Posts Tagged ‘ soundboard ’

Bent Shapes: August 25, 2013 South Street Seaport – Flac/MP3/Streaming

August 27, 2013
By

Bent Shapes Carrie
[photo by Carrie Lynch]

They don’t come often, perfect days in NYC. I made my way downtown to the South Street Seaport on Sunday for a show. As soon as I stepped outside, it was obvious that this was one of those late Summer afternoons when the oppressive heat is over and the chill of Autumn has yet to arrive, and there is not a cloud in the sky and the air quality is as perfect it can be in this City. At the Seaport, Bill Pearis has been producing the Soundbites Concert Series for several years now, and its a sin that I had never seen a single episode, despite that Bill’s musical knowledge and ability to pick next-big-thing bands is second to none. This year I made it just in time, since this week was this year’s final in the series and featured Boston’s Bent Shapes. The band had spent its first three years of existence known as Girlfriends, releasing several 7 inch singles, and becoming a regular in the local DIY scene. But 2013 turned a new page for the trio. The band changed its name to Bent Shapes and this month released its first full length album. Sunday’s thirty-minute 12-song set was an excellent lesson in getting to the point. Bent Shapes play what could be described as punk-pop, indie rock, or power pop — but forget the labels. This is a trio of excellent musicians who play excellent songs and don’t mess around.   In terms of the vitals, the set consisted of 7 of the 11 tracks from the new album Feels Weird (Father/Daughter Records), and couple of new songs.  When I came downtown the only thing left to convert a beautiful day into a perfect one was some superb music. On Sunday, that was Bent Shapes.

I recorded this set by mounting the Sennheiser cards at the stage lip and mixing with a board feed. The mics picked up primarily the instruments on stage and the board was vocal heavy, but mixed together the sources created an ideal mix and an outstanding recording. Enjoy!

Stream “What We Do is Public”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Bent Shapes
2013-08-26
South Street Seaport
Soundbites Concert Series
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-26

Setlist:
[Total Time 29:58]
01 Big Machines
02 Bites and Scratches
03 Leave It Til You Need It
04 86d in 03
05 Panel of Experts
06 [banter]
07 Hex Maneuvers
08 It Seems Dumb
09 Leave Some Space
10 What Do You Get
11 What We Do is Public
12 [banter – thanks]
13 Norms Out
14 Behead Yrself Pt 2

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bent Shapes, visit their bandcamp page and their tumblr page, and purchase Feels Weird from the band’s Bandcamp page or the Father/Daughter Records site [HERE].

Ski Lodge: August 20, 2013 Glasslands – Flac/MP3/Streaming

August 25, 2013
By

Ski Lodge Perlman
[photo by Ian Perlman]

It was a little more than a year ago when acidjack predicted the success of Ski Lodge on these very pages. That 2012 Northside show was a precursor of what we see now in this band — strong 80s-influenced songcraft performed by a tight and talented quintet. Ski Lodge has now released their debut album Big Heart and Tuesday night at Glasslands was the CD release show. As lead singer Andrew Marr noted during the show, it was encouraging that on a late summer midweek night the band still managed to pack Glasslands with an animated crowd. The first few rows were consistently dancing throughout the set and the band obliged with perky indie-pop numbers that made moving easy. The setlist included 8 of the album’s 11 tracks and two songs from the band’s debut EP. We’re streaming the set finale, a scorching version of “Just To Be Like You” that closed the set in appropriate fashion and left the frenetic crowd wanting more.

I recorded this set in our usual manner in this venue and the sound is superb. Enjoy!

Stream “Just To Be Like You”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ski Lodge
2013-08-20
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-21

Setlist
[Total Time 39:24]
01 I Would Die To Be
02 I Always Thought
03 Does It Bring You Down
04 [banter – new record]
05 Dragging Me To Hell
06 Down On This Southern Tip
07 Big Heart
08 Anything To Hurt You
09 Looking For A Change
10 Boy
11 Just To Be Like You

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Ski Lodge, visit their website, and purchase Big Heart from the Shop at her website or at the Dovecote Records site [HERE].

Ume: July 23, 2013 Maxwell’s – FLAC/MP3/Streaming

August 22, 2013
By


UME-Lopena
[Photo courtesy of Oliver Lopena]

There are many reasons to like the Austin band Ume, who’ve been hailed as a Next Big Thing in guitar rock more than a few times by people in the know. They’ve built that reputation on a few solid pillars, the first being an excellent live show helmed by vocalist/guitarist Lauren Langner Larson. Larson is a riot of thrashing hair and gravelly vocals onstage, almost impossible not to watch. The band coasted into Maxwell’s for one of its final nights riding a wave of SXSW buzz and ready to warm up for a show or two in Manhattan in the next days. These shows would also give the band a chance to test out some of the songs for the follow-up to their 2011 album, Phantoms, a cohesive set of music best experienced at high volumes, even better, live in a room.

Ume came out strong on this night with “The Conductor”, one of the highlights from Phantoms, followed by a song they’re calling “Bass Face” for now. They were sharp, intense, rabid — real guitar rock, and proud of it. Then, in the middle of yet another semi-titled song, “Curish”, the band’s momentum took a devastating hit when some house gear blew, causing them to lose guitars. “Curish” stopped.

These are the moments that solidify or break young bands. They either pull through, or they don’t. Ume took a few minutes to re-group, re-write their setlist, switch out gear. Then they pummeled us with another new one, called “On the One” right now. Three more songs after that, whose intensity made up for lost time and momentum. For the band, the night went less-than-ideal. For people like me, who’d never seen them before, it gave a lot of reasons to see them again.

So, in deference to the band, please listen to the concert captured here with this caveat: I can’t claim it’s this band at their best, because they don’t. We felt, and the band agreed, that as this would be their only show at the now-closed legendary club, it was worth having out there as a document for history. And really — if this isn’t this band at their absolute best, how good must that be? I’d urge you to find out by streaming and buying their tracks on bandcamp, and more importantly, seeing them on tour.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from Mitch, a Maxwell’s engineer. The sound quality of the capture it excellent despite the equipment issues on stage.

Stream “The Conductor”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


[Photo courtesy of Chris Casciano and available for sale on his site]

Ume
2013-07-23
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mitch) + Schoeps MK5 (PAS)>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 The Conductor
02 Bass Face $
03 Curish *
04 On The One $
05 Chase It Down
06 Xie Xie
07 Black Stone

$ working title
* working title/gear issues and cuts out

If you enjoyed this recording, PLEASE SUPPORT Ume, visit their website, visit their bandcamp page, and purchase their music there and from their online store.

Hiss Golden Messenger: August 17, 2013 Glasslands – FLAC/MP3/Streaming

August 20, 2013
By

Hiss-Golden-Messenger26
[Photos courtesy of P Squared Photography]

A man can make complicated music these days in a room alone with a machine. Create a symphony out of bits and bytes, a hit single out of a 4/4 beat and an idea. If you look at what’s celebrated most often in music these days it’s one person transcending the limits of money and time and space and the need for bandmates, usually because of his or her skill with a machine. In case you forgot, men alone have been doing that for decades, centuries, eons. Just the machines were simpler.

Hiss Golden Messenger has more words in its name than regular band members. In the studio the band is MC Taylor, former lead singer of beloved San Francisco band The Court & Spark, and longtime collaborator Scott Hirsch, plus the cream of available guest players. On the road, it’s often Taylor alone.

What started it all — a rough-hewn bit of work called Bad Debt — was nothing more than Taylor banging out songs with a guitar and a tape deck in his kitchen, while his baby slept. If it sounds old-fashioned, way more old-fashioned than some wide-eyed impresario making beats with a MacBook Pro and Ableton, well, that’s because it is. Sometimes the best things are the simplest things, the ones made how we used to before everything got too easy. But to hear the deep feeling and rich meaning that Taylor can put into a song with the tools he has, well, the old way starts to look economical. Take the Bad Debt spirit, add a band and unforced, high-quality production, and you’ve got masterpieces like his two primary releases on North Carolina imprint Paradise of Bachelors Poor Moon and this year’s Haw, which are probably my two favorite records of the past two years.

This night’s show at Glasslands — Taylor’s first New York show in four years — brought us back to the Bad Debt days, with Taylor alone at a guitar in front of a room that, with no disrespect to the night’s headliner Daughn Gibson, seemed to include a lot of folks, myself included, who’d come to see him. We were rewarded again and again. Taylor’s typical set-starting song, “Father Sky” found itself replaced with his version of a traditional song, most recently popularized as “When I Was A Young Girl” by Nina Simone. Two new numbers, possibly to appear on an upcoming EP, showed up for the first time I’ve heard them. “Southern Grammar”, streaming below, was particularly breathtaking, continuing Mike’s ongoing lyrical struggles with faith. On stage sitting down in old jeans, a white tank top and a Caterpillar hat, Mike looked like an anachronism, especially on a Saturday night. He didn’t have much for us to look at, gimmicks to parlay into Twitter excitement or iPhone photos. Hiss Golden Messenger had nothing but music, and words. He sang, and the world went still.

This recording is primarily the soundboard feed of engineer Josh Thiel’s house mix, plus a small amount of the house mics for ambiance. The sound is excellent. Enjoy!

Stream “Southern Grammar”

Stream “The Serpent Is Kind (Compared to Man)”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hiss-Golden-Messenger19

Hiss Golden Messenger
2013-08-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant XR>Sound Devices USBPre2>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (light reverb to SBD)>Izotope Ozone 5 (tape effect)>Audacity (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 38:28]
01 When I Was A Young (Boy) [Nina Simone]
02 [banter1]
03 Blue Country Mystic
04 Call Him Daylight
05 [banter2]
06 O Little Light
07 He Wrote the Book
08 Southern Grammar
09 [banter3]
10 Chapter & Verse
11 The Serpent Is Kind (Compared To Man)
12 [banter4]
13 I’ve Got A Name For The Newborn Child

If you enjoyed this recording, PLEASE SUPPORT Hiss Golden Messenger, like him on Facebook, and purchase Haw and his other releases on digital or vinyl from Paradise of Bachelors [HERE], or all of his releases on vinyl [HERE].

Alex Bleeker & The Freaks: July 27, 2013 Bowery Ballroom – FLAC/MP3/Streaming

August 16, 2013
By

IMG_5609
[photo by acidjack]

I know I’ve thrown around the term “indie rock jam-band” before. But it’s hard to find a more appropriate label for Alex Bleeker & The Freaks, who used their three quarters of an hour opening for fellow Brooklynites Woods at Bowery Ballroom to play more than a few songs that hearkened to an earlier era in tone and in their ability to flow seamlessly from one to the other. Bleeker, who also serves as bassist in Real Estate, had a birthday on this night, and he treated himself by playing songs that I suspect reminded him of home. You knew this set was going to be right when the band led off with the Grateful Dead’s “Let the Good Times Roll” and went from there into a mix of songs from the band’s latest record and fun-loving covers that did exactly what the first one promised.

If you listen to their new record, How Far Away, you’d be forgiven for the cheap comparison that Bleeker & the Freaks sound almost like a hybrid of Woods and Real Estate at points, with some of the former band’s lo-fi style blending with Real Estate’s easygoing sound. That’s no more in evidence than on “Home I Love”, which made for one of this show’s most compact bursts of good feeling. That led into a superjam of sorts, with three more numbers from the album, with “See You On Sunday” jamming into “Steve’s Theme” and then “Rhythm Shakers” before the band switched gears into Katrina and the Waves’ all-time classic “Walking On Sunshine”. After “Step Right Up (Pour Yourself Some Wine)”, Bleeker toasted his birthday in grand style with their song “Epilogue” teasing Dylan’s “You Ain’t Goin’ Nowhere” into the set closer, Brewer & Shipley’s “One Toke Over the Line”. A happy birthday, indeed.

I recorded this set in the same manner as the Woods recording with Schoeps MK5 microphones and a soundboard feed from longtime Bowery engineer Kenny. The sound is outstanding. Enjoy!

Stream “Home I Love”

Stream “Epilogue>One Toke Over the Line”

Download the complete show in [MP3] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alex Bleeker & the Freaks
2013-07-27
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DINa, DFC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, light parallel compression, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Let the Good Times Roll [Grateful Dead]
03 Don’t Look Down
04 Home I Love
05 [banter]
06 See You On Sunday>Steve’s Theme>Rhythm Shakers
07 Walking On Sunshine [Katrina and the Waves]
08 Step Right Up (Pour Yourself Some Wine)
09 Epilogue>One Toke Over the Line [Brewer and Shipley]

If you enjoyed this recording, PLEASE SUPPORT Alex Bleeker & The Freaks, visit their website, and buy their latest, How Far Away, from Woodsist Records.

The Love Language: August 1, 2013 Glasslands – FLAC/MP3/Streaming

August 13, 2013
By

IMG_5680
[Photos by acidjack]

The Raleigh, NC band The Love Language just released its third record, Ruby Red, but in some ways it feels like a debut. Frontman Stuart McLamb delivered his first album under this moniker in 2009; the band’s Merge Records debut was a similarly insular affair. Both Ruby Red and the band’s live show represent a vision blown wide open. Two years in the making, the record gave McLamb all the tools he needed to make the pop-driven, big-room-filling style of rock that he was born to make.

This show at Glasslands fulfilled the promise of the record in every way, with one big number after another making the case for a band on its way to the next level. McLamb’s songs manage to toe that narrow line between earnestness and bombast without over delivering either. Ruby Red itself is a high-gloss production that features a cast of twenty musicians, grand flourishes and ear-pleasing micro-details. The live show, with a touring cast of five, felt comparatively stripped down, but it gave the songs the chance to prove themselves. The Love Language came across as a hungry, tightly-rehearsed unit, delivering tracks like the album opener “Calm Down” with a sense of purpose and poise. Taking full advantage of every second they had before the usual 11:30 p.m. switchover to dance music in this venue, the band played homage to a now-classic New York band with The Strokes’ “The Modern Age”. In that context, not to mention the choice of city, covering the last band tasked with “saving” rock felt right. I won’t freight The Love Language or Ruby Red with that baggage, but for those still looking for new rock music that excites them, they’re a find.

I recorded this set with our usual combination in the venue of Naiant X-R microphones and a soundboard feed from house engineer Josh Thiel. As the band’s very loud guitar amps were not run through the board mix, this mix leans more heavily on the audience mics than normal, and is slightly lower in quality than the absolute best of our Glasslands recordings. That said, it’s still more than worth checking out. Enjoy!

The Love Language is currently touring the Southeast, Midwest and West Coast. Click here for tour dates.

Stream “The Modern Age [The Strokes]”

Stream “Calm Down”

Download the complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5662

The Love Language
2013-08-01
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish)+Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Kids
02 Hi Life
03 On Our Heels
04 For Izzy
05 [banter1]
06 Providence
07 Heart To Tell
08 First Shot
09 Golden Age
10 Sparxxx
11 [banter2]
12 Manteo
13 Faithbreaker
14 Gray Court
15 Pilot Light
16 [banter3]
17 Calm Down
18 [encore break]
19 The Modern Age [The Strokes]
20 Lalita
21 This Room

If you enjoyed this recording, please support The Love Language, visit their website, and buy Ruby Red from Merge Records [HERE].

Walking Shapes: May 15, 2013 Glasslands – FLAC/MP3/Streaming

August 8, 2013
By

IMG_5408

When the opening band has as big or an even bigger crowd than the headliner, it’s often a clue that they’re on their way up. So it went for this Walking Shapes show at Glasslands, where even on the earlier side the club had a packed house — and for a band that didn’t have a single record out. Now, they do — the Brooklyn band released their Mix Tape (Vol. 1) in increments throughout July, and now the full LP is available free from No Shame Records and on their bandcamp page. (It’s also on Spotify as well). The band’s sound on record shares some of the nostalgic glaze that’s made Foxygen such a hit this year, with an equal nod to some of the better moments of the Britpop sound that ruled the mid-90s.

Which is all to say that Walking Shapes are a very accessible band; this is music for the masses, nothing obtuse about it. Listen to the big-chorus-driven “Keep”, for example, and imagine how that song could possibly not make it on the radio. For that reason, the band’s live show seemed almost incongruous with the intimate Glasslands setting. As they played song after song of big-tent, bombastic rock, I kept feeling like I ought to be in Terminal 5. Musically tight, well-rehearsed and armed with heart-on-your-sleeve lyrics to go with it, I wouldn’t be shocked to see them get there.

I recorded this set in the same manner as the other recording from this night, with a pair of Naiant X-X omnidirectional mics split at the stage lip, our installed Naiant X-R mics in the audience and a soundboard feed by Glasslands engineer Jeremy. Owing to Jeremy’s extremely tight mix plus the additional pair of mics, this is a truly outstanding recording. Enjoy!

Walking Shapes play the Knitting Factory on September 3 with Seasick Mama. Get your tickets [HERE]

Stream “Pusher”

Download the Complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5416

Walking Shapes
2013-05-15
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Zombies
02 Pusher
03 Mechanical Arms
04 Keep
05 Elle Deadsex
06 Waves (XYZ)
07 Measure for Measure
08 Horse

If you enjoyed this recording, PLEASE SUPPORT Walking Shapes, like them on facebook, and buy Mixtape (Vol. 1) from No Shame [HERE]

Hurray For The Riff Raff: August 1, 2013 Knitting Factory – Flac/MP3/Streaming

August 7, 2013
By

HFTRR Sean Rowe
[photo courtesy of Sean Rowe]

Hurray For The Riff Raff is one of those rare bands that seem to be even better every new time you see them. We were amazed at their growth when we saw them twice last summer. Those two shows are on constant play in my listening rotation and I expect to add last Thursday’s show at Knitting Factory to the mix. Fresh off what Alynda Lee called their “magical tour”, which included an appearance at the Newport Folk Festival and a leg of the tour opening for the Alabama Shakes in large venues, the Knit show was a band at its peak having fun and playing a varied setlist. We’ve spoken in previous posts about the brilliant 2012 release Look Out Mama, definitely a sleeper for those disconnected with today’s Americana music but a unanimous best-of for those who were paying attention. Hurray For The Riff are currently working on a new album which is expected in the Fall and the Knit show also saw the performance of what we believe were nine new songs that will eventually see release on that new record. Of those new songs, we’d heard a few at prior shows, including “Small Town Heroes”. But this particular version of Small Town Heroes was so intense and awe inspiring that we have to stream it below.

Hurray For The Riff Raff will perform a free show in Lincoln Center at Hearst Plaza on Saturday August 10 at 1:30 pm. HFTRR will return for a full show in the Fall, venue and date to be announced by the band later today (along with full tour news).

I recorded this set with the Sennheiser cards on a stand at the front corner of the soundboard and mixed with an excellent feed provided by the Knit’s FOH Rob. The sound quality is superb. Enjoy!

Stream “Small Town Heroes”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2013-08-01
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-08-04

Setlist:
[Total Time 1:15:22]
01 Old San Francisco Bay Blues
02 Blue Ridge Mountain
03 Instrumental
04 Look Out Mama
05 Slow Walk
06 I Know Its Wrong
07 The End of the Line
08 [banter – murder ballads]
09 The Body Electric
10 [banter – rock camp for girls]
11 Small Town Heroes
12 Crash on the Highway
13 Lake of Fire
14 No One Else But You
15 St. Roch Blues
16 Everybody’s Talkin [Fred Neil]
17 [band introductions]
18 Little Black Star
19 [encore break]
20 Daniella
21 Ode to John and Yoko
22 Be My Baby [Ronettes]

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Lee Ranaldo: July 30, 2013 Maxwell’s – Flac/MP3/Streaming

August 6, 2013
By

lee-ranaldo-7
[Photo courtesy of Kenneth Bachor]

Since the apparent demise of his longtime band, Lee Ranaldo has been hard at work forging ahead with his solo career. Although last year’s Matador release Between the Times and the Tides certainly was not a “debut” album for Lee, it represented his first post Sonic Youth work and was a very strong “start”. We were present for two early gigs in support of the album, months before its release and while the band was certainly strong, there was perhaps a bit of trepidation about the new format. A year later, in the same venue as one of those early shows (Maxwells), Lee and the band (now called The Dust) were anything but shy — this is a powerful confident quartet performing material that has been fully developed live. As this night was the final regularly scheduled gig in the history of Maxwell’s, there was a weird kind of celebratory doom energy in the room which Lee likened to an “Irish wake”. After the gig opened with a wedding proposal from one former Maxwell’s employee to another, the band seemed to play off the weird energy and played with a sense of urgency and purpose. Lee and the Dust basically played their entire current catalog in a show that approached two hours. The setlist included the entire Time and Tides album, four new songs, one of Lee’s Sonic Youth tracks, and a handful of eclectic and excellent covers. At the conclusion of this night, I broke down my equipment, said thanks to the people involved in the venue, and walked out of Maxwell’s for the last time. The sadness of that exit overshadowed what I realize now — that Lee Ranaldo had closed Maxwell’s for me with one of the best shows we’ve seen all year.

I recorded this show in the way we’ve done for the many years we recorded at this venue and the sound is superb. Enjoy!

Stream “Lost”:

Stream “Revolution Blues” (Neil Young cover):

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lee Ranaldo
2013-07-30
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-03

Setlist:
[Total Time 1:45:23]
01 [intro/wedding proposal]
02 Stranded
03 Waiting on a Dream
04 [banter – irish wake]
05 Tomorrow Never Comes
06 Off The Wall
07 Angles
08 [Xtina intro]
09 Xtina as I Knew Her
10 Keyhole
11 Hammer Blows
12 Lost
13 [Shouts intro]
14 Shouts
15 Last Night on Earth
16 Everybody’s Been Burned [Byrds]
17 Thank You For Sending Me an Angel [Talking Heads]
18 Fire Island
19 She Cracked [Modern Lovers]
20 Lecce Leaving
21 [encore break]
22 Home Courts
23 Genetic
24 Revolution Blues [Neil Young]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Between The Times and The Tides directly from the Matador Records website [HERE].

Mike Doughty: July 31, 2013 City Winery – FLAC/MP3/Full Set Streaming

August 5, 2013
By

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[Photos by acidjack]

I arrived at this Mike Doughty show at City Winery having just finished his autobiography, The Book of Drugs. Reading Mike’s book — which tells the story of his rollercoaster experience fronting the seminal 90s cult band Soul Coughing as well as his battles with addiction — made seeing him perform Soul Coughing songs again for the first time in thirteen years all the more meaningful. As happens all too often with bands that reach a certain level of commercial success, Soul Coughing dissolved at the end of the 1990s in a bitter fight about money and songwriting credit. So Doughty — who by that point was nearing rock bottom in his abuse of drugs and alcohol — struck out on his own a solo act right when the music industry imploded. Early solo shows, where he shared material from the Skittish LP he had recorded in the Soul Coughing days, meant facing crowds howling for Soul Coughing tunes that Doughty felt disconnected from, and disappointed in. In his telling, Doughty not only felt that his bandmates denied him the credit he was due for writing the songs, but that in many cases those better-trained musicians had adulterated the intent of his compositions. So Mike stopped playing Soul Coughing songs, and the fans that weren’t open-minded or intelligent enough to dig the new material fell away. The fan base that remained, though, is fanatical.

Today Mike is in a comfortable groove musically and, as the book makes clear, emotionally. What that means for fans is that Mike decided to rework some of Soul Coughing’s best-loved numbers in the way he intended them to be heard, with a full band backing him. You can purchase that forthcoming record, and keep track of its progress (including previews), on Mike’s PledgeMusic page. In the meantime, he has taken those old Soul Coughing songs off the shelf to be played proudly alongside the songs he’s been writing for the past thirteen years. While there’s no way to take a valid position on Soul Coughing’s past or songwriting process without hearing the story from all sides, it’s clear that there is a consistency to Mike’s work that has spanned his career. Stripped to their essentials, Mike’s songs are hook-driven, lyrically inventive songs filled with unique phrasing and clever observations. Even if the hooks can get repetitive once in awhile — even Mike joked that he keeps writing his favorite song over and over — a great Mike Doughty song is a great Mike Doughty song, and that voice of his can’t be replicated.

This show was comprised of two hour-plus solo sets, with Mike alone at the guitar, relaxed under the lights. First we got “Janine” from Ruby Vroom, followed by “I Hear the Bells” off Mike’s best-known solo album, Haughty Melodic. Then “St. Louise Is Listening” from El Oso, one of the songs that reimagined best as an acoustic number. When Mike played “Unmarked Helicopters”, Soul Coughing’s contribution to Songs In the Key of X: Music From the X-Files, it was clear we were going to have a special night with lots of time deep in the catalog.

Some of the Soul Coughing songs work better than others as acoustic numbers: Without its killer baseline and frenetic samples whirling around, “Super Bon Bon” becomes a bit lifeless, but others like “Soft Serve” and, yes, the band’s biggest radio hit, “Circles”, retain their infectious power. The solo work wasn’t to be ignored, too — Cheap Trick’s “Southern Girls” and Thin Lizzy’s “Running Back”, both of which appear on Doughty’s recent The Flip Is Another Honey, became a single song in Doughty’s live mashup.  But for me, having just read The Book of Drugs, the most powerful solo numbers were the ones that told stories of darker days: “Unsingable Name”, “Sunken-Eyed Girl” and “Tremendous Brunettes”.

It’d be tempting to characterize this show as one of redemption, where the prodigal singer returns to being his old self. I suspect Doughty wouldn’t see it that way; to him, when it comes to being the lead singer of the band Soul Coughing, a guy who existed 13 years ago, he’s still not that guy. And it’d be wrong to assume the artist sees playing these songs as a return to some kind of glory days, either. How you feel about Doughty’s catalog is your business, but in Mike’s mind — and to a good many of his fans — his next chapter of making music has been every bit the equal of his first, and more true to his spirit. Hearing the songs side by side, played just as he wrote them, I think it’s hard to argue otherwise.

Mike will be touring as a three-piece band this fall, performing sets of all Soul Coughing songs. Tickets are available from him here.

I recorded this set with a soundboard feed from Mark, the outstanding house engineer at City Winery. The recording is flawless. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream “Unmarked Helicopters”

Stream “Soft Serve”

Stream the entire show:

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[PledgeMusic contributor Josh Rosenblum prepares to smash one of Mike’s broken guitars to fulfill his PledgeMusic reward]

Mike Doughty
2013-07-31
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark)>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (light reverb)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:22:06]
Set 1
01 Janine
02 I Hear the Bells
03 St. Louise Is Listening
04 [banter1]
05 Your Misfortune
06 Unmarked Helicopters
07 [banter2]
08 Mistress [Red House Painters]
09 Shunned + Falsified
10 Year of the Dog
11 [banter3]
12 The Idiot Kings
13 [banter4]
14 Sleepless
15 Sunken-Eyed Girl
16 [banter5]
17 Grey Ghost
18 Busting Up A Starbucks
19 True Dreams of Wichita
20 [banter6]
21 Take Me Home, Country Road [John Denver]
22 The Book of Love [Magnetic Fields]
23 [encore break 1]
24 Circles
25 [banter7]
26 27 Jennifers

Set 2
27 Super Bon Bon
28 Unsingable Name
29 Soundtrack to Mary
30 Down On the River By the Sugar Plant
31 [Josh Rosenblum smashes Mike’s guitar]
32 Soft Serve
33 Madeline and Nine
34 $300
35 Day By Day By
36 Southern Girls/Running Back mashup [Cheap Trick/Thin Lizzy]
37 Where Have You Gone?
38 [banter8]
39 So Far I Have Not Found the Science
40 Tremendous Brunettes
41 Mr. Bitterness
42 Looks [The Student Teachers]
43 Put It Down
44 Na Na Nothing
45 Lazy Bones
46 Looking At the World From the Bottom of a Well
47 Is Chicago Is Not Chicago

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, see him on tour this fall and buy his forthcoming record of Soul Coughing songs reimagined from PledgeMusic.

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