Posts Tagged ‘ schoeps ’

Howth: May 6, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

June 15, 2012
By


[Photos by acidjack]

After catching our friends Howth at Cameo Gallery back in March, we were pleased to join them again to celebrate the release of their record, Newkirk at Mercury Lounge.  This headlining set gave the band time to explore additional songs from Newkirk, and their tightness and timing were even better than just a couple of months ago. The set’s three additions from the record, “Deep In My Heart”, “Grand Marais” and “Keep Me Away From the Mirror” each showed another dimension of the band.  I particularly favored the ballad “Grand Marais”, which derives its name from a tiny lakeside town in vocalist Carl Creighton’s home state of Minnesota. Howth will be playing out to support the new record, including two shows this weekend – at Open Road Rooftop in Manhattan on Friday, and Saturday at Pete’s Candy Store.

I recorded this set in our usual fashion for Mercury Lounge, with a soundboard feet from the experienced house engineer Kyle and Schoeps MK41 microphones.  The recording is outstanding.  Enjoy!

Stream “Out In Eagan”
[audio:https://www.nyctaper.com/H2930Howth0212/11 Out In Eagan.mp3]

Direct download of MP3 files [HERE] | 

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Howth
2012-05-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (align, adjust levels, set fades, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks [Total Time 46:06]
01 Deep In My Heart
02 Snow Bank
03 Idaho #1
04 Wind Blows Cold
05 Grand Marais
06 [banter]
07 Only Right Turns
08 [banter]
09 Needles and Pins
10 Keep Me Away From the Mirror
11 Out In Egan

If you enjoyed this recording, PLEASE SUPPORT Howth, order Newkirk on their bandcamp page, and check out their page and the other excellent roster of acts at Mecca Lecca Recording Co.

DIIV: June 8, 2012 285 Kent – FLAC and MP3 Downloads + Streaming Songs (including rare Nirvana cover!)

June 14, 2012
By


[Photos by acidjack]

Beach Fossils‘ Zachary Cole Smith is such an unabashed Nirvana fan that he named his new musical project “DIIV” after the band’s b-side “Dive”. This Friday night madhouse of a show at 285 Kent headlined by DIIV as a “secret guest” had much of the same  joyful chaos as the better shows of Nirvana’s pre-Nevermind career. A full house packed 285 until it was a virtual sweat lodge, teeming with teenage bodies flying through the air, moshing and having a hell of a time (this all-ages show was also a celebration of somebody’s graduation). DIIV tore through a good chunk of the numbers from their soon-to-be released album, Oshin, with Smith ruling the frenzied proceedings like a man who wasn’t sweating bullets. The highlight of the night for me was an homage to Nirvana, when the band covered an extremely obscure unreleased Cobain song known to bootleg collectors as either “Bambi Slaughter” or “Creation”. Even if DIIV aren’t exactly Nirvana (yet anyway), the show was a reminder that rock n’ roll isn’t supposed to be tidy, or clean or safe – it’s blood on the floor, bodies in the air, sweat soaking your shirt, heads banging, hair flying. It’s wonderful, isn’t it?

This was a very difficult recording environment and situation. The extreme levels of humidity and heat in the club played havoc with both the onstage equipment and my equipment, and there is some distortion in both the soundboard feed and in my microphones as a result. I spent several hours working on this to make it was good as I could, but it is still not a very good recording by the standards of this site. That said, it is still quite listenable, and an accurate representation of a very interesting and fun night.

Thanks to Ian Perlman for the setlist, and the inspiration to try and mix this thing down right.

Stream “Bambi Slaughter” [Nirvana]
[audio:https://www.nyctaper.com/D8600DIIV2012/11 Bambi Slaughter.mp3]

Stream “Human”
[audio:https://www.nyctaper.com/D8600DIIV2012/03 Human.mp3]

Direct download of MP3 files [HERE]| Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DIIV
2012-06-08
285 Kent
Brooklyn, NY USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, A-B)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Izotope Ozone 5 (various edits, EQ and changes)>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (further edits)>Audacity (set fades, balance, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Druun
02 Past Lives
03 Human
04 Big Joke
05 Air Conditioning [w/ “All Apologies” tease]
06 How Long Have You Known
07 [tuning]
08 Wait
09 Follow
10 Sometime
11 Bambi Slaughter [Nirvana]
12 Doused

If you enjoyed this recording, PLEASE SUPPORT DIIV, like them on Facebook, pre-order Oshin from Insound, and be on the lookout for their upcoming shows in the area, including Saturday June 23rd at Glasslands.

Steel Phantoms: May 15, 2012 Cameo Gallery – FLAC and MP3 Downloads + Streaming Songs

June 13, 2012
By


[Photos by acidjack]

Brooklyn’s Steel Phantoms had been on my list of bands to see for awhile. The band makes catchy, tightly-wound rock n’ roll that incorporates elements of 80s postpunk, new wave and prog-rock, and it is an infectious combination in any setting. Though they were the first act on a four-deep bill at Cameo Gallery on this night (and had the good nature to joke about it), the Phantoms owned the rapidly-filling room with their rapid-fire set that featured mostly-new material, plus a total of three tracks from their Forer and Steel Phantoms EPs (both available on their bandcamp page). After a caffeinated kickoff that featured “Fast Stop” and “Evening Routine” from their first EP and a new song, “’94”, the band slowed it down with the midtempo “Mona” before kicking things back into high gear. The band saved the best for last with their new song, “I Get You”, which gave guitarist Jesse Newkirk a chance to show off his versatility with the instrument. This is a band with loads of potential and a wide potential audience that is, we think, on the way up.

I recorded this set in the same manner as the Doe Paoro recording, and this particular capture is even better than that one – truly flawless. Enjoy!

Stream “’94”
[audio:https://www.nyctaper.com/S0515SteelPhantoms0212/03 ’94.mp3]

Stream “I Get You”
[audio:https://www.nyctaper.com/S0515SteelPhantoms0212/08 I Get You.mp3]

Direct download of MP3 files [HERE]| Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Steel Phantoms
2012-05-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, PAS)>CMC6>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mix down, adjust levels, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Fast Stop
02 Evening Routine
03 ’94
04 Mona
05 Blade Runner
06 Bedouin
07 [banter]
08 I Get You

If you enjoyed this recording, PLEASE SUPPORT Steel Phantoms, like them on Facebook, and grab their EP Forer for free on their bandcamp page.

Gov’t Mule: June 2, 2012 Mountain Jam – FLAC and MP3 Downloads + Streaming Songs

June 6, 2012
By


[Photos courtesy of Dino Perrucci Photography]

If you’re a doubter of “jamband festivals”, this Gov’t Mule performance from Mountain Jam alone might make you reconsider. Three of us from the NYCTaper crew came out for Saturday of this year’s Mountain Jam, held at the Hunter Mountain Ski Resort in Hunter, NY, and the Mule was that day’s main attraction for a number of reasons. The fact that they are a legendary live band was only part of the picture this time; this particular performance also honored the late, great Levon Helm with a set that found the Mule joining the Levon Helm Band for a tribute that no doubt would have found favor with the man. On a misty night against a verdant Catskills backdrop, Mule and guitarist Warren Haynes gave a life-affirming performance that could turn the coldest cynic on to the power of music. Mountains are often used as a metaphor for the obstacles that define human struggle. This night’s music – played against those gorgeous peaks – demonstrated music’s power to transcend even death. As a series of well-known players joined the band onstage for songs from Mule, Helm and history, we were reminded note after note how lucky we are: to be listening, to be here, to be alive. For us – and I guess it’s fair to call us “city people” – this night was a reminder of the grandeur that lies beyond our steel and glass borders. Mule gave us everything they had until the mist had soaked us all. But most importantly, they gave us a chance to give thanks to those who were gone as well as those who were there with us.

Each of the three of us who were at the show recorded this set, and below we are offering two sources: First, hi and lo’s recording with Schoeps MK21s, and second, Johnny Fried Chicken Boy’s Audio Technica cardiods paired with my AKG 414 large-diaphragm mics, set to “wide cardiod mode.” Both recordings stand out in their own way and offer different “flavors” to enjoy.

Stream “Brand New Angel” from the JFCB/acidjack source:

[audio:https://www.nyctaper.com/M9999MountainJam9999/02 Brand New Angel.mp3]

Stream “I’m A Ram” from hi and lo’s MK21 source:

[audio:https://www.nyctaper.com/M9999MountainJam9999/Mule – I’m A Ram.mp3]

Stream “Birth of the Mule” from the JFCB/acidjack source:

[audio:https://www.nyctaper.com/M9999MountainJam9999/20 Birth of the Mule.mp3]

Download hi and lo’s Schoeps MK21 source: [MP3] | [FLAC

Download acidjack and JFCB’s AKG/Audio Technica source: [MP3] | [FLAC]

If the FLAC links are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Gov’t Mule
2012-06-02
Mountain Jam
Hunter, NY

Exclusive downloads hosted at nyctaper.com

Source 1: 
Recorded and produced by hi and lo

Schoeps MK21>NBox Cables>Custom Preamp>Tascam DR-680 (24/48)>WaveLab V6 (EQ/Fades/Resampling/Dither)>CD-Wave v1.98>FLAC 1.2.1 with TLH v 2.6.0 (build 168)

Source 2:
Recorded by Johnny Fried Chicken Boy and acidjack
Produced by acidjack

AKG C 414 B-XLS (wide cardiod, AB 1.5ft split, OTS)>Aerco MP-2 + Audio Technica 3031 (OTS, DIN) >> Edirol R-44>2x24bit/48kHZ WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

[Tracking varies slightly between sources – below is the acidjack/JFCB source]

Set 1 [Total Time 1:16:25]
01 Brighter Days >
02 Brand New Angel
03 Lola Leave Your Light On >
04 Mother Earth>
05 Trouble Every Day
06 World Boss
07 Gameface (w/ Mountain Jam tease)
08 Larger Than Life
09 She Came In Through The Bathroom Window @
10 Bitch #

Set 2 (Levon Helm Tribute with the Levon Helm Band) [Total Time 1:55:03]
11 The Night They Drove Old Dixie Down
12 Up On Cripple Creek $
13 Ophelia
14 The Shape I’m In
15 This Wheel’s On Fire
16 It Makes No Difference
17 [banter]
18 The Weight %
19 [encore break 1]
20 Birth Of The Mule (with Soul Power Tease)
21 Sco-Mule ^ >It Makes No Difference Reprise
22 Beautifully Broken
23 Forevermore
24 [encore break 2[
25 Planet Of The Ram Jam >
26 I’m A Ram

@ with Machan Taylor, Alicia Shakur & Nigel Hall
# with Earl McIntyre, Jay Collins, Kenny Rampton, Blue Lou Martini, Howard Johnson & Lukas Nelson
$ with Matt Abts
% with Jorgen Carlsson, Machan Taylor, Corky Lang & Lukas Nelson
^ with Blue Lou Martini

If you enjoyed this recording, PLEASE SUPPORT Gov’t Mule, visit their website, and purchase their official releases from their online store [HERE]

Prince Rupert’s Drops: May 12, 2012 NYCTaper 5th Anniversary Show at 285 Kent – FLAC and MP3 Downloads + Streaming Songs

May 31, 2012
By


[Photos by Jill at For the Love of Brooklyn]

We had the privilege this month of celebrating this site’s fifth anniversary with a show at 285 Kent headlined and curated by Oneida, a band we have long admired and been honored to feature on this site many times. Their first choice of act for this bill was the enigmatic Prince Rupert’s Drops, a band with little Internet presence or official releases to speak of, but one that blew us away with their British-influenced psychedelic sound. What this band lacks in visibility is more than made up for by their playing, led by the charismatic playing of lead guitarist Bruno Meyrick-Jones and second guitarist (and vocalist) Leslie Stein. This 6-song set stretched to nearly 40 minutes with luxuriously paced songs, especially “Death March” which, despite the name, was not a death march to listen through. Most of this material appeared to be new aside from “Pillar to Post”, which streams on the band’s MySpace page and was also a highlight of their set. It has been a privilege to share live music with music fans across the world for the past five years, and a big part of that has been the chance to give more exposure to bands like Prince Rupert’s Drops.

nyctaper and I recorded this set with a combination of high-end microphones placed strategically around the room. The sound quality is excellent. Enjoy!

Stream “Pillar to Post”
[audio:https://www.nyctaper.com/P1205PRD0212/02 Pillar to Post.mp3]

Stream “Death March”
[audio:https://www.nyctaper.com/P1205PRD0212/05 Death March.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 

Prince Rupert’s Drops
2012-05-12
NYCTaper 5th Anniversary Show
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Schoeps MK22 [FOB, DFC, STC22]>KCY>Z-PFA>Sound Devices USBPre2 + Sennheiser MKH-8040 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance, EQ, downsample)>FLAC ( level 8 )

Tracks
01 This Evening’s Arms
02 Pillar to Post
03 Plague Ride
04 D.D.R.
05 Death March
06 Run Slow

If you enjoyed this recording, PLEASE SUPPORT Prince Rupert’s Drops, visit their MySpace page, and attend their gigs!

Doe Paoro: May 15, 2012 Cameo Gallery – FLAC and MP3 Downloads + Streaming Songs

May 25, 2012
By


[Photos by acidjack]

Happy Memorial Day, readers!  Enjoy this live show along with your three-day weekends!

For several years now, our popular culture has been deluged with singing contests, each seemingly more elaborate than the last. The obsession with vocal talent – and specifically, finding unique vocalists who can carry a stage show on their own – has never been greater.

Of course, Doe Paoro isn’t on the Idol-Voice-X-Factor circuit, nor should she be. A singer like her wouldn’t be comfortable as an anodyne persona dropping “interesting” “reinterpretations” of decades-old classics. No.  Doe – or Sonia Kreitzer, her given name – is the kind of artist who opens her show with a beautifully rendered Tibetan opera song because, as she said, she wants to “set the intention of the music, as an offering”. And instead of a Vegas-style LCD-paneled behemoth, she has been using the humbler stage of Cameo Gallery for the past four Tuesday nights to share her music and reach fans.

Paoro’s vocals are compelling and powerful – though again, perhaps not in the vanilla sense that TV overlords are looking for. She credits part of vocal skill to her study of lhamo, a Tibetan opera tradition (hence, the opener) and perhaps it’s that that gives her the otherworldly, international feel that she has.  In Paoro’s phrasing, there is something distinctly her own, and she is willing to take a vocal to a harsher place if the song demands it. One review I have read compared her to Tune-Yards; I hear a bit of Alanis Morissette in her approach, especially in terms of her vocals’ “it” quality. Her album Slow To Love, a self-released effort currently available on bandcamp and being shopped to labels, is a spare-but-powerful effort that leaves an impression in its 27 minutes. The record wisely keeps the vocals front and center while deploying the vocals in a variety of genre settings; “Body Games” is the record’s straight-ahead pop number; “I’ll Go Blind” is bottom-heavy funk; “Born Whole” is the sort of spectral R&B one expects of James Blake. At this show, Doe Paoro showed no fear delivering a big, classic ballad like “Can’t Leave You” with its soaring vocal runs, which showcased her considerable range. Paoro closed the set with the song that first got her noticed, a cover of the Baltimore synth outfit Future Islands‘ “Little Dreamer”. Paoro’s version of the song is a beautiful valedictory, and it made the perfect coda to a magical evening. She’ll be sharing her gift on bigger stages before long.

I recorded this set with Schoeps MK5 cardiod microphones and a soundboard feed. The recording is outstanding.  Enjoy!  Also – special thanks to our friends at Fucking Nostalgic for turning us on to this artist!

Stream “Born Whole”
[audio:https://www.nyctaper.com/D5015DoePaoro2012/07 Born Whole.mp3]

Stream “Little Dreamer” [Future Islands]
[audio:https://www.nyctaper.com/D5015DoePaoro2012/09 Little Dreamer.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Doe Paoro
2012-05-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, POS, 8ft)>KCY>Z-PFA>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance, EQ, light compression, downsample)>FLAC ( level 8 )

Tracks
01 Tibetan Opera Intro>Slow to Love
02 [banter]
03 [unknown 1]
04 I’ll Go Blind
05 Body Games
06 Soft But Strong
07 Born Whole
08 Can’t Leave You
09 Little Dreamer [Future Islands]

If you enjoyed this recording, PLEASE SUPPORT Doe Paoro, like her on Facebook, and purchase Slow to Love on bandcamp on a “name your price” basis [HERE]

Luther Dickinson & The Wandering: May 14, 2012 Joe’s Pub – FLAC and MP3 Downloads + Streaming Songs

May 22, 2012
By


[Photos by acidjack]

North Mississippi Allstars guitarist/vocalist Luther Dickinson has made a life mission of keeping Delta blues alive while continuing to expand the genre through his own new efforts. His latest project, The Wandering, finds him teaming up with four exceptional female musicians – Amy LaVere, Shannon McNally, Valerie June, and Sharde Thomas – to honor the richness and diversity of the blues with a new record that combines new tracks and well-loved standards.  This show at the grown ups’ music paradise Joe’s Pub was a perfect platform to showcase the members’ individual and collective talents. Dickinson, as ringleader of the proceedings, gave a solo set before the band went on, which included several favorites from the NMAS catalog like RL Burnside’s “Po’ Black Maddie”.  When The Wandering took the stage, the dynamic shifted, with the four women sharing and trading the spotlight as Dickinson provided the strings. The quintet’s devotion to and love for their material is obvious; aside from the luxe surroundings and high-end sound system, you could have been in a balmy Delta club a hundred years ago. The band gave an inspired and different take on Leadbelly’s “In the Pines” (most recently popularized by Nirvana), the old standard “Glory, Glory”, and a somewhat more recent rock classic, The Byrds’ “Hey Mr. Spaceman”, among others. While each of the performers shined, one of our newest favorites, Amy LaVere, fresh off of a performance with Rich Robinson of the Black Crowes at Bowery Ballroom, particularly shined on the vocals and upright bass. Although the just-over-an-hour set was too short by half in my opinion, it established The Wandering as a formidable new entry in the modern blues arena.

Johnny Fried Chicken Boy and I faced some challenges setting up for this show, but we ended up with our mics situated in an ideal location in the center of the venue. This recording is from my Schoeps MK5 cardiods, and boasts a full, rich sound that reflects the venue’s excellent acoustics. Enjoy!

Note: The Luther Dickinson solo set and The Wandering set MP3s are offered together in a single download. The FLACs are separate direct downloads.  

Stream “Po’ Black Maddie” [Luther Dickinson Solo]
[audio:https://www.nyctaper.com/N0409NMAS9002/08 Po’ Black Maddie.mp3]

Stream “Hey Mr. Spaceman” [The Byrds]
[audio:https://www.nyctaper.com/N0409NMAS9002/13 Hey Mr Spaceman.mp3]

Stream “In the Pines”
[audio:https://www.nyctaper.com/N0409NMAS9002/07 In the Pines.mp3]

Luther Set and Wandering Set MP3 files [HERE] | The Wandering FLAC files [HERE] | Luther Dickinson FLAC files [HERE]

If the FLAC links are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Luther Dickinson
2012-05-14
Joe’s Pub
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK5 [cardiod]>KCY>Z-PFA>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Audacity (set fades, tracking, envelope crowd noise, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown]
02 Blind Lemon and the Hook Man
03 [banter]
04 [unknown 2]
05 Let It Roll
06 Breckenridge Blues
07 [banter]
08 Po’ Black Maddie [RL Burnside]
______________________________________________________

The Wandering
2012-05-14
Joe’s Pub
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK5 [cardiod]>KCY>Z-PFA>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Audacity (set fades, tracking, envelope crowd noise, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sittin’ On Top of the World [Doc Watson]
03 Love, Life and Money [Marianne Faithfull]
04 If I Had Possession Over Judgment Day [Robert Johnson]
05 [unknown]
06 Loving Her Was Easier [Kris Kristofferson]
07 In the Pines [Leadbelly]
08 [unknown]
09 You Are My Sunshine
10 Glory, Glory
11 [encore break]
12 Working Woman Blues
13 Mr. Spaceman [The Byrds]
14 Drinking Muddy Water
15 My Babe [Little Walter]

If you enjoyed this recording, PLEASE SUPPORT The Wandering, like them on Facebook, and purchase their record Go On Now, You Can’t Stay Here from Amazon or your favorite retailer.

Liturgy: May 4, 2012 St. Vitus – FLAC and MP3 Downloads + Streaming Song

May 15, 2012
By


[Photos by Robert Kidd. Check out more of his excellent work [HERE]]

The band Liturgy are no strangers to controversy. And given the band’s latest change in sonic direction, the Brooklyn “transcendental black metal” band can count on more of it.

As with artists like Horseback, Liturgy, and particularly frontman and founder Hunter Hunt-Hendrix, refuse to hew to genre conventions, instead using black metal as the underpinning for their aesthetic while engaging in formal experimentation. Perhaps because of this, Liturgy find themselves the only metal band playing the Pitchfork Festival, the only metal band on Thrill Jockey, and – it can’t be avoided – the only black metal band that has ever appeared on this site. Sharing a stage with Vampire Weekend and sharing a label with bands like Tortoise and Matmos is apparently not much of a cred booster in the black metal scene. But political bullshit aside, just throw the band’s last record, Aesthetica, on your turntable or iThing, and dare to say it isn’t stunning.

Of course, one of the defining characteristics of Aesthetica was the hyperkinetic drumming of Greg Fox (who took the stage with Oneida at our 5th Anniversary Concert on Saturday, and also appeared at the Notekillers’ Jonathan Toubin benefit we covered awhile back). In September of 2011, Fox announced an amicable split from the band so that he could pursue other projects, including his solo effort GDFX and his new band Guardian Alien. One might have expected Liturgy – especially being a metal band and all – to have moved to replace Fox with a new drummer. Hunt-Hendrix didn’t. Indeed, what was once a four-piece now consists of Hunt-Hendrix, guitarist Bernard Gann, and a Macbook Pro. In case you weren’t taking notes, I mentioned that this was a band that defies convention. But what about the music itself?

As I tweeted at the time, “New @LITVRGY is genre-defying, uncomfortable-making next wave shit. You may hate but you will respect.” Listening to this recording of the show, I think that is still accurate. If you’re the type of person that likes things in tidy boxes, you’ll turn this off the second the beyond-humanly-fast drum machine beats kick in at the start of  “Pagan Dawn” from 2009’s Renihilation. What you are hearing is further from convention than the band already was, and what you’re hearing bears more weird similarity to Sleigh Bells (who the band recently toured with) than anything even remotely styled “metal” that you’ve heard before. Some people won’t be able to get past that.

But if you stick around, and set aside your preconceptions, what you hear is a brash move that could pay big dividends. First of all, the ultrafast beats make the music, if possible, even more intense than it already was, and it still rocks. Aesthetica’s “Generation”, in particular, worked well in the new format, with the beats integrating well with the dual guitar assault of Hunt-Hendrix and Gann. The crowd at the metal-friendly Greenpoint venue St. Vitus – one of the overall best venues I have been to in NYC, incidentally – seemed to agree. The band played only four songs, each a fairly long composition, with three Aesthetica tracks joining “Pagan Dawn”. In my view, this set only hinted at the new setup’s potential; once the band creates new material actually designed for this arrangement, I think they are capable of blowing the boundaries wide open. With several big festival slots on the way (besides Pitchfork, the band are also playing the more metal-oriented Orion Festival in June) plenty of fans of a variety of genres will get a chance to hear this daring new sound. I predict that the open-minded will be rewarded.

I recorded this set with Schoeps MK41 microphones and a soundboard feed by Nick, the house engineer of St. Vitus. Not only is this venue aesthetically spot-on (and with a great bar), but it is also one of the city’s best-sounding. I look forward to coming back.

Stream “Generation”
[audio:https://www.nyctaper.com/L5005Liturgy2201/03 Generation.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Liturgy
2012-05-04
St. Vitus
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audition (align, mixdown)>Audacity (set fades, tracking, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

Tracks
01 Pagan Dawn
02 High Gold
03 Generation
04 Sun of Light

If you enjoyed this recording, PLEASE SUPPORT Liturgy, like them on Facebook, see them on tour this summer, and buy their records directly from Thrill Jockey [HERE]. 

This Is the Kit: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

May 8, 2012
By


[Not very good iPhone photo by acidjack]

For obvious reasons, we end up promoting a lot of NYC-based bands on this site. But it is always a rare treat to get a chance to share a recording by a band from overseas, particularly one that is new to us. This Is the Kit is a Paris and Bristol, UK-based project of vocalist/guitarist/banjo player Kate Stables that produces a grown-up brand of acoustic, blues-influenced rock of timeless beauty and grace – think of Cowboy Junkies or Sharon Van Etten as a reference point. Her music isn’t gimmicky or loud, brash or lo-fi.  This is a type of band that you want to listen to, try and focus on what’s being said through the hush (if you’re lucky, and there is, in fact a hush). And sure, your Dad might dig it, but that doesn’t mean you shouldn’t – a great song is a great song, no?

Mercury Lounge late show can often be a challenge to a band, after the bar has been open a few hours and two other bands have already done their thing. This Is the Kit were opening for Plants and Animals, who themselves had a fairly rowdy crowd. Hearing the opening notes of the spare, magnificent banjo intro of “Easy Pickings”, I feared for the worst. But a funny thing happened- the crowd paid attention, throughout a set that showcased several of the band’s numbers from Wriggle Out the Restless, a record originally released on the UK imprint Brassland and about to be re-released stateside (you can grab it for a steal on bandcamp right now for $3 or more… I suggest more). Out of a uniformly excellent set, it’s hard to pick favorites, but I was partial to the bluesy “rocker” of the group, “Earthquake”, the quiet leadoff track “Easy Pickings”, and the frenetic cross-rhythms of “Spinney” (currently the free track on the bandcamp page). Each of the songs in this set felt distinct, and the band managed to show a lot of different sides during this short opening performance. The next time they’re headlining, I’m there.

I recorded this set in the same manner as the Plants and Animals recording, but the quality of both the house mix and soundboard feed were better for this performance. Given the quiet nature of the set, this recording favors the soundboard feed, and the result is an outstanding and crisp recording.  Enjoy!

Stream “Earthquake”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Earthquake.mp3]

Stream “Spinney”
[audio:https://www.nyctaper.com/T1840ThisKit2012/Spinney.mp3]

Direct download of MP3 files [HERE] |  Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

This Is the Kit
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mixdown, balance)>Izotope Ozone 5 (EQ, harmonic exciter (gentle tube), imaging (add width)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Easy Pickings
02 White Ash Cut
03 Vitamins
04 Earthquake
05 Two Wooden Spoons
06 [banter]
07 See Here
08 [banter]
09 Misunderstanding
10 Spinney
11 Bashed Out

If you enjoyed this recording, please support This Is the Kit, like them on Facebook, and visit their bandcamp page to buy Wriggle Out the Restless.

Alcoholic Faith Mission: April 27, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 7, 2012
By


[Photos by acidjack]

The Danish band Alcoholic Faith Mission, like many of their Scandinavian peers, seems so full of ineffable friendliness and gratitude that they almost force you to be an instant fan. Equal parts whimsical Scandinavian indiepop and college rock earnestness, their sound benefits from their time spent both in their home country and in Brooklyn. Brooklyn has been an integral part of AFM from the beginning; it (and alcohol) not only inspired their band name, but it also was where they recorded their second record, 421 Wythe Avenue, using only the materials that could be found in that old factory space. They are now two more records in, with their latest, Ask Me This, seeing release this week. In part due to that aforementioned friendliness and familiarity, this Friday night show at Glasslands had the vibe of coming over to hear your friends debut their new record just for you.

Band co-founder Thorben Seiero Jensen (who founded the band along with Sune Solund) and Kristine Permild share vocal duties, and they respectively represent the yin and yang of the band’s sound. Jensen sings in the full-throated style often associated with American rock singers, and he voices the band’s frequently-dark and even brutal lyrics with a wounded-bird affect that gives them credibility. Permild’s voice is sweeter, lighter and (of course) feminine, and is the pixie dust that gives the band a tenderer core. If you pay close attention to Jensen’s lyrics, there is a strain of darkness and depravity you might not expect from a band with such a pleasant onstage demeanor. But it’s hard to miss that there is some heavy shit going on behind that exterior; songs about sexual malfeasance, addiction and pain abound.

In the live setting, with the band cheerily inviting us to share a beer post-show, it was easier to focus on the simpler and more immediate pleasures of their sound itself. The rocker “Alaska,” with its klaxon-like lead melody, kicked things off and was an instant highlight, with Jensen and Permild bearing equal weight on the vocals. I was also partial to “Into Pieces” which is on Ask Me This but first saw release on the Running With Insanity EP earlier this year. “Sobriety Up and Left” and “Nut In Your Eye” were older songs that I also took a newfound liking to in the live setting.

I recorded this set with Schoeps MK22 open cardioid microphones and a nicely-balanced soundboard feed from Josh at Glasslands.  Despite it being a bit of a chatty Friday night crowd, I am very pleased with the results. Enjoy!

Special thanks to Rob at Old Flame Records.

Stream “Alaska”
[audio:https://www.nyctaper.com/A0427AFM0212/01 Alaska.mp3]

Stream “Sobriety Up and Left”
[audio:https://www.nyctaper.com/A0427AFM0212/09 Sobriety Up and Left.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alcoholic Faith Mission
2012-04-27
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (DFC, 7.5ft, DIN)>KCY>Z-PFA>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5.5 (effects, EQ)>Audacity (additional EQ, tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Alaska
02 My Eyes To See
03 Running With Insanity
04 Into Pieces
05 Legacy
06 Ask Me This
07 We Need Fear
08 Honeydrip
09 Sobriety Up and Left
10 Nut In Your Eye

If you enjoyed this recording, please support Alcoholic Faith Mission, visit their website, go see them on tour, and buy Ask Me This from their online store [HERE].

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