nyctaper Recordings

concert discussion and free flac downloads

Downtown Boys: June 24, 2016 Market Hotel

July 18, 2016
By

downtown-boys20
[photo by Chona Kasinger – originally posted at Bandcamp Daily]

Its been a very discouraging year for forward-looking people. Tonight begins the tacky celebration of the nomination of a vulgar racist xenophobe of a major political party for President of the United States. Its as if for the next three days, forty percent of the country will be giving a massive middle finger to people of color, and anyone with a conscience and a sense of justice feels helpless.

The question then becomes what can we do. If you’re a group of young multicultural people from Providence Rhode Island, you form a punk band with a message — that hatred and xenophobia are things of the past and we, a “bi bilingual political dance sax punk party” are here, and we are the future. Downtown Boys are certainly a breath of fresh air in this toxic world. The band’s themes of inclusion and acceptance within the realm of punk (with a sax!) isn’t particularly a new idea, but add in bi-lingual lyrics and LGBT elements, and the idea of the perfectly integrated musical act becomes closer to realization. That the band executes their message with energy and commitment makes their music all the more compelling.

The Downtown Boys show at Market Hotel was one of those nights that won’t soon be forgotten. The band’s increased popularity brought out a truly diverse crowd, and given the Market’s goal of providing a community of musical performances of diverse styles and backgrounds, the band represented an inspiring coupling of ideals. In 2015 Downtown Boys signed with the most excellent Don Giovanni Records and released Full Communism to universally positive reviews. Its an encouraging development for the band that their call for human rights is reaching a larger and more accepting audience. At the Market, the set saw the performance of most of Full Communism, a few older tracks, and what I believe are six new songs that hopefully portends a 2016/2017 new album from Downtown Boys.

Downtown Boys return to NYC for a show at Studio at Webster Hall on September 16.

I recorded this set with the installed AT mics mixed with an excellent board feed. The sound is live and raucous and in the moment and totally excellent. Enjoy!

Download Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Downtown Boys
2016-06-24
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 52:08]
01 Future Police
02 Haz Algo
03 Wave of History
04 Tonta
05 One Hundred Percent Inheritance Tax
06 Santa
07 Maldito
08 [Poder intro]
09 Poder Elegir [Los Prisioneros]
10 Callate
11 It Can’t Wait
12 Slumlord Sal
13 [banter – power]
14 Clara
15 Lola
16 Dancing In The Dark [Springsteen]
17 Cost of Living
18 [banter – thanks]
19 Break A Few Eggs
20 Monstro

Support Downtown Boys: Bandcamp | Facebook | Don Giovanni Records Page

Ryley Walker: May 13, 2016 “A Day at the Market” (Market Hotel)

July 15, 2016
By

ryley-walker-6
[photos by PSquared Photography]

“A Day at the Market” is really a simple concept for an intimate performance in a quintessential setting. Some of our favorite performers will play the Market Hotel during the daylight with unamplified acoustic guitars in front of a select audience. The first installment of what we anticipate will be a long-running series featured the inimitable Ryley Walker.

This show took place on a Friday afternoon, and as you can tell from the rumbling train and siren audible early in this recording, the Market Hotel’s unique location was very much a part of the proceedings. And that’s how it was intended. One of the charms of this unique venue is the placement of the huge window behind the stage that makes the audience feel as if the performer is playing virtually on the J/M Myrtle-Broadway subway platform. And the intimate nature of the event made it easy to understand why we selected Ryley Walker for the debut of A Day at the Market — his immense talents and likeability are quite intense when it feels like its just you and him in the room.

Ryley played all new songs at this event, offering us a preview of his new album Golden Sings That Have Been Sung, which will be released on August 19 on Dead Oceans Records. Of the nine songs on the album, six were performed (along with one unreleased track). Ryley was accompanied only by stand-up bass player Anton Hatwich, so that these are pared-down versions of the new album and this recording is a fine accompaniment to the official release.

More great news to report — Ryley Walker will return (with full band) to the Market Hotel for a proper night time show on November 3 and tickets are now available [HERE].

I recorded this set with four strategically placed microphones. I utilized the installed audio technica cards mounted in the center of the room combined with two schoeps cards on a stand in the front of the stage. While obviously the wholly acoustic setting allowed for the ambient sounds to be heard, overall this recording is exactly how it should be — full spectrum clear sound of a special event in a special setting. Enjoy!

ryley-walker-9

At some point, when we can figure out how to properly edit it, we will have a complete upfront video from this show.

Sorry no downloads of this one.
This recording is now available to Download in FLAC or MP3 or to Stream at Archive.org [HERE].

Stream the Complete Show:

Ryley Walker
2016-05-13
Market Hotel
Brooklyn NY

Digital Master Recording
Four Channel Audience Matrix

Schoeps CCM4u Cardioids + Audio Technica 4051 > Roland R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 46:11]
01 The Halfwit In Me
02 Shaking Like The Others
03 The Great And Undecided
04 Grand Old Trout – Age Old Tale
05 The Roundabout
06 Sullen Mind
07 Funny Thing She Said

SUPPORT Ryley Walker: Website | Facebook | PreOrder Golden Sings

ryley-walker-12

Kohoutek: May 13, 2016 Saint Vitus

July 13, 2016
By

Kohoutek
[photos courtesy of Kohoutek]

Kohoutek are a long-running, loose collective improvisational psych band from Washington, DC and Philadelphia. While the extended Kohoutek family is massive, their core members are Scott Verrastro, Craig Garrett, Scott Allison and Vic Salazar. These guys don’t get out together too much these days owing to geographical differences, but they’ve lately seen some increased activity due to their most recent release, Curious Aroma. We caught up with Kohoutek opening for Dead Meadow a few months back and got lost in this explorative jam that starts off slow and tentative before finding its groove a few minutes in. After about a half hour the band eases things out with their noisier side. If this recording has you curious, Kohoutek have a gig this upcoming weekend, Saturday July 16, at their Philly headquarters—check here for more details.

I recorded this set from our usual location at Saint Vitus. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Kohoutek
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [28:21]
01. Live at Saint Vitus

• Buy Curious Aroma from Forced Exposure in the US, and MIE in the UK.
• • Connect with the band at their Website
• • • Check their Facebook for updates

Dead and Company: July 3, 2016 Boulder CO

July 6, 2016
By

IMG_2726
[photo by hiandlo]

It was exactly a year ago when all of the surviving members of the Grateful Dead played their last shows together in Chicago. “Fare Thee Well” was a goodbye of sorts, but it certainly wasn’t the end of their careers or the end of the music. Later that year, the formation of “Dead and Company” brought together Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart with pop star John Mayer. The combination appeared odd at first, but Mayer seems to have dedicated himself to not only learning the material but adapting to the ebb and flow of a traditional Dead show. The band’s second full tour came through Colorado on Saturday and NYCTaper veteran hiandlo was out in the region on vacation and caught the show.

Our readers who have followed our coverage of various “post-Dead” bands know that we have two pet peeves among the various good and bad aspects of these bands — we can’t stand the mindless aping of Jerry Garcia’s style by various guitarists employed to fill his shoes, and cringe at the simply unlistenable vocals of Phil Lesh. Fortunately, Dead and Company have neither of those two issues. John Mayer’s guitar playing borrows heavily from classic rock and blues oeuvres, but it has always been his own. Mayer isn’t copying Garcia when he plays Dead songs, he’s placing his own stamp on the music and that makes all the difference.  And vocally, although Bob Weir has aged quite a bit, the combination of his still-formidable vocals with Mayer and keyboardist Jeff Chimenti provides Dead and Company with solid singing that never reaches the cringworthiness of Lesh.

At this Boulder show, the band got off to a slow start, literally. Weir’s pacing is still painfully behind, so that “Stranger” was at times like playing a 45 record at 33. But fortunately the band kept it up after that and the tempo was never really an issue after the opener. The first set highlights included a sweet “Bird Song” with shared vocals, and Mayer’s take on “Speedway”, which allowed his blues roots to shine. The second set’s highlight was a really quite moving version of “He’s Gone” with “Smokestack” sandwiched in the middle. And although the band did offer a fairly truncated “Dark Star” out of “Space”, there were some out-there moments that made the trip worthwhile — reminding us that while this current incarnation isn’t ever going to be the Grateful Dead, Dead and Company is serving the music well and keeping the spirit alive.

Dead and Company continue to tour throughout this month, dates here.

hiandlo recorded this set from a prime front of board location with the “open card” Schoeps caps and the sound quality is simply superb. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Dead And Company
2016-07-03
Folsom Field
Boulder CO

Digital Audience Master
Recorded FOB Dead Center

Schoeps MK22 (STC-22) > KC5 > CMC6 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by hiandlo
Produced by nyctaper

Set 1
[Total Time 1:08:20]
01 Feel Like A Stranger
02 Next Time You See Me
03 Samson and Delilah
04 West LA Fadeaway
05 Bird Song
06 New Speedway Boogie

Set 2
[Total Time 1:43:53]
07 China Cat Sunflower
08 I Know You Rider
09 He’s Gone
10 Smokestack Lightning
11 He’s Gone Reprise
12 Let It Grow
13 Drums – Space
14 Dark Star
15 Morning Dew
16 [encore break]
17 Brokedown Palace
18 US Blues

Support Dead and Company: Website | Merch | Grateful Dead Music

Govt Mule: June 3, 2016 Mountain Jam

July 5, 2016
By

2016-MountainJam-GovtMule-4
[photos by Jill from For The Love of Brooklyn]

Now in its 12th year, Mountain Jam has established itself as a destination event for a wide variety of artists from a large array of styles. And yet over those dozen years, festival co-founder Warren Haynes has performed with Govt Mule for every single year — generally in the featured spot on Friday or Saturday night. This year, the Mule played the headline set on Friday after an abbreviated set by Wilco (here).

Since its his weekend, Haynes’ Govt Mule was unlimited in their time to play and performed a nearly three hour set that went late into the night. On display were the standard special aspects of the Mule Mountain Jam sets, including special guests, extended jam segments, and a plethora of covers. For this particular show, the highlight was most certainly when the Mule was joined by Marcus King and the horn section from his band for a blistering version of the Tower of Power classic “What Is Hip” that spanned a full seventeen minutes of superb multi-genre jamming.

Warren Haynes is currently on tour playing solo shows in Europe before returning to the US for several nights with the Garcia Symphonic Celebration before Govt Mule returns to touring in the Fall. All dates here.

I recorded this set in the same manner as the Wilco set and the quality is equally outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Govt Mule
2016-06-03
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:42:12]
01 Sweet Leaf [Black Sabbath]
02 Yer Blues [Beatles]
03 Thorazine Shuffle
04 Funny Little Tragedy
05 Rebel Rebel [Bowie]
06 Larger Than Life
07 Kind of Bird
08 Captured
09 Stage Fright [The Band]
10 Hunger Strike [Temple of the Dog]
11 Dear Mr Fantasy [Traffic]
12 Hunger Strike Reprise
13 Painted Silver Light
14 Frozen Fear
15 Dyer Maker [Zeppelin]
16 Mule
17 What Is Hip [Tower of Power]
18 Hope She’ll Be Happier [Bill Withers]
19 Game Face
20 Mountain Jam
21 Game Face Reprise
22 I’m a Ram [Al Green]
23 [encore break]
24 Soulshine

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Govt Mule, visit their website, and purchase their official releases from the Mule Store [HERE].

2016-MountainJam-GovtMule-5

Matchess: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 30, 2016
By

Matchess
[Photos By Rocketman]

You may have not heard of Matchess before, but chances are you’ve listening to music from Whitney Johnson for a while now. She’s accumulated some impressive credits playing with her like-minded Chicago neighbors Ryley Walker, Circuit Des Yeux, and Bichin Bajas, not to mention her band Verma who have got a few records out on Trouble in Mind. Meanwhile, Johnson has been releasing a steady stream of solo work under the alias Matchess: Seraphasta was released in 2013 on highly respected tape label Digitalis and was then reissued by Trouble in Mind, who also put our her second record Somnaphoria. Just this past May, she switched to Austin label Monofonus Press for her latest album, The Rafter. Matchess combines vocals, synthesizers, tape loops, and live viola into textural, ambient songs. Her compositions are anything but grounded, sounding more like something sighted or visited in outer space. Among other appearances at Northside Festival, including one with Grouper, Matchess joined in for the Monofonus Press showcase, giving us all a respite from the heavier fare with her quieter, but challenging, set.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Matchess
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [24:42]
01. Mi Ti Ra
02. The Need of the Greatest Wealth
03. But Their Chains
04. Aweh
05. Melts Into Air

Buy The Rafter via Monofonus Press
• • Buy Somnaphoria via Trouble in Mind
• • • Check tour dates, etc. at the Matchess Tumblr

Dead Meadow: May 13, 2016 Saint Vitus

June 27, 2016
By

Dead Meadow
[photos courtesy of P Squared Photography]

For many of us who grew up on indie rock, Dead Meadow was our introduction to psych/stoner/metal/whathaveyou, owing to a few early aughts tours with the likes of Stephen Malkmus and Sleater-Kinney (among others), and putting out records on indie-rock-label-of-record Matador. In those opening slots, Dead Meadow’s long, plodding nods seemed out of place—it’s only years later that the connected headspace between acts has become obvious. Dead Meadow is among the best at what they do and I’m sure many a thirty-something psych-freak owes at least some of their formative taste to the band. We last caught up with Dead Meadow in 2014 at the Bowery Ballroom, and the intervening couple years saw another change of drummers. But the core of the band and what they do is still there, the proof being this career-spanning set they cooked up for the second of a two-night stand at Saint Vitus.

I recorded this set from our usual location in the venue with a board feed from Dead Meadow’s FOH (if anyone knows his name, please let us know so we can credit him). The sound is outstanding, and you’re guaranteed to enjoy this one!

Download: [MP3/FLAC]

Stream:

Dead Meadow
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:24:49]
01. [Intro]
02. Greensky Greenlake
03. Babbling Flower
04. To the One
05. Mr Chesty
06. Golden Cloud
07. Let It All Pass
08. What Needs Must Be
09. Good Moanin’
10. Keep Your Head
11. Rains in the Desert
12. Sleepy Silver Door
13. At Her Open Door

• Visit their Website
• • Shop the Dead Meadow store (once they’re back from touring)
• • • Connect with the band on Facebook

Dead Meadow

The Gotobeds: June 11, 2016 Union Pool (Unblinking Ear Northside Showcase)

June 26, 2016
By

The Gotobeds
[photo via Lauren Piper, Bushwick Daily]

Consider The Gotobeds music by and for music nerds. The Pittsburgh post-punks aren’t shy about their influences—hell, the band is named after Wire’s drummer after all. And while some internet rags may take issue with a band that wears its influences proudly, these guys clearly don’t take themselves overly seriously and they don’t expect you to either. Their first record for Sub Pop, Blood // Sugar // Secs // Traffic, came out on June 10th and that weekend they stopped by Brooklyn for a couple shows at Northside Festival. We made it out for a typically loose set at the afternoon Unblinking Ear Records Showcase at Union Pool. The band plays the hits old an new, including my personal favorite, “Bodies,” which has been stuck in my head since last August if we’re talking earworms… So pretend it’s Saturday afternoon: chill out, have a beer, soak in the songs—and while you’re at it, go see The Gotobeds on their ongoing tour.

I recorded this set from our usual spot in the venue, with a soundboard feed from Union Pool FOH, Kevin. The results are excellent. Enjoy!

As an added bonus, we’ve uploaded the complete set from the Gotobeds’ show at Saint Vitus last year, which had originally been redacted to exclude songs off their (then) upcoming record. Check here for the restored recording!

Download: [MP3/FLAC]

Stream:

The Gotobeds
2016-06-11
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [36:38]
01. [Intro]
02. Blank Stairs
03. Real Maths/Too Much
04. Cold Gold (LA’s Alright)
05. Untitled
06. “Bodies”
07. Red Alphabet
08. [banter]
09. New York’s Alright
10. Jenna Rations
11. [banter]
12. Wimpy Garcia (Brotherfucker)

Buy Blood // Sugar // Secs // Traffic via Sub Pop
• • Buy Poor People are Revolting and more via Bandcamp

Beech Creeps: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 23, 2016
By

Beech Creeps
[Photos by Rocketman]

Here we have it—another bone-crushing, mind-rattling set from Brooklyn’s notorious Beech Creeps. I had thought these guys put on a monstrous set last time I saw them at Union Pool, but that was nothing. The addition of Brian Chase (Yeah Yeah Yeahs) on drums has turned a great band into a formidable one. Their new 7″ out on Monofonus Press absolutely crushes, and we got to hear both sides of that disc at the Monofonus Press Northside Showcase a couple weeks back. A-side “Creeps Can’t Swim” and b-side “Deep in the Dive” both pack a mean punch, and the band even breaks out a new song, “Suntan Man” (the title itself sounds pretty damn skeevy). If you have the opportunity to catch these guys live, I have to pretty much insist that you do so. No further dates currently, but if you’re in Brooklyn, you’ll have ample opportunity.

I recorded this set from our usual location in the venue, combined with a board feed from Union Pool FOH Robert. The sound is outstanding. Enjoy!

Download: [MP3/FLAC]

Stream:

Beech Creeps

Beech Creeps
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:47]
01. Son of Sud
02. Teenage Boogie
03. Times B Short
04. Creeps Can’t Swim
05. Arm of the T Rex
06. Deep in the Dive
07. Suntan Man

• Buy Beech Creeps and the “Creeps Can’t Swim” 7″ from Monofonus Press
• • Connect with the band on FacebookBandcamp, and Twitter

 

Running: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 21, 2016
By

Running
[Photo By Rocketman]

Despite their nonstop touring schedule, we’ve until now somehow managed to have missed Chicago’s Running. But all was corrected at Monofonus Press’s Northside party which brought the band out with like-minded noise enthusiasts, Spray Paint and Beech Creeps. Sounding something like PC Worship on speed, the band roars through seven tracks off of their two records on Castle Face, 2013’s Vaguely Ethnic and Wake Up Applauding, which came out this past January. The band played a few more shows throughout the Northside weekend, and I wouldn’t be at all surprised to see them on some best-of lists. Don’t worry if you missed out, that’s why we’re here—and I’m sure you’ll get another shot at catching Running back in NYC soon.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Running
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [26:51]
01. Reclaimed Would
02. No Wave Jose
03. OoOo Oo0o 0oOo0oO
04. Thanks for the Input
05. Ghost Bag
06. Employment Vows
07. We Never Close

Buy Vaguely Ethnic and Wake Up Applauding via Castle Face
• • Check their website for future tour dates and releases

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.