Posts Tagged ‘ soundboard ’

Daniel Bachman: May 24, 2015 Union Pool – FLAC/MP3/Streaming

June 16, 2015
By

Daniel Bachman

So far, 2015 has been a banner year for solo guitar records, with new releases from Daniel Bachman and Tashi Dorji plus the upcoming new Chuck Johnson record—just to name a few that I’m excited about. With the recently-released River, Daniel Bachman has somehow managed to out-do last year’s incredible Orange Co. SerenadeIt’s no accident the North Carolina transplant has released those two records on a couple of the state’s most prestigious labels—River on Three Lobed and Orange Co. Serenade on Bathetic. (And indeed no accident that Chuck Johnson’s Crows in the Basilica came out on Three Lobed and Tashi Dorji’s Appa came out on Bathetic, to further the connection to like-minded guitarists and labels.)

Bachman headlined an incredible bill of solo folk guitarists at Union Pool a few weeks back—the show, organized by Jeff Conklin/Avant Ghetto, also featured North Carolina songstress Sarah Louise, L.A.’s Itasca (Kayla Cohen), and Belgium’s Ignatz (Bram Devens). Bachman’s set treats us to songs off both River and Orange Co. Serenade, including two covers: “Levee” by Jack Rose and “Old Country Rock” by William Moore, giving us a good idea of who he sees as his forebears. Bachman may be young among the crowd of solo guitarists, but already can be counted among the genre’s greats. I have no doubt we’ll be seeing more great things from him.

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Kevin. There’s a little bit of ambient noise from the crowd and bar here—including one very exuberant fan—but Bachman’s guitar is loud and crystal clear. Enjoy!

Thanks to Jeff for organizing the event and inviting us down to record it. Avant Ghetto will presenting another show full of guitar worship at Union Pool on August 2 with PG Six, Chuck Johnson, Alan Licht, and Anthony Pasquarosa.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Bachman
2015-05-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:34]
01. Won’t You Cross Over to That Other Shore
02. Levee [Jack Rose]
03. Sarah Anne
04. Orange Co. Serenade
05. Old Country Rock [William Moore]
06. Song For the Setting Sun II
07. Coming Home

Support Daniel Bachman: Website | Facebook | Buy River from Three Lobed | Buy Orange Co. Serenade from Bathetic

Robert Millis: April 10, 2015 Union Pool – FLAC/MP3/Streaming

June 12, 2015
By

Robert Millis

Robert Millis may be best-known as a founding member of the long-running, experimental Climax Golden Twins and for his work with Sublime Frequencies, as a compiler and obsessive hunter of long-forgotten 78s from around the globe. At least, that was my familiarity with him prior to his set at Union Pool a couple months back, opening for friend and fellow seeker of the obscure, Sir Richard Bishop (his set posted here). Here, in solo mode, Millis’ set is true to the multivalence of his musical pursuits. It’s a combination of folk, spoken word, improvisation, drone, and noise. Something for everyone here: acoustic and electric guitar narratives “Notes on a Scandal” and “Pretty Polly”; the guitar drone piece, “The Demise of the Progressive Lens Routine” (referring to some earlier banter); and the haunting set closer, “Sign of Judgement.”

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Robert Millis
2015-04-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [48:26]
01. Notes On a Scandal
02. How Times Have Changed
03. Progressive Lens Routine
04. Pretty Polly
05. Other Side of Town Where You Run Around
06. The Demise of the Progressive Lens Routine
07. Euphoria
08. Messalina
09. Sign of Judgement

Support Robert Millis: Website | Facebook | Soundcloud

Dommengang: June 6, 2015 Union Pool – FLAC/MP3/Streaming

June 10, 2015
By

Dommengang

Dommengang is the latest addition to Thrill Jockey’s roster of some of the finest hard psych bands out there, including Eternal Tapestry, Pontiak, White Hills, Rhyton, and Arbouretum—just to name a few. Celebrating the release of their new record, Everybody’s Boogie, Dommengang stopped by Union Pool this past weekend for a one-off gig to air tracks off that record. Despite frontman Sig Wilson’s insistence that the band hasn’t played together in a year, it doesn’t show as the band immediately syncs into a lockstep groove that doesn’t waver during their thirty-plus-minute set. Underpinning Wilson’s guitar riffage are bassist Brian Markham and drummer Adam Bulgasem. The three are clearly comfortable playing together and after seeing their live set I get the impression that Everybody’s Boogie is one of those albums born of extensive jamming that’s then honed into an album. Favorites here include the chugging “CC,” “Her Blues” (for which the band made a video), and the twangy “Hats Off to Magic.” So far no more live dates have been announced but east and west coast dates are promised in support of Everybody’s Boogie.

I recorded this set with the AKGs clamped to the balcony. Though I got a board feed from Union Pool FOH Kevin, I set the levels a little high and ended up with some distortion so this recording only uses the room mics. However, Kevin’s expertise behind the board and Union Pool’s excellent sound system make for a terrific recording that captures all of Dommegang’s heaviness. I’m sure you’ll enjoy it!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dommengang
2015-06-06
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (balance) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:04]
01. Extra Slim Boogie
02. [banter]
03. Burning Off the Years
04. CC
05. Wild in the Street Blues
06. Her Blues
07. Hats Off to Magic
08. Everybody’s Boogie

Support Dommengang: Bandcamp | Facebook | Buy Everbody’s Boogie from Thrill Jockey

Vulture Shit: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Vulture Shit
[Photo by Jamie Langley]

“We’re Vulture Shit. That’s the worst kind of shit.” —Randy Vandal, Vulture Shit

Vulture Shit are a non-traditional post-hardcore trio traveling under what I’m pretty convinced are assumed names: Randy Vandal (vocals), Mike D. (drums), and Mike B. (bass). If you were in a band called Vulture Shit, you’d disguise your true identity too. But these guys are no superheroes—according to their lyrics they are all too normal. Disgustingly, creepily normal. Feel free to connect with them on LinkedIn (surely the height of social networking banality), though your odds of landing that new gig will probably diminish due to the association. But enough about the players—what about the music? The lack of guitar is the obvious insight, but it’s not missed at all. Mike B.’s expert bass-playing is absolutely singular and I don’t think I’ve ever seen or heard anything like it. Combined with Mike D.’s powerhouse drumming, this is all Vulture Shit needs in terms of instrumentation. Randy Vandal vocalizes like a younger Matt Korvette (Pissed Jeans) or a way younger David Yow (you know). Laying down a whopping twelve songs in twenty-three minutes, this trio wowed a crowd—myself included—that had shown up early to catch Pile (their set here).

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. Like the Pile set from the same night, the sound is exceptional even for Baby’s standards. Enjoy!

You can take my word—and this recording—for it, but seeing is believing: catch Vulture Shit next Friday June 12 on a stellar Northside Fest showcase at Aviv, along with NYCTaper favs Washer. Tickets are on sale.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Vulture Shit
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [22:56]
01. I Love the Way He Touches His Computer
02. I Love My Job
03. Curfew
04. Cable’s Out
05. Church Van Contraband
06. Walkie-Talkie Sleepover (My Fault My Friend Died)
07. The End
08. Dinnertime
09. You Crossed the Line
10. Rookie Cop
11. Area Dad
12. Hell on a T-Shirt

Support Vulture Shit: Bandcamp | Facebook

Pile: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Pile
[Photo by Jamie Langley]

Don’t be surprised when Pile’s latest long-player, You’re Better Than This, is all over 2015’s year-end lists. It’s the most immediately engaging record I’ve heard all year, and another winner from the folks at Exploding in Sound Records. Pile has been supporting the record with a never-ending tour, putting Rick Maguire high up on the list of hardest working musicians in the game. This Baby’s All Right show from April is their second stop in NYC this year, having previously played the grittier Palisades in February. Meanwhile, NYCTaper caught up with the band down in Austin for a short SXSW showcase set back in March (that recording here).

You’re Better Than This has put Pile on many people’s radars, but it was clear from the crowd that some people have been with Pile all along. Early adopters could be identified as the ones mouthing the words to even older songs like “Pets” from the 2010 self-released album, Magic Isn’t Real, as well as “The Browns” and “Grunt Like a Pig” from the 2012 EIS debut Dripping. Though I’m a bit newer to the band, I count myself lucky to have caught them at Baby’s—these guys won’t be playing 280-capacity rooms for long.

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. The sound quality of this recording is above and beyond even Baby’s usual high standards for sound. Enjoy!

Pile will be back around playing The Bell House on July 3. Tickets are still available.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pile
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:32]
01. The World is Your Motel
02. Mr. Fish
03. Baby Boy
04. The Browns
05. Special Snowflakes
06. Grunt Like a Pig
07. Pets
08. Appendicitis
09. #2 Hit Single

Support Pile: Bandcamp | Facebook | Tumblr

Thee Oh Sees: March 20, 2015 Hotel Vegas – Panache SXSW – Flac/MP3/Streaming

June 4, 2015
By

Thee Oh Sees Hotel Vegas
[still from this video]

Thee Oh Sees released their new album Mutilator Defeated At Last a couple of weeks ago in mid-May. The reviews have been unanimously positive for this record, and we personally feel that this is perhaps the most fully realized album that the band has released to date. The most insightful review of the album is by our friend Adam Schatz (from Landlady) who, by simply describing in minute detail the album’s first song “Web”, says more about this excellent release on one page than we could in a week. The article is in the Talkhouse and it was published yesterday.

One aspect of the album not discussed by Adam but something that we’ve experienced personally has been the development of the songs in a live setting over the last few cycles of NYC performances. All the way back at the Summer of 2014 at McCarren Park, the band played three new songs that were unknown to us until I asked John Dwyer directly at Death By Audio the following night for the song titles. The three songs, “Web”, “Withered Hand” and “Lupine Ossuary” (originally called “Lupine Dominus II”) were featured at each of those Summer shows in their earliest form. By the time the band came to Bowery Ballroom in November (perhaps our best sounding TOS recording to date), four new songs were added to the rotation, so that the setlist was comprised of half new songs that would ultimately see release on Mutilator.

At South By Southwest, Thee Oh Sees played a ton of shows, but the one we caught was the longest and maybe the wildest set they played all week. The showcase at Hotel Vegas featured all bands under the superb umbrella of Panache Booking, and TOS closed the night well after midnight with an hour-long set in the pouring rain that featured a crazy amount of stage jumpers, people hanging from the trees, and ultimately the finale with the legendary diminutive rapper Bushwick Bill. The set was again heavy on new material (five Mutilator tracks) which were all fully developed and flowed naturally with the older songs. Of the new songs, we’re partial to the early-Floyd flavor of “Sticky Hulks” and we are streaming that selection below.

Thee Oh Sees are currently finishing up the final dates of a long European tour, and there are some announced US shows for the Summer, but we are waiting patiently for the announcement of new NYC dates.

I recorded this show in the same manner at the Wand set from this night. I mounted the Sennheiser Cards underneath the soundboard tent to avoid the rain and mixed with a board feed. There was a lot of chatter under the tent and the board is a bit drum heavy but the mix of the two (70% board) creates a better balance and the result is an excellent recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sticky Hulks”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2015-03-20
Hotel Vegas – Panache SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:11]
01 I Come From the Mountain
02 Tunnel Time
03 Poor Queen
04 Toe Cutter – Thumb Buster
05 Withered Hand
06 Dead Energy
07 Sticky Hulks
08 The Dream
09 Turned Out Light
10 Tidal Wave
11 Encrypted Bounce
12 [thanks]
13 Lupine Ossuary
14 [Bushwick Bill intro]
15 Skitso (Medley)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Mutilator Defeated At Last from Castle Face Records [HERE].

ST 37: May 6, 2015 Knitting Factory and May 7, 2015 Mercury Lounge – FLAC/MP3/Streaming

June 2, 2015
By

IMG_1444

ST 37 have been at the game longer than some percentage of their audience had probably been alive. These two NYC sets gave us a much-appreciated amount of exposure to the Austin band, as neither of us had seen them before. Their style, which I might call “psychedelic hardcore”, lends itself to the live setting, where they get the chance to experiment and let their songs grow. We were fortunate enough to catch both sets at Knitting Factory and Mercury Lounge that featured completely different setlists. In both cases, we got a nice taste of the band’s range, from more straight-up hardcore numbers like “White Comanche” to meditative jam numbers like “KBDP (Karen Black’s Demerol Patch),” which sounds a bit like the drug referenced in the title. Between these two killer sets, the default winner almost has to be the Mercury set, where tourmate Kawabata Makoto of Acid Mothers Temple joined the band for “Just You.” Make sure to make a date with ST 37 the next time they’re out your way.

Both of these sets were recorded with Schoeps microphones (mine being MK41V supercardiods, nyctaper’s being CCM4 cardiods) and soundboard feeds. The sound quality of both is excellent. Enjoy!

You can grab the Knitting Factory and Mercury Lounge recordings of Acid Mothers Temple from us, too, by the way.

Download Complete Set (Knitting Factory): [MP3] | [FLAC]

Download Complete Set (Mercury Lounge): [MP3] / [FLAC]

Stream the complete set (Knitting Factory):

Stream the Complete Set (Mercury):

ST 37
2015-05-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mikey) + Schoeps MK41V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Down On Us
02 KBDP (Karen Black’s Demerol Patch)
03 The Pit Out Back
04 Magnetic Amphibian Hydrated Gills
05 Discorporate

————————–

ST 37
2015-05-07
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer: Val] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 31:11]
01 Baxty
02 If You Feel You’re Healed (Cow Head in the River)
03 The White Comanche
04 Heather Catherine Tallchief
05 Just You*
*with Kawabata Makoto guitar

If you enjoyed this recording, PLEASE SUPPORT ST 37, visit their website, and buy their records at their bandcamp page.

Joe Russo’s Almost Dead: May 9, 2015 Capitol Theatre – Flac/MP3/Streaming (Matrix)

May 27, 2015
By

JRAD Cap (2)

We’ve been with Joe Russo’s Almost Dead from their very first show at Brooklyn Bowl, so it was especially exciting to see the band in the big room at the Capitol Theatre in Port Chester. Given the special historical relationship between The Cap and the Grateful Dead, this gig was a kind of affirmation for JRAD. And the fans agreed — this date sold out quickly and well in advance. So there was a palpable sense of excitement when the band took the stage and immediately burst into a ’76-77 era version of “Dancing In the Streets” filled with neat funky guitar fills and tons of energy from the rhythm section. JRAD is always full of surprises, but what happened next was especially nice for us here at NYCTaper — the entrance onto the stage of friend of the site Nicole Atkins. Nicole ostensibly performed the “Donna parts” throughout the night, except that she’s a significantly better vocalist than Donna Godchaux ever showed during her time in the Grateful Dead (check out Nicole’s solo verses on “Music”). And as expected, Nicole provided a series of breathtaking moments throughout the night, highlighted by her solo rendition of Pigpen’s late era classic ballad “The Stranger (Two Souls in Communion)”, which like all JRAD performances balanced the tender line between tribute and respectful original take on the music. It was an interesting choice of material to feature Nicole on lead vocals and the selection proved brilliant.

This night was also featured an abundance what we have come to expect from JRAD shows — inspired and collaborative improvisational work which imparts new life into well-worn material. The version of “Dancing” definitely took its flavor from the late 70s GD, but JRAD took it out deep, and when the song reached to the final chorus after nearly twenty-minutes, it returned from places the Dead never imagined. “Cassidy” is a track that became fairly static in the later years of GD performances, which was a shame because the composition offers a jam-ready mid-song interlude. As expected, JRAD took that offer and upped the ante considerably. The mid-“Cassidy” jam contained a Playing-like deep space that gradually reached a manic Caution-like climax that we didn’t expect would ever return to the song proper. But return it did, ever so briefly, before exploding into a ’69-style “St. Stephen” that nearly took the roof off the old place. The first set continued with an extended “Eyes” that teased “Loose Lucy” before it flowed into a celebratory “Not Fade Away” that closed the meaty set. The second set’s opener “Music Never Stopped” followed the same path as “Cassidy”, taking a fairly static GD song that offered space for improvisation and taking full advantage. This “Music” extended past fifteen minutes before it returned to the final refrain. The remainer of the show was notable for its continued intensity, imaginative song selections and the true dedication to the music exhibited by all. By the time the band reached the set’s final song, a sweet “Ripple” encore, it was clear that Joe Russo’s Almost Dead had truly done the historic Cap proud.

This recording is a special one for the site. We were granted access to a soundboard feed in order to mix a special “matrix” of this show. I set up the mics in the taper’s section at the front right corner of the soundboard cage. I utilized the Schoeps cards and added the Grace V3 as a pre-amp to sweeten the capture. The room sounded terrific and the crowd was fairly respectful. The board feed was impeccably mixed by JRAD FOH Pete Costello — a perfect stereo pan, complete separation and superb balance. The matrix mix is fairly even between board and audience. The result is one of the best recordings we’ve ever offered on this site. Enjoy!

This recording would not have been possible without the generosity and assistance of three separate entities — the outstanding staff at the Capitol Theatre, Pete Costello, and of course the members of JRAD.

Download the Complete Show [MP3] / [FLAC]

Stream “Dancing In The Streets”:

Stream “Cassidy”:

Stream “Music Never Stopped”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Joe Russo’s Almost Dead
2015-05-09
Capitol Theatre
Port Chester NY

Digital Master Recording
FOB Audience + SBD Matrix

Soundboard [Engineer: Pete Costello] Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set One
[Total Time 1:31:44]
01 Dancing In The Streets
02 Dire Wolf
03 Cassidy
04 St. Stephen
05 The Stranger (Two Souls In Communion)
06 Eyes Of The World
07 Not Fade Away
Set Two
[Total Time 1:22:06]
08 Music Never Stopped
09 King Solomon’s Marbles
10 China Cat Sunflower
11 The Eleven
12 I Know You Rider
13 Morning Dew
14 One More Saturday Night
15 [encore break]
16 Ripple

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD website, visit the JRAD Facebook page, and visit their individual websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Föllakzoid: May 23, 2015 Rough Trade – FLAC/MP3/Streaming

May 27, 2015
By

IMG_1424-2

The Chilean band Föllakzoid have a habit of latching you into their deep grooves and not letting up, each song building like a little universe around monotones to create pieces that fall squarely in the post-Krautrock camp. The artist Uwe Schmidt, better known as Atom TM, joined the band for their brand new record, III, and the electronic influence was evident at this show, as the band created trancelike numbers that lent themselves as much to dancing as to chilling out. There are hints of U.S.-based compatriots like Moon Duo here, but this music comes across are more beat-focused and less “rock.”

This show at Rough Trade marked a relatively rare return by the band to the U.S., and that was emphasized by the long line to get in the door. Some were no doubt there early to see Jim Jarmusch and Jozef van Wissem’s Squrl take the stage first, but the crowd only filled in further by the time Föllakzoid took the stage. From single, flickering beats, “Electric” grew into the roiling kickoff track from III that we’ve all come to love, followed by that album’s centerpiece, “Piure.” By the time those two songs ended, the show was already thirty-two minutes in. Those hoping for standard “psychedelic” fare might have wondered what they had walked into at that point; fortunately, the people here got it, and started dancing. From there, they turned back to their excellent previous effort, II, for the last four songs — “99,” “9,” “Trees,” and “Rivers.” The set’s intensity peaked at “Trees,” which felt like the biggest rock number of the bunch, making “Rivers” and its slightly more subdued pace the right way to go out. We hope these guys will be back soon.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed from Rough Trade engineer Kameron Biehl. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Föllakzoid
2015-05-23
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA + Soundboard [Engineer: Kameron Biehl] >> Roland R-26>2x24bit/44.1kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 75:26]
01 Electric
02 Piure
03 99
04 9
05 Trees
06 Rivers

If you enjoyed this recording, PLEASE SUPPORT Föllakzoid, like them on Facebook, and buy their records from Sacred Bones

Condo Fucks: May 22, 2015 Cake Shop – Flac/MP3/Streaming

May 26, 2015
By

condo-fucks-26
[photos by PSquared Photography]

The Lower East Side venue Cake Shop has lived in many ways a parallel existence to we here at NYCTaper. We’ve recorded and posted shows from Cake Shop somewhere in the range of one hundred occasions. We’ve hosted our annual CMJ day parties at Cake Shop for seven consecutive years. This year the venue is celebrating its 10th year (we just had our 8th anniversary), and the next few months will see some very special events. On Friday night it was an event that was literally a perfect match for NYCTaper. The show featured Yo La Tengo — a band very familiar to our readers — in their alter-ego guise as garage-rock band Condo Fucks. We’ve also captured the most recent Condo Fucks shows in the area, including the band’s last-ever show in venue at Maxwell’s in 2013, which I believe is the last time Condo Fucks actually played a show.

I’ll admit that it was somewhat surreal to see the three members of Yo La Tengo enter tiny basement stage at Cake Shop. We’ve seen hundreds of bands on this stage, but perhaps never one of the kind of legendary status that YLT possesses. The set began as all of the Condo Fucks shows we’ve seen have begun, with the instrumental Booker T track “Outrage” before the band personalized the Harmonics song “On the Warpath”. The remaining set-proper was a high-energy run through the band’s usual garage covers — Rascals, Flamin Groovies, The Exciters and the like. At the mid-set mark, the Condo Fucks were joined by long-time friend Gaylord Fields (“The Great Gaylord”) on vocals for a four-pack of songs that we’ve never seen the band perform before. The clear highlight was the extended version of the Swamp Dogg cult classic “Total Destruction To Your Mind” which we’re streaming below. A Condo Fucks show is a rare event and it was a very classy move that Yo La Tengo celebrated Cake Shop’s 10th Anniversary by treating the venue to this special show.

I recorded this set with the Sennheiser cards mounted in a thread above the stage and mixed with a board feed. The on-stage mics captured the instruments with great clarity and the board feed was used to fortify the vocals. The result of the mix is a very well-balanced recording with superb sound. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Dog Meat” (Flamin Groovies cover):

Stream “Total Destruction To Your Mind” (Swamp Dogg cover – featuring the Great Gaylord on vocals):

Condo Fucks
2015-05-22
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3
and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 57:31]
01 Outrage [Booker T and The MGs]
02 Condo Fucks on the Warpath [Harmonics]
03 So Easy Baby [The Zantees]
04 I Want You To Be My Boy [The Exciters]
05 Accident [Electric Eels]
06 Right Side of My Mind [Angry Samoans]
07 Tiger In Your Tank [Muddy Waters]
08 Get Down [Half Life]
09 Look Back In Anger [Television Personalities]
10 Dog Meat [Flamin Groovies]
11 Come On Up [Young Rascals]
12 Re-Make Re-Model [Roxy Music]
13 [Great Gaylord intro]
14 TV Eye [The Stooges]
15 Falling in Love Again
16 It Hurts To Be In Love [Toombs/Dixon]
17 Total Destruction To Your Mind [Swamp Dogg]
18 [encore break]
19 Whatcha Gonna Do [Small Faces]

Thanks to Jesse for setlist!

condo-fucks-6

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their official releases (including Condo Fucks) from Matador Records [HERE].

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