Posts Tagged ‘ soundboard ’

Big Ups: April 7, 2017 Sunnyvale

April 12, 2017
By


[Photo by Acidjack]

I could yap a bunch about Big Ups and how great they are, but I’ve done that before and you already know. Okay just one thing: this is one of the best of a bunch of Big Ups shows I’ve seen, so it’s more than worth checking out. While you’re listening you can pick up Before a Million Universes from Exploding in Sound, still available on orange vinyl for you collector scum.

Like the Pile set from the same night, we recorded this set from the stage lip combined with a board feed from Sunnyvale’s engineer Dave. The sound is terrific. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Big Ups
2017-04-07
Sunnyvale
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Dave) + AKG C480B/CK61 (stage lip) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [29:05]
01. Capitalized
02. Justice
03. Knight
04. Wool
05. Contain Myself
06. Hope For Someone
07. Dogs
08. Negative

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their website, like them on Facebook and buy Before A Million Universes from Exploding In Sound.

Pile: April 7, 2017 Sunnyvale

April 10, 2017
By

“Thank God for Pile”—if you listen closely, you’ll hear one zealous audience member with an enthusiasm you don’t often see for such a young band. But people really love Pile—and everyone in-the-know knows Pile are damn great. Their comparatively small but dedicated following gets bigger with each album and I daresay if you missed out on Pile this time around, I’m afraid you’ve missed the last of their shows in a small room.

On Friday, we squeezed ourselves into a packed Sunnyvale for the band’s second of two sold-out Brooklyn shows (the first was at Baby’s All Right). The thing about bands on Exploding in Sound Records is that where there’s one there’s bound to be more. Pile headlined a stacked bill featuring some current and future EIS greats: Gnarwhal, Big Ups, and Stove. Their set gets cut a bit short due to time constraints, but that only served to increase the intensity as their finale of “Rock and Roll Forever With the Customer in Mind” will attest. That tune is from 2015’s You’re Better Than This, while the rest of the set is comprised of songs off their latest album, A Hairshirt of Purpose, and their first EIS record, Dripping. Whether you’re new to the band or a longtime fan, listen to this cracking performance and be thankful for Pile.

Pile is touring the U.S. and Europe through June. Check dates here and go see Pile!

Acidjack and I recorded this from our usual location at Sunnyvale right up at the stage lip, plus a board feed from Sunnyvale’s engineer Dave. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Pile
2017-04-07
Sunnyvale
Brooklyn, NY

Recorded by Eric PH and Acidjack
Produced by Eric PH

nyctaper.com

Soundboard (engineer: Dave) + Nakamichi CM-300/CP1 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [45:00]
01. Worms
02. Hissing For Peace
03. Rope’s Length
04. Grunt Like a Pig
05. Dogs
06. [banter]
07. Texas
08. [banter]
09. Leaning on a Wheel
10. [banter]
11. Bump a Grape
12. Fingers
13. [banter]
14. The Browns
15. [encore break]
16. Rock and Roll Forever With the Customer in Mind

• Bandcamp
• • Facebook
• • • Tumblr
• • • • Buy A Hairshirt of Purpose via Exploding in Sound

Bardo Pond: April 1, 2017 Knockdown Center

April 10, 2017
By

It was heartening to see The New York Times give such prominent billing to this Bardo Pond show, held at Maspeth’s somewhat-remote but welcoming Knockdown Center this past weekend. If the use of the phrase “noise rock” to describe the band was reductive in extremis, it at least got at the notion that Bardo Pond shows are loud, distortion-drenched, hallucinatory affairs. But give a listen to Under the Pines, which the band played in full at this show to celebrate its release, and vocalist Isobel Sollenberger features more prominently for much of this journey, at least compared to past pairing with the Gibbons brothers and Clint Takeda’s guitar attack. A vocalist is almost always a critical component of a band’s sound, of course, but it feels like Sollenberger is a more confident and featured presence than she’s been at any time in their long career.

We first saw many of these songs at the Three Lobed Sweet Sixteen show we recorded last year, and again at Union Pool in November, and they’ve only gotten sharper and better since. This full-album run through told the album’s story well, demonstrating both its cohesive flow and the diversity of sounds. “My Eyes Out” continues to be one of the more “pretty” songs in the catalog, while “Moment to Moment” continues to establish itself as one of the band’s most vital new long-form songs. In a rare treat (at least, not seen by us since the 2011 Death By Audio show), this set wrapped with the vital combo of “Don’t Know About You” directly into “The Stars Behind.” There’s no new tour information for the band yet, but expect a fun one once they return to the road.

I recorded this set about 10 feet from the left PA stack with Schoeps MK41V microphones and a soundboard feed. The characteristics of the room and the sound being amplified through the stacks (mostly vocals) mean the vocals are a bit more prominent in this recording than would be optimal. Nonetheless, it is an enjoyable listen!

Download this show from the Live Music Archive: [MP3] | [FLAC]

Bardo Pond
2017-04-01
Knockdown Center
Maspeth, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (FOB, LOC)>KCY>Z-PFA + Soundboard>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, hard limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03. (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:14:54]
01 Crossover
02 Out of Reach
03 My Eyes Out
04 [banter1]
05 Moment to Moment
06 Under the Pines
07 Effigy
08 [banter2]
09 Don’t Know About You>
10 The Stars Behind

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

Lambchop: March 30, 2017 Bowery Ballroom

April 6, 2017
By


[photo by PSquared Photography]

In my not so humble opinion, Lambchop’s FLOTUS was the best album of 2016. In a similar regard, “In Care of 8675309” is the best song released this decade. What makes it more remarkable is that the album represents for Kurt Wagner a stylistic pivot from a twenty-five year career of eclectic americana. For FLOTUS, Wagner used modern technology juxtaposed with his intimate lyrics to create a masterpiece about the maintenance of an interpersonal connection in a world increasingly enslaved to machines.

We were fortunate to capture the live debut of the FLOTUS material at Hopscotch in September. Since that time Lambchop has toured the world and performed this material more than fifty times in a live setting, so that by the time they arrived at Bowery Ballroom last Friday, we were excited for the development of the songs. Our expectations were met early in the proceedings when Wagner sweetly crooned a subdued version of “NIV” that blended seamlessly into a guitar-driven truncated version of “The Hustle” that was transformed from the hypnotic electronic bifurcated melody on the album to a more unified alt-folk ballad live. “8675309” was placed in the middle of the set but Wagner’s intense vocal performance of the epic number was perhaps the highlight of the evening. The band’s setlist included a handful of older numbers and one cover, but this night was dedicated to FLOTUS and sans the title track, the album was nearly completely performed. The keyboardist Tony Crow provided several ace solos (and some hilarious banter) and the band also includes veteran bassist Matt Swanson and Wye Oak’s percussionist/electronic wiz Andy Stack, whose expert multitasking we’ve noted previously in this pages. But it was Wagner centerstage, and while his abundant use of vocals effects may have startled some of the old guard, the packed house was clearly on board for the FLOTUS sound and hovered on every note. Lambchop’s current tour comes to a close in the next few weeks, and they’re going back to Europe in the Summer festival season, but we expect that they will return to NYC in the Fall.

I recorded this set with the Schoeps mounted in our usual balcony spot and mixed with a flawless soundboard feed. The crowd’s great respect for this performer and this material permitted us to capture the often quiet moments of this set without distraction and as a result the sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Lambchop
2017-03-30
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:16]
01 NIV
02 The Hustle
03 Directions to the Can
04 Poor Bastard
05 Old Masters
06 Writer
07 [banter – physical comedy]
08 In Care Of 8675309
09 [band introductions]
10 The New Cobweb Summer
11 [banter – build character]
12 Howe
13 JFK
14 Relatives #2
15 Harbor Country
16 [encore break]
17 My Blue Wave
18 When You Were Mine [Prince]

PLEASE SUPPORT Lambchop: Website | Buy FLOTUS at Merge Records

Teenage Fanclub: March 27, 2017 Warsaw Brooklyn

April 3, 2017
By


[photo by Dean Keim]

We approached the return of Teenage Fanclub this past Fall with much optimism and we were rewarded with a superb new album and an outstanding show in October at Bowery Ballroom. The band has aged well — in particular the harmonies and songwriting remain top notch three decades into their career. Six months later, Teenage Fanclub has toured the world and as this phase of their career comes to a close, the band played Brooklyn last Monday as the final night of the tour. The success of this year’s work was evident in the size of the venue — from a 500 ticket Bowery show in October that sold out on the day of the show to a 1000 capacity Warsaw that was packed

At Warsaw, the Fannies were in a relaxed and playful mood and the band’s interaction with the large crowd was frequent. Norman Blake spoke frankly about the band’s previous night’s end-of-tour party, but if the players were feeling the effects it did not show in the performance which was as tight and focused as expected. The band took a request from a fan who had brought a sign asking for “Going Places” and the band took a brief break to work through the song before performing it. The setlist was varied from the October show and included a few tracks not played back then, including a tribute to the late Grant McLennan. After a four-song encore set, the band waved goodbye but given the success of this most recent reunion, we don’t expect it will be long before Teenage Fanclub returns.

I recorded this set with the Hypercards mounted back at the soundboard and mixed with an excellent feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Teenage Fanclub
2017-03-27
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer David] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:35:05]
01 Start Again
02 Don’t Look Back
03 Hold On
04 I Don’t Want Control of You
05 Thin Air
06 Verisimilitude
07 It’s All in My Mind
08 The First Sight
09 About You
10 I Need Direction
11 The Darkest Part of the Night
12 Je T’Aime tease [Serge Gainsbourg]
13 Can’t Feel My Soul
14 Ain’t That Enough
15 [banter – end of tour]
16 Going Places
17 I’m in Love
18 Sparky’s Dream
19 The Concept
20 [encore break]
21 I Was Beautiful When I Was Alive
22 Star Sign
23 Easy Come Easy Go [Grant McLennan]
24 [banter – thanks]
25 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

Tortoise: March 16, 2017 Hall at MP

March 22, 2017
By

Seeing Tortoise is one thing. Seeing them up close, watching the synchronous drumming, the members swapping instruments song to song, playing in perfect time, is really seeing Tortoise. This was far from my first time with them, but it was my first time at the distance you see above, and it was incredible. Still on a high from last year’s The Catastrophist, the band felt less bound this time around to showcase those songs, instead delving back particularly hard into their landmark album TNT, among other corners of their catalog.

The Hall at MP, a relatively new below-ground venue paired with a Michael Psilakis restaurant up top, proved a good venue for these guys, with a broad stage that could accommodate all those instrument changes. One notable change toward the end of the set was a guest appearance by Yo La Tengo’s Georgia Hubley, who joined the band for “Yonder Blue,” the song on which she provided vocals for The Catastrophist.

In terms of the rest of the set, what constituted a “highlight” probably had as much to do with your introduction to the band and the set list of the last show you saw than the actual quality of the music, all of which was high. As Eric noted in his review of the previous night’s show, this band has been a gateway drug of sorts for many of us who grew into independent music that went beyond verse-chorus-verse, guitar-and-vocal sounds. What’s so notable about Tortoise is that they’ve probably kept doing that for so, so many more over the ensuing years.

I recorded this set with a soundboard feed of Tortoise engineer Elliott Dicks’ mix, coupled with Schoeps MK5 cardioid microphones in “X-Y” position onstage. The sound quality is truly outstanding. Enjoy!

Download the complete set via archive.org: [MP3] | [FLAC]

Stream the complete set:

Tortoise
2017-03-16
Hall at MP
Brooklyn, NY

Hosted at nyctaper.com
Recorded and produced by acidjack
Tortoise live engineer: Elliot Dicks
Hall at MP engineer: Karl Schwarz

Soundboard + Schoeps MK5c (onstage, DFC, X-Y)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (light EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:26:31]
01 The Catastrophist
02 Prepare Your Coffin
03 Monica
04 In Sarah, Mencken, Christ, And Beethoven There Where Women And Men
05 I Set My Face to the Hillside
06 The Clearing Fills
07 Eros
08 [tuning]
09 Tesseract
10 [banter]
11 Ten-Day Interval
12 Swung From the Gutters
13 The Suspension Bridge At Iguazú Falls
14 At Odds With Logic
15 [encore break 1]
16 Yonder Blue (w/ Georgia Hubley)
17 Gesceap
18 [encore break 2]
19 Salt the Skies

Support Tortoise: Website | Facebook | Buy The Catastrophist and more via Thrill Jockey

Tortoise: March 15, 2017 (Le) Poisson Rouge

March 20, 2017
By


[Photo by David C/@castleone]

Almost exactly a year since we last saw Tortoise, the band rolled back into town for a two-night stand at (le) Poisson Rouge and the Hall at MP. The great thing about seeing Tortoise—and it’s why I come back year after year—is that they’ve got such a vast catalog that there’s always new material to hear along with a revolving cast of deep cuts the band brings out on tour. Like last year’s setlist, this one from (le) Poisson Rouge airs a batch of newer songs off last year’s The Catastrophist, including the title track, “Hot Coffee,” “Shake Hands With Danger,” and again brings out Georgia Hubley to sing on “Yonder Blue.” Adding a few songs we hadn’t heard last year like “Ten-Day Interval,” “Crest,” and “Dot/Eyes,” the band also goes super-deep with “Tin Cans & Twine” from the very first Tortoise album.

I recorded this set with the AKG hypercards clamped in front of the soundboard, combined with a board feed courtesy of the LPR crew. The sound quality is outstanding. Enjoy!

Download the complete show at the Live Music Archive.

Stream the complete show:

Tortoise
2017-03-15
(Le) Poisson Rouge
New York, NY

Recorded and produced by Eric PH for nyctaper.com

Tortoise’s engineer: Elliot Dicks
Venue engineers: Jay Eigenmann, Bernie Girman, and Gabe Montesi Garskoff
Photo: David C

Soundboard + AKG C480B/CK63 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:25:27]
01. Gigantes
02. Hot Coffee
03. The Catastrophist
04. The Suspension Bridge at Iguazu Falls
05. Eros
06. Gesceap
07. Yonder Blue (with Georgia Hubley)
08. High Class Slim Came Floatin’ In
09. Tin Cans & Twine
10. [technical difficulties]
11. Ten-Day Interval
12. Shake Hands With Danger
13. Crest
14. [encore break]
15. Dot/Eyes
16. Seneca

Tortoise: Website | Facebook | Buy The Catastrophist and more via Thrill Jockey

A Place to Bury Strangers: March 3, 2017 Villain

March 16, 2017
By

Two years on from their tour de force performance at Music Hall of Williamsburg and the release of their last album, Transfixiation, A Place to Bury Strangers found themselves at the faux-DIY venue Villain doing what they’ve done best in years past, while looking also to the future. If the controlled chaos of set opener “We’ve Come So Far” took on a different meaning in 2017, it also felt like it took on a greater one. APTBS vets know what to expect from their shows at this point — a blanket of noise anchored by Oliver Ackermann’s guitars (his expertise in pedals comes in handy), almost always at maximum intensity, a delightfully disorienting light show — and their Brooklyn shows reflect the communal vibe among those people.

As it has been a couple years since their last record (though they did just release a new song), I was unfamiliar with several of the (what I think were new) songs played, but the distinction for most of us was minimal. An APTBS show is less about this or that song than the overall experience, the subtle shifts in texture and tempo, the often-dark lyrics that you at-times strain to hear, the relentlessness of Ackermann (in particular) onstage, as he smashes the hell out of his guitar long before the end of the set. Where the last APTBS show found the band playing on the Music Hall floor, this time the band took advantage of Villain’s layout and performed a more electronic-driven closing sequence of four songs from the balcony. When the beats finally stopped, you couldn’t help but feel a little bit lighter, a bit freer. At some point “cathartic” might start to feel like an overused term in these times, but in these first months, it’s still a very accurate one.

I recorded this set with a soundboard feed combined with Schoeps MK41V microphones from the audience. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show: 

A Place to Bury Strangers
2017-03-03
Villain
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41V (FOB, ROC, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Setlist help greatly appreciated]
01 We’ve Come So Far
02 [unknown1] “Never coming back”
03 So Far Away
04 Deadbeat
05 Fill the Void
06 [unknown2] “Sucking on the trigger of a gun”
07 Drill It Up
08 [unknown3] “I don’t care / I don’t mind”
09 I’ve Lived My Life to Stand In the Shadow of Your Heart

[Performed from the balcony — audience mics only]
10 [unknown4]
11 [unknown5]
12 [unknown6]
13 [unknown7]

PLEASE SUPPORT A Place to Bury Strangers, visit their website, and buy Transfixiation from Dead Oceans here. Also check out their latest song, a contribution to “Our First 100 Days,” here.

Sloppy Heads: January 25, 2017 Union Pool

February 28, 2017
By

It might seem to be a self-deprecating band name, but Sloppy Heads gets you pretty close to what this band is about, if you focus a bit more on the heads part of the equation. Theirs is a group of record geeks’ loose-limbed expression of their influences that will attract like-minded music lovers with its unpredictable shifts in style and ability to have fun. After a string of 7″ and CDR releases, the band came to Union Pool to celebrate the release of their first full-length, Useless Smile, an album that is the fullest expression yet of their engaging, unselfconscious sound that draws on strains of garage rock, lo-fi, new wave, noise, and psychedelia. The Heads are a band with a lot of friends (James McNew of Yo La Tengo/Dump both opened the show and played on the album), and the combination of this music and crowd gave this show the vibe of a gathering in a cool kid’s basement in high school, with a better band and a more mature crowd (and band). Sloppy Heads gave us an hour-plus mixed with engaging tunes, good humor, and some quality jamming, most evidently as “I’ll Take My Chances” flowed into the uptempo “Love Is A Disease.” The energy climaxed with the frenetic “Resistance, Baby,” but the more thoughtful “Always Running” (the first song released from Useless Smile) was also a highlight. The Heads join Lambchop at the Bowery Ballroom on March 30, so make a date to hang with them soon.

I recorded this set with a soundboard feed from Union Pool engineer Robert, together with Schoeps MK5c microphones. The sound quality is excellent. Enjoy!

Stream and download this recording via our bandcamp page:

Sloppy Heads
2017-01-25
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Robert) + Schoeps MK5c (at SBD, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects, image)>Adobe Audition CS 5.5 (align, mixdown)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Useless Smile
02 Plane To See
03 I’ll Take My Chances >
04 Love Is A Disease
05 [banter1]
06 Try Again
07 Langue & Parole
08 Resistance, Baby
09 Me Do Love
10 [banter2]
11 Always Running
12 Possession
13 Suddenly Spills

Support Sloppy Heads: Buy their new album on Shrimper Records.

Tonstartssbandht: January 25, 2017 Sunnyvale

February 23, 2017
By


[photo by nyctaper]

Its been a few years since Tonstartssbandht last appeared on NYCTaper. In March, Tonstartss will release a new album Sorcerer, their first on Mexican Summer. The band that consists of brothers Andy and Edwin White have played under this name for about a decade and have released somewhere in the range of 20 albums via various labels and Bandcamp, but not a proper “studio” album since 2011’s Now I Am Become. The band is also currently on their first extended tour in a while, as the brothers have spent time on other projects — mostly notably Andy White’s position as lead guitar in Mac DeMarco’s touring band.

In January, the TBT tour came to Brooklyn and sold out Sunnyvale on a Wednesday night. The brothers played an extended set that included all of the three long tracks from Sorcerer and a ton of older TBT tracks and covers all interspersed in their unique segue-style stream-of-consciousness show. The Whites are the sons of a long-time professional musician and have played together for their entire lives so there’s a definite telepathy going on every time they take the stage that allows their sets to freely weave from one musical idea to the next. This inventiveness and unpredictability is one of the most compelling aspects of Tonstartssbandht and is why we keep coming back for more. Tonstartss are currently in Europe but return to the US for shows in May, all dates [HERE].

I recorded this set with the Schoeps mounted in front of the stage and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Tonstartssbandht
2017-01-25
Sunnyvale
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:05:36]
01 Opening
02 Breathe
03 Susie
04 Dad Beating Up Dudes Downtown (Orlando, 1992)
05 Opening (Reprise)
06 Black Sea
07 [banter and woos]
08 Sorcerer
09 [banter – rotten milk]
10 Somersette
11 Skyline [Pharaoh Overlord]
12 Olde Feelings
13 Rodas 1916
14 Hymn Our Garden
15 The Pusher [Steppenwolf]
16 Nasa Boogie
17 I’m a Ram [Al Green]
18 Late Fall Roll [Eola]
19 Hymn Our Garden (Reprise)
20 Midnite Cobras
21 Welsh Souper
22 [banter – legal reasons]
23 Poor Moon [Canned Heat]
24 [banter – thanks]
25 Everybody (Needs Somebody To Love) [Solomon Burke]
26 Last Train Home [Pat Metheny]
27 Alright

SUPPORT Tonstartssbandht: Bandcamp | Facebook | Pre-Order Sorcerer from Mexican Summer [HERE]

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