Posts Tagged ‘ soundboard ’

Jon Langford: July 9, 2013 Maxwell’s – Flac/MP3/Streaming

July 23, 2013
By

langford
[iphone photo by neild]

Longtime NYCTaper correspondent neild made his last trip to Maxwells:
“The very first time I went to a show at Maxwell’s in Hoboken was to see the Mekons, for a show in July 1991 when the Leeds-bred country-art-punk combo was touring in support of Curse of the Mekons, the album that got them kicked off A&M for being “commercially unsatisfactory.” This was at a time when the Mekons played in the New York area every few months (usually at Tramps or the Marquee), and I don’t remember much in particular about the show, except that Jon Langford and Sally Timms, then recently split as a couple, bickered both terribly and hilariously, and that the show ended with Jon and several other Mekons thrashing atop each other, and their guitars, on the floor. And that the whole thing was wonderful and anarchic and both so rock and roll and so anti-rock and roll in a way that only the Mekons have quite ever been able to pull off.

Almost 22 years later to the day, I made what will be my final visit to Maxwell’s to see Langford and his usual New York cohort (bassist Tony Maimone and drummer Steve Goulding, with only longtime violinist Jean Cook absent) play their farewell gig at the club, which as everyone reading this no doubt knows by now will close forever at the end of July. I was on vacation on the West Coast when I got an email about the show, which was due to take place just one day after I was to arrive back east on a red eye; of course, I immediately ordered tickets, because one more chance to see Jonboy at the greatest rock club in the world was something I couldn’t pass up, jet lag or no.

It didn’t disappoint. After taking the stage solo to play “Luxury” from his recent album Old Devils while waiting for Maimone and Goulding to make their way through the Maxwell’s crowd to the stage, Langford launched into full-band renditions of several songs from his 1998 solo debut Skull Orchard, a still-unparalleled masterpiece focused on his hometown of Newport, Wales (“Tubby Brothers” is about a real-life undertaking firm of that name); the rest of the set highlighted both Waco Brothers classics like “Walking on Hell’s Roof” and other solo material, including his recent, haunting Bloodshot single “Drone Operator.” After a break for drinks, the band returned to do a string of Mekons songs, more Jon solo material, and a set of covers before closing things out with the ur-Mekons track “Where Were You?”

It all amounted to both a eulogy for and a celebration of Maxwell’s, which was only fitting for an artist who’s spent the last several years selling paintings based on faded publicity photos of dead country music stars. For a fuller review, including a nice sampling of the jokes that peppered the evening (only some of which were about Sally Timms farting), see Will You Miss Me’s report on the evening.

This recording was made from two sources: a pair of cap-mounted Core Sound Binaural mics about ten feet from the stage, plus a soundboard feed. (Huge thanks for Maxwell’s soundman Mitch for his both his help in this area and his terrific mix for the night – NYC-area clubs, this man is a free agent come August 1, so get your dialing fingers working!) Despite some minor mishaps with a balky cable and some errant breezes from the Maxwell’s a/c system – one of the few things that’s changed there in the last 22 years – I was able to finesse it all in mixing into a recording I think you’ll all be happy with. Especially if you’re a fan of fart jokes.”

This recording is available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Entire Show:

Jon Langford
2013-07-09
Maxwell’s
Hoboken, NJ

Recorded and mastered by neil d

CoreSound Binaurals + soundboard > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC

Tracks:
First set:
01 Luxury
02 [banter – Billy Bragg]
03 Tubby Brothers
04 Youghal
05 Butter Song
06 Trapdoor
07 Death of Country Music
08 [banter – did the Waco Brothers ever play here]
09 Walking on Hell’s Roof
10 Drone Operator
11 [banter – some of my friends’ fathers]
12 Pill Sailor
13 [banter – I went to the doctor]
14 X-Ray Style (Joe Strummer)
15 [banter – the Three Johns broke up in this room]
16 Death of the European
17 Deep Sea Diver

Second set:
18 Memphis, Egypt
19 Lonely and Wet
20 [banter – Rico’s accordion is dead]
21 Slightly South of the Border
22 Dickie, Chalkie and Nobby
23 [banter – smells and tastes]
24 Millionaire
25 [banter – ooh, doggie]
26 Are You an Entertainer
27 Good Year for the Roses (George Jones)
28 Before I Grow Too Old (Fats Domino)
29 Sentimental Marching Song
30 [banter – a funny joke in Chicago]
31 Old Flames Can’t Hold a Candle to You (Dolly Parton)
32 It’s Not Enough
33 [banter – guitar solo]
34 Big River (Johnny Cash)
35 Nashville Radio
36 Big Spender (Shirley Bassey)
37 Wild and Blue (John Anderson)
38 Wreck on the Highway (Dorsey Dixon)
39 Where Were You

If you download this recording, we expect that you will PLEASE SUPPORT Jon Langford, visit his website, and purchase his official releases from the Bloodshot Records Website [HERE].

Chuck Johnson: May 26, 2013 Mercury Lounge – FLAC/MP3/Streaming

July 16, 2013
By


chuckjohnson2013-05-25-1
[Photo by acidjack]

After getting a preview of what was to come last year at Hopscotch Music Festival, we expected Chuck Johnson‘s 2013 record Crows In the Basilica to be an important part of the conversation on best guitar records of the year. That was confirmed both by Basilica’s release on Three Lobed Recordings this spring, as well as by this performance at Mercury Lounge, where Chuck demonstrated that the subtle brilliance of his compositions can’t be contained by the studio.

Chuck and his contemporaries are almost always categorized by the label “American Primitive”, a sub genre of guitar playing shared with its progenitor John Fahey and many other worthy players, but the term “primitive” as understood by most is misleading. Rather than suggesting a simplicity or naïveté to the material, American Primitive is best understood as a recognition of the ability of these players to use highly complex guitar arrangements that link the instrument’s present with its more elemental, folk-derived origins. Before venturing out as a solo player, Johnson played in well-regarded North Carolina bands like Shark Quest and the string trio Idyll Swords, but it is here where Johnson’s skill on guitar is best appreciated. We hope you will enjoy this moving set of music from Johnson and be on the lookout for his future shows.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus a soundboard feed provided by Mercury team. Given that it is a recording of a single instrument, the recording heavily favors the soundboard feed, with a bit of audience mics mixed in to give a feel of the room. It is an excellent recording. Enjoy!

Stream “Crows In the Basilica”

Direct download of MP3 files [HERE] | Direct Download of  FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chuck Johnson
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Swallow the Sun>
02 Albion Source
03 Caldera Wires
04 Vastapol
05 On A Slow Passing In Ghost Town *
06 Crows In the Basilica
07 Mine Creek
08 The Stars Rose Behind Us

If you enjoyed this recording, please support Chuck Johnson, visit his website and purchase Crows In the Basilica from Three Lobed Recordings [HERE]

Trapper Schoepp and The Shades: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 14, 2013
By

Trapper Schoepp - Vernon Webb
[photo courtesy of Vernon Webb Photography]

Trapper Schoepp and The Shades is the kind of band that you see and immediately know that they are going places. At Brooklyn Bowl a couple of weeks back, they opened the first night of the Old 97s three-peat and immediately grabbed the attention of the incoming crowd. Trapper and the band hail from Wisconsin, but their music is pure Americana as comfortable in the Midwest, the South or even NYC. Their album Run, Engine, Run was released last Fall, and the setlist consisted of primarily tracks from the album, but also a couple of strong new songs. Trapper and his bandmates have a natural ease and a positive vibe on stage and their talents are obvious. Like many of today’s bigger Americana bands, if they are willing to be road warriors, in the coming years the crowds and the venues will continue to grow. Trapper Schoepp and The Shades will be playing mostly midwest dates this Summer, but when they come East again we’ll be there.

I recorded this same in the same manner as the Old 97s show and the sound quality is equally superb. Enjoy!

Stream “I-94”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Trapper Schoepp and the Shades
2013-06-27
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-11

Setlist:
[Total Time 45:32]
01 Mercy Blues
02 Wishing Well
03 Pins and Needles
04 Nighthawk
05 So Long
06 Cold Deck
07 Between the Lines
08 Run Engine Run
09 Ballad of Olof Johnson
10 I-94
11 Settlin or Sleepin Around
12 Dear Prospect

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trapper Schoepp and The Shades, visit their website, and purchase their album Run, Engine, Run at the Side One Dummy Records website [HERE].

Old 97s: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 9, 2013
By

Old 97s Vernon Webb
[photo courtesy of Vernon Webb Photography]

In March, we reconnected with the Old 97s at their highly enjoyable set at the Capital Theatre in Portchester. So I guess it was only natural that we would attend their next NYC show, this time as a play-a-full-album three night run at Brooklyn Bowl — one of our old favorites at one of our current favorite venues. The first night album was appropriately the band’s first album Hitchhike to Rhome played from start to finish, including a bonus track, a hidden track, and even an outtake from the album’s sessions. At the conclusion of Rhome, the Old 97s played another dozen tracks, making this both an lengthy and highly entertaining set. The band’s performance was both inspired and tight — clearly a band comfortable with their past and their present.

I recorded this set with the Sennheiser MKH-8040 cards pointed at the right stack midway on the right side of the floor. The ambient noise (bowling and chatter) is greatly reduced with the addition of a board feed, synced in at about 40% of the overall mix. The result is a superb recording. Enjoy!

Stream “Four Leaf Clover”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old 97s
2013-06-27
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-02

Setlist:
[Total Time 1:41:52]
01 [intro]
02 St. Ignatius
03 504
04 Drowning in the Days
05 Miss Molly
06 Dancing With Tears in My Eyes
07 Four Leaf Clover
08 Wish The Worst
09 Old 97s Theme
10 Doreen
11 [banter – twenty years]
12 Hands Off
13 Mama Tried
14 Stoned
15 If My Heart Was a Car
16 Desperate Times
17 Ken’s Polka Thing
18 Tupelo County Jail
19 West Texas Teardrops
20 Lonely Holiday
21 Champaign Illinois
22 Rollerskate Skinny
23 Let The Whiskey Take The Reins
24 Can’t Get a Line
25 Every Night Is Friday Night
26 Big Brown Eyes
27 [encore break]
28 Making Love With You
29 Dance With Me
30 Timebomb

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Old 97s, visit their website, purchase their official releases from the Store at their website [HERE].

Deafheaven: July 2, 2013 Saint Vitus – Flac/MP3/Streaming

July 5, 2013
By

deafheaven unartig
[screen capture from unARTigNYC video]

Deafheaven’s new album Sunbather is a game-changer in so many ways. Its been called “a modern classic” and a “pinnacle of American black metal” by preeminent metal writer Brandon Stosuy. The album’s universal critical acclaim and the increased crowds that will inevitably gather for the band’s uber-intense live shows mean ultimately that Deafheaven is on a very steep trajectory to the apex of its genre. There will not be (m)any more nights like Tuesday at Saint Vitus, where the packed crowd saw the band deliver a show for the ages. Opening with a quiet guitar introduction, the band then crashed into Sunbather’s first track “Dream House”, and the level of energy did not subside until the band and the audience came up for a breath of air before the final song. One of Deafheaven’s strengths is their ability to seamlessly transition from one apparent genre to another. We are streaming “The Pecan Tree” which encapsulates this ability multiple times within one track. The song opens with a dead start directly into a “screamo” black metal segment before evolving mid-track into a melodic post-rock guitar passage and then concludes in full Deafheaven mode while vocalist George Clarke belts out what is perhaps the darkest lyrics of the entire album “I am no one. I cannot love. It’s in my blood.” Deafheaven’s current tour concludes with two shows in the Midwest — Cleveland on Friday and Chicago on Saturday. If you live in one of those two cities, we recommend that you not miss this band.

I recorded this show with the Sennheiser cardioids set up in the rear of the room and mixed it with a board feed. The strengths of both sources compliment each other and the result is an excellent recording. Enjoy!

Stream “The Pecan Tree”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deafheaven
2013-07-02
St. Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-04

Setlist:
[Total Time 1:05:32]
01 [intro]
02 Dream House
03 Sunbather
04 Unrequited
05 The Pecan Tree
06 [banter]
07 Violet

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official releases including Sunbather from Deathwish Inc. [HERE].

Miracle of 86: June 14, 2013 Maxwells – Flac/MP3/Streaming

July 4, 2013
By

miracle-of-86-16
[photo by Sean O’Kane]

Kevin Devine is such a nice guy that its hard for me to believe that he was once in a band that broke up. The Miracle of 86 was a popular Staten Island based power pop quartet who toured and recorded from 1998 to 2003, before Kevin launched his solo career. Following the tragic events of the superstorm and the massive damage to their home borough, the band reunited on Staten Island for a benefit concert in January. The experience was so positive that Miracle of 86 decided to keep it going — with two shows in June. We attended the Maxwells date a couple of weeks back, and it was a show that felt very much like a bunch of old friends getting together to play some songs. The stage banter was friendly and funny and the performance of the old material was both inspired and surprisingly tight. We’re streaming “Sunday School”, which was so well played that it could be released tomorrow. Miracle of 86 could very well play more reunion shows, but for now Kevin will be concentrating, after his hugely successful Kickstarter (for two albums!) on his solo career. Expect a show in NYC in late summer / early fall.

I recorded this show in our usual manner in this venue and the sound is superb. Enjoy!

Stream “Sunday School”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Miracle Of 86
2013-06-14
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-26

Setlist:
[Total Time 58:02]
01 [intro]
02 Sleep All Damn Day
03 G Song
04 Every Famous Last Word
05 [banter – stripes]
06 Surprise Me
07 Southern State
08 Dance Dance Revolution
09 [banter – Bryan Adams]
10 Knife
11 When Its on My Mind
12 [banter – Alice in Chains teaser]
13 Call Off The Cops
14 I Think You Meant to Say No
15 A Less Important Place
16 Nice Shirt Salvador Dali
17 Your Quicksilver Moment
18 Sunday School
19 [banter]
20 Red 19
21 [outro]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Miracle of 86 alumnus Kevin Devine, visit his website, and purchase is official releases from Razor and Tie Records [HERE].

French Films: June 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 28, 2013
By


frenchfilms2013-06-04-1
[Photos by acidjack]

The Finnish band French Films isn’t yet well-known here in the U.S., but that seems poised to change. Like their fellow travelers Hooded Fang, who they joined for this Mercury Lounge bill, they have a reasonably deep repertoire (they formed in 2010) as well as the chops to deliver it live. Taking their cues sonically from Beatlesque pop and the early-aughts New Wave revival, the band’s sound combines their propensity for hummable hooks with a darker tinged edge. What they’ve done so far was good enough to earn them a European Border Breakers Award, which honors the best new musical acts across Europe, and they are using that to jumpstart their foray into the U.S., which also included a show at Glasslands a few days before this show. This set, which drew the largest crowd of the night, found them playing their European hit, “Escape In The Afternoon”, along with material from this year’s release, White Orchid. One of the band members noted his attendance at an early Strokes show at this same venue, and I feel like a little pixie dust from those legendary shows from last decade rubbed off on these guys and their excellent set as well.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed provided by French Films’ traveling FOH. The sound quality is excellent. Please note that the set has some songs removed, at the band’s request. Enjoy!

Stream “Golden Sea”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

frenchfilms2013-06-04-2

French Films
2013-06-04
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (tape effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 White Orchid
02 Convict [not included at artist request]
03 [banter1]
04 Ridin’ On [not included at artist request]
05 Golden Sea
06 [banter2]
07 Long Lost Children [not included at artist request]
08 Where We Came From
09 Escape In the Afternoon [not included at artist request]
10 Special Shades
11 When People Like You Filled the Heavens [not included at artist request]
12 [banter3] [not included at artist request]
13 Pretty In Decadence [not included at artist request]
14 You Don’t Know

If you enjoyed this recording, please support French Films, visit their Facebook page, and buy White Orchid and their other releases from iTunes or your favorite retailer.

Yo La Tengo: June 15, 2013 Maxwell’s – Flac/MP3/Streaming

June 19, 2013
By

YLT PP1
[photos by PSquared Photography – courtesy of brooklynvegan]

When I first began going to Maxwell’s back some 25 years ago, it was to me just another of the excellent NYC-area clubs that hosted the bands I preferred. Its been the last decade where the club began to mean much more to me. While I was somewhat late to the Maxwell’s admiration party, it still hit me like a punch to the stomach when the news broke that the club would be closing for good at the end of July. In recent years as is well documented on the pages of this site, we’ve taken many trips over to Hoboken for some of the best shows I’ve seen in my entire life. The club became a home away from home — when I came in through the side door often much earlier than the time for doors, I was certain that I had a night of great music, good food, fine beer and welcome company ahead of me. Going to Maxwell’s was an escape of sorts, but more importantly it was about people — those that make a night of entertainment enjoyable in all aspects. The refreshing thing about Maxwell’s was that it was entirely free of the venue politics that plague many local venues. When I came in the door, I was welcome. And since I came so often, the staff were all familiar and friendly faces. I didn’t know all of their names, but every server, bartender, and bouncer were all the kind of people that you’d hope would run a music venue. Of particular note for me was Mike the ticket/door man who often allowed me to enter the venue early to set up equipment, and of course Carson Kopp, the venue’s head sound technician whose sound talents are well documented on this site but whose generosity, patience and sense of humor were always second to none. I expect that all of the people involved in this special place with land on their feet wherever they go, but somehow it will never be the same.

A large reason why Maxwell’s was the locale for so many of the special nights we’ve experienced was the “house band” — Yo La Tengo. We’ve seen them at times other than Hanukkah, but the vast majority of our YLT shows were during the eight day holiday. Due to some unforseen circumstances, on Saturday night a show originally billed as “Condo Fucks” in an opening slot became a two-set Yo La Tengo Maxwell’s show, and will be the final show of the band at its home venue. With that knowledge, the band’s entrance on stage in front of the red velvet curtain was instantly emotional. It was both hard to fathom and hard to accept that the band’s familiar position was its final night on this stage. Yo La Tengo has always had a keen awareness of its circumstances and its surroundings, and the setlist seemed uniquely fashioned for this night. Indeed, as “Mr. Tough” was dedicated to venue manager Todd Abramson, it occurred to me that the lyrics “we’ll forget about our problems / Ignore them for a little while / And leave our worries in the corner” quite well summarized the feeling of entering Maxwell’s for a night of music. While the weird sense of current enjoyment and the dread of the ending of something magical permeated my feelings throughout the set, it wasn’t until a beautiful quiet version of “Tom Courtenay” that the lump in my throat evolved into real tears. Its hard to lose something this special, but Yo La Tengo’s quiet first set was the cathartic remedy that we needed to help us accept our fate. After a break, the band returned with a full electric “Condo Fucks” set of garage-rock covers. It was exactly what was necessary at the exact right time — the chance to celebrate what Maxwell’s was really all about, no frills and unpretentious rock and roll simply for its own sake. The band’s final song, a super quiet and oh so appropriate cover of the Kinks’ “This Is Where I Belong” wasn’t so much a crying song as it was a wave goodbye. Ira Kaplan introduced the song by humbly noting that “this band does not exist without this club.” Indeed, much of the most important alternative rock of the last 30 years doesn’t either, and for that we can always thank and remember fondly Maxwell’s in Hoboken.

I recorded this set in the manner we’ve always been lucky to be permitted to record in this venue, and the sound is excellent. Enjoy!

Yo La Tengo is going to be on tour for the next several months and the dates are [HERE].

Stream “Tom Courtenay”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2013-06-15
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-19

Setlist:
[Total Time 1:35:17]
Set One [Acoustic YLT]
01 [introduction]
02 Big Day Coming
03 The Point Of It
04 [3 Blocks intro]
05 Three Blocks From Groove Street
06 [banter – libretto]
07 Mr. Tough
08 Swing For Life
09 Speeding Motorcycle [Daniel Johnston]
10 I’ll Be Around
11 Tom Courtenay
12 Ohm

Set Two [Condo Fucks]
13 [introduction set two]
14 Outrage [Booker T]
15 The Last Time [Rolling Stones]
16 Last Time Around [The Del-Vetts]
17 Frenzy [The Fugs]
18 Mystery Action [The Rezillos]
19 Whatcha Gonna Do About It [Small Faces]
20 Right Side of My Mind [Angry Samoans]
21 I Want You To Be My Boy [The Exciters]
22 I’m Your Man [Richard Hell]
23 Accident [Electric Eels]
24 With A Girl Like You [The Troggs]
25 Tiger In Your Tank [Muddy Waters]
26 Dog Meat [Flamin Groovies]
27 Get Down [Half Life]
28 Come On Up [Young Rascals]
29 Gudbuy T’Jane [Slade]
30 [encore break]
31 This Is Where I Belong [The Kinks]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade from Matador Records [HERE].

Hooded Fang: June 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 19, 2013
By


hoodedfang2013-06-04-1
[Photos by acidjack]

It’s impossible not to like the Toronto band Hooded Fang, who play a brand of rather American-tinged pop-inflected punk that always draws a crowd, and often a moshpit. While they’re just getting their due here in America (this was only their second NYC show), they’re actually on their third record, this year’s Gravez, which is as concise a burst of infectious new guitar music as I’ve heard this side of Parquet Courts.

This show at Mercury Lounge matched Hooded Fang up with a diverse cast of U.S. and international acts, including Brooklyn’s Pow Wow and Total Slacker as well as Finland’s French Films (that recording coming soon). As I expected from listening to the record, the Fang’s set put the emphasis solidly on fun, with new tracks like “Ode To Subterrania” delivering a light take on that staple of early-20s slackerdom, living in a basement. My other favorite, “Trasher”, echoes mid-to-late 80s postpunk, in roughly the vein of the Pixies, making a nice counterpoint to some of the more straight-ahead rocking tracks. Most of Gravez was played, but the band tore through those songs so fast that it left time for older fare from their second record, Tosta Mista, including the set closer, “Vacationation”. Hooded Fang promise to be one of the most exciting bands of their kind to hit the scene this year, and I hope more New York appearances are in the offing.

I recorded this set in my usual manner for the venue, with Schoeps MK41 supercardiod microphones and a soundboard feed provided by longtime Mercury engineer Kevin Mazzarelli. The sound quality is excellent. Enjoy!

Stream “Ode to Subterrania”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hoodedfang2013-06-04-2

Hooded Fang
2013-06-04
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (tape effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 [intro]
02 Graves
03 Ode to Subterrania
04 Bye Bye Land
05 Wasteland
06 [banter1]
07 Clap
08 ESP
09 Sailor Bull
10 Trasher
11 Genes
12 [banter2]
13 Tosta Mista
14 Vacationation

If you enjoyed this recording, PLEASE SUPPORT Hooded Fang by visiting their bandcamp page where you can buy the digital album, or buy the vinyl/CD here.

The Antlers: June 12, 2013 Le Poisson Rouge – Flac/MP3/Streaming

June 17, 2013
By

Antlers PP 1
[photos by PSquared Photography]

The Antlers are currently experiencing that in-between-albums and between-tours lull that bands enjoy after working non-stop for years in row. The period usually includes writing in the studio, solo projects and unfortunately for fans, a dearth of shows. Last Wednesday, it was the celebration of the 5th anniversary of the eclectic and groundbreaking club Le Poisson Rouge that brought the band out to play a sold out one-off show. The band’s singer and guitarist Peter Silberman at one time worked at LPR before the Antlers became his full-time vocation, and in fact the first listening party for the original self-release of Hospice took place at the club. Several years hence, the band now has two more releases to their name — enough material to play a full 90 minute show virtually without pause. The setlist was a democratic selection from each of the recent releases, including 3 of the 4 songs from last year’s Undersea EP, about half of Burst Apart, and some prime material from Hospice. We are streaming “Wake”, a powerful version that ended the main set.

I recorded this set with the Sennheiser cards in back of the room mixed with a superb stereo soundboard feed. Due to the position of the mics, I picked up a ton of chatter and this mix is primarily the board. Enjoy!

Stream “Wake”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Antlers PP 2

Antlers
2013-06-12
Le Poisson Rouge
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-15

Setlist:
[Total Time 1:34:28]
01 Drift Dive
02 Rolled Together
03 No Widows
04 Endless Ladder
05 Kettering
06 Atrophy
07 [banter – new record]
08 Bear
09 [banter – tuning]
10 Hounds
11 Zelda
12 [banter – LPR]
13 Wake
14 [encore break]
15 Corsicana
16 Putting The Dog to Sleep

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase their official releases from the Antlers Store [HERE].

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