Posts Tagged ‘ williamsburg ’

Bustle In Your Hedgerow: February 7, 2014 Brooklyn Bowl – Flac/MP3/Streaming

February 10, 2014
By

Bustle TJ Cain
[photo by TJ Cain]

We know from recent experience that the group of musicians who call themselves Bustle In Your Hedgerow can play Grateful Dead music to perfection, and that they also excel at the music of The Band. But it was as an annual Led Zeppelin cover band that Joe Russo, Marco Benevento, Scott Metzger and Dave Dreiwitz first mastered the art of melding classic rock with their own jazz/fusion/rock/jam style. And now, Bustle has existed as a project for more than ten years. On Friday night at Brooklyn Bowl, it was the second night of this year’s two-show Bustle run and the band’s energy was clear from the outset. The material speaks for itself, but its the ability of the Bustle quartet to bring their own special interpretation that creates the magic that these musicians can impart to well-worn songs. In the first set, it was the stretched out “Heartbreaker” that stood out primarily because of Metzger’s extended guitar solo and the set final “Over The Hills” was a classic example of primo ensemble work. In the second set, we were impressed with the spot-on versions of “Kashmir” and “Song Remains The Same”, both of which are streaming below. Also remarkable was the extended jam segment and seamless segue between “In The Evening” and “Four Sticks”, two entirely unrelated tracks from different segments of the Zep’s career which Bustle interplayed perfectly. We expect that this outstanding quartet will continue to play the Zep for the foreseeable future, but we’re also on the edge of our seat to see whatever classic band they reinterpret next.

I recorded this set with the Sennheiser Cards mounted on the right side midway on the floor and mixed with an excellent board feed. The mix of the two sources really came out well, and we’re pleased to report that the sound quality of this set is superb. Enjoy!

Stream “Kashmir”:

Stream “The Song Remains The Same”:

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Bustle In Your Hedgerow
2014-02-07
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Joe Russo – Drums
Marco Benevento – Keyboards
Scott Metzger – Guitar
Dave Dreiwitz – Bass

Setlist:
Set 1
[Total Time 57:18]
01 Communication Breakdown
02 The Lemon Song
03 Ramble On
04 Ten Years Gone
05 Heartbreaker
06 Custard Pie
07 All Of My Love
08 [band intro]
09 Over The Hills and Far Away

Set 2
[Total Time 1:18:09]
10 Hot Dog
11 Moby Dick
12 Since I’ve Been Loving You
13 Kashmir
14 In The Evening
15 Four Sticks
16 We’re Gonna Groove
17 The Song Remains the Same
18 [encore break]
19 Wearing and Tearing

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit their websites and purchase their office merchancise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Aa (Big A little a): January 28, 2014 Death By Audio – Flac/MP3/Streaming

February 7, 2014
By

Aa UnartigNYC
[screen cap from unartigNYC video]

The conventional story going into this show — the album release party for Aa’s new album VoyAager on Northern Spy — was that the band had returned after a lengthy hiatus to produce their first album in seven years and that it is a triumphant return. But things sort of took a detour along the way, namely in the form of a fatal computer crash midway through the set. That being said, after a few days to digest what was clearly a weird end to a show, we went back to listen to the half-show we recorded. Its ends up that the 3 song set is absolutely phenomenal, performance-wise and sound quality wise. The Aa stage set was essentially John Atkinson on electronics and vocals and a quartet of drummers. From the outset the energy in the set was stunning as the drum corps kept up with Atkinson’s frenetic soundscape. Its almost as if the laptop couldn’t take the heat from the stage. The brevity of the set gives us the opportunity to stream the whole show, and all three tracks are streaming below.

The band’s personnel seems to evolve from show to show, and now that they are out on the West coast touring, Atkinson will be reunited with band co-founder (along with Josh Bonati) Aron Wahl who now resides in Los Angeles. We expect to capture a full Aa show when they return East, but for now this mini set is a very nice taste of the excellent music they are currently producing.

I recorded this show with the Sennheiser cards mounted on a stand at the front of the stage and mixed with a board feed. The mics picked up mostly drums and the soundboard was primarily the electronics, but after a few test mixes I believe I finally found the right balance. The sound is quite superb. Enjoy!

Full Disclosure: It was announced yesterday that NYCTaper is a media sponsor of a SXSW show co-presented by Northern Spy and Baba Bing Records. This relationship with Northern Spy in no way influenced our positive review of their artist Aa. We wouldn’t have posted the recording if the performance wasn’t top notch.

Stream “Bubby”:

Stream “Rankzone”:

Stream “Postsac”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Aa
2014-01-28
Death By Audio
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 15:14]
01 Bubby
02 Rankzone
03 Postsac

If you enjoyed this recording, please support Aa, visit their band page at the Northern Spy website, and purchase VoyAager from Northern Spy [HERE]

Oneida: January 31, 2014 Knitting Factory – Flac/MP3/Streaming

February 3, 2014
By

oneida 09 market

The rabid fans of a classic old band used to say “it doesn’t matter what they play, but how they play it”. The modern day version of Oneida fits this phrase exactly. In their 17th year as a band, Oneida has settled in well as a five-piece band that literally plays with no conventional boundaries. As their recent albums have eschewed traditional song structures, their contemporary concerts don’t really have “setlists” as much as the band just plays. Last fall, we captured an Oneida show at Glasslands that essentially consisted of one “song” and an encore. The show on Friday at Knitting Factory was over an hour and consisted of four separate tracks that weren’t seemingly so much songs as extended musical interplay between the individual members of the quintet, the penultimate of which lasted longer than thirty minutes. That being said, the attraction of the present incarnation of this amazing band is the musicianship. Kid Millions is perhaps the greatest living drummer and his indefagitable work behind the kit is always a wonder to behold. On this night we spent much of the time watching the interplay between the dual guitars of Baby Jane and Shahin Motia, who sometimes take a supporting role but on this night spent much of the set trading furious lead segments. As they approach their second decade as a band, Oneida continues to amaze with their inventiveness and we are certain to see them every time possible when they play locally — which is generally only a few times a year.

I recorded this set with the Sennheiser cards on a stand back near the soundboard and mixed with an excellent feed provided by house FOH Rob. The sound quality is quite excellent, enjoy!

Stream “The River”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oneida
2014-01-31
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Rob] + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:07:33]
01 Cedars
02 You Get Brighter
03 Each One Teach One
04 The River

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Hunters: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

January 31, 2014
By

IMG_5968
[Photos by acidjack]

The Brooklyn band Hunters grab your eye right away, thanks to lead vocalist Isabel Almeida’s shock-pink hair and hyperkinetic onstage manner. What holds your interest are their songs, which you mind find yourself humming long after you’re back on the street. This Oh My Rockness CMJ show at Cameo Gallery gave the band headlining status, and they made the most of it, leading us through a rapid-fire set consisting of songs from their eponymous debut album and their underrated Hands on Fire EP from 2011. The night had run long, but Hunters had saved more than enough energy to deliver an excellent set, Almeida and vocalist-guitarist Derek Watson’s vocals coasting on a bed of fuzzed-out guitars. If the measure of a good CMJ show is actually being able to remember what you saw a week or even a single night later, Hunters should count this show a win. You don’t soon forget the experience of seeing them.

I recorded this set with a soundboard feed from well-known local sound engineer Gary Atturio, combined with Schoeps MK4V microphones. The sound quality is excellent. Enjoy!

Stream “Undone”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5969

Hunters
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Gary Atturio) + Schoeps MK4V>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Street Trash
02 Noisy Bitch
03 [new song]
04 Blackheart
05 Narcissist
06 She’s So
07 Acid Head
08 Undone
09 Deadbeat

If you enjoyed this recording, PLEASE SUPPORT Hunters, like them on Facebook, visit their website, and purchase their self-titled debut here.

Deafheaven: January 18, 2014 285 Kent – Flac/MP3/Streaming

January 22, 2014
By

deafheaven-22
[photos by PSquared Photography]

Good things come to those who wait. I arrived at 285 Kent at about 7:30pm on Saturday night prepared for a seven-band marathon show, but not quite expecting that the headliner would not take the stage until 2:45am the following morning. But Deafheaven at any ungodly hour is still an intense and entirely worthwhile experience. While quite a few of the overflowing sold-out crowd didn’t make it to the end, the space gave the diehards the option to get right upfront and experience the manic energy of George Clarke face to face. And George didn’t disappoint, getting right into the first few rows for most of the show. I’ll admit having a hard time keeping up the energy as their hour-long set pushed until nearly four a.m., but the band had no such problem. We’ve seen Deafheaven twice before and each time we were breathless even from the back of the room at Saint Vitus. But upfront and personal, the experience is that much more fervent. For the set, the band worked through virtually all of Sunbather (sans one instrumental track) — the album that saw them at or near the top of virtually every single published Best-of list for 2013. Deafheaven begins a two-month cross-country tour of the US in a few weeks, and their next appearance in NYC will be at Governor’s Ball. Like 285 Kent, the days of seeing Deafheaven from a few feet away in a DIY venue have pretty much ended, but having had this last experience, I’m ok with that.

I recorded this set in my usual manner in this venue, with the Sennheiser cards mounted on the beam near the stage and mixed with a board feed. The sound is excellent. Enjoy!

Stream “Vertigo”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

deafheaven-4

Deafheaven
2014-01-18
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 50:31]
01 Dream House
02 Sunbather
03 Please Remember
04 Vertigo
05 Windows
06 The Pecan Tree

unartigNYC has posted a video of this entire set.

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official releases including Sunbather from Deathwish Inc. [HERE].

deafheaven-25

The Blind Shake: October 27, 2013 285 Kent – Flac/MP3/Streaming

December 4, 2013
By

Blind Shake
[still from this video]

When Thee Oh Sees toured last month, John Dwyer brought Minnesota’s The Blind Shake on the road with them. Last month, we saw Blind Shake twice in NYC, but much preferred the more intimate 285 Kent set. The band plays an angular brand of garage punk, not dissimilar from Thee Oh Sees, but with a decidedly less 60s feel and perhaps a bit of a post-punk edge. Their set at 285 was fast and furious — the band literally took no significant breaks in between songs, so that they played 13 songs in barely 30 minutes. The Blind Shake have two full albums, an EP and several singles and their most recent record Key To A False Door is on Dwyer’s Castle Face Records. The setlist drew from their releases and also seems to include some unreleased tracks. The band just completed a lengthy US tour, so there are currently no dates but we’ll be sure the catch The Blink Shake when they return to NYC.

I recorded this set in the same manner as the Thee Oh Sees set and the sound is excellent. Enjoy!

Stream “Out Of Work”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Blind Shake
2013-10-27
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 31:02]
01 Garbage on Glue
02 I’m Not An Animal
03 Out of Work
04 Yellow
05 Go Go 78
06 Can’t Stand Life
07 Calligraphy
08 Fly Right
09 Young Carnival Waste
10 Porto Alegre
11 Man Leaves House
12 Seriousness
13 O’Rider

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Blind Shake, visit their website, and purchase Key To A False Door from Castle Face Records [HERE].

Beach Fossils: November 22, 2013 285 Kent – Flac/MP3/Streaming

November 29, 2013
By

beach fossils 285
[a still from unartignyc video of entire show]

Beach Fossils began their set last Friday at 285 Kent midnight show at about 2 am. The band has been on tour since late October, and this was their homecoming party. As these “friends-only” shows tend to be, this night was loose, fun and at times inspired as heck. The show was really two shows — the first half a standard run-though Fossils favorites, including a nice mix of songs from both albums. The second half of the show began with the pairing of “Careless” and “Clash The Truth” — long versions with extended noise jams. It was after the introduction of Chris Hansell and the cover of anti-hardcore band No Trend (“Reality Breakdown”), that things began to get wild. For the balance of the set, the band played extra loose and the final two songs were crazy and cacophonous — and extremely fun and entertaining.

I recorded this set with the Sennheiser cards mounted on the beam ten feet from the stage and mixed with a board feed. The sound quality is excellent. Enjoy!

This set was also recorded on video by UnArtigNYC, and those videos can be found [here].

Stream “Youth”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Beach Fossils
2013-11-22
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:04:38]
01 [intro]
02 Calyer
03 Moments
04 What A Pleasure
05 Daydream
06 Shallow
07 [banter – birthday]
08 Generational Synthetic
09 Youth
10 [banter – one song]
11 Careless
12 Clash The Truth
13 [Chris intro]
14 Reality Breakdown [No Trend]
15 Birthday
16 [banter – best thing]
17 Burn You Down
18 [banter – thanks]
19 Crashed Out
20 Twelve Roses

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Beach Fossils, visit their Facebook page, and purchase Clash The Truth from Captured Tracks [HERE].

PUP: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

November 18, 2013
By

IMG_5946
[Photos by acidjack]

The Toronto band PUP are one of the latest bands to cement that city’s status as one of the global epicenters of modern punk. From breaking bands like METZ to well established acts like Fucked Up, the scene continues to be fertile ground for vital music of the harder-edged variety. Straight from the kickoff track “Lionheart”, from their self-titled debut, PUP’s set at the Oh My Rockness CMJ show at Cameo Gallery put them on a lot of fans’ radar screens. Making the most of their time, the band barely took a breather between songs as they delivered rapid-fire doses of their hook-laden, head-bobbing tunes like “Back Against the Wall” and “Lionheart”. But it was the set closer, “Reservoir” that really sealed the deal. It’s one of those songs that spins standard young-punk fare and takes it to a darker, more reflective place, and it was a mature, powerful way to end the night.

I read in an interview that the album’s producer, veteran Dave Schiffman (responsible for, among others, records by Cass McCombs, Weezer, Red Hot Chili Peppers, and The Mars Volta) wanted the record to sound “like the best show the band had ever played.” I haven’t seen the band before, so I can’t vouch as to whether this is their “best show”. But I think, after hearing this, it’ll be hard to hear this and not give the record a spin.

I recorded this set in the same manner as the other recordings from this night, with Schoeps MK4V cardiod mics and a soundboard feed of the house mix by engineer Gary Atturio. The sound quality is outstanding. Enjoy!

Stream “Back Against the Wall”

Stream “Reservoir”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5941

PUP
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Gary Atturio) + Schoeps MK4V>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks:
01 [intro]
02 Lionheart
03 Back Against The Wall
04 Mabu
05 [banter]
06 Dark Days
07 Don Valley Parkway
08 [instrumental]
09 Yukon
10 Mule
11 Guilt Trip
12 [banter2]
13 Reservoir

If you enjoyed this recording, like PUP on Facebook, follow them on twitter and visit their bandcamp page. If you are in Canada, you can buy their debut album on iTunes Canada. Worldwide coming soon…

Thee Oh Sees: October 27, 2013 285 Kent – Flac/MP3/Streaming

October 28, 2013
By

Thee Oh Sees 285
[photo courtesy of We All Want Someone To Shout For blog]

Lou Reed died on Sunday morning, October 27, 2013. If that fact is important to you, then by now you’ve read the hundreds of excellent tributes across the web. The man was complicated, but one thing is for certain — his vast and ubiquitous influence over multiple genres of music and musical lifestyles will be felt for generations to come. So it was abundantly appropriate that on the night of his death, one of New York’s premiere DIY venues — in a warehouse no less — hosted one of the country’s premiere garage-rock bands. I don’t think its a reach to say that if Lou Reed’s life had not taken the path he began nearly fifty years ago, 285 Kent and Thee Oh Sees would not exist, or at least exist in the way they do now. ToddP recognized the importance of the evening, as his house music was all-Reed for virtually the entire night. And as Thee Oh Sees were about to take the stage, the ipod mix queued up “Walk On The Wild Side”, and a natural and spontaneous cheer arose from the packed house. As John Dwyer approached the mic, he dedicated the set to Lou, and began to play. And play they did. Thee Oh Sees are one of today’s most engaging live acts, but this performance was special. Each song was a bundle of kinetic energy and it seemed as if the crowd was of one mind, moshing in beat to every single song for this meaty and lengthy set. The band is on tour to support their latest album Floating Coffin, and while the setlist included more than half the album, there were also plenty of old favorites. Thee Oh Sees play locally again tonight (Tuesday October 29), at Irving Plaza. As of this writing, there are less than 100 tickets left. We’ll be there, and if you’re reading this, hopefully you will be too.

I recorded this set by mounting the Sennheiser cards on the beam ten feet from the stage and mixed it with a fine board mix. The sound is excellent. Enjoy!

Stream “Block of Ice”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2013-10-27
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:24:54]
01 I Come From The Mountain
02 Toe Cutter – Thumb Buster
03 Block of Ice
04 Contraption – Soul Desert
05 The Dream
06 Tidal Wave
07 Tunnel Time
08 What’s Over There
09 Strawberries 1 and 2
10 Meat Step Lively
11 [tech break – bad cable]
12 No Spell
13 [tech break – power strip]
14 Dead Energy
15 Minotaur
16 Lupine Dominus
17 [encore break]
18 Carrion Crawler

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Floating Coffin from Castle Face Records [HERE].

Minks: August 31, 2013 Captured Tracks CT5 Festival – Flac/MP3/Streaming

October 16, 2013
By

minks01
[photo by Derek Klevitz courtesy of QRO Magazine]

In their brief history, Minks has been the quintessential Captured Tracks band. Their debut album By The Hedge was shrouded in mystery — not much was known about the artist and the lyrics were often hidden in deep reverb. Minks also didn’t play many shows. And of course the sound was heavily influenced by the early to mid-80s Brit post-punk. This year Minks has returned with their second album and the band has most certainly evolved. Tides End is a significantly warmer album than the band’s debut, and Minks have taken a higher profile in support for the album. Band leader Sonny Kilfoyle has even done a series of interviews. At the CT5 Fest in August, Minks set was certainly upbeat, as Kilfoyle bantered good naturedly between tracks and the band worked through an excellent set of material from both albums. We’re streaming “Doomed and Cool” which certainly captures a definable New Order influence to the band’s sound and was one of the tightest tracks performed. Minks will play NYC again at Mercury Lounge on November 21.

I recorded this set in the same manner as the two previous sets from this Fest and the sound quality is excellent. Enjoy!

Stream “Doomed and Cool”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Minks
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 36:15]
01 Ark of Life
02 Everything’s Fine
03 Funeral Song
04 Playboys of the Western World
05 Hold Me Now
06 Margot
07 Doomed and Cool
08 [tuning]
09 Painted Indian

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Minks, visit their website, visit their artist page at the Captured Tracks website, and purchase the new album Tides End from the Captured Tracks website [HERE].

SUPPORT NYCTaper




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