nyctaper Recordings

concert discussion and free flac downloads

…And You Will Know Us By the Trail of Dead: July 23, 2013 Maxwell’s – FLAC/MP3/Streaming

July 25, 2013
By

aywkubttod2013-07-23-4
[Photos by acidjack]

Part of the joy of seeing bands in a small venue is the unpredictability. Small venues, even the best ones, are always fighting hard to hold it together, and it’s often a losing battle. Gear breaks down, beverage lines go stale, some asshole from some opening band breaks your backline, the A/C goes out, the health inspector is on your case, someone’s stealing from the till, someone else called in sick, the toilet’s clogged — owning a small music venue isn’t an endeavor for the faint of heart, or someone who doesn’t want to work. But at the same time, small venues are also where bands take risks. At Madison Square Garden or something, with an enormous light system, you won’t be varying the setlist or stage diving or interacting with a crowd where the nearest people are six feet from the stage. And you don’t have the safety net of a video screen or some other gimmick to make people care. You make them care with your own sweat.

For longer than many of the people in this crowd for …And You Will Know It By the Trail of Dead‘s show had even been going to concerts, the crew at Maxwell’s worked tirelessly to make that club a place that musicians wanted to play, that real fans wanted to hang out in, and that represented the best of their home in Hoboken. And they succeeded, more than most could ever claim to, in all of that.

But you wouldn’t have blamed Trail of Dead if they’d thrown hissy fits and run offstage after the first issue with the circuit breaker shut off the entire PA. Or when a monitor malfunctioned. Or when the PA blew again. They’re a veteran band. They don’t need this shit. But if you want to be the kind of band that plays at Maxwell’s — that stays close to its audience, that remembers where it came from — then you learn to deal. And that’s exactly what the Austin band did. When “Another Morning Stoner” got cut off, they didn’t just move on to the next song. They played a shortened, stripped-down version. They also played one of the most memorable performances of theirs I’ve seen. Try to deny the power of “Will You Smile Again”, the first thing played after the gear got working again, or the searing “A Perfect Teenhood”, or the “Caterwaul” where guitarist/singer Jason Reece took the mic to the back of the room to sing, at one point doing so from inside the sound booth. (The above photo is taken from that area).

In taking a show that had its challenges — that in less cool hands could’ve been a shambolic mess — and turning into a night none of us would forget, they paid the most fitting tribute to the venue of all.

I recorded this set with a soundboard feed combined with Schoeps MK5 microphones. While the overall sound quality is excellent, I’d like to emphasize again that the equipment issues are nobody’s “fault” — not the band’s, not the Maxwell’s staff’s. Sometimes, these things happen. Enjoy!

Stream “Caterwaul”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

aywkubttod2013-07-23-1

…And You Will Know Us By the Trail of Dead
2013-07-23
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Mitch (house) and Matt (band)) + Schoeps MK5 (PAS)>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Audacity 2.03 (patch bad section of SBD)>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:22:41]
01 [intro]
02 It Was There That I Saw You
03 How Near How Far
04 Catatonic
05 Up To Infinity [gear issues]>
06 Flower Card Games [gear issues]
07 Another Morning Stoner [false start]
08 [banter/gear issues 1]
09 Another Morning Stoner [short version]
10 Spiral Jetty>
11 Weight of the Sun
12 Homage
13 [banter2]
14 Will You Smile Again
15 [banter3]
16 Aged Dolls>
17 A Perfect Teenhood
18 Caterwaul
19 [banter4]
20 Totally Natural
21 [encore “break”]
22 Relative Ways

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trail of Dead, visit their website, and purchase Lost Songs at your favorite retailer, including here.

aywkubttod2013-07-23-2

Jon Langford: July 9, 2013 Maxwell’s – Flac/MP3/Streaming

July 23, 2013
By

langford
[iphone photo by neild]

Longtime NYCTaper correspondent neild made his last trip to Maxwells:
“The very first time I went to a show at Maxwell’s in Hoboken was to see the Mekons, for a show in July 1991 when the Leeds-bred country-art-punk combo was touring in support of Curse of the Mekons, the album that got them kicked off A&M for being “commercially unsatisfactory.” This was at a time when the Mekons played in the New York area every few months (usually at Tramps or the Marquee), and I don’t remember much in particular about the show, except that Jon Langford and Sally Timms, then recently split as a couple, bickered both terribly and hilariously, and that the show ended with Jon and several other Mekons thrashing atop each other, and their guitars, on the floor. And that the whole thing was wonderful and anarchic and both so rock and roll and so anti-rock and roll in a way that only the Mekons have quite ever been able to pull off.

Almost 22 years later to the day, I made what will be my final visit to Maxwell’s to see Langford and his usual New York cohort (bassist Tony Maimone and drummer Steve Goulding, with only longtime violinist Jean Cook absent) play their farewell gig at the club, which as everyone reading this no doubt knows by now will close forever at the end of July. I was on vacation on the West Coast when I got an email about the show, which was due to take place just one day after I was to arrive back east on a red eye; of course, I immediately ordered tickets, because one more chance to see Jonboy at the greatest rock club in the world was something I couldn’t pass up, jet lag or no.

It didn’t disappoint. After taking the stage solo to play “Luxury” from his recent album Old Devils while waiting for Maimone and Goulding to make their way through the Maxwell’s crowd to the stage, Langford launched into full-band renditions of several songs from his 1998 solo debut Skull Orchard, a still-unparalleled masterpiece focused on his hometown of Newport, Wales (“Tubby Brothers” is about a real-life undertaking firm of that name); the rest of the set highlighted both Waco Brothers classics like “Walking on Hell’s Roof” and other solo material, including his recent, haunting Bloodshot single “Drone Operator.” After a break for drinks, the band returned to do a string of Mekons songs, more Jon solo material, and a set of covers before closing things out with the ur-Mekons track “Where Were You?”

It all amounted to both a eulogy for and a celebration of Maxwell’s, which was only fitting for an artist who’s spent the last several years selling paintings based on faded publicity photos of dead country music stars. For a fuller review, including a nice sampling of the jokes that peppered the evening (only some of which were about Sally Timms farting), see Will You Miss Me’s report on the evening.

This recording was made from two sources: a pair of cap-mounted Core Sound Binaural mics about ten feet from the stage, plus a soundboard feed. (Huge thanks for Maxwell’s soundman Mitch for his both his help in this area and his terrific mix for the night – NYC-area clubs, this man is a free agent come August 1, so get your dialing fingers working!) Despite some minor mishaps with a balky cable and some errant breezes from the Maxwell’s a/c system – one of the few things that’s changed there in the last 22 years – I was able to finesse it all in mixing into a recording I think you’ll all be happy with. Especially if you’re a fan of fart jokes.”

This recording is available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Entire Show:

Jon Langford
2013-07-09
Maxwell’s
Hoboken, NJ

Recorded and mastered by neil d

CoreSound Binaurals + soundboard > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC

Tracks:
First set:
01 Luxury
02 [banter – Billy Bragg]
03 Tubby Brothers
04 Youghal
05 Butter Song
06 Trapdoor
07 Death of Country Music
08 [banter – did the Waco Brothers ever play here]
09 Walking on Hell’s Roof
10 Drone Operator
11 [banter – some of my friends’ fathers]
12 Pill Sailor
13 [banter – I went to the doctor]
14 X-Ray Style (Joe Strummer)
15 [banter – the Three Johns broke up in this room]
16 Death of the European
17 Deep Sea Diver

Second set:
18 Memphis, Egypt
19 Lonely and Wet
20 [banter – Rico’s accordion is dead]
21 Slightly South of the Border
22 Dickie, Chalkie and Nobby
23 [banter – smells and tastes]
24 Millionaire
25 [banter – ooh, doggie]
26 Are You an Entertainer
27 Good Year for the Roses (George Jones)
28 Before I Grow Too Old (Fats Domino)
29 Sentimental Marching Song
30 [banter – a funny joke in Chicago]
31 Old Flames Can’t Hold a Candle to You (Dolly Parton)
32 It’s Not Enough
33 [banter – guitar solo]
34 Big River (Johnny Cash)
35 Nashville Radio
36 Big Spender (Shirley Bassey)
37 Wild and Blue (John Anderson)
38 Wreck on the Highway (Dorsey Dixon)
39 Where Were You

If you download this recording, we expect that you will PLEASE SUPPORT Jon Langford, visit his website, and purchase his official releases from the Bloodshot Records Website [HERE].

Gary Clark Jr.: June 8, 2013 Mountain Jam IX – Flac/MP3/Streaming

July 22, 2013
By

Gary Clark Jr Perrucci
[photo courtesy of Dino Perrucci Photography]

It must get tiresome for black guitarists to be tagged as the “next Hendrix” with predictable regularity. Gary Clark Jr. is just the latest to receive this impossible and ridiculous comparison, including from the New York Times of all places. At best, the Hendrix comparison trotted out for every black rock guitarist is simply lazy, and at worst its subtlely racist. I suspect that a performer with the intelligence and grace exhibited by Gary Clark Jr. must sigh at the silliness of the tag, but also find it somewhat humorous at this point. We caught his excellent set on Saturday of Mountain Jam last month and the tongue in cheek acknowledgment of the comparison was a terrific run through Hendrix’s “Third Stone from the Sun” both as the intro and outro of Clark’s own “If You Love Me Like You Say”. In the seventy-five minute set, Gary Clark Jr. exhibited both the guitar chops and strong vocals that have earned him an enormous amount of authentic praise lately, too. He was selected to play at Eric Clapton’s 2013 Crossroads Festival, he performed with the Rolling Stones this Summer, and he even played at the White House for a Command Performace. When he next returns to the NYC area, it will be for a headline gig at the cavernous Terminal 5.

I recorded this set in the same manner as the Govt Mule set from later in the day, and the sound is equally good. Enjoy!

Stream “Catfish Blues”:

Download the Complete show [MP3] / [FLAC]

Gary Clark Jr
2013-06-08
Mountain Jam
Hunter Mountain NY

Digital Master Audience Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-21

Setlist:
[Total Time 1:16:50]
01 When My Train Pulls In
02 Don’t Owe You A Thing
03 Please Come Home
04 Travis County
05 Third Stone From The Sun
06 If You Love Me Like You Say
07 Third Stone Reprise
08 If Trouble Was Money
09 Things Are Changin
10 Catfish Blues
11 Blak and Blu
12 Bright Lights Big City

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Gary Clark Jr., visit his website, and purchase his official releases from the Store at the Warner site [HERE].

Chuck Johnson: May 26, 2013 Mercury Lounge – FLAC/MP3/Streaming

July 16, 2013
By


chuckjohnson2013-05-25-1
[Photo by acidjack]

After getting a preview of what was to come last year at Hopscotch Music Festival, we expected Chuck Johnson‘s 2013 record Crows In the Basilica to be an important part of the conversation on best guitar records of the year. That was confirmed both by Basilica’s release on Three Lobed Recordings this spring, as well as by this performance at Mercury Lounge, where Chuck demonstrated that the subtle brilliance of his compositions can’t be contained by the studio.

Chuck and his contemporaries are almost always categorized by the label “American Primitive”, a sub genre of guitar playing shared with its progenitor John Fahey and many other worthy players, but the term “primitive” as understood by most is misleading. Rather than suggesting a simplicity or naïveté to the material, American Primitive is best understood as a recognition of the ability of these players to use highly complex guitar arrangements that link the instrument’s present with its more elemental, folk-derived origins. Before venturing out as a solo player, Johnson played in well-regarded North Carolina bands like Shark Quest and the string trio Idyll Swords, but it is here where Johnson’s skill on guitar is best appreciated. We hope you will enjoy this moving set of music from Johnson and be on the lookout for his future shows.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus a soundboard feed provided by Mercury team. Given that it is a recording of a single instrument, the recording heavily favors the soundboard feed, with a bit of audience mics mixed in to give a feel of the room. It is an excellent recording. Enjoy!

Stream “Crows In the Basilica”

Direct download of MP3 files [HERE] | Direct Download of  FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chuck Johnson
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Swallow the Sun>
02 Albion Source
03 Caldera Wires
04 Vastapol
05 On A Slow Passing In Ghost Town *
06 Crows In the Basilica
07 Mine Creek
08 The Stars Rose Behind Us

If you enjoyed this recording, please support Chuck Johnson, visit his website and purchase Crows In the Basilica from Three Lobed Recordings [HERE]

Trapper Schoepp and The Shades: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 14, 2013
By

Trapper Schoepp - Vernon Webb
[photo courtesy of Vernon Webb Photography]

Trapper Schoepp and The Shades is the kind of band that you see and immediately know that they are going places. At Brooklyn Bowl a couple of weeks back, they opened the first night of the Old 97s three-peat and immediately grabbed the attention of the incoming crowd. Trapper and the band hail from Wisconsin, but their music is pure Americana as comfortable in the Midwest, the South or even NYC. Their album Run, Engine, Run was released last Fall, and the setlist consisted of primarily tracks from the album, but also a couple of strong new songs. Trapper and his bandmates have a natural ease and a positive vibe on stage and their talents are obvious. Like many of today’s bigger Americana bands, if they are willing to be road warriors, in the coming years the crowds and the venues will continue to grow. Trapper Schoepp and The Shades will be playing mostly midwest dates this Summer, but when they come East again we’ll be there.

I recorded this same in the same manner as the Old 97s show and the sound quality is equally superb. Enjoy!

Stream “I-94”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Trapper Schoepp and the Shades
2013-06-27
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-11

Setlist:
[Total Time 45:32]
01 Mercy Blues
02 Wishing Well
03 Pins and Needles
04 Nighthawk
05 So Long
06 Cold Deck
07 Between the Lines
08 Run Engine Run
09 Ballad of Olof Johnson
10 I-94
11 Settlin or Sleepin Around
12 Dear Prospect

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trapper Schoepp and The Shades, visit their website, and purchase their album Run, Engine, Run at the Side One Dummy Records website [HERE].

Deer Tick: June 7, 2013 Mountain Jam IX – Flac/MP3/Streaming

July 11, 2013
By

deer tick perrucci
[photo courtesy of Dino Perrucci Photography]

Back in December, we caught Deer Tick twice at Brooklyn Bowl play complete albums in a look back on their outstanding career thus far. But 2013 is a year to look forward, as Deer Tick has completed a new album Negativity to be released in September. On the current tour, the band is playing quite a few new songs and we caught them early on playing a full sized set at Mountain Jam. Deer Tick played on Friday afternoon, late enough for a large crowd to join them on the Mountain even though most of their set was performed in the pouring rain. The main set mixed old and new in a well-paced show before the band thought their time had expired. Fortunately for us, the Festival allowed Deer Tick to play a couple of more songs — including an inspired Replacements cover that we are streaming below.

I recorded this set near the front of the soundboard area with the Neumann 102 cards underneath a sturdy umbrella. The sound has some issues related to the weather (raindrops on the umbrella, some phasing from the wind), but considering the circumstances we are very pleased with excellent sound of this recording. Enjoy!

Stream “Can’t Hardly Wait” (Replacements cover):

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deer Tick
2013-06-07
Mountain Jam
Hunter Mountain NY

Digital Master Audience Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-06

Setlist:
[Total Time 1:16:18]
01 Ashamed
02 The Bump
03 Easy
04 Standing at the Threshold
05 The Dream is in the Ditch
06 Clownin Around
07 Smith Hill
08 Spend the Night
09 [Vanessa Carlton intro]
10 In Our Time
11 The Curtain
12 Baltimore Blues No 1
13 Now Its Your Turn
14 These Old Shoes
15 Main Street
16 Breed [Nirvana]
17 When It All Falls Down
18 Not So Dense
19 Can’t Hardly Wait [Replacements]
20 In the Wee Small Hours of the Morning [Sinatra]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases from the Partisan Records Store [HERE].

Holy Wave: April 23, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

July 9, 2013
By

holywave2013-04-23-1
[Photos by acidjack]

The Austin band Holy Wave didn’t shy from the task of warming up the Music Hall of Williamsburg crowd last month before GOAT’s epic performance (that one here). Rocking a dense, intricate psychedelic style reminiscent of bands like The Black Angels and the Brian Jonestown Massacre, the band played material from their current release, Evil Hits (a combination of their The Evil Has Landed and Knife Hits EPs) plus new material that we hope will see the light of day soon. Set against the backdrop of swirling live light projections, the band gave us a taste of what they had in store for the Austin Psych Fest, which they played later that week, and gave us an appropriate intro to the wild GOAT set that was to follow.

I recorded this set in the same manner as the GOAT recording, with MBHO microphones. The sound quality is excellent. Enjoy!

Stream “Spooky Fuckin Blues”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

holywave2013-04-23-2

Holy Wave
2013-04-23
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown1]
02 Spooky Fuckin Blues
03 [tuning]
04 Albuquerque Freakout
05 [unknown2]
06 [tuning2]
07 [unknown3]
08 Lady Madonna’s Operation
09 [unknown4]

If you enjoyed this recording, please support Holy Wave by visiting their bandcamp page, where you can purchase Evil Hits in digital, cassette or vinyl formats.

Old 97s: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 9, 2013
By

Old 97s Vernon Webb
[photo courtesy of Vernon Webb Photography]

In March, we reconnected with the Old 97s at their highly enjoyable set at the Capital Theatre in Portchester. So I guess it was only natural that we would attend their next NYC show, this time as a play-a-full-album three night run at Brooklyn Bowl — one of our old favorites at one of our current favorite venues. The first night album was appropriately the band’s first album Hitchhike to Rhome played from start to finish, including a bonus track, a hidden track, and even an outtake from the album’s sessions. At the conclusion of Rhome, the Old 97s played another dozen tracks, making this both an lengthy and highly entertaining set. The band’s performance was both inspired and tight — clearly a band comfortable with their past and their present.

I recorded this set with the Sennheiser MKH-8040 cards pointed at the right stack midway on the right side of the floor. The ambient noise (bowling and chatter) is greatly reduced with the addition of a board feed, synced in at about 40% of the overall mix. The result is a superb recording. Enjoy!

Stream “Four Leaf Clover”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old 97s
2013-06-27
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-02

Setlist:
[Total Time 1:41:52]
01 [intro]
02 St. Ignatius
03 504
04 Drowning in the Days
05 Miss Molly
06 Dancing With Tears in My Eyes
07 Four Leaf Clover
08 Wish The Worst
09 Old 97s Theme
10 Doreen
11 [banter – twenty years]
12 Hands Off
13 Mama Tried
14 Stoned
15 If My Heart Was a Car
16 Desperate Times
17 Ken’s Polka Thing
18 Tupelo County Jail
19 West Texas Teardrops
20 Lonely Holiday
21 Champaign Illinois
22 Rollerskate Skinny
23 Let The Whiskey Take The Reins
24 Can’t Get a Line
25 Every Night Is Friday Night
26 Big Brown Eyes
27 [encore break]
28 Making Love With You
29 Dance With Me
30 Timebomb

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Old 97s, visit their website, purchase their official releases from the Store at their website [HERE].

Yo La Tengo: June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3/Streaming Song

July 7, 2013
By


ylt2013-06-22-1
[Photo by P Squared Photography]

There’s not a ton more I can add about Yo La Tengo that hasn’t been said about them on this site already and recently, at that. Suffice it to say, they are a classic band who have only continued to grow and evolve with time, and any opportunity to see YLT is one worth taking. The band has been on an intense tour schedule for most of this year behind their latest, Fade, but they still sound as fresh as they did debuting the new material back in December at Maxwell’s. This one-hour set at the Solid Sound Festival is an abridged version of a full YLT show, but YLT still packed in a variety of great material, including the excellent combination of “Ohm” and “Blue Line Swinger” to close out the night. They will be hitting a number of other festivals and various shows in North America, the UK and Japan this summer, and we‘d recommend you not miss them if they’re in your city.

Site contributor Kubacheck recorded this set with MBHO cardiod microphones from near the soundboard. While the large room and the distance from the band were not ideal, the sound quality of the recording is nonetheless quite good. Enjoy!

Stream “Blue Line Swinger”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, parallel compression, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:00:19]
01 Stupid Things
02 Stockholm Syndrome / Autumn Sweater
03 The Point Of It
04 Decora [Acoustic]
05 I’ll Be Around
06 Before We Run
07 Nothing To Hide
08 Ohm
09 Blue Line Swinger

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade from Matador Records [HERE].

Deafheaven: July 2, 2013 Saint Vitus – Flac/MP3/Streaming

July 5, 2013
By

deafheaven unartig
[screen capture from unARTigNYC video]

Deafheaven’s new album Sunbather is a game-changer in so many ways. Its been called “a modern classic” and a “pinnacle of American black metal” by preeminent metal writer Brandon Stosuy. The album’s universal critical acclaim and the increased crowds that will inevitably gather for the band’s uber-intense live shows mean ultimately that Deafheaven is on a very steep trajectory to the apex of its genre. There will not be (m)any more nights like Tuesday at Saint Vitus, where the packed crowd saw the band deliver a show for the ages. Opening with a quiet guitar introduction, the band then crashed into Sunbather’s first track “Dream House”, and the level of energy did not subside until the band and the audience came up for a breath of air before the final song. One of Deafheaven’s strengths is their ability to seamlessly transition from one apparent genre to another. We are streaming “The Pecan Tree” which encapsulates this ability multiple times within one track. The song opens with a dead start directly into a “screamo” black metal segment before evolving mid-track into a melodic post-rock guitar passage and then concludes in full Deafheaven mode while vocalist George Clarke belts out what is perhaps the darkest lyrics of the entire album “I am no one. I cannot love. It’s in my blood.” Deafheaven’s current tour concludes with two shows in the Midwest — Cleveland on Friday and Chicago on Saturday. If you live in one of those two cities, we recommend that you not miss this band.

I recorded this show with the Sennheiser cardioids set up in the rear of the room and mixed it with a board feed. The strengths of both sources compliment each other and the result is an excellent recording. Enjoy!

Stream “The Pecan Tree”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deafheaven
2013-07-02
St. Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-04

Setlist:
[Total Time 1:05:32]
01 [intro]
02 Dream House
03 Sunbather
04 Unrequited
05 The Pecan Tree
06 [banter]
07 Violet

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official releases including Sunbather from Deathwish Inc. [HERE].

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