Futurebirds: June 7, 2013 Mountain Jam IX (Hunter, NY) – FLAC/MP3/Streaming Full Set

July 2, 2013
By


futurebirds2013-06-07-2
[Photos by acidjack]

The Futurebirds have built a following in the grand tradition of rock bands of yore — touring like hell and putting on a solid show at each stop, whether they’re the headliner or the undercard. Thus, we’ve gone from seeing them at Union Pool (capacity: 100) as headliner in 2011 to opener for Heartless Bastards at Irving Plaza in 2012 to headlining Bowery Ballroom in 2013. Color me less than surprised that the Mountain Jam organizers — eager to broaden that festival’s base beyond the purely “jam band” scene but wanting to stock the fest with acts whose live show could pass muster — added Futurebirds to the bill. While being on the smaller Healey Brothers indoor stage may not have seemed like a blessing at first, this Friday of the festival had non-stop torrential rain from afternoon until late night, meaning this set gave fans an opportunity to not only see a great act, but to get dry for a bit. Those smart enough to do so got sixty solid minutes of Futurebirds, in a set that hit many of their live show highlights like “M J D”, “Battle For Rome” and “Virginia Slims” and left fans wanting more. Dressed in rain ponchos they didn’t bother to take off, the band’s energy and enthusiasm made a strong argument for an invite to the bigger stage next year.

I recorded this set with MBHO microphones at the soundboard. This room had a sub-optimal design for live sound, especially at the relatively long distance from the stage where I was setup. Further, there is some crowd chatter that can be heard from time to time. While this recording is not up to the standard of the site’s other three Futurebirds recordings, it is a worthwhile listen. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:


futurebirds2013-06-07-1

Futurebirds
2013-06-07
Healey Brothers Stage
Mountain Jam IX
Hunter, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time
01 [intro]
02 Tanlines
03 Sam Jones
04 Serial Bowls
05 Battle For Rome
06 Virginia Slims
07 Johnny Utah
08 [banter]
09 M J B
10 [banter2]
11 Wild Heart [Stevie Nicks]
12 Yur Not Ded

If you enjoyed this recording, PLEASE SUPPORT Futurebirds, visit their website, and buy their records and merch from their online store.

Mike Doughty: June 19, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming Songs + Full Set

July 1, 2013
By

mdoughty2013-06-19-1
[Photos by acidjack]

Fans of Mike Doughty, previously known as “M Doughty”, lead singer of seminal ’90s oddballs Soul Coughing, may already be familiar with the journey of self-discovery that led him to abandon his role as frontman of a popular act to become a freewheeling solo performer, with the waypoints of addiction and recovery (not to mention what some incorrectly interpreted as a religious conversion) along the way. Mike told the whole story in his 2012 memoir, The Book of Drugs, but if you followed his solo work from early last decade to now, much of the story was already there for the taking.

Though Mike’s solo efforts have abandoned some of the more frenetic elements of the Soul Coughing sound, which culled rhythmic textures from soul, funk and hip-hop, his solo work retains that band’s most distinctive element — Mike’s voice. Though his voice won’t be accused of having big-rock-singer range, it is one of the most distinctive of recent decades. A kind of sing-speak whose flow is at times reminiscent of hip-hop and scatting, Doughty’s voice is custom-built for storytelling. Similarly, his lyrics are smart, evocative, and unabashedly original. Nobody sees the world quite the way that Mike Doughty does.

This set, performed opening for Low at Music Hall of Williamsburg, found Doughty in the format with which he’s now most comfortable, stripped down to him, an acoustic guitar and a drummer. For almost a full hour, Mike led us on a journey through his entire solo career, from early 2000s work from Skittish and Rockity Roll (now available as a single 2-record release) such as “Shunned + Falsified”, “Ossining” and his first solo single, “27 Jennifers”, to his newest work like “Na Na Nothing” (which Doughty claims was “partially stolen” from a song written by Nikki Sixx, Dan Wilson and Matt Gerrard) and his cover of John Denver’s “Take Me Home, Country Road”. Even on the fairly large Music Hall stage, Mike’s set felt like an intimate evening in a living room, with Mike amiably taking (and turning down some) requests and making his fair share of self-deprecating jokes. One of my personal favorites, and one of the most obviously autobiographical, was “Looking At the World From the Bottom of A Well” from 2005’s Haughty Melodic. It’s worth noting that that record also represented Mike’s first major-label record since leaving Soul Coughing and spending the first half the decade self-releasing his records and touring under his own steam. The music world has fewer great second acts than maybe it ought to, but Mike’s is one of the most inspiring of all. As to what he’s up to this year, Mike is busy re-recording and re-interpreting thirteen of his Soul Coughing classics, which will be self-released later this year. You can support that effort through PledgeMusic here.

This is a recording of outstanding quality. We’d like to personally thank Mike for giving us permission to share it. Please support his efforts by attending his shows and visiting the PledgeMusic page noted above.

Stream “27 Jennifers”

Stream “Looking At the World From the Bottom of A Well”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

mdoughty2013-06-19-2

Mike Doughty
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (create room ambiance, adjust levels, fades, compression)>Izotope Ozone 5 (EQ, tape effects)>Audacity 2.03 (amplify, balance, tracking, downsample)>FLAC ( level 8 )

Tracks [Total Time 59:15]
01 Ways and Means
02 Lord Lord Help Me Just To Rock On
03 (I Keep On) Rising Up
04 Down On the River By the Sugar Plant
05 (You Should Be) Doubly (Gratified)
06 Madeline and Nine
07 Ossining
08 Like A Luminous Girl
09 Shunned + Falsified
10 Looking At the World From the Bottom of a Well
11 27 Jennifers
12 [banter1]
13 Take Me Home, Country Road [John Denver]
14 Nectarine (Part One)
15 [banter2]
16 Nah Nah Nothing From Me
17 Put It Down
18 Train To Chicago
19 I Hear the Bells

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, and buy his forthcoming record from PledgeMusic.

Wilco: June 22, 2013 Solid Sound Festival – Flac/MP3/Streaming

June 30, 2013
By

wilco-37
[photo by PSquared Photography – courtesy of brooklynvegan]

When on the opening night of your own festival, you’ve just played a two-and-half hour all covers set that has literally blown up on the internet, what do you do for an encore. When its Wilco, arguably America’s greatest band, you play an equally long show with deep cuts, with a judicious sampling of early material, with guests, with prize winners and with hilarious banter. Wilco followed up their show of the year with a “standard” show that rivaled in quality the memorable night before. Of the light moments, perhaps the best combination of humor and topicality was the band’s dedication of Wilco’s ode to alcoholism “Passenger Side” to the festival’s “bad boys” Foxygen, who were also the subject of multiple Tweedy barbs throughout the set. We’re streaming that track below. Wilco is currently on the AmericanaRama tour which comes to the NYC area for a show on the Hoboken Waterfront on July 26.

After we left North Adams on the crazy roadtrip of Friday night, we were fortunate to still have friend of the site gr8fulpete to record and offer his Saturday night files to us. Pete’s recently upgraded rig performed excellently on this windy night and the result is a superb recording. Enjoy!

Stream “Passenger Side”

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wilco
2013-06-22
Solid Sound Festival
North Adams MA

Digital Master Audience Recording
Recorded inside Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by gr8fulpete
Produced by nyctaper 2013-06-28

Setlist:
[Total Time 2:26:40]
01 I Got You
02 Dawned On Me
03 Box Full of Letters
04 At My Window Sad and Lonely
05 Forget the Flowers
06 She’s A Jar
07 You Are My Face
08 One Sunday Morning
09 Art Of Almost
10 I Might
11 Summerteeth
12 [banter – golden ticket]
13 Candyfloss
14 I’m Always In Love
15 Sunken Treasure
16 Far, Far Away
17 Via Chicago
18 [banter – foxygen]
19 Impossible Germany
20 Born Alone
21 Laminated Cat
22 Passenger Side
23 [banter – pizza]
24 Whole Love
25 Can’t Stand It
26 Heavy Metal Drummer
27 [banter – retire drum move]
28 I’m The Man Who Loves You
29 [encore break]
30 Shot In The Arm
31 [banter – thanks]
32 California Stars
33 Just A Kid
34 Dreamer In My Dreams

If you download this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, and purchase their official releases at their website [HERE].

French Films: June 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 28, 2013
By


frenchfilms2013-06-04-1
[Photos by acidjack]

The Finnish band French Films isn’t yet well-known here in the U.S., but that seems poised to change. Like their fellow travelers Hooded Fang, who they joined for this Mercury Lounge bill, they have a reasonably deep repertoire (they formed in 2010) as well as the chops to deliver it live. Taking their cues sonically from Beatlesque pop and the early-aughts New Wave revival, the band’s sound combines their propensity for hummable hooks with a darker tinged edge. What they’ve done so far was good enough to earn them a European Border Breakers Award, which honors the best new musical acts across Europe, and they are using that to jumpstart their foray into the U.S., which also included a show at Glasslands a few days before this show. This set, which drew the largest crowd of the night, found them playing their European hit, “Escape In The Afternoon”, along with material from this year’s release, White Orchid. One of the band members noted his attendance at an early Strokes show at this same venue, and I feel like a little pixie dust from those legendary shows from last decade rubbed off on these guys and their excellent set as well.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed provided by French Films’ traveling FOH. The sound quality is excellent. Please note that the set has some songs removed, at the band’s request. Enjoy!

Stream “Golden Sea”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

frenchfilms2013-06-04-2

French Films
2013-06-04
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (tape effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 White Orchid
02 Convict [not included at artist request]
03 [banter1]
04 Ridin’ On [not included at artist request]
05 Golden Sea
06 [banter2]
07 Long Lost Children [not included at artist request]
08 Where We Came From
09 Escape In the Afternoon [not included at artist request]
10 Special Shades
11 When People Like You Filled the Heavens [not included at artist request]
12 [banter3] [not included at artist request]
13 Pretty In Decadence [not included at artist request]
14 You Don’t Know

If you enjoyed this recording, please support French Films, visit their Facebook page, and buy White Orchid and their other releases from iTunes or your favorite retailer.

Phil and Friends: June 9, 2013 Mountain Jam IX – Flac/MP3/Streaming

June 27, 2013
By

phil lesh perrucci
[photo courtesy of Dino Perrucci Photography]

In the vocabulary of live Grateful Dead nomenclature, certain songs take on specific identities. Among the song labels are “jam vehicles” (“Dark Star”, “Playing in the Band”, “The Other One”) and then there were songs that were pejoratively described as “throwaways”. Among Jerry Garcia’s vices was a lazy streak. He neither wanted to play extended versions of songs he didn’t particularly like, nor did he enjoy playing complicated songs. One of the positive aspects of Phil Lesh’s live interpretation of the Grateful Dead catalog is that he corrects these two shortcomings. Phil and Friends do not play throwaways — every song played is given a full interpretation, and no song from the GD catalog no matter how difficult, is off limits. At Mountain Jam, the Phil and Friends set opened with a neat jam that segued effortlessly into “Cosmic Charlie”, a complicated and multi-layered song that the Dead retired in 1976 in large part because Garcia just didn’t want to have to play it. And former throwaways “Cold Rain and Snow”, “Midnight Hour”, and “Box of Rain” were given full workouts. Indeed, Cold Rain clocked in at nearly 20 minutes, five times longer than the standard GD version. Even Lesh’s own composition “Unbroken Chain” (streaming below), played only a dozen or so times on the last Dead tour in a perfunctory manner, was extended to nearly twenty minutes. Each segment of the song offered the opportunity for the quintet to explore and with the addition of Warren Haynes to the band for this show only, the guitar work in Unbroken was simply stunning. The audience at a Phil and Friends show also definitely gets their money’s worth — this show clocks in at nearly four full hours of music. For a 73 year old band leader, that’s a pretty amazing feat.

I recorded this set from the right side of the soundboard cage but otherwise in the same manner as the Govt Mule recording and the sound quality is excellent. Enjoy!

Stream “Unbroken Chain”:

Download the Complete show in MP3 and FLAC at Archive.org [HERE].

Phil and Friends
2013-06-09
Mountain Jam
Hunter Mountain NY

Digital Master Audience Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-17

Setlist:
[Total Time 3:50:20]
Set One [1:38:44]
01 Jam
02 Cosmic Charlie
03 Sunshine of Your Love
04 Loose Lucy
05 Cold Rain and Snow
06 She Said She Said
07 Just a Little Light
08 Franklin’s Tower

Set Two [2:11:36]
09 Shakedown Street
10 Low Spark of High-Heeled Boys
11 Crazy Fingers
12 Low Spark (Reprise)
13 Unbroken Chain
14 Dark Star
15 While My Guitar Gently Weeps
16 The Other One
17 Wharf Rat
18 In the Midnight Hour
19 [encore break – donor request]
20 Box of Rain

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Phil Lesh and Friends, visit the website, and purchase the official releases at the dead.net Store [HERE].

Low: June 19, 2013 Music Hall of Williamsburg + June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3 Downloads + Streaming Songs and Full Sets

June 25, 2013
By


low2013-06-19-1
[Photos by acidjack]

Our affection for the band Low is well-known; we were blown away by their performance earlier this year at the Society for Ethical Culture, touring behind their latest record The Invisible Way, as well as the performance by Alan Sparhawk’s other band, Retribution Gospel Choir, at Knitting Factory that found that band guesting with frequent Wilco collaborator Nels Cline.

These two almost back-to-back shows, first at Music Hall of Williamsburg, and next at the Solid Sound Festival — where our now-famous Wilco recording came from — did nothing to dim that affection. Despite the more traditional club setting, this Music Hall set was a subtler, less rocking affair than the show in the church, with fewer of Sparhawk’s guitar pyrotechnics and more emphasis on the band’s more traditionally “slowcore” numbers, including some rarer early material. But the highlight for me was the night’s biggest rocker, “Canada”, from the band’s album Trust and no longer a set regular. Likewise, at Solid Sound, Low continued to demonstrate why they’ve enjoyed a nearly 20-year career with no sign of slowing down, playing a set that differed significantly from just a few nights before. They may call this “slow”-core, but this has been a band of constant and exciting momentum.

The Music Hall recording suffered from some early technical issues that required me to switch to my mics a few songs in. The first and fourth songs of the set are missing as a result, the second song fades in, and the fifth, “Holy Ghost”, contains the noise of me setting up the mics. Once things settled down, it was smooth sailing from there and the sound was excellent. The Solid Sound set, graciously provided by DC-based site collaborator Kubacheck, is likewise an excellent recording, albeit with a bit more crowd chatter and made at more distance than the Music Hall show. It also has none of the Music Hall show’s flaws. Please enjoy!

These NYCTaper recordings are being hosted on the Live Music Archive.  You can stream the entire shows by clicking the song titles below or download them via the links provided.

Stream “Canada” from Music Hall:

Stream “Pissing” from the Solid Sound Festival

Direct download of Music Hall recording: [MP3] | [FLAC]

Direct download of Solid Sound recording: [MP3] | [FLAC]

low2013-06-19-2

Low
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, PAS)>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

[Note: Soundboard source on first 1.5 tracks]

Tracks [Total Time 1:20:11]
[first song missed]
01 Plastic Cup (cuts in)
02 On My Own
[song missed]
03 Holy Ghost [setup noise]
04 Monkey
05 Waiting
06 Witches
07 Especially Me
08 Dragonfly
09 Try to Sleep
10 Violent Past
11 (That’s How You Sing) Amazing Grace
12 Lazy
13 Silver Rider
14 Just Make It Stop
15 [banter]
16 Canada
17 Laser Beam
18 [encore break]
19 Murderer
_____________

Low
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

Tracks [Total Time 56:29]
01 On My Own
02 Plastic Cup
03 Clarence White
04 Holy Ghost
05 Monkey
06 Witches
07 Especially Me
08 Pissing
09 Dinosaur Act
10 Murderer
11 [banter]
12 Just Make It Stop
13 Last Snowstorm of the Year

If you download these recordings from NYCTaper, PLEASE SUPPORT Low, like them on Facebook, and purchase The Invisible Way and their other releases directly from SubPop Records [HERE]

SUPPORT NYCTaper




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