Posts Tagged ‘ soundboard ’

Moon Duo: April 27, 2017 Rough Trade NYC

May 7, 2017
By


[Photo by Dean Keim]

If psychedelic music aims to be transportive, then Moon Duo’s destination looks something like a Village nightclub featuring the Exploding Plastic Inevitable. Sanae Yamada’s synths swirl together with Riply Johnson’s guitar while drummer John Jeffrey plays with motorik precision. Hypnotic visuals play a game of hiding and showing the musicians. Moon Duo play songs for the dark and urban, and naming their recent two-volume album Occult Architecture underscores the time and place of their music. Song titles like “The Death Set,” “Creepin’,” and “Cult of Moloch” tell you this setting shouldn’t be comforting. Capping off the set is a cover of those most-sinister Stooges: “No Fun” gets washed in synth flourishes while Johnson does his best Iggy. The psychedelic sixties are here.

I recorded this from the soundboard cage with the AKG’s set up in DIN stereo configuration, combined with a board feed courtesy of FOH Terry Mattson and Moon Duo’s touring engineer. The sound is spectacular. Enjoy!

Moon Duo will be back on May 20th to celebrate Sacred Bones’ 10 Anniversary at Greenpoint Terminal Warehouse.

Download the complete show: [FLAC/MP3]

Stream the complete show:

Moon Duo
2017-04-27
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + AKG C480B/CK61 (DIN, DFC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [1:11:40]
01. The Death Set
02. Cold Fear
03. Creepin’
04. White Rose
05. Free the Skull
06. I Been Gone
07. Free Action
08. Sevens
09. Cult of Moloch
10. [encore break]
11. Goners
12. No Fun [The Stooges]

• Website
• • Bandcamp

Sebadoh: April 22, 2017 Bell House

April 30, 2017
By


[photo by nyctaper]

In the half-dozen times I’ve seen Sebadoh live, I had never experienced a performance as good as their set at the Bell House last week. The band seemed relaxed and focused and worked through an hour-long set of inspired music. Perhaps buoyed by the fact that in this “co-headline” show they were tasked with playing second of three bands, Sebadoh had a few moments of playful banter, but for the most part were all business.

The set was structured to allow each song protagonist to play a mini-set of their material before a changeover. The show began with five Lou Barlow songs before Jason Loewenstein took over on the guitar at centerstage and played six of his songs, before Lou finished the set with four songs. The band released an album (Defend Yourself) and an EP early this decade after an extended hiatus, but this show was a fair representation of all of their material, newer and classic. This show was the last night of a brief five-city tour after the band played just three dates in 2016. If the Bell House set indicates the high quality of the band’s current performances, we hope that 2017 sees more dates for Sebadoh, particularly locally.

I recorded this set with the Neumann hypers mounted at the soundboard rail and mixed with an excellent feed by veteran house FOH Dave. There is one moment of feedback in the first minute, but overall the sound quality of this recording is superb — possibly the best recording we’ve ever made in this venue. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Sebadoh
2017-04-22
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:02]
01 Not a Friend
02 Homemade
03 State of Mine
04 Soul and Fire
05 Beauty of the Ride
06 [changeover]
07 Got It
08 It’s All You
09 Drag Down
10 Prince-s
11 Beat
12 [banter – pieces of meat]
13 My Drugs
14 [change back]
15 I Will
16 Rebound
17 Skull
18 Arbitrary High

PLEASE SUPPORT Sebadoh:  Facebook | Bandcamp

Acid Mothers Temple: April 22, 2017 Knitting Factory

April 27, 2017
By

It’s April and that means cosmic travelers Acid Mothers Temple have reappeared in our North American dimension for their yearly psych ritual, this one dubbed the Hallelujah Mystic tour. Kawabata & co. are awfully prolific so for those of us who might have lost track of their recorded freakouts, these outings make for a nice catchup. This set from the Knitting Factory captures some old favorites like “Pink Lady Lemonade” and “Cometary Orbital Drive,” plus a couple more recent additions like the band’s extended takes on Black Sabbath’s “The Wizard” and Gong’s “Flying Teapot.”

I recorded this from our usual location at Knitting Factory, to the right of the soundboard. The sound is excellent. Enjoy!

The Hallelujah Mystic Tour 2017 continues in this and other dimensions! Check here for the remaining dates.

Download the complete show at the Live Music Archive.

Stream the complete show:

Acid Mothers Temple
2017-04-22
Knitting Factory
Brooklyn, NY

Hallelujah Mystic Tour 2017

Recorded and produced by Eric PH for nyctaper.com

Soundboard + AKG C480B/CK63 (ROC, PAS) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:06:14]
01. Anthem Of The Inner Space
02. The Wizard [Black Sabbath]
03. Flying Teapot [Gong] >
04. Pink Lady Lemonade
05. Another Nanique Dimension >
06. Cometary Orbital Drive

Kawabata Makoto : guitar, synthesizer, voice, speed guru
Higashi Hiroshi : synthesizer, harp, noodle god
Mitsuko Tabata : guitar, guitar-synthesizer, voice, free kisses & hugs
Satoshima Nani : drums, another dimension
S/T “Wolf” : bass, space and time

• Website
• • Buy Wake to a New Dawn of Another Astro Era via Important Records

Dylan Golden Aycock: October 21, 2016 The Schoolhouse

April 27, 2017
By

Dylan Golden Aycock’s 2016 effort, Church of the Level Track, earned deserved plaudits, so we were extra-excited to see him on this Avant Ghetto Presents bill at the end of last year to share his music with us. To quote NPR’s Lars Gotrich, who said it best: “Dylan Golden Aycock’s lineage is clear: the fingerpicked blues of John Fahey, the swirling compositions of Robbie Basho and the outward-looking Americana of Jim O’Rourke’s Bad Timing and The Visitor. That’s not a bad crossroads to meet your demons at, especially when so much of what we call American Primitive now is in a state of transformation. Church Of Level Track kicks up dream dust in a positively lush collection of cosmic rags, ambient country tunes and steel-string ragas.”

Indeed, when you hear Aycock perform live, you’re captured by the distinctiveness of his style. It’s psychedelic in a way that many of his peers aren’t, but there’s also a disorienting but pleasing quality to it beyond that that makes you sit up and pay attention. This set featured a number of Aycock’s new tunes, and “Red Oak Black” in particular was a standout, a pensive track that builds to a frenetic, captivating ending.

Aycock also helms a Tulsa-based label, Scissor Tail Editions, filled with like-minded artists and their work. We’d recommend you check that out as well.

I recorded this set with a soundboard feed and a pair of Schoeps MK4V mics right in front of Dylan. The sound quality is excellent. Enjoy!

Thanks to Avant Ghetto Presents for inviting us to this show.

Stream and download the complete set from our bandcamp page: 

Dylan Golden Aycock
2016-10-21
The Schoolhouse
Brooklyn, NY

Soundboard + Schoeps MK4V (onstage)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Golden Bough>Set Adrift
02 Red Oak Black
03 Red Bud Valley II
04 [banter]
05 Marked Tree
06 Lord it Over>Improv>Willow and the Dogwood

Support Dylan Golden Aycock: Website | Scissor Tail Editions 

Xenia Rubinos: April 13, 2017 Bowery Ballroom

April 26, 2017
By


[photo from Xenia Rubinos Twitter]

There’s no earthly reason why Xenia Rubinos should not be a household name in the very near future. She is an artist of immense talents as a writer, composer and performer and her art is true. The musical genres that are home to Xenia Rubinos’ exemplary music have been previously culturally appropriated by the likes of well-to-do Ivy League grads, a Smith grad from Connecticut, and a guy from Forest Hills. But as a person of color who has lived the bitter mistreatment of her protagonists, Xenia is in a position to present a necessary point of view at a troubling historical time when authenticity is crucial. The world needs more voices like Xenia Rubinos and her time is now.

In July Xenia Rubinos released Black Terry Cat, her first album for the Anti- label and second overall. The album received an 8.0 from Laura Snapes over at Pitchfork and pretty much universally positive reviews worldwide. In support, she’s toured tirelessly throughout the US and this month saw her triumphant return to NYC.

The Bowery Ballroom show was a special night for Xenia. Not only was it her largest show to date, but it was also her mother’s birthday. Given that her first album was in part a tribute to her recently passed father, it was particularly moving that this performer had a close family connection on such an important career night. The other important participants at Bowery were the crowd, who were both voluminous and dancing throughout, and her two accompanying musicians — longtime collaborator and producer Marco Buccelli who played a variety of drums, keys and effects, and for this tour Jack Hill on bass, moog and guitar. The set began with the opening track from Cat before the trio blasted through a fifteen-song set that fully represented Xenia’s catalog thus far. There were multiple pockets of fans who literally did not stop dancing throughout the entire set and were engaged with the performer throughout. But it was Xenia who was the well-deserved center of attention as she pivoted from keys to bass to solo vocals as an unstoppable kinetic ball of energy. At the end of the hour-long set she was called back for multiple encores — a true affirmation that an artist with integrity and abundant talent will ultimately succeed.

Xenia Rubinos just began an extensive eleven-date tour of Europe in April and May before she returns to the US for a variety of Summer shows, dates [HERE].

I recorded this set with the Schoeps cards set up in our usual front balcony position and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Xenia Rubinos
2017-04-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:10:45]
01 Romeo
02 Lonely Lover
03 Just Like I
04 Help
05 Don’t Wanna Be
06 See Them
07 Right?
08 I Won’t Say
09 Whirlwind
10 Cherry Tree
11 Laugh Clown
12 Black Stars
13 [encore break – Happy Birthday]
14 Pan y Cafe
15 Hair Receding
16 [band introductions]
17 Mexican Chef

PLEASE SUPPORT Xenia Rubinos: Facebook | Bandcamp | Artist Page at Anti- | Purchase Black Terry Cat [HERE]

Chuck Prophet: March 29, 2017 Bowery Ballroom

April 19, 2017
By


[screen shot from this video]

neild reports:
Chuck Prophet is one of those musicians who went from barely-known to me to a perennial favorite in the course of a single song — or really a single riff, as all it took was hearing the opening guitar line from “Sonny Liston’s Blues,” off his terrific 2009 album Let Freedom Ring. Prophet gets described frequently as the “indie rock Tom Petty,” and it certainly fits his vocal style and commitment to old-school rock ’n’ roll, but if anything it sells him short: He combines a heart worn boldly on his sleeve with character observations that are by turns astute and hilarious, sometimes in the course of the same phrase.

This show at the Bowery Ballroom came toward the end of the tour for Prophet’s excellent new album Bobby Fuller Died for Your Sins. Live, not only is Prophet’s dry wit given free rein, but the Mission Express, consisting of guitar wizard James DePrato (here playing even more slide than usual), the superb rhythm section of bassist Kevin White and drummer Vicente Rodriguez, and the unbeatable keyboardist/vocalist (and Prophet’s wife) Stephanie Finch, can spread out songs like “Summertime Thing” and “You Did (Bomp Shooby Dooby Bomp)” into loping jams that would be rock radio staples in an alternate universe. I’ve never seen a bad Chuck Prophet and the Mission Express show, and this was among their best, charging along without letup for nearly two hours.

This recording was made with Church Audio CA-14 cardioid mics from lip of the Bowery Ballroom balcony, mixed with a soundboard feed provided by the Bowery’s supremely talented and helpful new soundperson Danielle.

Please pay what you wish for the download (all proceeds other than Paypal and Bandcamp fees go to the artist), and visit chuckprophet.com for all your merch and info needs — I highly recommend subscribing to his email newsletter, which is always a terrific read even if you’re not interested in finding out when he’s coming to your town (though if you’re not, I don’t know what’s wrong with you).

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Chuck Prophet
2017-03-29
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

CA=14 Cards + Soundboard [engineer Danielle] > Sony PCM-M10 > WAV (24/48) > Sound Studio (light dynamic compression and mixing) > FLAC (16/44.1) > Tag > FLAC

Recorded and Produced by
neild

Setlist:
01 Bobby Fuller Died For Your Sins
02 Ramona Say Yes [Chuck Berry]
03 Lonely Desolation
04 Bad Year for Rock and Roll
05 Temple Beautiful
06 Who Shot John
07 Barely Exist
08 Jesus Was a Social Drinker
09 You Did (Bomp Shooby Dooby Bomp)
10 In The Mausoleum
11 Ford Econoline
12 We Got Up and Played
13 Iodine [Leonard Cohen]
14 Summertime Thing
15 Countrified Inner City Technological Man
16 Wish Me Luck
17 Willie Mays Is Up At Bat
18 Let Her Dance [Bobby Fuller Four]
19 You And Me Baby (Holding On)

PLEASE SUPPORT Chuck Prophet: Website | Purchase Bobby Fuller Died for Your Sins from Yep Roc Records

Big Ups: April 7, 2017 Sunnyvale

April 12, 2017
By


[Photo by Acidjack]

I could yap a bunch about Big Ups and how great they are, but I’ve done that before and you already know. Okay just one thing: this is one of the best of a bunch of Big Ups shows I’ve seen, so it’s more than worth checking out. While you’re listening you can pick up Before a Million Universes from Exploding in Sound, still available on orange vinyl for you collector scum.

Like the Pile set from the same night, we recorded this set from the stage lip combined with a board feed from Sunnyvale’s engineer Dave. The sound is terrific. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Big Ups
2017-04-07
Sunnyvale
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Dave) + AKG C480B/CK61 (stage lip) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [29:05]
01. Capitalized
02. Justice
03. Knight
04. Wool
05. Contain Myself
06. Hope For Someone
07. Dogs
08. Negative

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their website, like them on Facebook and buy Before A Million Universes from Exploding In Sound.

Pile: April 7, 2017 Sunnyvale

April 10, 2017
By

“Thank God for Pile”—if you listen closely, you’ll hear one zealous audience member with an enthusiasm you don’t often see for such a young band. But people really love Pile—and everyone in-the-know knows Pile are damn great. Their comparatively small but dedicated following gets bigger with each album and I daresay if you missed out on Pile this time around, I’m afraid you’ve missed the last of their shows in a small room.

On Friday, we squeezed ourselves into a packed Sunnyvale for the band’s second of two sold-out Brooklyn shows (the first was at Baby’s All Right). The thing about bands on Exploding in Sound Records is that where there’s one there’s bound to be more. Pile headlined a stacked bill featuring some current and future EIS greats: Gnarwhal, Big Ups, and Stove. Their set gets cut a bit short due to time constraints, but that only served to increase the intensity as their finale of “Rock and Roll Forever With the Customer in Mind” will attest. That tune is from 2015’s You’re Better Than This, while the rest of the set is comprised of songs off their latest album, A Hairshirt of Purpose, and their first EIS record, Dripping. Whether you’re new to the band or a longtime fan, listen to this cracking performance and be thankful for Pile.

Pile is touring the U.S. and Europe through June. Check dates here and go see Pile!

Acidjack and I recorded this from our usual location at Sunnyvale right up at the stage lip, plus a board feed from Sunnyvale’s engineer Dave. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Pile
2017-04-07
Sunnyvale
Brooklyn, NY

Recorded by Eric PH and Acidjack
Produced by Eric PH

nyctaper.com

Soundboard (engineer: Dave) + Nakamichi CM-300/CP1 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [45:00]
01. Worms
02. Hissing For Peace
03. Rope’s Length
04. Grunt Like a Pig
05. Dogs
06. [banter]
07. Texas
08. [banter]
09. Leaning on a Wheel
10. [banter]
11. Bump a Grape
12. Fingers
13. [banter]
14. The Browns
15. [encore break]
16. Rock and Roll Forever With the Customer in Mind

• Bandcamp
• • Facebook
• • • Tumblr
• • • • Buy A Hairshirt of Purpose via Exploding in Sound

Bardo Pond: April 1, 2017 Knockdown Center

April 10, 2017
By

It was heartening to see The New York Times give such prominent billing to this Bardo Pond show, held at Maspeth’s somewhat-remote but welcoming Knockdown Center this past weekend. If the use of the phrase “noise rock” to describe the band was reductive in extremis, it at least got at the notion that Bardo Pond shows are loud, distortion-drenched, hallucinatory affairs. But give a listen to Under the Pines, which the band played in full at this show to celebrate its release, and vocalist Isobel Sollenberger features more prominently for much of this journey, at least compared to past pairing with the Gibbons brothers and Clint Takeda’s guitar attack. A vocalist is almost always a critical component of a band’s sound, of course, but it feels like Sollenberger is a more confident and featured presence than she’s been at any time in their long career.

We first saw many of these songs at the Three Lobed Sweet Sixteen show we recorded last year, and again at Union Pool in November, and they’ve only gotten sharper and better since. This full-album run through told the album’s story well, demonstrating both its cohesive flow and the diversity of sounds. “My Eyes Out” continues to be one of the more “pretty” songs in the catalog, while “Moment to Moment” continues to establish itself as one of the band’s most vital new long-form songs. In a rare treat (at least, not seen by us since the 2011 Death By Audio show), this set wrapped with the vital combo of “Don’t Know About You” directly into “The Stars Behind.” There’s no new tour information for the band yet, but expect a fun one once they return to the road.

I recorded this set about 10 feet from the left PA stack with Schoeps MK41V microphones and a soundboard feed. The characteristics of the room and the sound being amplified through the stacks (mostly vocals) mean the vocals are a bit more prominent in this recording than would be optimal. Nonetheless, it is an enjoyable listen!

Download this show from the Live Music Archive: [MP3] | [FLAC]

Bardo Pond
2017-04-01
Knockdown Center
Maspeth, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (FOB, LOC)>KCY>Z-PFA + Soundboard>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, hard limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03. (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:14:54]
01 Crossover
02 Out of Reach
03 My Eyes Out
04 [banter1]
05 Moment to Moment
06 Under the Pines
07 Effigy
08 [banter2]
09 Don’t Know About You>
10 The Stars Behind

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

Lambchop: March 30, 2017 Bowery Ballroom

April 6, 2017
By


[photo by PSquared Photography]

In my not so humble opinion, Lambchop’s FLOTUS was the best album of 2016. In a similar regard, “In Care of 8675309” is the best song released this decade. What makes it more remarkable is that the album represents for Kurt Wagner a stylistic pivot from a twenty-five year career of eclectic americana. For FLOTUS, Wagner used modern technology juxtaposed with his intimate lyrics to create a masterpiece about the maintenance of an interpersonal connection in a world increasingly enslaved to machines.

We were fortunate to capture the live debut of the FLOTUS material at Hopscotch in September. Since that time Lambchop has toured the world and performed this material more than fifty times in a live setting, so that by the time they arrived at Bowery Ballroom last Friday, we were excited for the development of the songs. Our expectations were met early in the proceedings when Wagner sweetly crooned a subdued version of “NIV” that blended seamlessly into a guitar-driven truncated version of “The Hustle” that was transformed from the hypnotic electronic bifurcated melody on the album to a more unified alt-folk ballad live. “8675309” was placed in the middle of the set but Wagner’s intense vocal performance of the epic number was perhaps the highlight of the evening. The band’s setlist included a handful of older numbers and one cover, but this night was dedicated to FLOTUS and sans the title track, the album was nearly completely performed. The keyboardist Tony Crow provided several ace solos (and some hilarious banter) and the band also includes veteran bassist Matt Swanson and Wye Oak’s percussionist/electronic wiz Andy Stack, whose expert multitasking we’ve noted previously in this pages. But it was Wagner centerstage, and while his abundant use of vocals effects may have startled some of the old guard, the packed house was clearly on board for the FLOTUS sound and hovered on every note. Lambchop’s current tour comes to a close in the next few weeks, and they’re going back to Europe in the Summer festival season, but we expect that they will return to NYC in the Fall.

I recorded this set with the Schoeps mounted in our usual balcony spot and mixed with a flawless soundboard feed. The crowd’s great respect for this performer and this material permitted us to capture the often quiet moments of this set without distraction and as a result the sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Lambchop
2017-03-30
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:16]
01 NIV
02 The Hustle
03 Directions to the Can
04 Poor Bastard
05 Old Masters
06 Writer
07 [banter – physical comedy]
08 In Care Of 8675309
09 [band introductions]
10 The New Cobweb Summer
11 [banter – build character]
12 Howe
13 JFK
14 Relatives #2
15 Harbor Country
16 [encore break]
17 My Blue Wave
18 When You Were Mine [Prince]

PLEASE SUPPORT Lambchop: Website | Buy FLOTUS at Merge Records

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