Ethical Culture, touring behind their latest record The Invisible Way, as well as the performance by Alan Sparhawk’s other band, Retribution Gospel Choir, at Knitting Factory that found that band guesting with frequent Wilco collaborator Nels Cline.

These two almost back-to-back shows, first at Music Hall of Williamsburg, and next at the Solid Sound Festival — where our now-famous Wilco recording came from — did nothing to dim that affection. Despite the more traditional club setting, this Music Hall set was a subtler, less rocking affair than the show in the church, with fewer of Sparhawk’s guitar pyrotechnics and more emphasis on the band’s more traditionally “slowcore” numbers, including some rarer early material. But the highlight for me was the night’s biggest rocker, “Canada”, from the band’s album Trust and no longer a set regular. Likewise, at Solid Sound, Low continued to demonstrate why they’ve enjoyed a nearly 20-year career with no sign of slowing down, playing a set that differed significantly from just a few nights before. They may call this “slow”-core, but this has been a band of constant and exciting momentum.

The Music Hall recording suffered from some early technical issues that required me to switch to my mics a few songs in. The first and fourth songs of the set are missing as a result, the second song fades in, and the fifth, “Holy Ghost”, contains the noise of me setting up the mics. Once things settled down, it was smooth sailing from there and the sound was excellent. The Solid Sound set, graciously provided by DC-based site collaborator Kubacheck, is likewise an excellent recording, albeit with a bit more crowd chatter and made at more distance than the Music Hall show. It also has none of the Music Hall show’s flaws. Please enjoy!

These NYCTaper recordings are being hosted on the Live Music Archive.  You can stream the entire shows by clicking the song titles below or download them via the links provided.

Stream “Canada” from Music Hall:

Stream “Pissing” from the Solid Sound Festival

Direct download of Music Hall recording: [MP3] | [FLAC]

Direct download of Solid Sound recording: [MP3] | [FLAC]

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Low
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, PAS)>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

[Note: Soundboard source on first 1.5 tracks]

Tracks [Total Time 1:20:11]
[first song missed]
01 Plastic Cup (cuts in)
02 On My Own
[song missed]
03 Holy Ghost [setup noise]
04 Monkey
05 Waiting
06 Witches
07 Especially Me
08 Dragonfly
09 Try to Sleep
10 Violent Past
11 (That’s How You Sing) Amazing Grace
12 Lazy
13 Silver Rider
14 Just Make It Stop
15 [banter]
16 Canada
17 Laser Beam
18 [encore break]
19 Murderer
_____________

Low
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

Tracks [Total Time 56:29]
01 On My Own
02 Plastic Cup
03 Clarence White
04 Holy Ghost
05 Monkey
06 Witches
07 Especially Me
08 Pissing
09 Dinosaur Act
10 Murderer
11 [banter]
12 Just Make It Stop
13 Last Snowstorm of the Year

If you download these recordings from NYCTaper, PLEASE SUPPORT Low, like them on Facebook, and purchase The Invisible Way and their other releases directly from SubPop Records [HERE]

The Lumineers: June 8, 2013 Mountain Jam IX (Hunter, NY) – FLAC/MP3/Streaming

June 18, 2013
By


lumineers1
[Photos from the Mountain Jam Facebook page]

Say what you will about Civil War Wave or the immense popularity of The Lumineers, but before you hate on the Grammy-nominated Colorado-based band, keep in mind that they’d been at this for seven years before “Ho Hey” had played on any form of rock radio. As the the most popular band playing this year’s Mountain Jam (at least in terms of mainstream appeal), The Lumineers had a lot to live up to, especially since they were opening for the veteran juggernaut Gov’t Mule. From my vantage point, I saw a band that knew where they came from, were grateful as hell for where they were at, and gave the very full Saturday crowd a set of music that ought to have shaken free a few of the doubters. If sincerity and good feeling is this band’s currency, they spent plenty of it as they thanked everyone from Warren Haynes to the ASL interpreter, and took some time in the set to hop into the crowd and play a few songs from among us. As to the set itself, nobody will be shocked to learn that their big hit got played to huge applause, but their covers of Dylan and the Talking Heads, as well as the Colorado bluesman Sawmill Joe, also brought the house down. Whether The Lumineers’ big radio run will continue is anybody’s guess, but this band has done their part to set down roots that will outlast the fickle taste of the masses.

I recorded this set with MBHO cardiod microphones from the taper’s section. There is one volume adjustment that is audible during “Classy Girls”; otherwise the sound is excellent. Enjoy!

Stream “This Must Be the Place (Naive Melody)” [Talking Heads]

Stream “Ho Hey”

Download the full set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

lumineers2

The Lumineers
2013-06-07
Mountain Jam IX
Hunter, NY

Hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, imaging, exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

01 [intro]
02 Classy Girls
03 Submarines
04 I Ain’t Nobody’s Problem [Sawmill Joe]
05 Flowers in Your Hair
06 Ho Hey
07 [banter]
08 Subterranean Homesick Blues [Dylan]
09 Dead Sea
10 Slow It Down
11 [unknown1]
12 Charlie Boy
13 [banter2]
14 Darlene
15 [banter3]
16 Elouise
17 [banter4]
18 Stubborn Love
19 Flapper Girl
20 Morning Song
21 This Must Be the Place (Naive Melody) [Talking Heads]
22 Have You Ever Seen the Rain > [Creedence Clearwater Revival]
23 Big Parade

If you enjoyed this recording, PLEASE  SUPPORT The Lumineers, visit their website, and buy their records directly from their online store.

Disappears: April 25, 2013 Knitting Factory – FLAC/MP3/Streaming

May 7, 2013
By


disappears2013-04-25-2
[Photos by acidjack]

Chicago’s Disappears distinguish themselves by being both consistent and prolific. Since their 2010 full-length debut, Lux, they’ve cranked out one consistent release after another, from 2011’s Guider EP to 2012’s Pre-Language plus a live album. This year has already seen two more releases, the 12″ EP Kone and single-sided and limited 12″ EP A New House In A New Town. Each of these releases has offered incremental refinements to their dark post-punk sound. This show at the Knitting Factory Brooklyn was my first time seeing  Kone done live, and the title song and its b-side “Kontakt” offer some clues as to where the band’s sound is heading. Both those songs represent longer-form compositions than the tightly-paced stuff from Pre Language, but the new style works for the band, broadening their palette a bit. But fear not, this set still featured several of the band’s floor-fillers, including the one-two punch of “Replicate” and “Pre Language early in the set. There were also a handful of songs I could not identify that I believe were either new or from the A New House In A New Town EP, but any more information would be appreciated. The band also played three new songs — “Girl”, “Power” and “Elite Typical” — from their forthcoming new LP, expected late this summer. Thanks to Disappears for clearing that up, and here’s to that new record!

I recorded this set with MBHO KA200N cardiod microphones and an excellent soundboard feed of the house mix by the Knit engineer Rob and Disappears’ traveling FOH. The sound quality is excellent. Enjoy!

Stream “Kone”

Direct download of the entire show [MP3] | [FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

disappears2013-04-25-4

Disappears
2013-04-25
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2 + Soundboard (engineer: Rob)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown1] Girl
02 Replicate
03 Pre Language
04 [unknown2] Power
05 [unknown3] Elite Typical
06 Minor Patterns
07 Kone
08 Love Drug
09 Joa
10 Kontakt

If you enjoyed this recording, PLEASE SUPPORT Disappears, visit their website, and purchase their records, including Kone, from their online store [HERE]

Goat: April 23, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

April 28, 2013
By


GOAT-3
[Photos courtesy of P Squared Photography]

The impenetrable Swedish collective Goat became a lot better known in the gap between when PopGun Booking announced their U.S. debut at Glasslands and when the show finally happened — by then at a sold-out Music Hall of Williamsburg. Their first proper release World Music is exactly that — European psych-rock mated to the sounds of the Western Sahara. Shocking Blue meets Group Doueh. Made up of a rotating cast of villagers from the Swedish town of Korpilombolo who have been playing together for several decades (or so the story goes), the current players in Goat would seem to manage the rare feat of being a holy trifecta of mysterious, entertaining and authentic. Even if the Swedish psych rock tag is the easiest, Goat is hardly mystical stoner music, with a heavy, danceable backbeat. Their stage presence is geared to that, as well as maintaining their mystique. All of the players appear in masks and tribal costumes, and two dancer/singers perform up front. The result is a swirling, colorful fantasia of sound and positive rock and roll unlike anything else I’ve seen. Even if the band’s shadowy origins turn out to be less fanciful than they originally appear, this will still be a band to have on your list for the festival circuit this summer and beyond.

I recorded this set with MBHO KA200N cardiod microphones and a custom made analog preamp for a warm, natural sound. The result is excellent. Enjoy!

Thanks to Danato and the rest of the Music Hall team for their hospitality and assistance, and to Goat’s team for permitting the recording.

Stream “Disco Fever”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

GOAT-4

Goat
2013-04-23
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks Tracks [Total Time 1:04:54]
01 Diarabi
02 Golden Dawn
03 [tuning]
04 Disco Fever
05 Stone Goat
06 Let It Bleed
07 Dream Building
08 Run To Your Mama
09 Goathead
10 [tuning2]
11 Goatman
12 Goatlord
13 Det Som Aldrig Förändras / Diarabi
14 [encore break]
15 [unknown] The Sun the Moon

If you enjoyed this recording, PLEASE SUPPORT Goat, visit their website, and buy World Music wherever you can find it on vinyl, or digitally from Amazon or iTunes.

GOAT-2

Alexandra Stewart: March 15, 2013 Glasslands – FLAC/MP3/Streaming

March 20, 2013
By



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[Photos courtesy of Oresti Tsonopoulos]

While thousands of young artists chose to ply their wares in the marketing-drenched trenches of Austin last Friday, Alexandra Stewart played her first full-band show at Glasslands.  There were no junk food ads or cell-phone chattering PR flacks on hand, no distractions or status-obsessed bullshit. People were there to celebrate music, rather than exploit it. Stewart has a brand-new, well-produced record (Wàbà) to preview.  She chose to do it here, in a place that feels like home, in front of people who actually cared.  In some ways, an artist’s choices can matter as much as their art.

As for her performance, Stewart and the band (Chris Pattishall on keys, Austin Vaughn on drums, Jack Hill on bass and Russ Flynn on guitar) evinced none of the first-show jitters that derail early shows, starting this eight-song set as strongly as they finished it.  The focused, effortless groove Stewart lays down with her vocals reminded me at points of artists like Feist and Laetitia Sadier, and her full-band arrangements gave those vocals a lush, engaging backdrop.  Wàbà is named for the little village in Ontario, Canada where Stewart grew up, and her hometown and country figure prominently in her style. If you look at the Pinterest page where she assembled inspirational images for the record, several are the kind of wintry, grey-washed photos one might associate with our colder, less populated neighbor land to the north. But the images aren’t bleak; they can inspire hope, or pensive reflection. Stewart’s music is much the same, drawing on darkness and light.  Her songs can range from the playful-sounding pop of “Pow Wow” (whose subject matter is shade darker than the song’s sound) to the somber “Graveyard”, which starts with a spare vocals and keys arrangement until it crests on waves of guitar.  On this night, these and other songs arrived fully formed, delivered with an understated grace and poise that is hard to come by for a first show. Stewart will continue playing more live shows through the year as she looks for a home for the record, and I suspect that if she and the band continue to perform at this level, she will find some takers.

I recorded this set with MBHO microphones placed directly in front of the band to capture the sense of being up front, combined with an excellent soundboard feed of the house mix by engineer Josh Thiel.  The sound is excellent.  Enjoy!

Direct download of the full show: [MP3] | [FLAC]

Stream “Pow Wow”:

Stream “Graveyard”:

Watch “Soul Like A Ghost” (shot by Oresti Tsonopoulos):

If there are any issues with the links, please email NYCTaper.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alexandra Stewart
2013-03-15
Glasslands
Brooklyn NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (onstage, NOS)>Z-PFA>Aerco MP-2 + Soundboard (engineer: Josh Thiel)>>Edirol R-44 [OCM]>2x24bit/48kHZ WAV>Adobe Audition CS 5.5 (effects on soundboard, align, mix down)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Lone Wolf
02 Pow Wow
03 You Don’t Know How
04 Indian Summer [Victor Herbert]
05 Soul Like A Ghost
06 Lullabye
07 Lovesick
08 [band intros]
09 Graveyard

Band:
Alexandra Stewart – Vocals
Chris Pattishall – Keys
Austin Vaughn – Drums
Jack Hill – Bass
Russ Flynn – Guitar

If you enjoyed this recording, PLEASE SUPPORT Alexandra Stewart, like her on Facebook and visit her bandcamp page where you can preview the first five tracks of Wàbà for free.

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Hilly Eye: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 7, 2013
By


hillyeye2013-02-08-1
[Photos by acidjack]

Hilly Eye is the duo of singer/guitarist Amy Klein (formerly of Titus Andronicus) and drummer Catherine Tung. The pair formed back in 2009, but just released their debut record, Reasons to Live, on Don Giovanni Records this year, and they joined their labelmates in the middle of a February blizzard to play their new material at the label showcase at Music Hall of Williamsburg. Hilly Eye is the type of act that almost translates better live than on record; the raw immediacy of their raw, slightly shambolic songwriting is naturally appealing on the stage.  Like fellow Don Giovanni labelmates Shellshag (that recording here), Tung and Klein don’t lack for firepower to make their point, even without additional players. The duo deliver songs like “Double Dutch” that tend to be noisy, but not merely for the sake of being so, and are sweetened with a dash of pop sensibility. We’ll call Hilly Eye another win for the Don Giovanni family.

nyctaper and I recorded this set from an optimal spot in the venue using my MBHO cardiod microphones and a perfectly balanced soundboard feed from the house engineer, Jim. The sound quality is excellent. Enjoy!

Thanks to Don Giovanni Records for their support and having us at the show.

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hillyeye2013-02-08-2

Hilly Eye
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 + Soundboard (Engineer: Jim)>>Roland R-26 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, retro effect)>Audacity (set fades, tracking, amplify, upward compression, balance, downsample)>FLAC ( level 8 )

Tracks
01 Jacob’s Ladder
02 Jersey City
03 Amnesia
04 January
05 Almanac
06 Double Dutch
07 Benediction

If you enjoyed this set, PLEASE SUPPORT Hilly Eye, like them on Facebook, and purchase Reasons to Live from Don Giovanni Records [HERE]

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.