Posts Tagged ‘ brooklyn ’

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory — you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Mary Halvorson: July 14, 2014 The Wick – FLAC/MP3/Streaming

July 15, 2014

By acidjack

Follow @acidjacknyc

[photos courtesy of P Squared Photography]

Mary Halvorson is a multi-talented, multifaceted musician who represents the best of the New York scene, which is to say that she seems to be everywhere all at once. A survey of her recent shows includes everything from more sedate jazz gigs at Cornelia Street Cafe, appearances with Tim Berne at the avant-jazz club Roulette, a show in the band People at Death By Audio, and of course, her current performances as opening act for Buzz Osborne aka King Buzzo of the Melvins, currently promoting his new solo album (that recording soon). As the New Yorker put it more succinctly, “she’s in tons of bands”.

While we have tried to feature many of the best-known current virtuoso guitarists on this site, this is a first appearance for Halvorson, a slight embarrassment to us given both her talent and how prolific she is. As this set at Bushwick’s The Wick demonstrated, she is a singular improviser who in a single set can cut across generations and genres. For this set, Halvorson chose to go the all-covers route, including songs by Ornette Coleman, Oliver Nelson, the bassist Chris Lightcap, and a host of other U.S. and international leading lights of jazz and guitar music. To their credit, Buzzo’s metal-minded audience understood what was going on, giving Halvorson her due. She deserves all that and more.

I recorded this set with a simplistic onstage rig of two small Countryman omnidirectional microphones split two and a half feet apart. While there is some ambient noise evident at points, the sound quality is excellent. Enjoy!

Stream “Platform” [Chris Lightcap]

Download the complete set: [MP3] | [FLAC]

Mary Halvorson
2014-07-14
The Wick
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Countryman B3 (onstage, split 2.5ft)>CA-UBB>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (effects, EQ)>Adobe Audition CS 5.5 (adjust levels, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Sadness [Ornette Coleman]
02 Cheshire Hotel [Noël Akchoté]
03 Ida Lupino [Carla Bley]
04 Blood [Annette Peacock]
05 Cascades [Oliver Nelson]
06 [banter]
07 Someday My Prince Will Come [Frank Churchill]
08 Solitude [Duke Ellington]
09 Platform [Chris Lightcap]
10 Reflections [Thelonious Monk]

If you enjoyed this recording, PLEASE SUPPORT Mary Halvorson, visit her website, and buy records from her substantial discography, which isn’t available all in one place but can generally be purchased at Discogs.

Night Beats: July 2, 2014 Baby’s All Right – FLAC/MP3/Streaming Full Set

July 9, 2014

By acidjack

Follow @acidjacknyc

[photo from the House of Vans show by Chris La Putt for BrooklynVegan]

Seattle garage rockers Night Beats helmed a stacked bill this night at Baby’s All Right that also featured Frankie Rose’s new project Beverly (that recording to be posted soon pending band approval), Hamish Kilgour’s latest project Roya, and Brooklyn garage punks LODRO. Night Beats had been teasing new songs for a while (including our last meet up with them at Glasslands) and we’ve finally gotten to see the final versions in the form of the songs on their record Sonic Bloom. Much of that material was on display on this night, but the Beats jumped around some, playing some more new ones, plus songs from their self-titled debut LP. Of note from that album in particular were a fiery “Puppet On A String” and the jammed-out set closer “The Other Side”, but the real fun came in hearing new songs like “Dewayne’s Drone” and “Useless Game” come to life. The Beats were joined after the show by the Black Lips on the turntables, and returned the favor the following night when they opened for the Lips at the ~~lame corporate marketing opportunity~~ House of Vans.

This set was recorded by Baby’s All Right head of production Devin Foley using the house multitrack system, whose files I produced and mixed down. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the entire set:

Night Beats
2014-07-02
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>SanDisk Cruzer USB Drive>Adobe Audition CS 5.5 (mix down, effects, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 38:12]
01 Rat King [cuts in]
02 As You Want
03 Outta Mind
04 Dewayne’s Drone
05 Useless Game
06 The New World
07 [unknown1]
08 [unknown2]
09 Puppet On A String
10 [encore break]
11 The Other Side

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and buy Sonic Bloom from the Austin Psych Fest label here.

Thee Oh Sees: June 15, 2014 Death By Audio – Flac/MP3/Streaming

June 25, 2014

By nyctaper

[photo by Edwina Hay – full set at Impose]

In between the last NYC shows by Thee Oh Sees — including that best-of-the-year night at 285 Kent — and their recent return to the City for two shows last week, there was talk of an extended “hiatus”. I’m not sure if John Dwyer heard the collective virtual groan of disappointment when word got out, but thankfully the “hiatus” wasn’t in fact any longer than a standard touring break for any conventional band. What actually ended up happening is that Dwyer moved from the Bay Area to LA and re-formed the band with a new drummer and bass player. The current version of Thee Oh Sees is indeed different, missing keys and backing vocals, but fortunately the quality remains the same. They are simply one of the best live bands around and Dwyer’s manic energy and the authentic nature of the garage sound makes them a must-see event. The Death By Audio show on Sunday night was one of those “secret” shows that sold out in about five minutes, but we were fortunate to snag a ticket. DBA remains one of our favorite venues in large part because of shows like this one — the place was packed to the gills, the crowd was nearly out of control and the band played perhaps the longest set in its history, but it still seemed like everyone was smiling and getting along. When the music and the show itself is this good, its ok to get bounced around a little, get sweaty and have some beer get “spilled”. It all comes out in the wash anyway.

I recorded this set with DPA omnis duct-taped to the ceiling about 15 feet from the stage and mixed lightly with a small amount of board feed to supplement the vocals. The sound quality is very consistent with the the room that night — a little messy but a whole lot of excellent. Enjoy!

Stream “The Dream”:

Download the Complete Show [MP3] / [FLAC]

Thee Oh Sees
2014-06-15
Death By Audio
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:21:16]
01 I Come From The Mountain
02 Carrion Crawler
03 Tidal Wave
04 Tunnel Time
05 Encrypted Bounce
06 Lupine Dominus
07 Toe Cutter – Thumb Buster
08 Withered Hand
09 The Dream
10 [banter – back rub]
11 [unknown]
12 [thanks]
13 [unknown 2]
14 Dead Energy
15 The Web
16 [encore break]
17 No Spell

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase their official releases from Castle Face Records [HERE].

The Antlers: June 17, 2014 Rough Trade NYC – FLAC/MP3/Full Set Streaming

June 18, 2014

By acidjack

Follow @acidjacknyc

[Photos by Amanda M. Hatfield for BrooklynVegan]

There are many good things to be said about The Antlers, one of the most consistent and interesting bands to arise out of the Brooklyn scene in the past six years, but what’s most inspiring about them is how little they seem to care what others are doing. They’ve never been part of any kind of “-wave”; they’ve never even really found clear company among stylistically similar bands. If there were aspects of their sound that drew inspiration from elsewhere, the whole was something else entirely, animated by Peter Silberman’s unique vocal turns and the group’s collective faith in their listeners. Most bands in late-aughts Brooklyn wouldn’t have put out a record like the band’s debut, Hospice, a concept record from another time whose material was dark and whose sound was hardly going to bring out the tubthumpers who like to hit up Terminal 5 on Friday nights. The Antlers followed that up with Burst Apart, to date the closest thing they’ve done to a commercial record, even if it was hardly humpbacking a trend, either.

On this Tuesday night, the band showed up at the post-industrial chic and great-sounding back room venue at Rough Trade NYC and played us Familiars, the album they’d released that very day. Among the hardcore fans who showed up — who earned their tickets by buying the vinyl — there couldn’t have been a better way to be introduced to it. That whisper-quiet crowd got to hear these songs in their true voice, played by a band whose facility with the songs was hard-earned in the studio. Familiars won’t be everyone’s bag — even compared to the previous efforts, it’s a delicate effort that rewards patience — but for those who respect the band’s love of texture, of gorgeous songs that soar only when they really need to, it’s a classic. The songs unfolded like dreamscapes, rarely peaking until three or four minutes in, overlaid with Silberman’s literary, evocative lyrics. There are a good bit of horns on offer this time around, which I wouldn’t trust in less-sure hands, but The Antlers seem to have taken a page from Dan Bejar in that regard, using them at just the right moment. If I’m partial to any of the new songs as yet, it’d be the smooth-flowing “Director”, which feels like the product of several different phases of the band’s work all at once, and relies on elegiac guitar chords to move it forward.

It was a bit funny to hear Silberman, not yet out of his 20s, to say the band was “feeling the years”, but in an odd way it’s true. The Antlers aren’t the baby band we first witnessed back in early 2008; nor are they one of many flashes in the pan that have come since. The Antlers are a mature, established Brooklyn band, one that has rewarded their experience with an album of similar grace and maturity. See them throughout the U.S., Europe and the UK this summer and fall as they tour Familiars — this is a live experience you don’t want to miss.

I recorded this set with a flawless soundboard feed of the mix created by the band’s touring engineer Dan Seiders, together with Schoeps MK4V microphones. The sound quality reflects Seiders’ years of experience mixing the band and the flawless nature of the room, making for a live album quality experience. Enjoy!

Download the entire set: [MP3] | [FLAC]

Stream the entire show:

The Antlers
2014-06-17
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Dan Seiders)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, limiter)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:02:01]
01 Palace
02 Doppelgänger
03 Hotel
04 Intruders
05 [transition]
06 Director
07 [banter]
08 Revisited
09 [tuning]
10 Parade
11 [tuning2]
12 Surrender
13 [banter2]
14 Refuge

If you enjoyed this recording, PLEASE SUPPORT The Antlers, visit their website, and buy Familiars there.

La Sera: May 10, 2014 Baby’s All Right – Flac/MP3/Streaming

June 16, 2014

By nyctaper

[photo by Amanda Hatfield – complete set at brooklynvegan]

Katy Goodman is authentically one of the nicest people in the indie music scene. Its hard to fathom how someone could be so positive, always smiling and so friendly to seemingly anyone she encounters. Its very easy to root for the success of someone with her disposition — and its especially true given the excellent quality of La Sera’s new album Hour Of The Dawn. At the CD release show for the album at Baby’s All Right last month, La Sera played to a packed room of admirers and the smiles were all around. The band played through seven of the nine tracks of Hour and a couple of older songs before closing the set with the title track. We’re streaming that performance below. It featured an extended guitar interplay between Todd Wisenbaker and Greta Morgan — during which Katy jumped into the crowd and played her bass among the fans. The humorous part of the show and part of what makes Katy so likeable is that she spent much of the encore break apologizing to the fan who got hit by the neck of the bass in the audience. The fan said no problem, all was forgiven, and the band ended the set with a rollicking encore. La Sera will begin a European tour in May (dates here), that includes an appearance at the Primavera Sound Festival.

This set was recorded on the installed Multitrack system at Baby’s All Right by sound tech Devin Foley and we mixed the raw files. The sound is pro-quality. Enjoy!

Stream “Hour Of The Dawn”:

Download the Complete Show [MP3] / [FLAC]

La Sera
2014-05-10
Babys All Right
Brooklyn, NY USA

Digital Soundboard Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > 15 individual 24bit 48kHz wav files > Sonar LE (mixdown and effects) > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 41:57]
01 Break My Heart
02 Summer of Love
03 All My Love Is For You
04 Devil Hearts Grow Gold
05 Losing To The Dark
06 Fall In Place
07 Love That’s Gone
08 Please Be My Third Eye
09 Ten Headed Goat Wizard
10 Looking For The Magic
11 Never Come Around
12 Running Wild
13 Hour Of The Dawn
14 [encore break]
15 Control

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT La Sera, visit the website, and purchase the new album Hour Of The Dawn from the Hardly Art Records website [HERE].

Lucius: June 8, 2014 Mountain Jam X (Hunter, NY) – FLAC/MP3/Streaming

June 11, 2014

By acidjack

Follow @acidjacknyc

[photo by acidjack – if you have a better replacement that you have the right to transfer, please send]

It says quite a bit that out of the many sets by well-known “jam band” luminaries and others at this tenth annual Mountain Jam, one of my very favorite was by my hometown band (and decidedly non-“jam”) band Lucius, who we first got acquainted with playing as a duo in a humble backyard, before the crowds and the record and the festival circuit. The ladies who played Backyard Brunch Sessions that day weren’t anything close to a well-known act at that point — they had one EP to their name — but what they already had was what would carry them to where they are today: talent, great songs and humility. Back then, we hoped for, but never could have predicted, the way this band has blown up, to the point that on this past weekend alone, they were scheduled for both Mountain Jam and the much larger Governor’s Ball back in the city.

Compared with my last outing with the band at Webster Hall (and another set I didn’t record at SXSW) this Mountain Jam set was revelatory. Simply put, this always-promising band has upped their game to where it needs to be to play these kinds of stages. Vocalists Holly Laessig and Jess Wolfe have mastered their sound, their harmonies carrying well across Hunter Mountain’s wide-open space, and the band, consisting of percussionists/instrumentalists Andrew Burri, Peter Lalish, and Dan Molad is similarly able to play big, loud, and dialed-in. Lucius manage the difficult feat of sounding modern without coming across corny or derivative, while offering some of the same arena-filling fire that great female-fronted 80s groups like Heart used to be able to without sounding retro. They even served up a few bars of Whitney Houston’s “I Wanna Dance With Somebody” during “Turn It Around” (streaming below) just to put an exclamation point on that notion. Fittingly, I’m streaming “Nothing Ordinary” from this set below, because there is nothing ordinary about Lucius. This was by far the best set of theirs that I’ve seen, and they’re just getting started. Please support them — they’re on the festival and otherwise U.S., UK and Europe tour circuit until the fall, and their album Wildewoman is out there for purchase.

I recorded this set with Schoeps MK4V microphones from an optimal spot at the festival, and the sound quality is excellent. Enjoy!

Look for more Mountain Jam recordings in the coming days.

Stream “Nothing Ordinary”

Stream “Turn It Around”

Download the complete set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

Lucius
2014-06-08
Mountain Jam X (West Stage)
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (Right of SBD, PAS)>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, punch/glue)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither, downsample)>FLAC ( level 8 )

Tracks [Total Time 43:54]
01 Genevieve
02 Go Home
03 Don’t Just Sit There
04 Tempest
05 Nothing Ordinary
06 Until We Get There
07 How Loud Your Heart Gets
08 Wildewoman
09 Turn It Around

If you enjoyed this recording, please support Lucius, visit their website, and buy Wildewoman directly from the band’s online store.

The Everymen: May 19, 2014 Baby’s All Right – FLAC/MP3/Streaming

May 27, 2014

By acidjack

Follow @acidjacknyc

[photos by acidjack]

In this day and age, a band like The Everymen represents a deceptively audacious move. In a rock n’ roll universe ruled by microgenres and pressured commercially by laptop geeks, EDM, hip-hop and every manner of crossover in between, The Everymen are, more or less, a really good Jersey Shore bar band. Now, there are still many of those bands out there — the show must go on, down the Shore and elsewhere — but if you limit it to ones with the Everymen’s ambitions, well, there’s just one. Like a baby version of the E Street Band, this is old-style, big-tent, big-band rock that’s proud of its roots but seeking to plant its seed elsewhere. How many bands with this aesthetic play venues like Baby’s All Right, in still-musically-relevant Williamsburg? More importantly, how many of them could ever claim to actually pull it off?

Much of the credit for The Everymen’s broad appeal goes to frontman Mike V, an affable dude whose big heart and natural charisma make him a fit in any bar serving High Life and Narragansett, whether ironically or otherwise. He’s a born entertainer, an easy jokester with the crowd, and, judging by this show, a maker of excellent setlists. Any band who kicks off their record release show (for the band’s second full-length, Givin’ Up on Free Jazz) with a cover of Black Sabbath’s “War Pigs” is clearly playing for keeps. From there, the band took us through all of Free Jazz, which adds stronger songwriting to the style of their 2012 LP New Jersey Hardcore, and takes further advantage of the band’s deep roster of players. The album’s leadoff single, “Spain” is as good an example as any, with Mike V and Catherine Herrick sharing lead vocals, the horns blaring, and the keys lighting a fire under some blazing guitars. But The Everymen weren’t content to just begin with a bang; after the album was done, we were treated to covers of Def Leppard, Billy Ocean and INXS, plus some of the best-loved of the band’s older numbers including the always-massive set closer “Boss Johnny and the Get Lucky”. The Everymen may have broad appeal, but not everyone can do it like they do it.

This recording was made by lead Baby’s All Right engineer Devin Foley using the house multitrack system, including Audio Technica 4041 microphones capturing the feel of the room. The sound quality is outstanding. Enjoy!

Stream “Spain”

Stream “When the Going Gets Tough [Billy Ocean]”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

The Everymen
2014-05-19
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Digital Multitrack (22 tracks)>Adobe Audition CS 5.5 (mix down, other effects)>Izotope Ozone 5 (other effects, compression)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:13:35]
01 War Pigs [Black Sabbath] (fades in)
02 Bl’ast Off!
03 A Girl Named Lou Pt. 2
04 Spain
05 [banter]
06 Fingers Crossed
07 Another Thing to Lose
08 All I Need Is You
09 NJHC
10 Ain’t Good Enough For You
11 Ballad of Sarin
12 A Thousand Miles
13 Izzy
14 Dance Only (Only Dance)
15 Bringing On the Heartbreak [Def Leppard]
16 When the Going Gets Tough [Billy Ocean]
17 Coney Island High
18 Don’t Change [INXS]
19 Boss Johnny & The Get Lucky

If you enjoyed this recording, PLEASE SUPPORT The Everymen, like them on Facebook, and buy Givin’ Up on Free Jazz from their bandcamp page.

Built to Spill: May 20, 2014 Music Hall of Williamsburg – FLAC/MP3/Streaming

May 22, 2014

By acidjack

Follow @acidjacknyc

[photos by Johnny Fried Chicken Boy and acidjack]

There was a period in this site’s history during the 2009-2010 range where we collectively saw Built to Spill more than ten times in a short span (four shows in October 2009 alone). Most bands seen that often that close together would burn you out for good, but we have continued to follow Doug Martsch and his outstanding band since then. The reason Martsch feels he can continue playing New York with such frequency — even when he doesn’t have new material on offer — is that the show doesn’t just go on, its gets better every time. This performance at Music Hall of Williamsburg was easily the best BTS performance I have seen in all of the many times I have experienced this band.

Without the burden of promoting a new album, Martsch felt free to let he and the band’s whimsies roam, playing classic BTS songs like “Stab” from There’s Nothing Wrong With Love alongside newer favorites like “Planting Seeds”. We got songs that were great, short bursts; we also got a nearly ten-minute “Goin’ Against Your Mind” straight into “Carry the Zero” to close out the main set. But what set this show apart were its four cover songs. If you haven’t heard Martsch do his best J. Mascis impersonation, now you can, on this epic cover of Dinosaur Jr.‘s “Sludgefeast”. Or if classic rock is more your thing, you couldn’t go wrong with this phenomenal note-for-note rendition of Blue Öyster Cult’s “Don’t Fear the Reaper”, or BTS’ take on The Byrds’ “Eight Miles High”. The night ended, as did the Brooklyn Bowl show, with the craziest cover of all — a seventeen-minute free-for-all to the tune of “Genius of Love” by Tom Tom Club, which found the audience joining the band on stage for an epic, old-style Brooklyn dance party. It was the kind of thing a band with two fewer decades’ experience might have done, a lark to put a punctuation mark on the night. But that’s the genius of Built to Spill — whether the songs are new or old, the show never stays the same.

I recorded this set along with Johnny Fried Chicken Boy from our usual spot in the balcony directly over the soundboard cage, using Schoeps MK5 cardiod microphones. With some careful editing to mitigate the boomy nature of the house mix, this recording is excellent. Enjoy!

Stream “Eight Miles High [The Byrds]”

Stream “Sludgefeast [Dinosaur Jr.]”

Stream “(Don’t Fear) the Reaper [Blue Oyster Cult]”

Stream “Genius of Love [Tom Tom Club]”

Download the complete show: [MP3] | [FLAC] (faster offsite link) | [FLAC] (permanent link – please use if temporary link is no longer working)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

Built to Spill
2014-05-20
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (Balcony, PAS bar)>KC5>CMC6>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, multiband compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:57:32]
01 Revolution
02 The Plan
03 Stab
04 Conventional Wisdom
05 Kicked It in the Sun
06 Mess With Time
07 Liar
08 Eight Miles High [The Byrds]
09 Reasons
10 [tuning]
11 Planting Seeds
12 Sludgefeast [Dinosaur Jr.]
13 [tuning2]
14 Goin’ Against Your Mind
15 Carry the Zero
16 [encore break]
17 (Don’t Fear) The Reaper [Blue Öyster Cult]
18 Big Dipper
19 [tuning3]
20 Genius of Love [Tom Tom Club]

If you enjoyed this recording, PLEASE SUPPORT Built To Spill, visit their website, and purchase their official releases from the Official Store at their website [HERE].

Gretchen Lohse: February 26, 2014 Trans Pecos – FLAC/MP3/Streaming

May 14, 2014

By nyctaper

[photo by acidjack]

The first time I heard Gretchen Lohse‘s music I was literally left breathless. Her new album Primal Rumble is a minimalist folk record that highlights her beautiful voice and honest lyrics with no pretense or affectation. We invited Gretchen to perform at Trans Pecos based solely on hearing the record — its that good. And to our delight, she accepted and rounded out a terrific bill of powerful female performers. As expected, Gretchen’s set was short on any kind of bells and whistles and long on talent and emotion. We expect that she will reach wider audiences in the not too distant future, but for her first ever solo show in NYC, we can say we were there back then.

acidjack recorded this set in the same manner as the Larkin Grimm recording, with Schoeps MK5 cardiod microphones in the ORTF wide-angle configuration at the stage lip, and a soundboard feed. Other than some volume adjustments that are evident during “Twisted Apples”, the sound quality is outstanding. Enjoy!

Stream “All Around the River”

Download the complete show: [MP3] | [FLAC]

Gretchen Lohse
2014-02-26
Trans Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (stage lip, ORTF)>KC5>PFA + Soundboard>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Twisted Apples
03 All Around the River
04 Ornament
05 Axes and Arrows
06 Two Travelers
07 Spider at the Gate
08 Role of Rabbits
09 Primal Rumble

If you enjoyed this recording, PLEASE SUPPORT Gretchen Lohse, like her on Facebook, and buy her records on her bandcamp page.

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