Blog Archives

Superchunk: September 28, 2013 Bowery Ballroom – Flac/MP3/Streaming

September 30, 2013
By

superchunk-34
[photos by PSquared Photography]

I don’t believe its quite accurate to say that Superchunk is the best working band in America today, but you’d be hard pressed to name one that’s actually better. For more than two decades, minus a few years hiatus, Superchunk has consistently released high quality albums filled with excellent songs. There’s not a clunker among any of their ten studio albums — heck, there isn’t even a bad song in their catalog. The newest release came out last month, and I Hate Music not only continues the streak, but its one of the strongest albums in their history. The band is currently on tour in support of the album and performed two shows at Bowery Ballroom this weekend, and we were there for Saturday’s barnburner. Superchunk opened the show on high octane, working through a democratic mix of songs from the new album interspersed with the classics in an hour-long set that barely came up for air. And the very-sold out crowd was with them throughout. From our standard balcony perch we could see the craziness on the floor, but the manic crowd response even spread to the balcony itself, where we witnessed enough pogoing to shake the floor of the upper deck. But it was in the ten song encore segment where all hell broke loose. The band welcomed out Merge recording artist Eleanor Friedberger for two legendary punk covers (we’re streaming the Patti Smith one below) and then just continued to play a series of their own deep tracks in maniacal fashion. The show reached its climax when Mac laid down his guitar, took over behind the kit and drummer Jon Wurster came out to deliver a couple of hardcore covers to end the night.

I recorded this set with the Sennheiser cards mixed with an excellent board feed. There is a couple of minutes of static near the very end of the set caused by a problematic mic on the snare drum, but otherwise this is a superb capture. Enjoy!

We will also have a recording of the first night of Superchunk’s Bowery shows. That recording should be available by the end of the week.

Stream “Free Money” (Patti Smith cover with Eleanor Friedberger):

Stream “Digging for Something”:

Download the Complete show [MP3] or [MP3] (off site) / [FLAC] or [FLAC] (off site)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

superchunk-80

Superchunk
2013-09-28
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-29

Setlist:
[Total Time 1:32:11]
01 Breaking Down
02 FOH
03 Crossed Wires
04 Detroit Has A Skyline
05 Punch Me Harder
06 Staying Home
07 [banter – video]
08 Void
09 Like A Fool
10 Tower
11 Iron On
12 Water Wings
13 [banter – requests]
14 Out of the Sun
15 Me and You and Jackie Mittoo
16 Cast Iron
17 Digging For Something
18 Trees of Barcelona
19 [encore break]
20 Seed Toss
21 [Eleanor introduction]
22 Free Money [Patti Smith]
23 Oh Oh I Love Her So [Ramones]
24 Slack Motherfucker
25 Precision Auto
26 [second encore break]
27 Animated Airplanes Over Germany
28 Throwing Things
29 Fishing
30 20 Eyes [Misfits]
31 My War [Black Flag]

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase I Hate Music directly from Merge Records [HERE].

White Fence: September 18, 2013 Glasslands – Flac/MP3/Streaming

September 25, 2013
By

White-Fence-#1
[photos by PSquared Photography]

Its hard to believe that it had been since early 2012 since we had last seen White Fence live. We were so impressed with the band’s high-energy authentic mid-60s styled psychedelia at a gig opening for Woods at Bowery, and then again at the NYCTaper 2011 CMJ show. I was also lucky to catch them at SXSW 2012. Last Wednesday at Glasslands, it was encouraging to see that eighteen months later, White Fence continues to churn out kinetic proto-psych with confidence and abundant energy. Tim Presley’s supporting band seems to be the same group that he had at SXSW ’12, and at Glasslands they were tight and in perfect sync — certainly necessary to keep up with the quick chord and tempo changes in the music. For instance, we’re streaming “Baxter Corner”, a song that is two minutes on record but live is stretched out to almost seven — a lengthy high-tempo jam that features the talents of each member of the quartet. The setlist contained quite a number of older songs, but also featured a heavy dose of the newest White Fence album Cyclops Reap (Castle Face Records). After this outstanding show, we hope it won’t be another eighteen months before we see White Fence again.

I recorded this set with the installed NYCTaper rig at Glasslands, and the sound quality is superb. Enjoy!

Stream “Baxter Corner”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

White-Fence-#89

White Fence
2013-09-18
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-21

Setlist
[Total Time 54:11]
01 Ring Around a Square
02 Mr Adams
03 Who Feels Right
04 Pink Gorilla
05 Tildas
06 Baxter Corner
07 [tuning]
08 The Pool
09 And By Always
10 She Relief
11 To the Boy I Jumped in the Hemlock Alley
12 White Cat
13 Chairs in the Dark
14 Swagger Vets and Double Moon
15 Breathe Again
16 Got That Heart
17 Harness

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit the White Fence blog, the White Fence Facebook page, and purchase the latest record Cyclops Reapdirectly from Castle Face Records [HERE].

White-Fence-#99

NYCTaper CMJ Day Party – October 17 at Cake Shop

September 22, 2013
By

NYCTaperCMJ(1)

For the sixth year in a row with the fine folks at Cake Shop, we’ll be presenting a Thursday Day party during CMJ week. And much like our past efforts, this year’s roster of bands is a great one. Our previous shows have featured up and coming performers who have gone on to significant success such as Savoir Adore, Sharon Van Etten, White Fence, Diamond Rings, Widowspeak, Heliotropes, Mount Moriah, Hurray For The Riff Raff, She Keeps Bees, and many others.

Here are the details:

NYCTaper CMJ Day Party
(Unofficial Show)
Thursday October 17, 2013
Cake Shop 152 Ludlow Street, NYC 10002

Doors at 12 Noon

Music (preliminary schedule)
12:45 Slow Down Molasses (Saskatoon Canada)
01:30 J Fernandez (Chicago)
02:15 The Moondoggies (Seattle WA)
03:00 Bent Shapes (Boston)
03:45 Julia Weldon (New York)
04:30 “Special Guest”
05:15 The Echo Friendly (Greenpoint)
06:00 Caged Animals (Brooklyn)

North Mississippi Allstars: September 11, 2013 Irving Plaza – Flac/MP3/Streaming

September 18, 2013
By

NMAS Irving
[still from this video]

I have consistently made the contention that Luther Dickinson is the best living guitarist. I’ve seen North Mississippi Allstars at least a half-dozen times, and on every occasion Luther has amazed with his ability to play authentic blues, honky tonk, rock, country and steel guitar. Luther even has a specialized guitar made from a coffee can. Sure, its the talent and precision that impresses but there’s also a indefinable soul to his playing. Last week, our most recent NMAS experience was at Irving Plaza for a nearly two-hour show part of the tour to ostensibly promote the newest NMAS album World Boogie Is Coming. The album continues the band’s output of sterling mix of American music. Its also the first album to feature the full-time contributions of Lightning Malcolm who has replaced Chris Chew as the full time touring bassist. But the show for me was really all about Luther’s guitar playing, and on this night as expected he did not disappoint.

I recorded this set with the Sennheiser MKH-8040 cards mounted high in the middle of the floor. The sound in the venue was mixed quite well and we’re happy to present this excellent recording. Enjoy!

Stream the Complete Show:

This Recording is available to Download in FLAC and MP3 at Archive.org [HERE].

North Mississippi Allstars
2013-09-11
Irving Plaza
New York, NY USA

Digital Master Audience Recording

Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-15

Setlist:
[Total Time 1:54:58]
01 Boogie
02 Station Blues
03 Turn Up Satan
04 Shake Em On Down
05 Rollin and Tumblin
06 Meet Me In The City
07 Shake
08 Goat Meat
09 Mystery Train
10 [instrumental]
11 Po Black Maddie
12 Skinny Woman
13 Hodown
14 The Meeting
15 Mississippi Bollweevil
16 The Meeting (reprise)
17 World Boogie
18 Mean Ol Wind Died Down
19 Up Over Yonder
20 Let My Baby Ride
21 My Babe
22 Granny Does Your Dog Bite
23 Goin Down South
24 I’m Leavin
25 KC Jones (On The Road Again)
26 All Night Long
27 ML (Going Home)

If you download this NYCTaper recording we expect that you will PLEASE SUPPORT North Mississippi Allstars, visit their website, and purchase World Boogie Is Coming and their other available releases through The Store at their website [HERE].

Deervana: September 13, 2013 Brooklyn Bowl – Flac/MP3/Streaming

September 15, 2013
By

deervana bbowl
[screen cap from this video]

Nirvana’s final album In Utero was released on September 13, 1993. In many ways, 1993 was a watershed year. It was the year that Clinton became President, and the year that the Web evolved from a connection to a handful of servers to a truly “world-wide” phenomenon. It was also the last full year of Kurt Cobain’s life. In Utero reflects many of the troubles and contradictions in Cobain’s life at that time — illness, drug addiction, the complications of fame and fatherhood. As an album of representing the life of a troubled artist and tortured soul its a brilliant work. Twenty years removed, the historical significance of the album is established and the painful events that followed its release are old wounds. Deervana is Deer Tick‘s alter ego and its attempt to both pay tribute to the band and enjoy playing music that the band loves. On Friday night, the band played its first Deervana show in NYC in two years, this time to play In Utero from start to finish on its 20th anniversary. John McCauley noted several times during the show that Deervana is “just for fun”. And at Brooklyn Bowl the band and the crowd had just that. There were no deep philosophical statements, recriminations or any sign of mourning. Enough time has passed for that. The performance was a faithful and at times eerily soundalike play through the album from start to finish. We are streaming “All Apologies”, the album’s final track and Nirvana’s swan song. As the crowd chanted along with Deervana, “all in all is all we are” indeed.

I recorded this set with the Sennheiser cardioids mounted high about midway on the floor and mixed with an excellent stereo board feed mixed expertly by Deer Tick’s FOH Matt. The sound quality is superb. Enjoy!

Stream “All Apologies”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deervana
2013-09-13
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-14

Setlist:
[Total Time 45:57]
01 [introduction]
02 Serve the Servants
03 Scentless Apprentice
04 Heart-Shaped Box
05 Rape Me
06 Frances Farmer Will Have Her Revenge on Seattle
07 Dumb
08 Very Ape
09 Milk It
10 Pennyroyal Tea
11 Radio Friendly Unit Shifter
12 Tourette’s
13 All Apologies

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases from the Partisan Records Store [HERE].

Blouse: August 31, 2013 Captured Tracks CT5 – Flac/MP3/Streaming

September 10, 2013
By

Blouse CT5 McCabe
[photo by Joe McCabe – courtesy of Hey Reverb]

We saw what I believe was Blouse’s first NYC show almost two years ago at 285 Kent. The band had recently signed with Captured Tracks and released their self-titled debut album. That album and show were impressive and we expected that Blouse would continue to produce solid music. This month the band returns with their follow-up album and the early returns are all positive. While the debut was very faithful to a mid-80s synth-Brit-pop sound, the new album Imperium stretched out and displays more of the band’s guitar talents. At the center is Charlie Hilton whose vocals and guitar set the tone for the band’s sound. At the Captured Tracks fest last week, Blouse played a 40-minute set with songs mixed between the two albums. Two years since we last saw them, the band has matured and seems tighter and more confident than their debut show. The Imperium material was solid and consistent and we expect that when the album is released next week it will further propel this excellent band forward.

I recorded this show in the same manner as the Mac Demarco set and the sound quality is superb. Enjoy!

Stream “In A Glass”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Blouse
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-08

Setlist:
[Total Time 36:15]
01 Arrested
02 Time Travel
03 Eyesite
04 White
05 Videotapes
06 In A Glass
07 1000 Years
08 No Shelter
09 Imperium
10 Into Black

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Blouse, visit their website, visit their artist page at the Captured Tracks website, and purchase the new album Imperium from the Captured Tracks website [HERE].

Mac DeMarco: August 31, 2013 Captured Tracks CT5 – Flac/MP3/Streaming

September 8, 2013
By

mac demarco ct5
[photo by Joe McCabe – courtesy of Hey Reverb]

If he is perhaps the least Captured Tracks-sounding band on the label, Mac DeMarco is certainly one of its most entertaining acts. On the first day of the Captured Tracks Festival (“CT5“) to celebrate the five years that this excellent label has released albums, one of its most successful artists delivered the performance of the day. Mac is certainly talented — his songs are tight and well written and his band is proficient. But the material is enhanced by the performer’s personality, his sense of humor, and his willingness to take chances. As when we saw Mac at Webster in February, one of the highlights of any Mac DeMarco set is when the band lets loose and runs through a semi-tongue in cheek set of classic rock covers. On this night, the improv section did not disappoint and gave us a few belly laughs along the way.

I recorded this set with the Neumann large diaphragm cards mounted high in front of the soundboard cage and mixed with a feed from the board. The sound quality is superb. Enjoy!

Stream “Cooking Up Something Good”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mac DeMarco
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-06

Setlist:
[Total Time 45:44]
01 Cooking Up Something Good
02 The Stars Keep On Calling My Name
03 Rock and Roll Nightclub
04 Ode To Viceroy
05 Annie
06 Freaking Out the Neighborhood
07 [banter – tuning]
08 Baby’s Wearing Blue Jeans
09 I’m A Man
10 She’s Really All I Need
11 Takin Care of Business [BTO]
12 Blackbird [Beatles]
13 Schism [Tool]
14 Break Stuff [Limp Bizkit]
15 Cocaine [JJ Cale]
16 [aborted song – banter]
17 Still Together

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mac DeMarco, visit his artist page at Captured Tracks, and purchase his debut album 2 from Captured Tracks [HERE].

Ty Segall: August 30, 2013 Bowery Ballroom – Flac/MP3/Streaming

September 4, 2013
By

Ty-Segall48
[photos by PSquared Photography]

Ty Segall has had an impressive and prolific recording career thus far. The 26 year-old performer has released 8 solo albums, has been a member of four bands with recorded output, has done duo records with Mikal Cronin and with White Fence, and earlier this year released an album with Fuzz. But what Ty has done with his latest album Sleeper (Drag City) may be his most accomplished feat thus far. The album is lyrically his most personal and the primarily acoustic instrumentation is a great departure from his lo-fi garage roots. But its not the style change that is so remarkable, its the fact that Segall not only pulls off the tidal shift with such ease but that the album is so strong. And the tour band continues the theme. At Friday night’s Bowery Ballroom show, Ty’s band was a seated-foursome with two acoustic guitars, bass and drums, a far cry from the rabid punk show we saw just this past February at Webster Hall. It was clear from the outset that this was a different performer playing material with a very different vibe. But Ty’s talents seated were just as impressive as when he is standing — it was the quality and intensity of the music that kept the crowd craziness at bay as Ty and the band worked though Sleeper nearly in its entirety. We are streaming the second song and second track on the album “The Keepers”, a song the band played to perfection. It was midway through the show when the new material was complete that the show switched gears, gained some volume and the pit went wild. The band worked through some older Ty tracks before ending the set proper. We’re also streaming “Ghost” from the set of older material as it features an intense and extended guitar jam. The highlight of the encore set was Ty’s solo performance of the Bowie classic “Moonage Daydream”. While we don’t expect that Ty Segall will ever turn away from his garage roots, its very encouraging to know that this multi-talented performer is just as comfortable as a singer-songwriter than as a punk impresario. This Bowery show was that good.

I recorded this set with the Sennheiser cardioids mounted in our usual balcony spot. We’re extremely pleased with the results. Enjoy!

Stream “The Keepers”:

Stream “Ghost”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ty-Segall51

Ty Segall
2013-08-30
Bowery Ballroom
New York, NY USA

Digital Master Audience Recording

Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-03

Setlist:
[Total Time 1:03:34]
01 Sleeper
02 The Keepers
03 Crazy
04 The Man Man
05 She Don’t Care
06 [band intros]
07 6th Street
08 Sweet C.C.
09 For Those Who Weep
10 The West
11 [banter – thanks]
12 Queen Lullabye
13 Die Die Die
14 [banter]
15 Caesar
16 You’re The Doctor
17 Ghost
18 Sad Fuzz
19 Girlfriend
20 [encore break]
21 Moonage Daydream [Bowie]
22 You Make the Sun Fry
23 Live and Let Live [Love]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Ty Segall, visit his website, and purchase his latest album Sleeper from Drag City Records [HERE].

Ty-Segall86

She Keeps Bees: August 29, 2013 Glasslands – Flac/MP3/Streaming

September 3, 2013
By

SKB Glasslands Collabo 1
[screen caps courtesy of Jake Remington]

We have been big fans of She Keeps Bees here at NYCTaper for a few years. The duo have appeared on the site a good half-dozen times and we have not been shy with superlatives. The combination of Andy’s precise but aggressive percussion and Jess’s bluesy guitar is the perfect compliment for that voice — Jess’s innate ability to draw out complex and wide range of emotions in each and every song. At Glasslands last week, the band drew an impressive crowd for the dead week pre-Labor Day. The fans were also quite rambunctious as you can hear on this recording. We were encouraged to hear that She Keeps Bees is finishing up recording a new album, and several of those new songs were featured during the set. The band is seeking the right label to distribute the album, and we hope to see it released this Fall. We are streaming “Counter Charm”, which was the band’s 2012 single release.

I recorded this set with our installed rig in this venue and the sound is quite excellent. Enjoy!

Stream “Counter Charm”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

She Keeps Bees
2013-08-29
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-31

Setlist
[Total Time 41:33]
01 Owl
02 Is What It Is
03 Counter Charm
04 [banter – burpees]
05 Breezy
06 See Me
07 [banter – toilet water]
08 Eight Houses
09 [banter – patience]
10 Wasichu
11 Howl
12 Gimmie
13 All or None/Dark Horse
14 [encore break]
15 Release

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT She Keeps Bees, visit their bandcamp page, and purchase their official releases from the band’s Bandcamp page [HERE].

SKB Glasslands Collabo 2

Bent Shapes: August 25, 2013 South Street Seaport – Flac/MP3/Streaming

August 27, 2013
By

Bent Shapes Carrie
[photo by Carrie Lynch]

They don’t come often, perfect days in NYC. I made my way downtown to the South Street Seaport on Sunday for a show. As soon as I stepped outside, it was obvious that this was one of those late Summer afternoons when the oppressive heat is over and the chill of Autumn has yet to arrive, and there is not a cloud in the sky and the air quality is as perfect it can be in this City. At the Seaport, Bill Pearis has been producing the Soundbites Concert Series for several years now, and its a sin that I had never seen a single episode, despite that Bill’s musical knowledge and ability to pick next-big-thing bands is second to none. This year I made it just in time, since this week was this year’s final in the series and featured Boston’s Bent Shapes. The band had spent its first three years of existence known as Girlfriends, releasing several 7 inch singles, and becoming a regular in the local DIY scene. But 2013 turned a new page for the trio. The band changed its name to Bent Shapes and this month released its first full length album. Sunday’s thirty-minute 12-song set was an excellent lesson in getting to the point. Bent Shapes play what could be described as punk-pop, indie rock, or power pop — but forget the labels. This is a trio of excellent musicians who play excellent songs and don’t mess around.   In terms of the vitals, the set consisted of 7 of the 11 tracks from the new album Feels Weird (Father/Daughter Records), and couple of new songs.  When I came downtown the only thing left to convert a beautiful day into a perfect one was some superb music. On Sunday, that was Bent Shapes.

I recorded this set by mounting the Sennheiser cards at the stage lip and mixing with a board feed. The mics picked up primarily the instruments on stage and the board was vocal heavy, but mixed together the sources created an ideal mix and an outstanding recording. Enjoy!

Stream “What We Do is Public”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Bent Shapes
2013-08-26
South Street Seaport
Soundbites Concert Series
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-26

Setlist:
[Total Time 29:58]
01 Big Machines
02 Bites and Scratches
03 Leave It Til You Need It
04 86d in 03
05 Panel of Experts
06 [banter]
07 Hex Maneuvers
08 It Seems Dumb
09 Leave Some Space
10 What Do You Get
11 What We Do is Public
12 [banter – thanks]
13 Norms Out
14 Behead Yrself Pt 2

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bent Shapes, visit their bandcamp page and their tumblr page, and purchase Feels Weird from the band’s Bandcamp page or the Father/Daughter Records site [HERE].

SUPPORT NYCTaper




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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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