Posts Tagged ‘ Baby’s All Right ’

Kevin Morby: March 15, 2015 Baby’s All Right – FLAC/MP3/Streaming

April 29, 2015
By

Kevin Morby at Baby's All Right
[photos by Matt Condon for Concert Addicts]

Kevin Morby continued his run of excellent New York performances back in March with this show at Baby’s All Right. Morby’s Still Life has been a hit with fans, and he has honed the live versions into entities of their own. This show was thronged, bodies pushing all the way to the back of the room and spilling into the bar area. Morby seemed at ease with the crowd, and he ought to be; being a former New Yorker, Morby’s reception should be as strong here as in his adopted hometown of Los Angeles. It has taken us a bit longer than usual to share this performance, but that’s in no way a reflection of how strong it was. Morby closed out with a song we first saw tested out last year, Bill Fay’s “I Hear You Calling”, which transitioned into Morby’s own “Parade”.

Baby’s All Right engineer Harrison Fore recorded this set; I mixed it down and finalized the tracks. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Kevin Morby
2015-03-15
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live mixed by Harrison Fore
Produced by acidjack

Soundboard (engineer: Harrison Fore) + Audio Technica 4051>digital multitrack>SD card>Adobe Audition CS 5.5 (mix down individual tracks, compression, fades)>Izotope Ozone 5 (EQ, imaging, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:02:41]
01 The Dead They Don’t Come Back
02 Reign
03 Sucker in the Void
04 Harlem River
05 [banter1]
06 All of My Life
07 Motors Runnin
08 Amen
09 Miles, Miles, Miles
10 My Name
11 If You Leave and If You Marry
12 [encore break]
13 I Hear You Calling [Bill Fay]>Parade

If you enjoyed this recording, PLEASE SUPPORT Kevin Morby, visit his website, and buy his releases from Woodsist.

Steve Gunn: April 1, 2015 Baby’s All Right – FLAC/MP3/Streaming

April 5, 2015
By

IMG_1102

Steve Gunn is having a blockbuster spring, having signed recently to Matador Records, and announcing that he’ll be joining Wilco on their spring tour. Gunn’s music has been one of building slowly but methodically as he nurtured different aspects of his talent, from his early solo work, to his partnership with John Truscinski on two outstanding records, to his second solo phase represented by Time Off and Way Out Weather, two fine records that have launched him onto the bigger stages he deserves. This show at Baby’s All Right represented the end of Steve’s recent tour with the “Way Out Band” comprised of site favorite Nathan Bowles on drums, Jason Meagher on bass, and Paul Sukeena on guitar, and it may be the last proper club show for Gunn for a while.

While Steve’s tours have been increasingly turning up newcomers, there to see what the buzz is about, this show was all about the hometown crowd, with the front rows lined with Steve’s personal friends and musical associates, alternating love and tipsy-but-gentle heckling. The set reflected the mood, with the band serving up long-form, loose versions of Time Off and Way Out Weather regulars. “Old Strange” set the tone, with its hypnotic opening riff, and the songs that joined it kept up its feel, with Gunn and Sukeena trading guitar lines while Bowles and Meagher kept the beat. If the slightly different band (trading Sukeena for Jim Elkington) at the 2014 Rough Trade show felt like a band growing into itself, this one was that almost-same group spreading its wings, even more road-confident than when they returned to the area back then. “Street Keeper” was a new addition I hadn’t heard at recent NY shows, making this a winner setlist- as as well as performance-wise.

You can catch Steve Gunn this spring with Wilco; please show up early and make him feel welcome in those large arenas!

Kevin Mazzarelli mixed this live set and recorded various tracks to Pro Tools; I mixed and mastered them. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set and download individual tracks:

Steve Gunn
2015-04-01
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live engineered by Kevin Mazzarelli
Produced by acidjack

6 digital soundboard tracks + Audio Technica 4051>Pro Tools>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, hard limiter, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total time: 57:14]
01 Old Strange
02 Water Wheel
03 [banter]
04 Wildwood
05 [banter2]
06 Milly’s Garden
07 [banter3]
08 Street Keeper
09 [banter4]
10 Way Out Weather
11 Tommy’s Congo

Band:
Steve Gunn – vocals, guitar
Paul Sukeena – guitar
Jason Meagher – bass
Nathan Bowles – drums

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and buy his albums, all of which have “buy” links here.

IMG_1081

Ryley Walker: March 15, 2015 Baby’s All Right

March 22, 2015
By

ryley-walker
[photos by Jill Harrison]

There are many good singers, many more good writers of songs. More than enough to fill entire festivals with them year-round, to stuff streaming sites with more than anyone can listen to. But among that vast number, there are a tiny few in whom you can sense that something else, that spark, that undergirding realness, that makes their performance more than just-singing or just-playing-guitar. To see Ryley Walker perform is to experience a man singing to somewhere else, sending sound out to and for souls long since gone. That voice, that sound of his, the ecstatic yelps, those long, punch-drunk runs, threatening to split apart but never quite doing it, is singular. It may resonate with you, or it may not, but if it doesn’t, the thing missing in the equation is what you’re putting into it, not him.

This show at Baby’s All Right, our fourth time seeing Ryley in the last twelve months, finds him at an interesting point. Primrose Green, his tour-de-force second record, releases at month end, and has already found itself hailed in all the right places, turning Walker into a critical darling seemingly overnight. He’ll be at this summer’s Pitchfork Festival, at Wilco’s Solid Sound Festival, at Levitation in Vancouver, and any number of other places in the U.S. and Europe where of-the-moment acts can be seen. It’s hard to know what the effect of the crowds might be on this man, this music that requires him to give so much of himself emotionally every night. There are too many tales about how this part of the music world has split women and men in half.

But our best evidence about Ryley’s part of this story is this night at Baby’s All Right, in a jammed show room on a Sunday night. The 38 minutes of this set consist of just four songs, played this time with a band consisting of Ryley’s Chicago-based musician colleagues on second guitar, upright bass, and keys (over half of the band that we first saw perform in Raleigh back in September). The foursome appeared, as far as I know, only in Chicago and at this New York date — D.C. two nights before was a threesome (minus upright bass), as was Philadelphia just before the Brooklyn show — but their playing reminds you how well they know this material. The band weaved around Ryley’s lead as they reinterpreted Primrose Green songs that most of these fans probably haven’t heard original versions of yet on record. These weren’t idle-minded jams, either, but successful experiments, one after the other, from the new “Funny Thing She Said”, to tour staple “Summer Dress”, to “Primrose Green” to Ryley’s go-to cover song of late, Van Morrison’s “Fair Play” from Veedon Fleece. Shaved, hair clipped, wearing a collar and sweater that even had Ryley laughing at himself, Walker played with all the intensity he’s mustered every time we’ve seen him, but there was a new assuredness there, too, an ability to pull back just when he needed to. These thirty-eight minutes were like all of his sets I have seen: a thing of beauty, something memorable, something unique.

If you go to see one new artist this year because you read about them on this site, I hope Ryley Walker is the one. Nobody, not even him, knows where his story is headed. But this set proved once again where he deserves to be.

Baby’s All Right engineer Harrison Fore recorded and mixed this set live; I mixed this and the house-installed audience mics and mastered the recording in post. The sound quality is outstanding, equal to the quality of the performer you’re listening to. Enjoy.

Download the complete show from the Live Music Archive: [FLAC] | [MP3]

Ryley Walker
2015-03-15
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live mixed by Harrison Fore
Produced by acidjack

Soundboard (engineer: Harrison Fore) + Audio Technica 4051>digital multitrack>SD card>Adobe Audition CS 5.5 (mix down individual tracks, compression, fades)>Izotope Ozone 5 (EQ, imaging, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 38:06]
01 Funny Thing She Said
02 Summer Dress
03 [banter]
04 Primrose Green
05 [banter2]
06 Fair Play [Van Morrison]

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy Primrose Green from Dead Oceans.

ryley-walker-2

White Fence: October 26, 2014 Baby’s All Right – Flac/MP3/Streaming

February 9, 2015
By

White Fence Dean Keim
[photo by Dean Keim]

Back in October, White Fence was on an extensive tour that criss-crossed through NYC a few times, including during CMJ week when they played a bunch of shows. We were lucky to catch the band twice in less than two weeks at Baby’s All Right. The mid-October recording was featured on the site contemporaneously with the show but the second night at the Panache Hangover Brunch has waited until now. This White Fence set started at about 7 p.m. but certainly felt later as we’d been in the venue since the early afternoon. We’ve already posted two sets from this day (Juan Waters and King Gizzard) and the White Fence set was really gravy for one of the best complete days of music we had all year. White Fence did not replicate the set from earlier in the month as they mixed up the setlist and swapped in several different numbers. But as we had previously experienced, the current White Fence quartet (with Cate Le Bon on guitar) is a unit that has been together for a while now and the performance was tight and energetic. We are streaming “Sandra” below — a near perfect performance that had the band smiling at the end.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed near the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sandra”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

White Fence
2014-10-26
Babys All Right
Brooklyn, NY USA

Digital Multitrack Soundboard + Audience Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 46:26]
01 Arrow Man
02 Like That
03 Trouble Is Trouble Never Seen
04 Its Confusing When You Wake Up
05 Fragility
06 Baxter Corner
07 Sandra
08 [banter – badass]
09 And by Always
10 Makers Nest And Words Freeze
11 Pink Gorilla
12 Get That Heart
13 Paranoid Bait
14 Harness

If you download this recording, we expect that you will PLEASE SUPPORT White Fence, visit the Facebook page, and purchase For The Recently Found Innocent from the Drag City Records website [HERE].

Ryley Walker: January 13, 2015 Baby’s All Right

February 5, 2015
By

IMG_0368
[photo from October 2014 Rough Trade show by acidjack]

Ryley Walker will be a breakout star this year, and the reason won’t just be his forthcoming album, Primrose Green. Walker has been touring hard, working out the new material, and consistently wowing audiences. BrooklynVegan brought him to New York for a Red Bull Sound Select event at Baby’s All Right, and we couldn’t have been happier, having seen Walker last in a similar two-man configuration back in October at Rough Trade.

Once Primrose Green hits shelves, those versions of Walker’s songs might well seem polite by comparison. The title track’s single, available on Soundcloud and on other streaming services, is a fine version, but pales when up against Walker’s fierce version on this night, a ten-minute ramble through his mind featuring an elongated intro and a virtuosic guitar playing that mimicked some of the dissociative elements of the alcoholic beverage for which the song is titled. But if I had to pick from among Walker’s post-All Kinds of You material, I think it’s “Summer Dress” that will go down as his signature song, as it begins with its loping guitar line under a vocal turn in which Walker yelps, deploys falsetto, flirts with chaos. Watching Walker, you get the sense that he’s not even trying to play these songs to please you, but he does anyway. There’s a sense of abandon to his work that can’t help but grab you; he’s feral up there, without anchor. He makes many of the greats to whom he’s compared — Bert Jansch, for one — sound like choirboys. As to other distinctions, this set boasted a new song, “Funny Thing She Said”, as well as a cover of Van Morrison’s “Fair Play” from Veedon Fleece, the latter a worthwhile reimagining that again places Walker right up there with the rarefied company that came before him.

This set was recorded by Baby’s engineer Rubes, whose dedication to craft is obvious in his flawless mix of his board feed with the house mics. The sound quality is outstanding. Enjoy!

Walker will be back at Baby’s All Right on March 15 with another of our favorites, Kevin Morby. Get tickets here.

Download the complete show via the Live Music Archive: [FLAC] | [MP3]

Ryley Walker
2015-01-13
Baby’s All Right (sponsored by BrooklynVegan)
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Rubes
Produced by acidjack

Soundboard (engineer: Rubes) + Audio Technica 4051>digital multitrack>SD card>Adobe Audition CS 5.5 (mix down individual tracks, limiter)>Izotope Ozone 5 (EQ, compression, exciter)>Audacity 2.0.5 (fades, tracking, amplify, balance, downwsample, dither)>FLAC ( level 8 )

Tracks [Note that two tags of the FLAC and MP3 files need updating]
01 Funny Thing She Said
02 [banter1]
03 Summer Dress
04 [banter2]
05 Primrose Green
06 On the Banks of the Old Kishwaukee
07 Fair Play [Van Morrison]
08 [banter3]
09 Sweet Satisfaction

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy Primrose Green from Dead Oceans.

Lazyeyes: January 11, 2015 Baby’s All Right – Flac/MP3/Streaming

January 20, 2015
By

_MP_4621
[photo by Timothy Murphy]

Lazyeyes have been on the NYCTaper radar for quite a while. Their 2013 self-titled EP was a breath of fresh air — four bright, smart and energetic tracks that brought the band a nice bit of press and some momentum. We made several attempts to get the band on the site at that point but it never quite worked out for one reason or another. Our persistence has been rewarded because last week, the band released their second EP New Year which is a similarly high quality indie-gaze collection and the initial reviews are all positive. Lazyeyes short East Coast tour in support ended with the EP’s release show at Baby’s All Right. The group played a tight thirty-five minute set that consisted of the entire new EP, three of the four songs from the debut EP, and one new song. The set was so well received by the crowd that Lazyeyes was called back for an encore. We’re streaming the final track of the set proper, a strong version of the new “Adaptation”. Lazyeyes will next play NYC at the Brooklyn Night Bazaar on January 31.

This set was recorded by House FOH Rubes, who provided a superb live mix of the multitrack. There are also cardioid microphones installed on the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “Adaptation”:

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Lazyeyes
2015-01-11
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience
Multitrack Recording

Multitrack Soundboard (engineered and recorded by Rubes Harman) > Rubes mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 34:46]
01 Mind’s Eye
02 New Year
03 [banter – thanks]
04 Islip
05 Wait
06 Daydream
07 Forever
08 Windowsill
09 Adaptation
10 [encore break]
11 Darling Dear

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lazyeyes, visit their website, and purchase their two EPs including New Year from their bandcamp page [HERE].

Fat White Family: December 20, 2014 Baby’s All Right – Flac/MP3/Streaming

January 14, 2015
By

Fat-White-Family-Gretchen
[photo courtesy of Gretchen Robinette – full set at Impose Magazine]

Fat White Family is not a subtle band. In an era of “chill wave” and “chamber pop” and “nu gaze”, these former South London squatters are loud, rude, and beholden to no artificially-defined style. If you want to know what type of music they make, just consult one of the band’s song titles — “I Am Mark E. Smith”. And while the music of The Fall is clearly an influence, Fat White Family doesn’t simply sneer. They sweat, spit, expose themselves and generally make a depraved mess of the whole thing. But don’t let the stage antics hide that musically, Fat White Family is an entertaining band playing a contemporary British garage rock. Their debut album Champagne Holocaust was originally self-released but after gaining some notoriety in the UK — positively and negatively, the album has been released in the US by Fat Possum Records. The band was in the States for a while in the Fall and made a splash during CMJ for not only their music but the stage antics. In December, Fat White Family did a two-week residence at Baby’s All Right and we caught the final night in what would be the band’s last show in the US until March of 2015. This set is a full one and perhaps the longest time-wise of all of the recent US shows, encompassing basically all of the songs the band worked up for the live show which includes much of Champagne Holocaust and only two older tracks, the aforementioned “Smith” and the band-name-generating “Bomb Disneyland”. We’re streaming “Heaven on Earth” which begins and carries through with a familiar surf-garage guitar line that makes the song perhaps the most accessible of the set. Fat White Family will return to the US in March and we’d recommend catching their highly entertaining show at least once.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed on the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “Heaven on Earth”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Fat White Family
2014-12-20
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience
Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 53:10]
01 Auto Neutron
02 Is It Raining In Your Mouth
03 Heaven on Earth
04 I Am Mark E Smith
05 Wild American Prairie
06 Special Ape
07 Cream of the Young
08 Touch the Leather
09 Wet Hot Beef
10 Garden of the Numb
11 Bomb Disneyland

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Fat White Family, visit their Facebook page, and purchase Champagne Holocaust from the Fat Possum Records website [HERE].

Mark McGuire: January 7, 2015 Baby’s All Right – FLAC/MP3/Streaming

January 14, 2015
By

Mark McGuire

Formerly one-third of the neo-kosmische band, Emeralds, Mark McGuire has amassed an impressive discography not only with that band but also as a solo musician. Since 2007, I count nearly fifty solo releases, not even to mention ongoing or one-off collaborative projects such as Inner Tube (with Charles Berlitz) or Skyramps (with Daniel Lopatin). Yet as prolific as he is, live performances seem much less frequent. Beyond their scarcity, however, McGuire’s live performances are notable for being a new and unique experience each time you see him. For instance, at a performance during 2012’s Unsound Festival, he spent a good deal of the set playing bass guitar; and for last year’s Big Ears Festival a majority of the performance was made up of shorter songs paired with lyrics, compared with his usual long-form instrumental jams.

McGuire’s Baby’s All Right set features three lengthy pieces, two of which are new and one previously released. “Noctilucence”—named for the phenomenon of summer clouds shining at night (and yes, I had to look that up)—hails from a 2014 EP of the same name released on Dead Oceans. New song and set-opener “Entity” layers shimmering guitar lines over preprogrammed beats, illustrating the type of guitar work for which McGuire is best known. And finally, “2015 Jam” begins with a sound collage underpinned by some light atmospherics that eventually develops into a throbbing beat joined by overlapping guitar solos. By far the most intense song of the evening, the crowd’s sense of release at its conclusion is palpable even on the recording.

This set was recorded by Baby’s FOH Rubes Harman, who provided a stereo board feed as well as a recording of the house mics. I mixed these two sources in post-production and the sound is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mark McGuire
2015-01-07
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Rubes Harman
Produced by Eric PH

Multitrack Soundboard (engineered and recorded by Rubes Harman) > Rubes mix Wav files + Room mic wav files > Audacity 2.0.5 (mixdown, fades, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [41:43]
01. Entity
02. Noctilucence
03. 2015 Jam

If you enjoyed this recording, PLEASE SUPPORT Mark McGuire. Visit his Bandcamp page, like him on Facebook, and buy Noctilucence and Along the Way from Dead Oceans.

Rangda: January 9, 2015 Baby’s All Right – FLAC/MP3/Streaming

January 13, 2015
By

Rangda

Rangda is the dream team of psych, bringing together three titans, each with equally impressive credentials: Sir Richard Bishop, guitar (Sun City Girls, Brothers Unconnected); Ben Chasny, guitar (Six Organs of Admittance, Comets on Fire, 200 Years, New Bums); and Chris Corsano, drums (Flaherty-Corsano Duo, Flower-Corsano Duo, Thurston Moore, Sunburned Hand of the Man, and the list goes on indefinitely from there). Each is independently responsible for his own staggering discography and so their team-up conjures lofty expectations.

Perhaps unsurprisingly, Rangda is more than the sum of its parts. Performing live, each member inhabits his own third of the stage, hardly looking up from his instrument; and yet there is a communion among them that is unseen, intangible—it’s spooky action at a distance. These live renditions are largely faithful to their studio counterparts, oscillating between wild frenzy and repetitive motifs drawn from eastern psych ragas. Bishop’s and Chasny’s guitars rage and duel, Corsano’s drums provide context and setting for that drama to unfold.

We caught up with Rangda playing an early Friday evening set at Baby’s All Right as part of a two-date jaunt to coincide with recording a new album. Here, they play songs from both proper Rangda albums, False Flag and Formerly Extinct, and add a longer song that’s either brand new or a modified take on “Gracilaria,” which appeared on a split 12″ with The Dead C. From False Flag, they do “Bull Lore” and the longform set-closer “Plain of Jars,” which builds to a noisy catharsis before resolving into a rhythmic, repetitive guitar jam. “Majnun” and “Night Porter,” both off Formerly Extinct, come off as riffs on some of Sun City Girls’ more accessible, song-oriented material.

We unfortunately weren’t able to get a feed from the room mics, but luckily the stereo house feed from Baby’s FOH Rubes is more than adequate. The sound is outstanding and allows you to hear each guitar in its own channel (that’s Chasny left, Bishop right), just as it sounded in the room. This one sounds great on headphones. Enjoy!

While there are no further Rangda dates scheduled for now, each have upcoming solo dates and/or releases. Chasny’s new record as Six Organs of Admittance, Hexadic, is out February 27 on Drag City and a tour in support of it is scheduled. Bishop’s new record, Tangier Sessions, is also due out February 27, and is also on Drag City. Corsano has a host of upcoming dates, with Ava Mendoza, Joe McPhee, and others.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Rangda
2015-01-09
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Rubes Harman
Produced by Eric PH

Multitrack Soundboard (engineered and recorded by Rubes Harman) > 2 x Mono WAV(48/24) > Audacity 2.0.5 (fades, EQ, balance, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [50:04]
01. Plugged Nickel
02. The Vault
03. Bull Lore
04. [New Song]
05. Majnun
06. Night Porter
07. Plain of Jars

If you enjoyed this recording, PLEASE SUPPORT Rangda. Buy False Flag and Formerly Extinct from Drag City.

PC Worship: December 20, 2014 Baby’s All Right – Flac/MP3/Streaming

January 9, 2015
By

PC Worship Gretchen
[photo courtesy of Gretchen Robinette – full set at Impose Magazine]

PC Worship has been a fixture in the Brooklyn noise and psych rock scene for years, but inexplicably the band has never appeared on this site. We’ve run into band leader Justin Frye in any number of places — whether it as house FOH for 285 Kent, or doing sound for our CMJ shows at Cake Shop, or playing with his friends of Parquet Courts as PCPC. But in December, we saw PC Worship twice in a matter of days. They were in the middle of the bill in our last show at Glasslands and also in the middle of an excellent bill at Baby’s All Right that included Sunflower Bean (recording here) and Fat White Family (coming soon). PC Worship is currently gigging in support of their new and very well received album Social Rust. Each of the two December shows contained four of the nine tracks from the album (plus some older material) and we’re streaming the album’s first song “Odd”. PC Worship will next play locally at Union Pool on January 28.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed on the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “Odd”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

PC Worship
2014-12-20
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience
Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 36:26]
01 Hendrix Blast
02 Odd
03 Baby In The Back Room
04 Rust
05 Toxic Love
06 Public Shrine
07 Lost Girls
08 Tides

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT PC Worship, visit their website, and purchase Social Rust from the Northern Spy Records website [HERE].

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.