Posts Tagged ‘ sacred bones records ’

Moon Duo: April 27, 2017 Rough Trade NYC

May 7, 2017
By


[Photo by Dean Keim]

If psychedelic music aims to be transportive, then Moon Duo’s destination looks something like a Village nightclub featuring the Exploding Plastic Inevitable. Sanae Yamada’s synths swirl together with Riply Johnson’s guitar while drummer John Jeffrey plays with motorik precision. Hypnotic visuals play a game of hiding and showing the musicians. Moon Duo play songs for the dark and urban, and naming their recent two-volume album Occult Architecture underscores the time and place of their music. Song titles like “The Death Set,” “Creepin’,” and “Cult of Moloch” tell you this setting shouldn’t be comforting. Capping off the set is a cover of those most-sinister Stooges: “No Fun” gets washed in synth flourishes while Johnson does his best Iggy. The psychedelic sixties are here.

I recorded this from the soundboard cage with the AKG’s set up in DIN stereo configuration, combined with a board feed courtesy of FOH Terry Mattson and Moon Duo’s touring engineer. The sound is spectacular. Enjoy!

Moon Duo will be back on May 20th to celebrate Sacred Bones’ 10 Anniversary at Greenpoint Terminal Warehouse.

Download the complete show: [FLAC/MP3]

Stream the complete show:

Moon Duo
2017-04-27
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + AKG C480B/CK61 (DIN, DFC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [1:11:40]
01. The Death Set
02. Cold Fear
03. Creepin’
04. White Rose
05. Free the Skull
06. I Been Gone
07. Free Action
08. Sevens
09. Cult of Moloch
10. [encore break]
11. Goners
12. No Fun [The Stooges]

• Website
• • Bandcamp

Destruction Unit: October 17, 2015 Ad Hoc Car Wash

November 4, 2015
By

Destruction-Unit-10
[photos courtesy of Edwina Hay for Impose Magazine]

I’m pretty sure I can say that Destruction Unit has the best band name of anyone I saw this year. It’s not only catchy in its own right, but describes perfectly the maelstrom of noise that this postmodern Arizona punk band will rain down on you until you either risk your skull in the mosh pit or haul your ass to the exits. Destruction Unit is the kind of experience that’s polarizing, intimidating, and absolutely perfect to close out a show like Ad Hoc’s epic post-CMJ show in a Williamsburg car wash. By the time the band took the stage to close out the evening, the humble PA system was positively shredded, the house team fighting to keep the sound going. The band took things well past the limit, with a long lead-in to the pummeling track “Destruct.” This set stuck entirely to the band’s latest record, Negative Feedback Resistor, their second for Sacred Bones Records, though many of the songs found themselves extended for a few measures. The band was rightly hailed by Newsweek as the best band they saw at CMJ, and it’s hard to argue with that after seeing their live show. Even with the vocals buried under the beating being taken by the PA (you can hear them much better on this recording than you could in the room), it didn’t matter to the crowd, which erupted into a mosh pit early and didn’t let up for the entire, pummeling 35 minutes of this set. If you’re going to make a trip out east to slog your way through a bunch of CMJ shows, you ought to make it count. No question that Destruction Unit did that and more.

I recorded this set in the same manner as the day’s other recordings, with AT 4051 microphones and a soundboard feed. The sound quality is reflective of the setting and the style, and represents it quite well. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Destruction Unit
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD, compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Disinfect
02 Salvation
03 Chemical Reaction/Chemical Delight
04 If Death Ever Slept
05 The Upper Hand

If you enjoyed this recording, PLEASE SUPPORT Destruction Unit, like them on facebook, and buy their records from Sacred Bones Records.

 

Föllakzoid: May 23, 2015 Rough Trade – FLAC/MP3/Streaming

May 27, 2015
By

IMG_1424-2

The Chilean band Föllakzoid have a habit of latching you into their deep grooves and not letting up, each song building like a little universe around monotones to create pieces that fall squarely in the post-Krautrock camp. The artist Uwe Schmidt, better known as Atom TM, joined the band for their brand new record, III, and the electronic influence was evident at this show, as the band created trancelike numbers that lent themselves as much to dancing as to chilling out. There are hints of U.S.-based compatriots like Moon Duo here, but this music comes across are more beat-focused and less “rock.”

This show at Rough Trade marked a relatively rare return by the band to the U.S., and that was emphasized by the long line to get in the door. Some were no doubt there early to see Jim Jarmusch and Jozef van Wissem’s Squrl take the stage first, but the crowd only filled in further by the time Föllakzoid took the stage. From single, flickering beats, “Electric” grew into the roiling kickoff track from III that we’ve all come to love, followed by that album’s centerpiece, “Piure.” By the time those two songs ended, the show was already thirty-two minutes in. Those hoping for standard “psychedelic” fare might have wondered what they had walked into at that point; fortunately, the people here got it, and started dancing. From there, they turned back to their excellent previous effort, II, for the last four songs — “99,” “9,” “Trees,” and “Rivers.” The set’s intensity peaked at “Trees,” which felt like the biggest rock number of the bunch, making “Rivers” and its slightly more subdued pace the right way to go out. We hope these guys will be back soon.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed from Rough Trade engineer Kameron Biehl. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Föllakzoid
2015-05-23
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA + Soundboard [Engineer: Kameron Biehl] >> Roland R-26>2x24bit/44.1kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 75:26]
01 Electric
02 Piure
03 99
04 9
05 Trees
06 Rivers

If you enjoyed this recording, PLEASE SUPPORT Föllakzoid, like them on Facebook, and buy their records from Sacred Bones. 

Pop. 1280: August 16, 2013 Mercury Lounge – FLAC/MP3/Streaming

September 19, 2013
By

IMG_5797

I’d heard nothing but good things about Pop. 1280 since my NC buddy David Schwentker posted their Hopscotch Festival recording here from last year. It’s not just about the dark, synth-driven sound or the vocals that sound like the voice of the apocalypse. It’s about how they convert the sound of their excellent records, including this year’s Imps of Perversion on Sacred Bones, into a live show that, even in the late slot at Mercury Lounge, will wake you the hell up. The band tore through a short set of material that focused almost exclusively on Imps of Perversion, with one track from 2011’s The Horror making an appearance. Compared to the Hopscotch set, Pop. 1280’s sound has become even more refined and able to dominate a crowd, and we look forward to a longer engagement in the future.

I recorded this set in our usual manner for Mercury Lounge, with Schoeps MK41 microphones and an excellent soundboard feed from head engineer Kevin Mazzarelli. The sound is outstanding. Enjoy!

Stream “Human Probe”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pop. 1280
2013-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA + Soundboard >> Roland R-26>2x24bit/48kHz WAV>Adobe Audition CSS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects, eq)>Audacity 2.03 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Human Probe II
02 The Control Freak
03 Nailhouse
04 [tuning]
05 New Electronix
06 Human Probe>
07 Do the Anglerfish

If you enjoyed this recording, PLEASE SUPPORT Pop. 1280, visit their Tumblr, and buy their records from Sacred Bones.

The Men: March 7, 2013 Bowery Ballroom – Streaming Full Set

April 25, 2013
By


2013_03_07_TM_32
[Photos courtesy of David Andrako]

The Men are one of those bands that have earned their critical darling status, not only by being a great live act, but by never standing still. Their 2012 effort on Sacred Bones Records, Open Your Heart, deservedly earned “Best New Music” status, softening some of the hard edges of the previous year’s dirge-y (if solid) effort Leave Home.  With 2013’s New Moon, the band didn’t abandon their original sound, but they certainly took it in a rootsier direction, willing to indulge their Neil Young and Americana influences to a greater degree than ever before.

This show at Bowery Ballroom not only found the Brooklyn band delivering on the promise of New Moon live, but it also represented a further expansion of The Men’s horizons. Showing up armed with a horn section, they played a 17-song set that featured three new songs, plus some incredible versions of material from their three current releases. The beginning of the set was a three-song summary of the band’s output to date: A lengthy guitar intro turned into “(  )” from Leave Home was followed by a searing Without A Face from Open Your Heart, and then the rootsier “The Seeds” from New Moon. The new material suggested that the band won’t stop expanding their horizons; those horns, which particularly complemented the new numbers, might have looked out of place at a 285 Kent show, but totally worked with the evolution of their sound. As if to drive home the point that they have no intention of staying within genre confines, the band played an extra-long nearly 90 minutes, each of them worth it. The Men are going to keep taking chances, and I’m looking forward to seeing where they head next.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from the Bowery house engineer, Kenny. The sound quality is excellent. Enjoy!

Thanks to Sacred Bones Records and The Men for permitting this recording. At the band’s request, this is being offered streaming-only and will not be available for download.

2013_03_07_TM_42

The Men
2013-03-07
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (DINa)>KCY>Z-PFA + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 ( )
03 Electric
04 Without A Face
05 The Seeds
06 I Saw Her Face
07 Open Your Heart
08 [new song 1]
09 Candy
10 Turn It Around
11 [new song 2]
12 [new song 3]
13 The Brass
14 Night Landing
15 [encore break]
16 Bird Song
17 Freaky

If you enjoyed this recording, PLEASE SUPPORT The Men, visit their website, and buy New Moon and their other records from Sacred Bones Records.

2013_03_07_TM_41

Pop. 1280: September 7, 2012 Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 26, 2012
By


[YouTube video courtesy of Mandi. See more of her videos]

Like more than a few bands from our part of the country, NYC’s Pop. 1280 made the trip down to this year’s Hopscotch Music Festival in Raleigh, North Carolina to share the tiny stage at Slim’s with some like-minded North Carolina bands as well as some bad-ass New York contemporaries. On a bill that also featured nyctaper favorites White Hills along with Chapel Hill’s Pipe and Raleigh’s Whatever Brains, Pop. 1280 fell more in line stylistically with the two NC bands, combining a heavy, aggressive punk-influenced sound with synth flourishes that helped identify them more with our neck of the woods. This set covered material from the band’s first two previous Sacred Bones Records releases, 2010’s The Grid and 2012’s The Horror.  The band expects to have another record under their belt some time in 2013, which it would appear some of the “unknown” songs below may be on.

Like the Whatever Brains and Pipe recordings from this show, this set was recorded by NC taper Dave Schwentker with fellow North Carolinian Bryon’s ceiling-installed Countryman B3 omnidirectional mics. The sound is excellent. Enjoy!

Stream “Step Into the Grid”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pop. 1280
2012-09-07
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Hosted at nyctaper.com
Recorded and produced by Dave Schwentker

Countryman B3 (ceiling mount)>Church Audio CA-9100>Olympus LS-10>Audacity (edits)>FLAC

Tracks
01 [intro]
02 [unknown1]
03 Step Into the Grid
04 [unknown2]
05 Anonymous Blonde
06 Burn the Worm
07 [unknown3]
08 New Electronics

If you enjoyed this recording, PLEASE SUPPORT Pop. 1280, like them on Facebook, and buy their records from Sacred Bones [HERE]

Amen Dunes: June 17, 2012 Glasslands and June 24, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

July 13, 2012
By


[Photos by acidjack]

The Sacred Bones Records showcase was the last show I saw at the Northside Festival, and it was also one of the ones I anticipated the most. First, because I try to never miss a chance to see bands I like at Glasslands, and second, because it was a stellar lineup from beginning to end. Of the bands playing, Amen Dunes were one I had not seen before, but they won me over early with their hypnotic, dark sound that recalls Syd Barrett, the Velvet Underground, Suicide and 13th Floor Elevators, among others. Founder and frontman Damon McMahon has claimed that he gets nervous performing live, but you wouldn’t have known it during this confident, if too short, set. Of course, it’s unlikely that McMahon could see us any more clearly than we could see him given the huge clouds of man-made fog he played in. If nothing else, the fog gave the show even more of a narcotic vibe.

This set gave us a taste of some of McMahon’s best songs from his recent record, Through Donkey Jaw. McMahon’s songs, now produced by a three-man band, tend to be downtempo affairs, but they held this crowd rapt, especially on numbers like the opener to Donkey Jaw, “Baba Yaga”.  We were fortunate enough to catch a second, slightly longer Amen Dunes show on the following Sunday at the Knitting Factory when nyctaper saw Amen Dunes opened for another of our favorite bands, the Wooden Shjips (that recording [HERE]). McMahon is one of those artists whose integrity and brilliance you recognize instantly, and we both felt that way when we caught our respective sets.

I recorded the Glasslands set with a soundboard feed and Schoeps MK5 microphones; the Knitting Factory set was similarly recorded with Sennheiser MKH-8040 microphones and a soundboard feed. Both are outstanding, with excellent house mixes. The Glasslands recording favors the soundboard more, while the Knitting Factory recording favors the sound from the Sennheiser microphones.  Enjoy!

Stream “Lower Mind” from the Knitting Factory:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/02 Lower Mind.mp3]

Stream “Baba Yaga” from Glasslands:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/05 Baba Yaga.mp3]

Download the MP3s: [Glasslands] | [Knitting Factory]

Download the FLACs: [Glasslands] | [Knitting Factory]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Amen Dunes
2012-06-24
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper
Produced by acidjack

Sennheiser MKH-8040 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Not A Slave
06 Baba Yaga
07 [unknown]
_____________________________
Amen Dunes
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ, analog effects)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Baba Yaga

If you enjoyed these recordings, PLEASE SUPPORT Amen Dunes, like them on Facebook, and buy their records directly from Sacred Bones Records.

Crystal Stilts: June 17, 2012 Glasslands [Northside Festival] – FLAC and MP3 Downloads + Streaming Songs

July 11, 2012
By


[photos by acidjack]

As noted in our post back in May about the band, this site has followed Crystal Stilts from early on in their career. In my times seeing the band, I have watched them grow from at-times diffident live performers into a dialed-in act whose performances retain the ramshackle greatness of their earlier shows, but deliver a polish on their instruments and a solidity to their sound that was missing in some of those earlier shows. The band closed out the stellar Northside Festival showcase put on by Sacred Bones Records in real style, keeping Glasslands filled to capacity even though it was well after midnight on a Sunday. This set went everywhere in their catalog, from their latest LP In Love With Oblivion, to their current Radiant Door EP, and all the way back to their 2008 breakout LP Alight of Night.  They also served up a relatively rare track, “Love Is A Wave” from a 2009 7″, as well as a new number that I am calling “Delirium” for now. This set was completely different than the one we saw back in May

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Glasslands staff.  Like many of our Crystal Stilts recordings, this one is excellent. Enjoy!

Stream “Delirium [new song]”
[audio:http://www.nyctaper.com/C1207CrystalStilts2220/07 Delirium.mp3]

Stream “Love Is A Wave”
[audio:http://www.nyctaper.com/C1207CrystalStilts2220/11 Love Is A Wave.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

 

Crystal Stilts
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Invisible City
03 Half A Moon
04 Shattered Shine
05 Sycamore Tree
06 Blood Barons
07 “Delirium” [new]
08 [interlude]
09 Shake the Shackles
10 Still As the Night
11 Love Is A Wave
12 Prometheus At Large

If you enjoyed these recordings, PLEASE SUPPORT Crystal Stilts, visit their website and purchase In Love With Oblivion from Slumberland Records [HERE] and the Radiant Door EP from Sacred Bones Records [HERE].

Wymond Miles: June 17, 2012 Glasslands [Northside Festival] – FLAC and MP3 Downloads + Streaming Songs

July 6, 2012
By

wymond miles
[photo by Dale Eisinger – courtesy of Impose Magazine]

Fresh & Onlys guitarist Wymond Miles proved his chops as a frontman in his own right at this Glasslands show during the Northside Festival. With this particular show being showcase of some of the most promising acts from Sacred Bones Records, Miles easily put himself in that company with a performance that introduced (or re-introduced) the crowd to his solo material, including his most recent record (and second this year!), Under the Pale Moon.  A downbeat record that tackles some recent tragedies in Miles’ personal life, Miles’ delivery was anything but dour. Although he was technically the night’s resident ambassador of the San Francisco psych-rock scene, Miles’ set carried on the stripped-down immediacy of Under the Pale Moon; a rocker like “Run Like the Hunted” has no space for blissed-out psychedelia. That role was left to the tracks from Miles’ Earth Has Doors EP, “”Hidden Things Are Asking You To Find Them”, “Temples of Magick” and the set’s closer, “Earth Has Doors, Let Them Open”. Miles has obvious gifts as a frontman, both in his command of an audience and his look. With his prolific songwriting ability to go with it, it’s fair to say that Miles is in no danger of being “some dude from that other band” in the eyes of anyone.

I recorded this set with Schoeps MK5 microphones in our usual spot in the venue, plus a soundboard feed.  The results are excellent.  Enjoy!

Stream “Pale Moon”
[audio:http://www.nyctaper.com/W7016WymondMiles2012/03 Pale Moon.mp3]

Stream “The Thirst”
[audio:http://www.nyctaper.com/W7016WymondMiles2012/07 The Thirst.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Wymond Miles
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ, invisible lift effect)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Strange Desire
02 Hidden Things Are Asking You To Find Them
03 Pale Moon
04 Singing the Ending
05 Temples of Magick
06 Run Like the Hunted
07 The Thirst
08 Earth Has Doors, Let Them Open

If you enjoyed this recording, PLEASE SUPPORT Wymond Miles, visit his bandcamp page, and purchase his official releases directly from Sacred Bones Records in their online store.

Crystal Stilts: May 5, 2012 285 Kent + April 14, 2012 Rock N Roll Hotel Washington DC – Flac and MP3 Downloads and Streaming Song

May 10, 2012
By


[photo by Jeff Lagasca]

The show on Saturday night at 285 Kent was headlined by another one of this site’s favorite bands and one that we’ve followed for all of our five years. We first saw Crystal Stilts back in 2008, and over the last few years our recordings of them have been featured on the site six previous times from a large variety of venues. After a bit of a hiatus, the band returned in 2011 with a superb new album In Love with Oblivion (Slumberland) and a new EP Radiant Door (Sacred Bones Records), both of which cemented their position as one of best post-punk garage bands around. The style remains consistent — Brad Hargett’s heavily reverbed vocals backed by the sixties influenced guitar work of founder JB Townsend and the adventurous keyboards of Kyle Forester. Their show at 285 Kent is one of the strongest we’ve seen them play to date. The set was not simply the new album, but a full slate of Stilts material, a brand new song and a well-conceived Gun Club cover. The band ended the set with a spacey and stretched-out version of “Prometheus” before returning for well-deserved encore. We are streaming “Shake the Shackles”, a 2010 single that also appears on Oblivion. Crystal Stilts will perform again locally, this time next door to 285 at Glasslands on June 17 for the Sacred Bones Records Northside Festival showcase.

Additionally, for this post we are offering a bonus download of the Crystal Stilts live in Washington DC, a show recorded in April by friend of the site Kubacheck at the Rock N’ Roll Hotel. The show features a setlist quite different from the 285 set with some deep cuts along with more of the new album.

I recorded the 285 set in the same manner as the Woods set and the sound quality is excellent. The Washington show was recorded by Kubacheck with MBHO microphones and a board feed and was mixed by acidjack. The placement of the microphones resulted in a large dose of crowd chatter which has been alleviated by mixing the board feed at a greater percentage. The sound quality of that set is also excellent. Enjoy!

Stream “Shake the Shackles” from 285 Kent:
[audio:http://www.nyctaper.com/C1207CrystalStilts2220/06.%20Shake%20the%20Shackles.mp3]

Direct download of complete shows in MP3 files:
285 Kent (HERE)
Washington DC (HERE)

Download the Complete shows in FLAC:
285 Kent [HERE]
Washington DC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Crystal Stilts
2012-05-05
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-05-08

Setlist:
[Total Time 50:16]
01 Dark Eyes
02 Crystal Stilts
03 Flying Into the Sun
04 [new song]
05 Verdant Gaze
06 Shake the Shackles
07 [banter]
08 Love Is a Wave
09 New Fun
10 For The Love of Ivy
11 Prometheus At Large
12 [encore break]
13 Converging in the Quiet

*******************

Crystal Stilts
2012-04-14
Rock N’ Roll Hotel
Washington, DC USA

Exclusive download hosted at NYCTaper.com

Recorded by kubacheck
Produced by acidjack and nyctaper

MBHO 603a (cardiod, FOB, 8 ft)>Sound Devices MP2>Roland R05 + Soundboard>Edirol R09 >>> 2x24bit/48kHz WAV>Audacity (align, time adjust, set fades, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

Tracks
01 Shattered Shine
02 Still As The Night
03 The Dazzled
04 Invisible City
05 [new song]
06 Shake The Shackles
07 Half A Moon
08 Converging in the Quiet
09 Dark Eyes
10 Love Is A Wave
11 [encore break]
12 Sugarbaby
13 Prometheus at Large

If you download these recordings from nyctaper, we expect that you will PLEASE SUPPORT Crystal Stilts, visit their website and purchase In Love With Oblivion from Slumberland Records [HERE] and the Radiant Door EP from Sacred Bones Records [HERE].

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.