Posts Tagged ‘ soundboard ’

Diane Cluck: September 20, 2019 Trans-Pecos

October 18, 2019
By

These days, Diane Cluck performs in NYC about once every eighteen months or so. Her last appearance in NY was in May of 2018 where she was backed into a late show and as a result her set that night was somewhat truncated. When we booked Diane for this year’s show at Trans-Pecos, there were no such limitations and this performance was undoubtedly the longest Diane Cluck show we’ve ever seen.

At Pecos last month, Diane was relaxed, playful, in good spirits, and thoroughly engaging. The set clocks in well over 90 minutes and the show contains plenty of banter, accepted requests, give and take with the engaged crowd, and two encores. Early in the set, Diane played tribute to her friend David Berman with a heartfelt cover of The Silver Jews “People”.

The exciting news is that Diane Cluck has fully recorded a new album due for release soon, which will be her first proper l.p. release since 2014’s Boneset. This night saw the performance of several of the new songs, the quality of which bodes well for this much anticipated album. The balance of the show was a nice sampling of the best material of Diane’s distinguished career and ultimately there really wasn’t much more that we could have asked for. Diane’s Northeast tour is complete, but we eagerly await her return perhaps for an album release show!

This set was recorded directly from the soundboard at a fairly low volume. The boosting and balance of the levels introduced some background noise into the sound (minor hiss mostly) but the mix and the sound quality is still quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Diane Cluck
2019-09-20
Trans-Pecos
Ridgewood NY

Digital Master Soundboard Recording

Soundboard [Engineer: RL] > 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:35:42]
01 [hello]
02 The Smile
03 [banter – new york]
04 People [Silver Jews]
05 [banter – that’s a club]
06 The Power of Allowing and Receiving
07 Heartloose
08 [banter – new album]
09 Jenny
10 Love You This Much
11 Maybe a Bird
12 Content to Reform
13 [Brian Festa set]
14 We Love You
15 Grandma Say
16 Draw Me Out
17 Pull Out the Bad Bone
18 [banter – thanks]
19 How Long
20 Sara
21 Telepathic Desert
22 Learn to Lose
23 Not Afraid to Be Kind
24 [banter – mellow Friday]
25 Peace I Leave
26 [banter – request]
27 Sandy Ree
28 [banter – merch]
29 Wild Deer at Dawn
30 [encore break]
31 Reveler
32 The Turnaround Road

PLEASE SUPPORT Diane Cluck, visit her website, and purchase her official releases from her Store [HERE].

Kevin Morby: September 28, 2019 Woodsist Festival (Accord, NY)

October 17, 2019
By
Photos courtesy of P Squared Photography

The tenth annual Woodsist Festival not only found Kevin Morby reprising his role as bassist in Woods during their set, but it highlighted Morby’s continued growth as an artist (and in popularity) since those days.

This stripped down set, featuring Morby with saxophonist Cheme Gastelum, focused on material from this year’s Oh My God, a record that, as its name suggests, focuses more heavily on spiritual and religious issues than Morby has in the past. Those songs were joined by “Harlem River” (of course), featuring Jarvis Taveniere, Meg Duffy and Jeremy Earl (on drums) to make it a full-band effort. But Morby saved his most impactful number for last: “Beautiful Strangers,” Morby’s 2016 tribute to the Pulse Nightclub shooting victims in Orlando, joined by Katie Crutchfield on vocals. It felt like a fitting tribute to people whose lives had ended at an event and a place not so dissimilar from this: one of community, positivity, and love.

I recorded this set with Evan’s soundboard feed, combined with a little bit of Schoeps MK5 microphones back at the board for ambiance. The sound is excellent. Enjoy!

Thanks to Kevin Morby for granting permission to post the set, and Woodsist for letting us record the festival.

Download the complete show: [MP3/FLAC/ALAC]

Kevin Morby
2019-09-28
Woodsist Festival
Arrowood Farm-Brewery
Accord, NY USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5c (at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 Congratulations
02 Hail Mary
03 Piss River
04 No Halo
05 Parade
06 Crybaby
07 Aboard My Train
08 Harlem River*
09 Beautiful Strangers^

Kevin Morby – guitar, vocals
Cheme Gastelum – saxophone

*w/ Jarvis Taveniere, Meg Duffy, and Jeremy Earl
^ w/ Katie Crutchfield

PLEASE SUPPORT KEVIN MORBY: Website | Buy Oh My God

Woods: September 28, 2019 Woodsist Festival

October 14, 2019
By
Photos courtesy of P Squared Photography

For the tenth annual Woodsist Festival, label founder and Woods vocalist/guitarist/founder Jeremy Earl brought the proceedings from the West Coast — where they enjoyed several successful years at Big Surprise — to upstate New York. Here in the tiny town of Accord, on the grounds of Arrowood Farm-Brewery, Woodsist showed what the purpose of a music festival ought to be.

It was: a cloudless day, not too warm; a gathering place where families with small kids, curious locals, and heads from near and far could converge to enjoy music, in an environment that welcomed all; sonically, a confluence of like-minded artists who knew each other well, who’ve cross-pollinated each other’s work in many cases and will do so again, and who shared many stages on this day. It was, in many ways, the perfect festival.

Woods has been one of the signature New York bands of this era since its inception, particularly so during this festival’s lifetime. They’re part of a rarified group whose shows are a virtual guarantee of something unique, that always leave you thinking about their music differently by the time you leave. It felt right, then, that this festival brought together the “2009 lineup,” including Kevin Morby and G Lucas Crane. Likewise, the setlist reflected the band’s best-known music from that time period, from “Rain On” and “Blood Dries Darker” to the classic one-two sequence of “jam songs,” “Bend Beyond” followed by “I Was Gone” (albeit, a short version this time).

Whatever its original intention, this ended up being more than a highlight set for this era of Woods. Several of these players were part of David Berman’s backing band for his final project, Purple Mountains, for which Jeremy Earl and Jarvis Taveniere were also producers. Berman’s suicide left a hole in music that can never be filled. For the many of us who had hoped to see him play music again (as was the plan with the Purple Mountains lineup), it was a generous and rare gift for the Woods crew to play two of his songs to close out the set. The first, “All My Happiness Is Gone” (with Little Wings‘ Kyle Field on vocals), was one of the darkest and most sobering songs on an LP full of them. Hearing it live for the first time in this context didn’t exactly change the song’s tone, but maybe it showed, in a small way, what could have been.

The set closed with Morby on vocals for “Random Rules,” from Silver Jews’ 1998 masterpiece American Water. It is, in my opinion, a perfect Berman song, a damaged plea to a former lover, whose series of brilliant couplets still make you crack a smile still on the thousandth listen, even with the melancholy at their core. For all the ache at its core, though, the song ends on a note of hope, however temporary: “Honey, we’ve got two lives to live tonight.” Despite the circumstances, it was a joy to hear Berman’s words sung from a stage again.

I recorded this set with a soundboard feed provided by Evan, and Schoeps MK5 microphones in the FOH tent. It’s an excellent capture of the day. I hope you enjoy it — and please support this festival in the coming years!

Thanks to Woods for allowing us to record and share the set. Other recordings from the festival will be made available for those artists who permit.

Download the complete show from its page on the Live Music Archive

Or go here for Apple Lossless

Woods
2019-09-28
Woodist Festival
Arrowood Farm-Brewery
Accord, NY USA

Recorded and produced by acidjack

Soundboard (engineer: Evan) + Schoeps MK5c (at SBD, DFC, PAS)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLACS ( level 8 )

Tracks
01 Out of the Eye
02 Blood Dries Darker
03 Find Them Empty
04 Pushing Onlys
05 Rain On
06 To Clean
07 Bend Beyond
08 I Was Gone
09 Suffering Season>
10 Military Madness
11 [banter/break]
12 All My Happiness Is Gone [Purple Mountains]*
13 Random Rules [Silver Jews]$

Joined by Kevin Morby (bass) and G Lucas Crane (vox, other) all set

* w/ Kyle Field on vocals
$ w/ Kevin Morby on vocals

Please support Woods: website | Facebook | store

Ty Segall and the Freedom Band: October 2, 2019 Bowery Ballroom

October 7, 2019
By
Photos courtesy of Will from We All Want Someone blog

Ty Segall is really good at music. I mean seriously, this guy has the most prolific catalog in recent memory, but is also a master at a litany of genres, and consistently releases high quality material. There’s an argument that Ty Segall is the most accomplished rock musician of this century. No, really, just take a look at his enormous body of work and its hard to argue against its superior quality.

We have been there for many of his NYC performances, going all the way back to the early years in the tiny DIY rooms but also conversely for two of his Webster Hall appearances. I’m not sure exactly why its been a few years since we last saw Ty, but within about 10 minutes of experiencing this magical night at Bowery Ballroom we immediately remembered why we’ve sought out this artist’s shows for many years. He’s simply a kinetic bundle of talent and energy, and now he’s surrounded himself with an all-star team of virtuoso friends that has become the “Freedom Band” for the last three albums.

Ty Segall’s most recent album, First Take, features the Freedom Band but reportedly has no guitars. The newest band member Shannon Lay plays a bouzouki, a Greek stringed instrument that resembles a guitar, so the idea that one of the world’s most prominent garage rock icons would forsake the guitar is a good cover story, but the reality is that the album doesn’t need guitars. The variety of instruments played by the Freedom Band more than fills the gaps on an album of great imagination and songcraft. As with Ty’s 2018 release Freedom’s Goblin, the artist’s moving away from restrictive genres is in its way his own statement about the evolution of his career — his freedom from labels if you will.

At Bowery Ballroom on Wednesday night, First Taste was played start to finish as the first half of the show. Spoiler alert, Ty did play guitar during quite a few of the tracks, but stepped behind a front-of-stage drum kit for about half the numbers. Often accompanied by two bass guitars and two keyboardists, the new songs feature heavy rhythms, dense melodies, and often harmonized vocals. Sure, there’s some good old punk rock in the mix, but by the time the final number “Lone Cowboys” was performed, it was clear that 2019 Ty Segall is a very different and far more diverse artist than a decade before.

So, what did he do with the rest of the show — surprise! The band stepped back almost a decade for a straight-through performance of 2010’s Melted, Ty’s third album and the first of his many many releases to really stretch its wings beyond straightforward garage punk. But other than not sitting behind the drum kit again, Ty’s approach to this music was not so radically different from the “first set”. The Freedom Band put its stamp on this music and in a way proved that even 2010 Ty Segall was ahead of his time.

Its not often when a musician can play a two-hour show with literally no gaps of energy or interest, but that is exactly what Ty Segall is doing these days. By compiling a band of maestros to compliment his newest and most ambitious material, this artist is maturing into a true composer. As the show both looks forward and nods with respect to the past, its is clear that Ty Segall is an all-timer and we are fortunate that an artist of this caliber is sharing these moments. The Bowery show was very clearly the best concert I’ve seen this year, and one of the best I’ve seen this decade and yes, I was lucky to be there and to capture it.

This set was recorded as we always do at this venue, with Schoeps mounted at the front of the balcony and mixed with a very fine board feed. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Ty Segall
2019-10-02
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:27]
01 Taste
02 Whatever
03 Ice Plant
04 The Fall
05 I Worship the Dog
06 The Arms
07 When I Met My Parents Part 1
08 I Sing Them
09 When I Met My Parents Part 2
10 Radio
11 When I Met My Parents Part 3
12 Self Esteem
13 Lone Cowboys
14 Finger
15 Caesar
16 Girlfriend
17 Sad Fuzz
18 Melted
19 Mike D’s Coke
20 Imaginary Person
21 My Sunshine
22 Bees
23 Mrs.
24 Alone
25 [encore break]
26 Fanny Dog
27 The Hand
28 She

Freedom Band: Mikal Cronin, Shannon Lay, Charles Moothart, Emmett Kelly, and Ben Boye

SUPPORT Ty Segall: website | buy official releases

Planting Moon: September 6, 2019 Three Lobed / WXDU Annual Ritual of Summoning (Raleigh, NC)

September 30, 2019
By

Planting Moon, of Asheville, NC, didn’t quite debut at this year’s Three Lobed / WXDU Annual Ritual of Summoning, but it’s fair to say this was a key performance by a new band — one that landed the right way on these ears. This combo of guitarists Sarah Louise and Nathan Olson, together with drummer Thom Nguyen, takes full of advantage of these players’ improvisational talents, with Louise adding occasional vocals to her heady guitar interplay with Olson.

This was one of my favorite sets of this year’s Hopscotch — not only are Planting Moon excellent, but their gigs to date have been largely local affairs. Along with the marquee national and international acts (who all play New York eventually), this festival is a chance to see the best acts coming out of North Carolina, particularly the vibrant scenes in Raleigh/Durham/Chapel Hill and Asheville. Trust me, Planting Moon check that box in a big way.

I recorded this set with the same three-source setup I used throughout the day, with onstage Schoeps MK5s carrying the load, together with a soundboard feed and MBHO mics back at the soundboard to capture the room feel. This one sounds great, folks. Enjoy!

Download the entire show: [MP3/FLAC/Apple Lossless]

Planting Moon
2019-09-06
Three Lobed / WXDU Annual Ritual of Summoning
Kings
Raleigh, NC USA

Recorded and produced by acidjack

Schoeps MK5c (onstage, XY, DFC)>KC5>CMC6 + Soundboard + MBHO MBP603/KA200N>Aerco MP2>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>FLAC ( level 8 )

Tracks
01 song 1
02 song 2
03 song 3
04 song 4

Planting Moon is:

Sarah Louise (guitar/vox)
Nathan Olson (guitar)
Thom Nguyen (drums)

It’s too early for Planting Moon to have any recorded output, but you ought to support them by visiting their Facebook page. Don’t skip the members’ other work as well.

Moon Duo: September 7, 2019 Hopscotch Music Festival (Raleigh, NC)

September 27, 2019
By

Not so long after catching an infrequent Wooden Shjips sighting at Brooklyn Bowl a few months back, we were lucky enough to see Ripley Johnson with his other (no less important) project Moon Duo close out the Hopscotch Music Festival in Raleigh, NC at our fave spot there, Kings.

Most exciting about this set was the fact that it comes just before the release of the band’s latest album, Stars Are the Light, a record that finds Sanae Yamada and Ripley wading further into the dance music arena. While you won’t find Moon Duo headlining a big EDM festival anytime soon, the vibe and texture of the new material has an airier lean to it. Yamada has cited disco as an inspiration for these songs, and you can hear it from the album’s title song as well as many of the new numbers that made their way into this night. If you’ve heard the second volume of Occult Architecture – billed the “light” side of that double album – then think of Stars Are the Light as the next logical evolution of that material. It’s a heck of a lot of fun to anytime, but it proved an especially fine coda to a multi-night music festival for me. Rounding out the new material, and the set, was a curveball cover, in this case Alan Vega’s “Jukebox Babe,” which the band released as a single last year.

Stars Are the Light hits the streets today, September 27, so do yourself a favor and head over to Sacred Bones Records or the band’s bandcamp to dig in.

I recorded this set with a soundboard feed, together with MBHO mics and the Aerco preamp for some warm goodness. Enjoy!

Download the complete show: [MP3/FLAC]

Moon Duo
2019-09-07
Hopscotch Music Festival
Kings
Raleigh, NC USA

Soundboard + MBHO MBP603/KA200N>Aerco MP-2>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 Flying
02 The World and the Sun
03 Cold Fear
04 I Been Gone
05 Eternal Shore
06 Fever Night
07 Night Beat
08 White Rose
09 Jukebox Babe [Alan Vega]

Bill Nace & Samara Lubelski: September 6, 2019 Three Lobed / WXDU Annual Ritual of Summoning (Raleigh, NC)

September 26, 2019
By

On the heels of a barnburning set by David Nance Group, Bill Nace and Samara Lubelski conjured up a different sort of vibe at the Three Lobed / WXDU Annual Ritual of Summoning at Kings.

Lubelski and Nace both have extensive musical histories as solo artists, improvisers and collaborators, including with members of Sonic Youth (Lubelski with Thurston Moore in, among other formats, Chelsea Light Moving; Nace most recently in Body/Head with Kim Gordon, but also with Moore and Lubelski). This format — in which the duo have released a self-titled album and recently toured the U.S. — finds Lubelski on violin and Nace on guitar/effects. It’s clear from the cohesiveness of this 28-minute piece that the pair have a natural interplay with each other, as they weave together a piece that you’ll find thought provoking no matter how you choose to interpret it.

I recorded this set primarily with a feed from the soundboard, with the Schoeps MK5 onstage mics providing additional atmosphere. Enjoy!

Download: [MP3/FLAC]

Bill Nace & Samara Lubelski
2019-09-06
Three Lobed / WXDU Annual Ritual of Summoning
Kings
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5c (onstage, XY, DFC)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>FLAC ( level 8 )

Tracks
01 improvisation

Buy Samara and Bill’s self-titled record directly from Relative Pitch Records.

Kimya Dawson: September 18, 2019 Market Hotel

September 25, 2019
By

Its hard for me to believe its been almost twelve years since we last saw Kimya Dawson live. Those two shows in 2008 at tiny Southpaw, and then later at a much larger Webster Hall straddled the time period when Kimya’s star rose dramatically due to her exposure in the Academy Award nominated film Juno, which included her performance at the Oscars.

We noted back then that fame hadn’t at all changed the authenticity of this unique performer and that remains correct today. She remains a person whose observational songwriting skills convey an understanding of the variety of emotions of the human condition — humor, love, anger, sadness, and most importantly a sense of community. This concert at Market Hotel covered much of her classic material and consequently many of those emotions.

This set was recorded by house FOH Joe onto a thumb drive through the soundboard’s internal recording device. Except for a low guitar level in the first song, the sound is superb. Enjoy!

Download the Complete Show at Archive.org [HERE].

Stream the Complete Show:

Kimya Dawson
2019-09-18
Market Hotel
Brooklyn NY

Digital Soundboard Master Recording

Soundboard [Engineer: Joseph] + 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:23:48]
01 Tire Swing
02 Solid and Strong
03 [banter – long and slow]
04 Singing Machine
05 It’s Been Raining
06 [banter – Facebook Nazi]
07 Fire
08 [banter – Camp John Waters]
09 I Like Bears
10 Alphabutt
11 You Are My Baby
12 Being Cool
13 Alone And Free
14 Will You Be Me
15 Chemistry
16 [banter – theatre camps]
17 I Like Giants
18 [banter – rowdy rounds]
19 Underground
20 [All Star]
21 [Jarrod Bramson tribute]
22 Average Angel [Solute]
23 [banter – business meeting]
24 Anyone Else But You
25 [thanks]
26 Loose Lips

SUPPORT Kimya Dawson: website | official releases

Guerilla Toss: September 7, 2019 Bowery Ballroom

September 19, 2019
By

It was last Halloween when our long-time fave space rock pranksters blasted off into Market Hotel, sold out the joint, and presided over perhaps the party of the year. It would be hard to match that epic night in NYC, and for almost a year Guerilla Toss didn’t even try. That is to say, this Bowery Ballroom night is their first proper local headlining gig since last Hallows Eve.

This Saturday night gig may not have been the pure rager that Market experienced, but as GT shows go, this was a real keeper. The band has developed a full-set style of playing distinct “parts” or segments where three or four songs flow naturally from one to the other, and as the band continues to master its live presentation, these segues have become nearly seamless. The Bowery show has not only a tremendous flow, but also a killer setlist, highlights including the Betty>Polly couplet, a Dose Rate that lived up to its name, and a guitar-heavy jammy Meteorological. Things bode well for the November release of the band’s latest EP, What Would The Odd Do? and we can’t wait.

The current Guerilla Toss Northeast Tour comes to a close with two shows, Friday in Boston and Saturday in Holyoke, dates here.

I recorded this set from our old balcony perch and mixed with an excellent feed from FOH Danielle. The sound quality is superb. Enjoy!

Download the Complete Show at Archive.org [HERE]

Stream the Complete Show:

Guerilla Toss
2019-09-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:22:42]
01 Plants
02 Can I Get The Real Stuff
03 Realistic Rabbit
04 Spider Heard
05 [tuning]
06 Magic Is Easy
07 Betty Dreams Of Green Men
08 Polly’s Crystal
09 Jesus Rabbit
10 [part three]
11 Future Doesn’t Know [debut]
12 Grass Shack
13 367 Equalizer
14 Dose Rate
15 Dog In The Mirror
16 [thanks]
17 Meteorological [Jane La Onda]
18 Diamond Girls
19 Green Apple
20 [non-Encore break]
21 Come Up With Me

PLEASE SUPPORT Guerilla Toss: Bandcamp | Facebook | DFA Records Page

One Eleven Heavy: September 1, 2019 Union Pool

September 10, 2019
By
Photo via @bbib

One Eleven Heavy’s second LP, Desire Path, doubles down on the seventies boogie rock vibe that made Everything’s Better so irresistible. Building on the first record’s foundation, though, it ventures further into loose, Dead-inspired jams with songs like “Chickenshit” and “Hot Potato Soup.” It’s a pure delight for anyone who’s ever owned a Dead record or discovered the other side of country music with Numero’s Comic American Music compilation.

I was pretty jazzed to finally see One Eleven Heavy—their short tour last year was full of misfortunes including a van accident and a venue closure that preempted their Brooklyn gig. Unthwarted, they’ve been touring the U.S. this month, beginning with this record-release show at Union Pool and winding up back where they began with a tour-capper this Saturday, September 14th at Trans-Pecos. (Grab your tickets!) For a band so with members so geographically separated, they sound here like they play together every day. I highly recommend you get yourself out to Trans-Pecos this weekend for a surefire good time.

I recorded this from our usual location at Union Pool, with MBHO mics in DIN stereo configuration, combined with a board feed. The sound is excellent. Enjoy!

Download MP3/FLAC



One Eleven Heavy
2019-09-01
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, imaging, compression) > Audacity 2.0.5 (tracking, tagging, downsample, dither) > FLAC (16/44.1, level 8)

Tracks [54:54]
01. Old Hope Chest
02. Stir
03. House of Cards
04. Kitty Clyde’s Sister
05. Chickenshit
06. Mardi Gras
07. Fickle Wind
08. Valley Bottom Fever
09. Hot Potato Soup
10. Crosses

SUPPORT NYCTaper




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