Posts Tagged ‘ soundboard ’

Eidolons: June 30, 2013 Cameo Gallery – Flac/MP3/Streaming

August 3, 2013
By

Eidolons Cameo Gallery 6_30_13
[photo courtesy of Eidolons]

Eidolons is a quirky alt-pop band from Portland Oregon, whose catchy music shows influences from 80s Brit pop (Smiths, Cure) to 90s West coast alternative (Shins, Death Cab), but yet sounds very contemporary. We caught them at Cameo Gallery a few weeks back on a Sunday night headlining gig. Their set alternated between tracks from their 2012 album China, and their new album Skyhook which was released in June. The band can change tempo and key on the dime and their talent bodes well for their future — or as the Portland-Mercury described them, “freaky potential”.

I recorded this set in our standard location in this venue and the sound quality is superb. Enjoy!

Stream “Gross Towel”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eidolons
2013-06-30
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Recorded from Front of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-08-02

Setlist:
[Total Time 46:59]
01 Skyhook
02 Gross Towel
03 Gonna Ride Out
04 Yellow Wallpaper
05 Twin Falls
06 Hangin Out
07 Xylem and Phloem
08 Milonga For A Long Face
09 Corky Calhoun
10 Gordy
11 Montana

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Eidolons, and visit their bandcamp page where you can purchase their official releases including the latest album Skyhook [HERE].

Woods: July 27, 2013 Bowery Ballroom – FLAC/MP3/Streaming

July 29, 2013
By

woods2013-07-27-1
[Photos by acidjack]

As Woods played in front of a fantasia of psychedelic swirls provided by Drippy Eye Projections, I thought back to another of many memorable Woods shows I’ve been to, where they played Abrons Arts Center with the Joshua Light Show, which these projections most resembled. Or there was the time they played St. Cecilia’s Church during the 2011 Northside Festival. Or the first couple times I saw them, in both cases opening for bands they are much bigger than now and whose careers they have outlasted, and thought, wow, these guys are really different. And they’re great. 

Like all bands with staying power, Woods have continued to evolve without abandoning the core elements of their sound — Jeremy Earl’s nasal, high pitched voice, the ramshackle folk, the not-quite-retro psychedelia. What has evolved into a very different beast is the band’s now-huge guitar sound, which barely resembles their earlier records and has turned them into a sonic juggernaut live. When the one minute, fifty four second song “I Was Gone” becomes a fourteen-minute behemoth of a jam now, the reaction isn’t being surprised or impressed that they’re trying it — it’s paying attention to what will be good about this version of the song. A Woods set, which rarely runs far past an hour, has become like a controlled dose of Grateful Dead. Every minute is worth watching, and the “jam songs” are ones you feel compelled to debate the best one of, date by date.

This set at Bowery Ballroom, which closed out their latest U.S. tour after a well-received Pitchfork Festival appearance the previous weekend, recalled several elements of the November show at Music Hall that we attended, but with a couple of exciting new offerings. Not only did the band play the new song “Shining”, which we assume will appear on their next record or in recorded format at some point, but they were also joined by Alex Bleeker of opening act Alex Bleeker and the Freaks for a special rendition of Creedence Clearwater Revival’s ever-popular “Have You Ever Seen the Rain”. Woods will be spending August in Europe and September on the West Coast. If you’re in either of those places, don’t miss seeing them. Tour dates can be found [HERE].

I recorded this set with Schoeps MK5 cardiod microphones and a soundboard feed from longtime Bowery engineer Kenny. The sound quality is outstanding. Enjoy!

Stream and download this recording on our bandcamp page:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

woods2013-07-27-2

Woods
2013-07-27
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DIN, DFC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:06:17]
01 Pushing Onlys
02 Suffering Season
03 Cali In A Cup
04 Shining
05 Bend Beyond
06 [jam]
07 Size Meets the Sound
08 Is It Honest?
09 [banter/tuning 1]
10 Be All Be Easy
11 Find Them Empty
12 I Was Gone
13 [encore break]
14 Rain On
15 [banter2]
16 Have You Ever Seen the Rain? [Creedence Clearwater Revival]

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit the Woodist page and purchase their official releases including their latest album Bend Beyond from Woodist Records [HERE]. 

Julia Weldon: July 19, 2013 Knitting Factory – Flac/MP3/Streaming

July 27, 2013
By

Julia-Weldon2
[photos by PSquared Photography]

The physical copies of Julia Weldon’s new CD Light is a Ghost arrived in her manager/brother’s office on the afternoon of her CD release show last Friday. This serendipitous bit of fortune carried over into the celebratory feeling of her show at the Knitting Factory that night and also allowed us to snag a copy for multiple plays over the weekend. The CD is really everything we could have hoped for from this tremendous artist. The material is well-paced and highlights her many talents — strong voice, deep sense of melody, insightful lyrics and a keen sense of humor. Whether its this CD or her next, Julia Weldon is an artist destined for big things, and we are fortunate to be able to hitch onto her ride early on. The show at the Knit was also a family affair. Besides her brother (and manager), both of Julia’s parents (thanks on the CD) were there for support. In her bio, Julia notes that she came out at 12, and while we’re not privy (nor should we be) to the details of her parent’s reaction, its safe these days to assume that they are completely supportive. This is perhaps why her music is almost “post-gay”, that is to say that her songs don’t focus or even really touch on the struggle with phobias and acceptance. The lyrics treat her sexuality unselfconsciously and as a matter-of-fact — and that’s both empowering and refreshing. At the Knit, Julia and her band worked through the complete album, with a bonus song as encore. We are streaming “Icarus”, which was perhaps the most fully realized performance on a night when each number shined throughout.

Julia Weldon is touring for a half dozen dates in the South and Midwest before returning to NYC in September.

I recorded this set with the Sennheiser cards mixed with an excellent board feed from house soundman Rob, and the sound is excellent. Enjoy!

Stream “Icarus”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Julia-Weldon17

Julia Weldon
2013-07-19
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-07-24

Setlist:
[Total Time 1:03:18]
01 Meadow
02 Went to My Woman
03 [banter – Zack Bruce]
04 Icarus
05 Careful in the Dark
06 [banter – thanks]
07 You Never Know
08 All I Gave Her
09 Marian
10 [band introductions]
11 Round Again
12 [banter – parents]
13 Soon
14 Miles
15 Same Games
16 [encore break]
17 All the Birds
18 [banter – CDs]
19 One of These Days

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julia Weldon, visit her website, and purchase her music from the links at her website [HERE], including Light is a Ghost, due for online release on August 20.
Julia-Weldon9

…And You Will Know Us By the Trail of Dead: July 23, 2013 Maxwell’s – FLAC/MP3/Streaming

July 25, 2013
By

aywkubttod2013-07-23-4
[Photos by acidjack]

Part of the joy of seeing bands in a small venue is the unpredictability. Small venues, even the best ones, are always fighting hard to hold it together, and it’s often a losing battle. Gear breaks down, beverage lines go stale, some asshole from some opening band breaks your backline, the A/C goes out, the health inspector is on your case, someone’s stealing from the till, someone else called in sick, the toilet’s clogged — owning a small music venue isn’t an endeavor for the faint of heart, or someone who doesn’t want to work. But at the same time, small venues are also where bands take risks. At Madison Square Garden or something, with an enormous light system, you won’t be varying the setlist or stage diving or interacting with a crowd where the nearest people are six feet from the stage. And you don’t have the safety net of a video screen or some other gimmick to make people care. You make them care with your own sweat.

For longer than many of the people in this crowd for …And You Will Know It By the Trail of Dead‘s show had even been going to concerts, the crew at Maxwell’s worked tirelessly to make that club a place that musicians wanted to play, that real fans wanted to hang out in, and that represented the best of their home in Hoboken. And they succeeded, more than most could ever claim to, in all of that.

But you wouldn’t have blamed Trail of Dead if they’d thrown hissy fits and run offstage after the first issue with the circuit breaker shut off the entire PA. Or when a monitor malfunctioned. Or when the PA blew again. They’re a veteran band. They don’t need this shit. But if you want to be the kind of band that plays at Maxwell’s — that stays close to its audience, that remembers where it came from — then you learn to deal. And that’s exactly what the Austin band did. When “Another Morning Stoner” got cut off, they didn’t just move on to the next song. They played a shortened, stripped-down version. They also played one of the most memorable performances of theirs I’ve seen. Try to deny the power of “Will You Smile Again”, the first thing played after the gear got working again, or the searing “A Perfect Teenhood”, or the “Caterwaul” where guitarist/singer Jason Reece took the mic to the back of the room to sing, at one point doing so from inside the sound booth. (The above photo is taken from that area).

In taking a show that had its challenges — that in less cool hands could’ve been a shambolic mess — and turning into a night none of us would forget, they paid the most fitting tribute to the venue of all.

I recorded this set with a soundboard feed combined with Schoeps MK5 microphones. While the overall sound quality is excellent, I’d like to emphasize again that the equipment issues are nobody’s “fault” — not the band’s, not the Maxwell’s staff’s. Sometimes, these things happen. Enjoy!

Stream “Caterwaul”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

aywkubttod2013-07-23-1

…And You Will Know Us By the Trail of Dead
2013-07-23
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Mitch (house) and Matt (band)) + Schoeps MK5 (PAS)>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Audacity 2.03 (patch bad section of SBD)>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:22:41]
01 [intro]
02 It Was There That I Saw You
03 How Near How Far
04 Catatonic
05 Up To Infinity [gear issues]>
06 Flower Card Games [gear issues]
07 Another Morning Stoner [false start]
08 [banter/gear issues 1]
09 Another Morning Stoner [short version]
10 Spiral Jetty>
11 Weight of the Sun
12 Homage
13 [banter2]
14 Will You Smile Again
15 [banter3]
16 Aged Dolls>
17 A Perfect Teenhood
18 Caterwaul
19 [banter4]
20 Totally Natural
21 [encore “break”]
22 Relative Ways

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trail of Dead, visit their website, and purchase Lost Songs at your favorite retailer, including here.

aywkubttod2013-07-23-2

Jon Langford: July 9, 2013 Maxwell’s – Flac/MP3/Streaming

July 23, 2013
By

langford
[iphone photo by neild]

Longtime NYCTaper correspondent neild made his last trip to Maxwells:
“The very first time I went to a show at Maxwell’s in Hoboken was to see the Mekons, for a show in July 1991 when the Leeds-bred country-art-punk combo was touring in support of Curse of the Mekons, the album that got them kicked off A&M for being “commercially unsatisfactory.” This was at a time when the Mekons played in the New York area every few months (usually at Tramps or the Marquee), and I don’t remember much in particular about the show, except that Jon Langford and Sally Timms, then recently split as a couple, bickered both terribly and hilariously, and that the show ended with Jon and several other Mekons thrashing atop each other, and their guitars, on the floor. And that the whole thing was wonderful and anarchic and both so rock and roll and so anti-rock and roll in a way that only the Mekons have quite ever been able to pull off.

Almost 22 years later to the day, I made what will be my final visit to Maxwell’s to see Langford and his usual New York cohort (bassist Tony Maimone and drummer Steve Goulding, with only longtime violinist Jean Cook absent) play their farewell gig at the club, which as everyone reading this no doubt knows by now will close forever at the end of July. I was on vacation on the West Coast when I got an email about the show, which was due to take place just one day after I was to arrive back east on a red eye; of course, I immediately ordered tickets, because one more chance to see Jonboy at the greatest rock club in the world was something I couldn’t pass up, jet lag or no.

It didn’t disappoint. After taking the stage solo to play “Luxury” from his recent album Old Devils while waiting for Maimone and Goulding to make their way through the Maxwell’s crowd to the stage, Langford launched into full-band renditions of several songs from his 1998 solo debut Skull Orchard, a still-unparalleled masterpiece focused on his hometown of Newport, Wales (“Tubby Brothers” is about a real-life undertaking firm of that name); the rest of the set highlighted both Waco Brothers classics like “Walking on Hell’s Roof” and other solo material, including his recent, haunting Bloodshot single “Drone Operator.” After a break for drinks, the band returned to do a string of Mekons songs, more Jon solo material, and a set of covers before closing things out with the ur-Mekons track “Where Were You?”

It all amounted to both a eulogy for and a celebration of Maxwell’s, which was only fitting for an artist who’s spent the last several years selling paintings based on faded publicity photos of dead country music stars. For a fuller review, including a nice sampling of the jokes that peppered the evening (only some of which were about Sally Timms farting), see Will You Miss Me’s report on the evening.

This recording was made from two sources: a pair of cap-mounted Core Sound Binaural mics about ten feet from the stage, plus a soundboard feed. (Huge thanks for Maxwell’s soundman Mitch for his both his help in this area and his terrific mix for the night – NYC-area clubs, this man is a free agent come August 1, so get your dialing fingers working!) Despite some minor mishaps with a balky cable and some errant breezes from the Maxwell’s a/c system – one of the few things that’s changed there in the last 22 years – I was able to finesse it all in mixing into a recording I think you’ll all be happy with. Especially if you’re a fan of fart jokes.”

This recording is available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Entire Show:

Jon Langford
2013-07-09
Maxwell’s
Hoboken, NJ

Recorded and mastered by neil d

CoreSound Binaurals + soundboard > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC

Tracks:
First set:
01 Luxury
02 [banter – Billy Bragg]
03 Tubby Brothers
04 Youghal
05 Butter Song
06 Trapdoor
07 Death of Country Music
08 [banter – did the Waco Brothers ever play here]
09 Walking on Hell’s Roof
10 Drone Operator
11 [banter – some of my friends’ fathers]
12 Pill Sailor
13 [banter – I went to the doctor]
14 X-Ray Style (Joe Strummer)
15 [banter – the Three Johns broke up in this room]
16 Death of the European
17 Deep Sea Diver

Second set:
18 Memphis, Egypt
19 Lonely and Wet
20 [banter – Rico’s accordion is dead]
21 Slightly South of the Border
22 Dickie, Chalkie and Nobby
23 [banter – smells and tastes]
24 Millionaire
25 [banter – ooh, doggie]
26 Are You an Entertainer
27 Good Year for the Roses (George Jones)
28 Before I Grow Too Old (Fats Domino)
29 Sentimental Marching Song
30 [banter – a funny joke in Chicago]
31 Old Flames Can’t Hold a Candle to You (Dolly Parton)
32 It’s Not Enough
33 [banter – guitar solo]
34 Big River (Johnny Cash)
35 Nashville Radio
36 Big Spender (Shirley Bassey)
37 Wild and Blue (John Anderson)
38 Wreck on the Highway (Dorsey Dixon)
39 Where Were You

If you download this recording, we expect that you will PLEASE SUPPORT Jon Langford, visit his website, and purchase his official releases from the Bloodshot Records Website [HERE].

Chuck Johnson: May 26, 2013 Mercury Lounge – FLAC/MP3/Streaming

July 16, 2013
By


chuckjohnson2013-05-25-1
[Photo by acidjack]

After getting a preview of what was to come last year at Hopscotch Music Festival, we expected Chuck Johnson‘s 2013 record Crows In the Basilica to be an important part of the conversation on best guitar records of the year. That was confirmed both by Basilica’s release on Three Lobed Recordings this spring, as well as by this performance at Mercury Lounge, where Chuck demonstrated that the subtle brilliance of his compositions can’t be contained by the studio.

Chuck and his contemporaries are almost always categorized by the label “American Primitive”, a sub genre of guitar playing shared with its progenitor John Fahey and many other worthy players, but the term “primitive” as understood by most is misleading. Rather than suggesting a simplicity or naïveté to the material, American Primitive is best understood as a recognition of the ability of these players to use highly complex guitar arrangements that link the instrument’s present with its more elemental, folk-derived origins. Before venturing out as a solo player, Johnson played in well-regarded North Carolina bands like Shark Quest and the string trio Idyll Swords, but it is here where Johnson’s skill on guitar is best appreciated. We hope you will enjoy this moving set of music from Johnson and be on the lookout for his future shows.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus a soundboard feed provided by Mercury team. Given that it is a recording of a single instrument, the recording heavily favors the soundboard feed, with a bit of audience mics mixed in to give a feel of the room. It is an excellent recording. Enjoy!

Stream “Crows In the Basilica”

Direct download of MP3 files [HERE] | Direct Download of  FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chuck Johnson
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Swallow the Sun>
02 Albion Source
03 Caldera Wires
04 Vastapol
05 On A Slow Passing In Ghost Town *
06 Crows In the Basilica
07 Mine Creek
08 The Stars Rose Behind Us

If you enjoyed this recording, please support Chuck Johnson, visit his website and purchase Crows In the Basilica from Three Lobed Recordings [HERE]

Trapper Schoepp and The Shades: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 14, 2013
By

Trapper Schoepp - Vernon Webb
[photo courtesy of Vernon Webb Photography]

Trapper Schoepp and The Shades is the kind of band that you see and immediately know that they are going places. At Brooklyn Bowl a couple of weeks back, they opened the first night of the Old 97s three-peat and immediately grabbed the attention of the incoming crowd. Trapper and the band hail from Wisconsin, but their music is pure Americana as comfortable in the Midwest, the South or even NYC. Their album Run, Engine, Run was released last Fall, and the setlist consisted of primarily tracks from the album, but also a couple of strong new songs. Trapper and his bandmates have a natural ease and a positive vibe on stage and their talents are obvious. Like many of today’s bigger Americana bands, if they are willing to be road warriors, in the coming years the crowds and the venues will continue to grow. Trapper Schoepp and The Shades will be playing mostly midwest dates this Summer, but when they come East again we’ll be there.

I recorded this same in the same manner as the Old 97s show and the sound quality is equally superb. Enjoy!

Stream “I-94”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Trapper Schoepp and the Shades
2013-06-27
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-11

Setlist:
[Total Time 45:32]
01 Mercy Blues
02 Wishing Well
03 Pins and Needles
04 Nighthawk
05 So Long
06 Cold Deck
07 Between the Lines
08 Run Engine Run
09 Ballad of Olof Johnson
10 I-94
11 Settlin or Sleepin Around
12 Dear Prospect

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trapper Schoepp and The Shades, visit their website, and purchase their album Run, Engine, Run at the Side One Dummy Records website [HERE].

Old 97s: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 9, 2013
By

Old 97s Vernon Webb
[photo courtesy of Vernon Webb Photography]

In March, we reconnected with the Old 97s at their highly enjoyable set at the Capital Theatre in Portchester. So I guess it was only natural that we would attend their next NYC show, this time as a play-a-full-album three night run at Brooklyn Bowl — one of our old favorites at one of our current favorite venues. The first night album was appropriately the band’s first album Hitchhike to Rhome played from start to finish, including a bonus track, a hidden track, and even an outtake from the album’s sessions. At the conclusion of Rhome, the Old 97s played another dozen tracks, making this both an lengthy and highly entertaining set. The band’s performance was both inspired and tight — clearly a band comfortable with their past and their present.

I recorded this set with the Sennheiser MKH-8040 cards pointed at the right stack midway on the right side of the floor. The ambient noise (bowling and chatter) is greatly reduced with the addition of a board feed, synced in at about 40% of the overall mix. The result is a superb recording. Enjoy!

Stream “Four Leaf Clover”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old 97s
2013-06-27
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-02

Setlist:
[Total Time 1:41:52]
01 [intro]
02 St. Ignatius
03 504
04 Drowning in the Days
05 Miss Molly
06 Dancing With Tears in My Eyes
07 Four Leaf Clover
08 Wish The Worst
09 Old 97s Theme
10 Doreen
11 [banter – twenty years]
12 Hands Off
13 Mama Tried
14 Stoned
15 If My Heart Was a Car
16 Desperate Times
17 Ken’s Polka Thing
18 Tupelo County Jail
19 West Texas Teardrops
20 Lonely Holiday
21 Champaign Illinois
22 Rollerskate Skinny
23 Let The Whiskey Take The Reins
24 Can’t Get a Line
25 Every Night Is Friday Night
26 Big Brown Eyes
27 [encore break]
28 Making Love With You
29 Dance With Me
30 Timebomb

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Old 97s, visit their website, purchase their official releases from the Store at their website [HERE].

Deafheaven: July 2, 2013 Saint Vitus – Flac/MP3/Streaming

July 5, 2013
By

deafheaven unartig
[screen capture from unARTigNYC video]

Deafheaven’s new album Sunbather is a game-changer in so many ways. Its been called “a modern classic” and a “pinnacle of American black metal” by preeminent metal writer Brandon Stosuy. The album’s universal critical acclaim and the increased crowds that will inevitably gather for the band’s uber-intense live shows mean ultimately that Deafheaven is on a very steep trajectory to the apex of its genre. There will not be (m)any more nights like Tuesday at Saint Vitus, where the packed crowd saw the band deliver a show for the ages. Opening with a quiet guitar introduction, the band then crashed into Sunbather’s first track “Dream House”, and the level of energy did not subside until the band and the audience came up for a breath of air before the final song. One of Deafheaven’s strengths is their ability to seamlessly transition from one apparent genre to another. We are streaming “The Pecan Tree” which encapsulates this ability multiple times within one track. The song opens with a dead start directly into a “screamo” black metal segment before evolving mid-track into a melodic post-rock guitar passage and then concludes in full Deafheaven mode while vocalist George Clarke belts out what is perhaps the darkest lyrics of the entire album “I am no one. I cannot love. It’s in my blood.” Deafheaven’s current tour concludes with two shows in the Midwest — Cleveland on Friday and Chicago on Saturday. If you live in one of those two cities, we recommend that you not miss this band.

I recorded this show with the Sennheiser cardioids set up in the rear of the room and mixed it with a board feed. The strengths of both sources compliment each other and the result is an excellent recording. Enjoy!

Stream “The Pecan Tree”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deafheaven
2013-07-02
St. Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-04

Setlist:
[Total Time 1:05:32]
01 [intro]
02 Dream House
03 Sunbather
04 Unrequited
05 The Pecan Tree
06 [banter]
07 Violet

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official releases including Sunbather from Deathwish Inc. [HERE].

Miracle of 86: June 14, 2013 Maxwells – Flac/MP3/Streaming

July 4, 2013
By

miracle-of-86-16
[photo by Sean O’Kane]

Kevin Devine is such a nice guy that its hard for me to believe that he was once in a band that broke up. The Miracle of 86 was a popular Staten Island based power pop quartet who toured and recorded from 1998 to 2003, before Kevin launched his solo career. Following the tragic events of the superstorm and the massive damage to their home borough, the band reunited on Staten Island for a benefit concert in January. The experience was so positive that Miracle of 86 decided to keep it going — with two shows in June. We attended the Maxwells date a couple of weeks back, and it was a show that felt very much like a bunch of old friends getting together to play some songs. The stage banter was friendly and funny and the performance of the old material was both inspired and surprisingly tight. We’re streaming “Sunday School”, which was so well played that it could be released tomorrow. Miracle of 86 could very well play more reunion shows, but for now Kevin will be concentrating, after his hugely successful Kickstarter (for two albums!) on his solo career. Expect a show in NYC in late summer / early fall.

I recorded this show in our usual manner in this venue and the sound is superb. Enjoy!

Stream “Sunday School”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Miracle Of 86
2013-06-14
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-26

Setlist:
[Total Time 58:02]
01 [intro]
02 Sleep All Damn Day
03 G Song
04 Every Famous Last Word
05 [banter – stripes]
06 Surprise Me
07 Southern State
08 Dance Dance Revolution
09 [banter – Bryan Adams]
10 Knife
11 When Its on My Mind
12 [banter – Alice in Chains teaser]
13 Call Off The Cops
14 I Think You Meant to Say No
15 A Less Important Place
16 Nice Shirt Salvador Dali
17 Your Quicksilver Moment
18 Sunday School
19 [banter]
20 Red 19
21 [outro]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Miracle of 86 alumnus Kevin Devine, visit his website, and purchase is official releases from Razor and Tie Records [HERE].

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