nyctaper Recordings

concert discussion and free flac downloads

Walking Shapes: May 15, 2013 Glasslands – FLAC/MP3/Streaming

August 8, 2013
By

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When the opening band has as big or an even bigger crowd than the headliner, it’s often a clue that they’re on their way up. So it went for this Walking Shapes show at Glasslands, where even on the earlier side the club had a packed house — and for a band that didn’t have a single record out. Now, they do — the Brooklyn band released their Mix Tape (Vol. 1) in increments throughout July, and now the full LP is available free from No Shame Records and on their bandcamp page. (It’s also on Spotify as well). The band’s sound on record shares some of the nostalgic glaze that’s made Foxygen such a hit this year, with an equal nod to some of the better moments of the Britpop sound that ruled the mid-90s.

Which is all to say that Walking Shapes are a very accessible band; this is music for the masses, nothing obtuse about it. Listen to the big-chorus-driven “Keep”, for example, and imagine how that song could possibly not make it on the radio. For that reason, the band’s live show seemed almost incongruous with the intimate Glasslands setting. As they played song after song of big-tent, bombastic rock, I kept feeling like I ought to be in Terminal 5. Musically tight, well-rehearsed and armed with heart-on-your-sleeve lyrics to go with it, I wouldn’t be shocked to see them get there.

I recorded this set in the same manner as the other recording from this night, with a pair of Naiant X-X omnidirectional mics split at the stage lip, our installed Naiant X-R mics in the audience and a soundboard feed by Glasslands engineer Jeremy. Owing to Jeremy’s extremely tight mix plus the additional pair of mics, this is a truly outstanding recording. Enjoy!

Walking Shapes play the Knitting Factory on September 3 with Seasick Mama. Get your tickets [HERE]

Stream “Pusher”

Download the Complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5416

Walking Shapes
2013-05-15
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Zombies
02 Pusher
03 Mechanical Arms
04 Keep
05 Elle Deadsex
06 Waves (XYZ)
07 Measure for Measure
08 Horse

If you enjoyed this recording, PLEASE SUPPORT Walking Shapes, like them on facebook, and buy Mixtape (Vol. 1) from No Shame [HERE]

Hurray For The Riff Raff: August 1, 2013 Knitting Factory – Flac/MP3/Streaming

August 7, 2013
By

HFTRR Sean Rowe
[photo courtesy of Sean Rowe]

Hurray For The Riff Raff is one of those rare bands that seem to be even better every new time you see them. We were amazed at their growth when we saw them twice last summer. Those two shows are on constant play in my listening rotation and I expect to add last Thursday’s show at Knitting Factory to the mix. Fresh off what Alynda Lee called their “magical tour”, which included an appearance at the Newport Folk Festival and a leg of the tour opening for the Alabama Shakes in large venues, the Knit show was a band at its peak having fun and playing a varied setlist. We’ve spoken in previous posts about the brilliant 2012 release Look Out Mama, definitely a sleeper for those disconnected with today’s Americana music but a unanimous best-of for those who were paying attention. Hurray For The Riff are currently working on a new album which is expected in the Fall and the Knit show also saw the performance of what we believe were nine new songs that will eventually see release on that new record. Of those new songs, we’d heard a few at prior shows, including “Small Town Heroes”. But this particular version of Small Town Heroes was so intense and awe inspiring that we have to stream it below.

Hurray For The Riff Raff will perform a free show in Lincoln Center at Hearst Plaza on Saturday August 10 at 1:30 pm. HFTRR will return for a full show in the Fall, venue and date to be announced by the band later today (along with full tour news).

I recorded this set with the Sennheiser cards on a stand at the front corner of the soundboard and mixed with an excellent feed provided by the Knit’s FOH Rob. The sound quality is superb. Enjoy!

Stream “Small Town Heroes”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2013-08-01
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-08-04

Setlist:
[Total Time 1:15:22]
01 Old San Francisco Bay Blues
02 Blue Ridge Mountain
03 Instrumental
04 Look Out Mama
05 Slow Walk
06 I Know Its Wrong
07 The End of the Line
08 [banter – murder ballads]
09 The Body Electric
10 [banter – rock camp for girls]
11 Small Town Heroes
12 Crash on the Highway
13 Lake of Fire
14 No One Else But You
15 St. Roch Blues
16 Everybody’s Talkin [Fred Neil]
17 [band introductions]
18 Little Black Star
19 [encore break]
20 Daniella
21 Ode to John and Yoko
22 Be My Baby [Ronettes]

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Lee Ranaldo: July 30, 2013 Maxwell’s – Flac/MP3/Streaming

August 6, 2013
By

lee-ranaldo-7
[Photo courtesy of Kenneth Bachor]

Since the apparent demise of his longtime band, Lee Ranaldo has been hard at work forging ahead with his solo career. Although last year’s Matador release Between the Times and the Tides certainly was not a “debut” album for Lee, it represented his first post Sonic Youth work and was a very strong “start”. We were present for two early gigs in support of the album, months before its release and while the band was certainly strong, there was perhaps a bit of trepidation about the new format. A year later, in the same venue as one of those early shows (Maxwells), Lee and the band (now called The Dust) were anything but shy — this is a powerful confident quartet performing material that has been fully developed live. As this night was the final regularly scheduled gig in the history of Maxwell’s, there was a weird kind of celebratory doom energy in the room which Lee likened to an “Irish wake”. After the gig opened with a wedding proposal from one former Maxwell’s employee to another, the band seemed to play off the weird energy and played with a sense of urgency and purpose. Lee and the Dust basically played their entire current catalog in a show that approached two hours. The setlist included the entire Time and Tides album, four new songs, one of Lee’s Sonic Youth tracks, and a handful of eclectic and excellent covers. At the conclusion of this night, I broke down my equipment, said thanks to the people involved in the venue, and walked out of Maxwell’s for the last time. The sadness of that exit overshadowed what I realize now — that Lee Ranaldo had closed Maxwell’s for me with one of the best shows we’ve seen all year.

I recorded this show in the way we’ve done for the many years we recorded at this venue and the sound is superb. Enjoy!

Stream “Lost”:

Stream “Revolution Blues” (Neil Young cover):

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lee Ranaldo
2013-07-30
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-08-03

Setlist:
[Total Time 1:45:23]
01 [intro/wedding proposal]
02 Stranded
03 Waiting on a Dream
04 [banter – irish wake]
05 Tomorrow Never Comes
06 Off The Wall
07 Angles
08 [Xtina intro]
09 Xtina as I Knew Her
10 Keyhole
11 Hammer Blows
12 Lost
13 [Shouts intro]
14 Shouts
15 Last Night on Earth
16 Everybody’s Been Burned [Byrds]
17 Thank You For Sending Me an Angel [Talking Heads]
18 Fire Island
19 She Cracked [Modern Lovers]
20 Lecce Leaving
21 [encore break]
22 Home Courts
23 Genetic
24 Revolution Blues [Neil Young]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Between The Times and The Tides directly from the Matador Records website [HERE].

Mike Doughty: July 31, 2013 City Winery – FLAC/MP3/Full Set Streaming

August 5, 2013
By

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[Photos by acidjack]

I arrived at this Mike Doughty show at City Winery having just finished his autobiography, The Book of Drugs. Reading Mike’s book — which tells the story of his rollercoaster experience fronting the seminal 90s cult band Soul Coughing as well as his battles with addiction — made seeing him perform Soul Coughing songs again for the first time in thirteen years all the more meaningful. As happens all too often with bands that reach a certain level of commercial success, Soul Coughing dissolved at the end of the 1990s in a bitter fight about money and songwriting credit. So Doughty — who by that point was nearing rock bottom in his abuse of drugs and alcohol — struck out on his own a solo act right when the music industry imploded. Early solo shows, where he shared material from the Skittish LP he had recorded in the Soul Coughing days, meant facing crowds howling for Soul Coughing tunes that Doughty felt disconnected from, and disappointed in. In his telling, Doughty not only felt that his bandmates denied him the credit he was due for writing the songs, but that in many cases those better-trained musicians had adulterated the intent of his compositions. So Mike stopped playing Soul Coughing songs, and the fans that weren’t open-minded or intelligent enough to dig the new material fell away. The fan base that remained, though, is fanatical.

Today Mike is in a comfortable groove musically and, as the book makes clear, emotionally. What that means for fans is that Mike decided to rework some of Soul Coughing’s best-loved numbers in the way he intended them to be heard, with a full band backing him. You can purchase that forthcoming record, and keep track of its progress (including previews), on Mike’s PledgeMusic page. In the meantime, he has taken those old Soul Coughing songs off the shelf to be played proudly alongside the songs he’s been writing for the past thirteen years. While there’s no way to take a valid position on Soul Coughing’s past or songwriting process without hearing the story from all sides, it’s clear that there is a consistency to Mike’s work that has spanned his career. Stripped to their essentials, Mike’s songs are hook-driven, lyrically inventive songs filled with unique phrasing and clever observations. Even if the hooks can get repetitive once in awhile — even Mike joked that he keeps writing his favorite song over and over — a great Mike Doughty song is a great Mike Doughty song, and that voice of his can’t be replicated.

This show was comprised of two hour-plus solo sets, with Mike alone at the guitar, relaxed under the lights. First we got “Janine” from Ruby Vroom, followed by “I Hear the Bells” off Mike’s best-known solo album, Haughty Melodic. Then “St. Louise Is Listening” from El Oso, one of the songs that reimagined best as an acoustic number. When Mike played “Unmarked Helicopters”, Soul Coughing’s contribution to Songs In the Key of X: Music From the X-Files, it was clear we were going to have a special night with lots of time deep in the catalog.

Some of the Soul Coughing songs work better than others as acoustic numbers: Without its killer baseline and frenetic samples whirling around, “Super Bon Bon” becomes a bit lifeless, but others like “Soft Serve” and, yes, the band’s biggest radio hit, “Circles”, retain their infectious power. The solo work wasn’t to be ignored, too — Cheap Trick’s “Southern Girls” and Thin Lizzy’s “Running Back”, both of which appear on Doughty’s recent The Flip Is Another Honey, became a single song in Doughty’s live mashup.  But for me, having just read The Book of Drugs, the most powerful solo numbers were the ones that told stories of darker days: “Unsingable Name”, “Sunken-Eyed Girl” and “Tremendous Brunettes”.

It’d be tempting to characterize this show as one of redemption, where the prodigal singer returns to being his old self. I suspect Doughty wouldn’t see it that way; to him, when it comes to being the lead singer of the band Soul Coughing, a guy who existed 13 years ago, he’s still not that guy. And it’d be wrong to assume the artist sees playing these songs as a return to some kind of glory days, either. How you feel about Doughty’s catalog is your business, but in Mike’s mind — and to a good many of his fans — his next chapter of making music has been every bit the equal of his first, and more true to his spirit. Hearing the songs side by side, played just as he wrote them, I think it’s hard to argue otherwise.

Mike will be touring as a three-piece band this fall, performing sets of all Soul Coughing songs. Tickets are available from him here.

I recorded this set with a soundboard feed from Mark, the outstanding house engineer at City Winery. The recording is flawless. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream “Unmarked Helicopters”

Stream “Soft Serve”

Stream the entire show:

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[PledgeMusic contributor Josh Rosenblum prepares to smash one of Mike’s broken guitars to fulfill his PledgeMusic reward]

Mike Doughty
2013-07-31
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark)>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (light reverb)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:22:06]
Set 1
01 Janine
02 I Hear the Bells
03 St. Louise Is Listening
04 [banter1]
05 Your Misfortune
06 Unmarked Helicopters
07 [banter2]
08 Mistress [Red House Painters]
09 Shunned + Falsified
10 Year of the Dog
11 [banter3]
12 The Idiot Kings
13 [banter4]
14 Sleepless
15 Sunken-Eyed Girl
16 [banter5]
17 Grey Ghost
18 Busting Up A Starbucks
19 True Dreams of Wichita
20 [banter6]
21 Take Me Home, Country Road [John Denver]
22 The Book of Love [Magnetic Fields]
23 [encore break 1]
24 Circles
25 [banter7]
26 27 Jennifers

Set 2
27 Super Bon Bon
28 Unsingable Name
29 Soundtrack to Mary
30 Down On the River By the Sugar Plant
31 [Josh Rosenblum smashes Mike’s guitar]
32 Soft Serve
33 Madeline and Nine
34 $300
35 Day By Day By
36 Southern Girls/Running Back mashup [Cheap Trick/Thin Lizzy]
37 Where Have You Gone?
38 [banter8]
39 So Far I Have Not Found the Science
40 Tremendous Brunettes
41 Mr. Bitterness
42 Looks [The Student Teachers]
43 Put It Down
44 Na Na Nothing
45 Lazy Bones
46 Looking At the World From the Bottom of a Well
47 Is Chicago Is Not Chicago

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, see him on tour this fall and buy his forthcoming record of Soul Coughing songs reimagined from PledgeMusic.

Eidolons: June 30, 2013 Cameo Gallery – Flac/MP3/Streaming

August 3, 2013
By

Eidolons Cameo Gallery 6_30_13
[photo courtesy of Eidolons]

Eidolons is a quirky alt-pop band from Portland Oregon, whose catchy music shows influences from 80s Brit pop (Smiths, Cure) to 90s West coast alternative (Shins, Death Cab), but yet sounds very contemporary. We caught them at Cameo Gallery a few weeks back on a Sunday night headlining gig. Their set alternated between tracks from their 2012 album China, and their new album Skyhook which was released in June. The band can change tempo and key on the dime and their talent bodes well for their future — or as the Portland-Mercury described them, “freaky potential”.

I recorded this set in our standard location in this venue and the sound quality is superb. Enjoy!

Stream “Gross Towel”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eidolons
2013-06-30
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Recorded from Front of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-08-02

Setlist:
[Total Time 46:59]
01 Skyhook
02 Gross Towel
03 Gonna Ride Out
04 Yellow Wallpaper
05 Twin Falls
06 Hangin Out
07 Xylem and Phloem
08 Milonga For A Long Face
09 Corky Calhoun
10 Gordy
11 Montana

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Eidolons, and visit their bandcamp page where you can purchase their official releases including the latest album Skyhook [HERE].

Mission of Burma: July 28, 2013 Maxwell’s (Early Show) – FLAC/MP3/Streaming

August 2, 2013
By


Mission-Of-Burma4
[photos by PSquared Photography]

Mission of Burma didn’t hold back on this two set bill on the Maxwell’s closing weekend. Each of the two sets featured the same kind of raw energy that has represented not only this band and this club, but the best of independent music over the past 35 years. As we noted in our review of the late set, this was a night to acknowledge history, and this set did plenty of that, but it also reminded us that there is more to come. Many of the people I saw pumping their fists for Burma — myself included — were kids or not even born the first time they played there. On this night, songs like “7s” from their latest, Unsound, sounded right at home next to old, rare numbers like “Peking Spring”, which was first released on cassette in 1985 and didn’t see broader release until showing up on a 1993 CD compilation. As they did for the second set, the band closed with “Academy Fight Song”. Then I turned off my deck, took down my equipment, and took one last look. I would never set foot in Maxwell’s again, and after their second set, neither would they. Now Hoboken has gone quiet, but the echoes of thousands of memorable nights remain.

I recorded this set with MBHO cardiod microphones from our usual spot in the venue. Other than a few light spots of wind noise from the A/C ducts, the sound is excellent. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Stream “Peking Spring”

Download the Complete Show: [MP3] | [FLAC]

Stream the complete show

Mission-Of-Burma70

Mission of Burma
2013-07-28
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 (FOB/LOC/PAS)>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:18:10]
01 Fell Into Water
02 7s
03 [Chupies]
04 Fun World
05 Dirt
06 Einstein’s Day
07 Outlaw
08 Peking Spring
09 This Is Not A Photograph
10 Dead Pool
11 [Panic]
12 Donna Sumeria
13 2wice
14 Let Yourself Go
15 That’s How I Escaped My Certain Fate
16 Red
17 [encore break]
18 Secrets
19 Trem Two
20 Academy Fight Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase Unsound from the Fire Records website [HERE] and purchase other Mission of Burma material from the Store at their website [HERE].

Mission Of Burma: July 28, 2013 Maxwells (Late Show) – Flac/MP3/Streaming

August 1, 2013
By

Mission-Of-Burma17
[photos by PSquared Photography]

Other than the Feelies, Mission is Burma is likely the only still-active band to have played Maxwell’s in the 1970s. The club closed for good last night, but in its final week we were treated to a series of outstanding concerts, not the least of which was the double shot of MOB for early and late shows on Sunday. Acidjack covered the early show, and I was there for the late. If on this night the band’s setlist was more geared towards older material than their recent shows (January at Bowery for instance), it was a fitting acknowledgement to a club that was, according to Clint Conley, a “safe place for weirdos” in the old days. Thirty-five years and thousands of shows later, on this night it was a place for memories and tributes, but more importantly still-vibrant music played by a band that virtually invented American post-punk.

I recorded this set with the Neumann large diaphragm cardioids mounted at the front of the soundboard booth and the quality is excellent. Enjoy!

Stream “Trem Two”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mission of Burma
2013-07-28
Late Show
Maxwells
Hoboken NJ

Digital Audience Master Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-30

Setlist:
[Total Time 1:10:16]
01 Opener
02 Sevens
03 Sectionals In Mourning
04 Fame and Fortune
05 Outlaw
06 Mica
07 Nu Disco
08 Devotion
09 Dumbells
10 Spider’s Web
11 2wice
12 Trem Two
13 [banter – Dirt]
14 Dust Devil
15 That’s When I Reach For My Revolver
16 [Johnny false start]
17 The Ballad Of Johnny Burma
18 Secrets
19 This Is Not A Photograph
20 [encore break]
21 Donna Sumeria
22 Academy Fight Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase Unsound from the Fire Records website [HERE] and purchase other Mission of Burma material from the Store at their website [HERE].

Woods: July 27, 2013 Bowery Ballroom – FLAC/MP3/Streaming

July 29, 2013
By

woods2013-07-27-1
[Photos by acidjack]

As Woods played in front of a fantasia of psychedelic swirls provided by Drippy Eye Projections, I thought back to another of many memorable Woods shows I’ve been to, where they played Abrons Arts Center with the Joshua Light Show, which these projections most resembled. Or there was the time they played St. Cecilia’s Church during the 2011 Northside Festival. Or the first couple times I saw them, in both cases opening for bands they are much bigger than now and whose careers they have outlasted, and thought, wow, these guys are really different. And they’re great. 

Like all bands with staying power, Woods have continued to evolve without abandoning the core elements of their sound — Jeremy Earl’s nasal, high pitched voice, the ramshackle folk, the not-quite-retro psychedelia. What has evolved into a very different beast is the band’s now-huge guitar sound, which barely resembles their earlier records and has turned them into a sonic juggernaut live. When the one minute, fifty four second song “I Was Gone” becomes a fourteen-minute behemoth of a jam now, the reaction isn’t being surprised or impressed that they’re trying it — it’s paying attention to what will be good about this version of the song. A Woods set, which rarely runs far past an hour, has become like a controlled dose of Grateful Dead. Every minute is worth watching, and the “jam songs” are ones you feel compelled to debate the best one of, date by date.

This set at Bowery Ballroom, which closed out their latest U.S. tour after a well-received Pitchfork Festival appearance the previous weekend, recalled several elements of the November show at Music Hall that we attended, but with a couple of exciting new offerings. Not only did the band play the new song “Shining”, which we assume will appear on their next record or in recorded format at some point, but they were also joined by Alex Bleeker of opening act Alex Bleeker and the Freaks for a special rendition of Creedence Clearwater Revival’s ever-popular “Have You Ever Seen the Rain”. Woods will be spending August in Europe and September on the West Coast. If you’re in either of those places, don’t miss seeing them. Tour dates can be found [HERE].

I recorded this set with Schoeps MK5 cardiod microphones and a soundboard feed from longtime Bowery engineer Kenny. The sound quality is outstanding. Enjoy!

Stream and download this recording on our bandcamp page:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

woods2013-07-27-2

Woods
2013-07-27
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DIN, DFC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:06:17]
01 Pushing Onlys
02 Suffering Season
03 Cali In A Cup
04 Shining
05 Bend Beyond
06 [jam]
07 Size Meets the Sound
08 Is It Honest?
09 [banter/tuning 1]
10 Be All Be Easy
11 Find Them Empty
12 I Was Gone
13 [encore break]
14 Rain On
15 [banter2]
16 Have You Ever Seen the Rain? [Creedence Clearwater Revival]

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit the Woodist page and purchase their official releases including their latest album Bend Beyond from Woodist Records [HERE]. 

Julia Weldon: July 19, 2013 Knitting Factory – Flac/MP3/Streaming

July 27, 2013
By

Julia-Weldon2
[photos by PSquared Photography]

The physical copies of Julia Weldon’s new CD Light is a Ghost arrived in her manager/brother’s office on the afternoon of her CD release show last Friday. This serendipitous bit of fortune carried over into the celebratory feeling of her show at the Knitting Factory that night and also allowed us to snag a copy for multiple plays over the weekend. The CD is really everything we could have hoped for from this tremendous artist. The material is well-paced and highlights her many talents — strong voice, deep sense of melody, insightful lyrics and a keen sense of humor. Whether its this CD or her next, Julia Weldon is an artist destined for big things, and we are fortunate to be able to hitch onto her ride early on. The show at the Knit was also a family affair. Besides her brother (and manager), both of Julia’s parents (thanks on the CD) were there for support. In her bio, Julia notes that she came out at 12, and while we’re not privy (nor should we be) to the details of her parent’s reaction, its safe these days to assume that they are completely supportive. This is perhaps why her music is almost “post-gay”, that is to say that her songs don’t focus or even really touch on the struggle with phobias and acceptance. The lyrics treat her sexuality unselfconsciously and as a matter-of-fact — and that’s both empowering and refreshing. At the Knit, Julia and her band worked through the complete album, with a bonus song as encore. We are streaming “Icarus”, which was perhaps the most fully realized performance on a night when each number shined throughout.

Julia Weldon is touring for a half dozen dates in the South and Midwest before returning to NYC in September.

I recorded this set with the Sennheiser cards mixed with an excellent board feed from house soundman Rob, and the sound is excellent. Enjoy!

Stream “Icarus”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Julia Weldon
2013-07-19
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-07-24

Setlist:
[Total Time 1:03:18]
01 Meadow
02 Went to My Woman
03 [banter – Zack Bruce]
04 Icarus
05 Careful in the Dark
06 [banter – thanks]
07 You Never Know
08 All I Gave Her
09 Marian
10 [band introductions]
11 Round Again
12 [banter – parents]
13 Soon
14 Miles
15 Same Games
16 [encore break]
17 All the Birds
18 [banter – CDs]
19 One of These Days

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julia Weldon, visit her website, and purchase her music from the links at her website [HERE], including Light is a Ghost, due for online release on August 20.
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Porcelain Raft: June 28, 2013 Glasslands – FLAC/MP3/Full Set Streaming

July 26, 2013
By

porcelainraft2013-06-28
[Photo by acidjack]

Porcelain Raft, aka Mauro Remiddi, has produced a wide range of music in his life, all of which has been distilled to its essence in his current electronic compositions. This short set, billed as a full run-through of his Soundcloud-only EP Silent Speech, veered from that work’s original format into its own grand, live-sequenced creation. With the still-new house soundsystem at Glasslands providing ample reinforcement, this short but sweet set whetter our appetites for Porcelain Raft’s forthcoming Secretly Canadian LP Permanent Signal, which you can preorder via the link below.

I recorded this set with our installed rig in the venue, with Naiant microphones and a soundboard feed from house engineer Josh Thiel. The sound quality is excellent. Enjoy!

Stream and download the MP3s of the full set below:

Download the FLAC files [HERE]

Porcelain Raft
2013-06-28
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (fades, tracking, amplify, balance, compression, additional EQ)>FLAC ( level 8 )

Tracks
01 Silent Speech Session Track 1
02 Silent Speech Session Track 2

If you enjoyed this recording, PLEASE SUPPORT Porcelain Raft, visit his website, and pre-order Permanent Signal directly from Secretly Canadian and buy other tracks of his from his Bandcamp page.

SUPPORT NYCTaper




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