Posts Tagged ‘ new jersey ’

Phish: August 13, 2021 Atlantic City

August 17, 2021
By

Other than two stops for higher education, I’ve lived my whole life in New York State. This means that I have a complicated relationship with the State of New Jersey. Yes, I accept that there are beautiful sections of New Jersey — the lakes and mountains in the North of the State, the breathtaking scenes along the Delaware River in the West of the State, and of course the many wonderful beaches on the state-long Atlantic coast.

But with that beauty comes some ugliness. Each of the major towns along the coast have commercialized boardwalks, and while the music of artists like The Drifters, Bobby Rydell, and Bruce Springsteen have glorified life along the Shore, the boardwalks are mostly just depressingly seedy. What is particularly depressing about Atlantic City in particular is that a hundred feet north of the boardwalk across the entire expanse of the town is even worse. Sure, there are casinos — America’s most blatant and unabashed grift — but there are also countless empty stores, vacant lots, and lost souls.

The arrival of the traveling circus that is Phish tour took this carnie atmosphere to an entire other level. This was not just a culture clash, but a multi-layered appropriation of a socially and morally bankrupt city by an out of control bacchanalia that sucked the last vestige of pride from the town. When I left Friday night’s show and walked back to my sad motel, I traversed a balloon orgy — a never-ending row of nitrous tanks where the underbelly of local criminals fed an insatiable suburban youth with the hiss of an addictive but terribly fleeting high. These scenes played out before midnight, but I am told that the hiss of evil lasted at least until 3:30 am.

I don’t have any reason to know if Phish themselves know any of this. They very clearly should know because like it or not, their name and reputation are tied to these events. But the sad confluence of a decaying scene and a band at the top of their game is not lost among those of us who are there for the music. This is not the late-era 1990s Grateful Dead, whose decline as a band in many ways paralleled the disintegration of the “scene”. What is coming from the Phish stage are consistently excellent performances, and that is part of what makes so infuriating the dangerously cavalier behavior of those who are going to ruin this for all of us.

It was against this dark backdrop that Phish took the stage on Friday night and proceeded to reference New Jersey and the beach setting from note one and throughout. The show opening “Cars Trucks and Buses” is both a Phish song and the less traveled right three lanes of the split NJ Turnpike between exits 6 and 15. The set closing “Sand” was everywhere, including stuck to everyone by the end of the night. In between, the band played one of the most solid first sets of the tour, highlighted by a bouncy and driven “Blaze On”. The second set was equally strong, with a notable Trey solo in “Possum” and the always-welcome Hood. But the highlight of the evening for me was certainly the thirty-five minutes of “Tweezer > Bathtub Gin”. At 22 minutes, this Tweezer wasn’t a long as the version from earlier in the tour, but the jams were all precise and focused. This might be the best single song played this Summer by this band.

The oasis of chunky jams now over, the trek from the Missouri Avenue Exit One off the beach to quieter confines was both physically difficult and psychically draining. While it was impossible to avoid the utter anarchy of the overrun Boardwalk, there was always Saturday to hope for some measure of redemption.

I recorded this set with the Neumann hypercards from a very advantageous location at the soundboard cage, shielded from the ocean wind by the tent (along with some extra custom “windcutter” screens). The live mix was sublimely perfect and loud enough to rise above the crowd din. The resulting recording is superb and exceeds any expectations tempered by this difficult taping location. I’ll be playing this one loud for a long time to come, and I hope you do too. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream Tweezer > Bathtub Gin:

nyctaper · Phish – Live in Atlantic City August 13, 2021

Phish
2021-08-13
The Beach
Atlantic City NJ

Digital Master Recording
Tapers Section at Soundboard

Neumann KM-150 Hypers > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1 [Total Time 1:04:29]
01 Cars Trucks Buses
02 AC DC Bag
03 Blaze On
04 Wolfman’s Brother
05 I Didn’t Know
06 Funky Bitch
07 Rift
08 Sand

Set 2 [Total Time 1:30:40]
09 Tweezer
10 Bathtub Gin
11 Everything’s Right
12 Possum
13 Also Sprach Zarathustra
14 Rise Come Together
15 Harry Hood
16 More
17 [encore break]
18 Loving Cup

SUPPORT Phish: Website | Store

Garcia Peoples: September 28, 2018 Music Hall of Williamsburg

November 7, 2018
By

Garcia Peoples can’t/won’t stop—it seems like they’re on every good bill and making every good bill better. A couple of their most recent shows had them in opening slots at Music Hall of Williamsburg, first for Träd, Gräs och Stenar and next for Kikagaku Moyo. We caught a recording of the former and it’s one of the band’s best gigs yet (at least that I’ve seen). Opening up with the now-classic “One Step Behind” into “Hangin’ On,” they follow with a couple newer tunes, “Break Me Down” and “I Feel So Great.” Word is the next two(!) records are in the can, both to come out on the essential Beyond Beyond is Beyond label. Jesse Jarnow summed up the Garcias’ appeal nicely in this recent Relix review and I couldn’t agree more, calling their album Cosmic Cash “an underground musical cryptocurrency for our supremely fucked-up age.” I feel pretty great too now that you mention it.

Garcia Peoples have a bunch of shows coming up, including a year-end West Coast tour with Howlin’ Rain (attendance is mandatory folks), but if you’re in NYC your next chance to catch them in action is at Union Pool on November 14.

Downloads available at the Live Music Archive

Garcia Peoples
2018-09-28
Music Hall of Williamsburg
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (at SBD) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [33:46]
01. One Step Behind >
02. Hangin’ On
03. Break Me Down
04. I Feel So Great

Buy Cosmic Cash via Bandcamp

Dinosaur Jr.: September 19, 2018 White Eagle Hall

September 24, 2018
By

[Photos by @qbertplaya]

Making the best of a bad turn after the cancellation of their tour supporting Mastodon, Dinosaur Jr. took to some roads less traveled, hitting up smaller venues in far-flung cities like Maquoketa, IA and Fort Wayne, IN. Their NYC-area appearances brought them to the small Garcia’s room at the Captiol Theatre in Port Chester and the larger White Eagle Hall in Jersey City. We caught up with them for the latter and were rewarded with more than an hour and a half of shredding from Mascis, Barlow, and Murph. After opening up with “Thumb” from Green Mind, the band launch into four tracks from their latest album Give a Glimpse of What Yer Not (which is an awfully good record for a band going long past thirty years now) followed by a set of Dino-favorites like “Feel the Pain,” “Little Fury Things,” “The Wagon” (with Don Fleming and John Moloney), “Freak Scene,” and so on. For the encore the band is once again joined by John Brannon and Easy Action for some Negative Approach songs, plus the Dinosaur Jr. noisefest “Don’t” and Stooges closer “T.V. Eye.”

Download: MP3/FLAC

Dinosaur Jr.
2018-09-19
White Eagle Hall
Jersey City, NJ

MBHO KA200N/603A (DIN, at SBD) > Naiant PFA > Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Recorded and produced by Eric PH

Tracks: [1:37:25]
01. Thumb
02. Goin Down
03. Lost All Day
04. Left/Right
05. I Told Everyone
06. Just Like Heaven [The Cure]
07. Feel the Pain
08. Little Fury Things
09. The Wagon
10. Kracked
11. Sludgefeast
12. Start Choppin’
13. Knocked Around
14. Freak Scene
15. Forget the Swan
16. [encore break]
17. Can’t Tell No One [Negative Approach]
18. Read to Fight [Negative Approach]
19. Don’t
20. T.V. Eye [The Stooges]

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Yo La Tengo: April 9, 2016 Landmark Loew’s New Jersey Theatre (Jersey City, NJ)

April 10, 2016
By

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[photo via Bork Lord‘s twitter feed]

Yo La Tengo ended their most recent tour last Saturday at the shabby-chic Landmark Loew’s Jersey Theatre, a cavernous space made intimate by the positive vibes headed from the stage and to it. The usual contingent of longtime fans were out in force for this weekend show, and the band rewarded us with a setlist that reflected their Fade-era habit of dividing the show into acoustic and electric portions. As this tour wasn’t, strictly speaking, to promote last year’s Stuff Like That There, the band jumped around their catalog a good bit more, with the electric set a particularly sweet offering for the more improvisational-minded among us. The extended outro jam on “Before We Run” that led into the slow version of “Big Day Coming” was a strong moment there, as was the segue of “Sudden Organ,” “Autumn Sweater,” “Decora,” and “Ohm” that made up the bulk of the set. But that’s not to slight the acoustic set, either, where the acoustic treatment of “Deeper Into Movies” was particularly affecting, along with new favorites like “Rickety.” By the time the encore came around there were the usual calls for hyper-obscure covers (which the band has served up in abundance on multiple WFMU marathons), most of which were ignored, though we did get Wire’s “Too Late.” The band sent us off, as they often like to do, on a quiet note, with the noisy Electr-O-Pura classic “Tom Courtenay” rendered as a solemn coda with Georgia leading the way on vocals. Now it’s time for the band to enjoy a little downtime and recharge the batteries, as they await a handful of summer festival dates. Meanwhile, we’ll be excited for what they come up with next.

I recorded this set with a soundboard feed from Yo La Tengo engineer Mark Luecke, together with Schoeps MK41V microphones. Given the challenges of the venue acoustics, this relies heavily on Mark’s soundboard feed. The sound quality is, overall, excellent. Enjoy!

Download the complete set: [FLAC/ALAC/MP3]

Stream the complete set:

Yo La Tengo
2016-04-09
Landmark Loews Jersey Theatre
Jersey City, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V (at SBD, PAS)>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, re-image SBD, adjust levels, mix down, compression, limiter, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 2:13:34]
Set One – Acoustic
01 My Heart’s Not In It [Darlene McCrea]
02 Periodically Double or Triple
03 Rickety
04 Automatic Doom [Special Pillow]
05 Did I Tell You
06 Black Flowers
07 Somebody’s In Love
08 I’ll Be Around
09 Deeper Into Movies
10 I Feel Like Going Home

Set Two – Electric
11 [intro jam]
12 Sugarcube
13 Let’s Save Tony Orlando’s House>
14 Shaker
15 Before We Run>
16 Big Day Coming
17 Sudden Organ>
18 Autumn Sweater>
19 Decora>
20 Ohm
21 Pass the Hatchet, I Think I’m Goodkind
22 [encore break]
23 Drug Test
24 Too Late [Wire]
25 Tom Courtenay (acoustic)

If you enjoyed this recording, PLEASE SUPPORT Yo La Tengo, visit their website, and buy Stuff Like That There and their many other fine releases from Matador Records.

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Marah: July 26, 2014 XPonential Music Festival, Marina Stage (Camden, NJ) – FLAC/MP3/Streaming Full Set

August 15, 2014
By

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[photos courtesy of WXPN]

Marah‘s latest album, Mountain Minstrelsy of Pennsylvania, represents an audacious turn for the Philadelphia-based roots rock band, as the band decided to bring folk songs discovered in the 1930s screaming into the 21st century more or less intact (you can read more in our post from last month, here). For a band willing to do that, I guess having a ten-year-old join the band as a permanent member — on fiddle as well as guitar no less — seemed like an achievable feat.

If part of this audience at the XPonential Music Festival, presented by WXPN, came to take in the novelty of watching young Gus Tritsch take the stage, they stayed because he and the band were setting the entire outdoor Marina Stage on fire. In addition to rockified versions of the Mountain Minstrelsy songs, the band served up classics from their catalog like 2000’s “The Catfisherman” and the acoustic “City of Dreams”, about vocalist David Bielanko’s hometown of Philadelphia. As with the Bowery Electric show, we got to experience some of the band’s fiercest jamming on the hard-charging version of “Rattlesnake” transformed a great deal from the short-but-sweet album version into an epic sendoff. 

I recorded this set with a flawless soundboard feed from the local engineer Tom, combined with Schoeps MK5 microphones flying back at the board. The sound quality is excellent. Enjoy!

SUPPORT INDEPENDENT RADIO – DONATE TO WXPN HERE

Direct download of complete show: [MP3] | [FLAC]

Stream the full set:


Marah
2014-07-26
XPonential Music Festival, Marina Stage
Camden, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Tom) + Schoeps MK5c (PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [WXPN Intro]>Highlander intro
02 A Melody of Rain
03 The Catfisherman
04 Limb
05 [banter1]
06 City Of Dreams
07 Barstool
08 Ten Cents at the Gate
09 Rattlesnake

If you enjoyed this recording, PLEASE SUPPORT Marah, visit their website, and purchase Marah Presents Mountain Minstrelsy from the Merchandise link at their Website [HERE].

Dave Hause: July 26, 2014 XPonential Music Festival, Marina Stage, Camden, NJ (FLAC/MP3/Streaming Full Set)

August 6, 2014
By


hause1
[photos courtesy of WXPN]

SUPPORT INDEPENDENT RADIO – DONATE TO WXPN HERE

Dave Hause is the quintessential hometown hero. A veteran punk and hardcore player, most famously with The Loved Ones, which he co-founded, Hause has aged gracefully into a thrilling second act as a grown-up-but-still-rocking songwriter, whose punk-tinged blue collar anthems were the perfect way to end the day on the Marina Stage at the XPonential Music Festival in Camden, NJ, presented by WXPN. Hause had more friends in the audience than just about anyone at the festival, and he rewarded us with outstanding renditions of his latest work, focused especially on his 2013 record Devour. 

To experience Hause live is to take a trip down Thunder Road, to revel in cathartic major-chord rock. The passion in Hause’s voice is matched by his incisive lyrics, such as those on “The Great Depression”, an anthem for the victims of modern economic collapse. Part of what makes Hause’s approach so appealing is that, even when the story being told is a sad one, the exuberance of Hause’s delivery claims the listener’s interest and holds it. Hause closed the set with “The Shine”, where he sings:

Cause we don’t stutter when we sing
Our melodies grow little wings
Huddled here grinding tears into red wine
Meet the darkness with the shine

No matter how you felt when you arrived that day, Hause left you feeling right. His are the perfect words to be sung by a Philly musician on the banks of Camden, a Mid-Atlantic town verging on despair, but grasping, as ever, for hope.

I recorded this set with a flawless soundboard feed from the local engineer Tom, combined with Schoeps MK5 microphones flying back at the board. The sound quality is excellent. Enjoy!

Download the full set: [MP3] | [FLAC]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

hause2

Dave Hause
2014-07-26
XPonential Music Festival, Marina Stage
Camden, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Tom) + Schoeps MK5c (PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, effects)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 45:19]
01 Autism Vaccine Blues
02 Damascus
03 Melanin
04 [banter1]
05 Time Will Tell
06 Same Disease
07 [banter2]
08 The Great Depression
09 We Could Be Kings
10 [banter3]
11 Resolutions
12 [banter4]
13 C’mon Kid
14 The Shine

If you enjoyed this recording, PLEASE SUPPORT Dave Hause, visit his website, and buy his records there.

Chelsea Light Moving: March 2, 2013 Maxwell’s – FLAC/MP3/Streaming

March 3, 2013
By

clm2013-03-02-2
[Photos courtesy of P Squared Photography]

Just before ripping into “Burroughs”, their first song, Thurston Moore opened this show by his new band Chelsea Light Moving with a quote from Mike Watt: “When you’re not playing, you’re paying.”

I had to remind myself at several points during this show that the exuberant, youthful guitarist and vocalist on the cozy Maxwell’s stage in his band’s own t-shirt was a 54-year-old member of rock royalty who I had seen perform in front of crowds hundreds of times this size. Sonic Youth may be on hiatus or it may be gone, but Thurston will keep playing – and keep playing well – for as long as he’s breathing. Chelsea Light Moving, as a band, isn’t Sonic Youth, but it isn’t just a dim facsimile of it, either. With Samara Lubelski (a well-known solo artist and member of Thurston’s solo band) on bass, John Moloney (Sunburned Hand of the Man) on drums and Keith Wood (Hush Arbors, Wooden Wand) on guitar, Chelsea Light Moving has an accomplished cast and its own personality. In some ways, CLM feels more like SST-era Sonic Youth – younger, hungrier, rawer. It seems fun to be in this band, in a way that’s almost impossible in a more established one.

Compared to an early performance back in September at 285 Kent (recording here), this time CLM felt more like a real band with real songs than a Moore & Friends jam session, with songs like “Alighted” more fully realized than their rough-sketch forms. There was also new material to be had, including the mid-tempo rocker “Sunday Stage”, which seemed like an homage to Wood’s other band, Hush Arbors. “Empires of Time” was dedicated to another rock n’ roll survivor, Roky Erickson, while “Staring Statues”, the set closer, gave us some Psychic Hearts-era Moore greatness. The entire show might have been worth the price of admission for the encore break alone, as Moore told stories, promised a fan he really would make some Feelies recordings he had said he would make fifteen years ago, and generally held court. He was calm, engaging, relaxed. Free of expectations. Chelsea Light Moving stands as a great band in its own right, and as a second act, it’s more than a worthy one.

We recorded this set from our usual spot in the venue with a flawless soundboard feed by longtime Maxwell’s engineer Carson Kopp and the band’s touring engineer Bentley.  I used a pair of Schoeps MK5 microphones for my source while nyctaper tried out his new set of Neumann TLM-102 large-diaphragm cardiod microphones.  We are offering both sources for your enjoyment, and both are outstanding. Enjoy!

Stream “Staring Statues” from Source 1 (Schoeps):

Stream “Empires of Time” from Source 2 (Neumann):

Download Source 1 (Schoeps): [MP3] | [FLAC]

Download Source 2 (Neumann): [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

clm2013-03-02-5

Chelsea Light Moving
2013-03-02
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Bentley & Carson Kopp)+Schoeps MK5 (PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape effect exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Burroughs
03 Sleeping Where I Fall
04 Alighted
05 Lip
06 [banter1]
07 Frank O’Hara Hit
08 [banter2]
09 Groovy + Linda
10 No Go
11 Sunday Stage
12 [banter3]
13 Empires of Time
14 [encore break]
15 Staring Statues

If you enjoyed this recording, please support Chelsea Light Moving, visit their website, and buy their debut LP from Matador Records [HERE]

Yo La Tengo: December 13, 2012 Maxwell’s (Hanukkah Night 6) – FLAC/MP3/Streaming

December 23, 2012
By

ylt2012-12-13-2
[Photos courtesy of P Squared Photography]

Donate to the Ali Forney Center [HERE]

This will be our final post of Yo La Tengo shows this year.  With eight nights to cover, plus opening band recordings still to come, you might start wondering why this site didn’t just change its name to “YoLaTengoTaper” at some point. But the fact is, the live experience of rock music is all about surprise, virtuosity and connection, and if any band can do those three things over the course of eight nights in the same venue better than Yo La Tengo, I haven’t seen it. They’ve been various hailed (or mocked, depending on your perspective) as a rock critic’s type of band – earnest record collectors themselves whose vast knowledge of the music they like influences and changes the music they play. Over these eight nights, you get the feeling that you’re getting a look into their no-doubt-massive record collection. You see the band cover every manner of obscure tune to big rock anthem, with artists that have affected their careers and that still inspire them taking the stage as openers. These Hanukkah shows are a distillation of all that makes this band great. And for many of us, this band represents so much of what makes music great. To really appreciate how true that is, I recommend that you read Jesse Jarnow‘s painstakingly researched and endlessly entertaining biography of the band and the era they came up in, Big Day Coming: Yo La Tengo and the Rise of Indie RockThen listen to these shows again, and see how much Jesse has opened up the world of this band to you.

Neither of us from NYCTaper were able to actually attend this show, so we would like to extend our thanks to a fellow taper who has flown to New York from Portland to share the section with us for the last several years for allowing us to post his recording. He goes, appropriately enough, by the moniker “yltfan”, and I think anyone who would fly across the country to see and record the band deserves that title. He has done an amazing job capturing this show, and like the rest of you, I’m going to enjoy giving it a full listen to get the full feel of its greatness (including the band playing with guest vocalist Barbara Manning, and a killer version of “Five Cornered Drone (Crispy Duck)”).

yltfan used Audio Technica 4053 hypercardiod microphones and a soundboard feed from Mark, the band’s engineer, and Carson, Maxwells’ longtime engineer. Like the rest of the YLT Hanukkah recordings, this one is is outstanding. Enjoy!

This show was a benefit for the Ali Forney Center, which provides housing for homeless LGBT youth, and was severely damaged in Hurricane Sandy. Yo La Tengo asked repeatedly during these shows for fans to consider the low ticket price and to give additional funds to the causes they chose. As we are offering the download for free and without any requirement to donate to the charity, we ask that you please do so.  

Stream “Five-Cornered Drone (Crispy Duck)”

Download the complete show: [MP3] | [FLAC]
Due to high download volume, we are hosting these files off-site. The off-site host has a maximum download limit of 500, which will periodically be reached. Please let us know if the download limit is reached and we will re-upload the files in a new location.  

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

ylt2012-12-13-1

Yo La Tengo
2012-12-13
Hanukkah Night 6
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded by yltfan
Produced by acidjack

Audio Technica 4053 (inside SBD cage, PAS) + Soundboard (engineer: Mark) >> Tascam DR-680>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, exciter, adjust stereo image)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow (www.jessejarnow.com)

Tracks [Total Time 1:34:15]
01 Big Day Coming (quiet)
02 Evanescent Psychic Pez Drop
03 Frenzy [The Fugs]
04 Let’s Save Tony Orlando’s House
05 Five-Cornered Drone (Crispy Duck)
06 Winter A Go Go
07 [banter1]
08 I’m On My Way
09 [banter2]
10 I’ll Be Around
11 Cherry Chapstick>
12 Styles of the Times>
13 Sugarcube
14 Little Honda [The Hondells] (no noise jam)
15 Blue Line Swinger
16 [encore break]
17 Christmas Is Lonely (When You’re A Jew) [The Yule Logs] *
18 [banter3]
19 B4 We Go Under [Robert Scott] *
20 Tried So Hard [Gene Clark]

* With Barbara Manning on guitar and vocals and Dan Vargas on vocals

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

Yo La Tengo: December 15, 2012 Maxwell’s (Hanukkah Night 8) – FLAC/MP3/Streaming

December 20, 2012
By

YLT_Taper-0938
[Photos courtesy of Bleary Eyed Brooklyn]

Donate to Jersey Shore Relief [HERE]

We had several nights with incredible collaborations. We had “quieter” nights, and ones dedicated to guitar freakouts. But the final night of Yo La Tengo‘s 2012 run was the night for obscure cover songs and left-field tunes. Of course, there was also a fitting almost entire-set collaboration, with Norman Blake of Teenage Fanclub, whom YLT had opened for back in the 90s. YLT also brought up several other special guests, including Don Fleming, WFMU DJ Gaylord Fields, and of course, Ira’s mother Marilyn, who sang the traditional YLT Hanukkah closer, “My Little Corner of the World.” But it was the raft of both obscure and more-common YLT covers that defined this night; of the 19 songs played, fully 11 of them were covers, along with the new song, “Ohm” that debuted here to lead off the set.

Ira had promised early on that “we won’t play a two-hour set” but the band all but did so anyway, clocking in at just under an hour and 50 minutes’ worth without seeming worn out from eight nights of consecutive long shows at all. After a hilarious lecture from the night’s “comedy act” Gaylord Fields (on the topic of Beatles imitators), Fields found his way back to the stage for an encore that included a hilarious Rice Krispies-themed cover of The Rolling Stones’ “Brown Sugar” and the Burt Bacharach and Hal David song “Little Red Book”.  In between were a host of amazing moments, many with Blake joining on vocals, but the band’s own numbers, like “Moby Octopad” and this night’s superjam, “I Heard You Looking,” shone, too.

As Ira said, these shows – which are performed by everyone involved for free – take a lot out of the band. They represent one band’s ultimate expression of holiday generosity, to their fans, to their peers, to their community, to their city, and to their own legacy. Far from being de rigeur, we know that every Hanukkah season that YLT performs these shows is a gift. We’d like to thank the members of Yo La Tengo, the other musicians and comedians involved, the entire staff at Maxwell’s (but especially Carson and Mitch) and the fans whose enthusiasm for these recordings makes the expense and effort of making them available worthwhile.

Tonight’s show was a benefit for Jersey Shore Relief.  As the band pointed out repeatedly during the eight nights, these shows are a bargain for the fans who attend them at the low ticket price charged. They are even more a bargain for those downloading for free from this site. While we will not require that you donate in order to download the show, we expect that you will donate to the cause that was the reason for the band playing it.

Stream “God Knows It’s True” [Teenage Fanclub]

Download the complete show: [MP3] | [FLAC]
Due to high download volume, we are hosting these files off-site. The off-site host has a maximum download limit of 500, which will periodically be reached. Please let us know if the download limit is reached and we will re-upload the files in a new location.  

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

YLT_Taper-0942

Yo La Tengo
2012-12-14
Hanukkah Night 8
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Setlist courtesy of Jesse Jarnow, author of Big Day Coming: Yo La Tengo and the Rise of Indie Rock

Schoeps MK5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Mark) >> Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:48:07]
01 [intro]
02 Ohm
03 [banter1]
04 Did I Tell You
05 Cone of Silence
06 Goin’ Back [Carole King & Gerry Goffin]
07 [banter2]
08 Avalon or Someone Similar
09 Season of the Shark
10 [banter3]
11 Circling the Sun [Jonny]
12 Moby Octopad
13 [banter4]
14 I Feel Like Going Home
15 [banter5]
16 Walking On Ice [The Riot Squad]
17 [banter6]
18 I Wanna Be Your Lover [Bob Dylan] $
19 Evelyn Marble [Velvet Monkeys] $
20 God Knows It’s True [Teenage Fanclub] $
21 I Heard You Looking
22 Eight Days A Week (The Beatles)
23 [encore break]
24 Antmusic [Adam & the Ants] *
25 [banter7]
26 Rice Krispies Jingle/Brown Sugar [Rolling Stones] ^
27 Little Red Book [Burt Bacharach & Hal David] ^
28 [banter8]
29 My Little Corner of the World [Bob Hilliard & Lee Pockriss] &

Entire set other than “Ohm” with Norman Blake on Guitar/Organ/Vocals
* with Ira and James drum procession and audience drummers
^ with Gaylord Fields
& with Marilyn Kaplan on vocals
$ with Don Fleming on guitar/vocals

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

Yo La Tengo: December 14, 2012 Maxwell’s (Hanukkah Night 7) – FLAC/MP3/Streaming

December 18, 2012
By

ylt2012-12-15-1
[Photos courtesy of P Squared Photography]

Donate to Waves for Water’s Hurricane Sandy Relief Initiative

When bewildered people ask me why I have spent a significant chunk of my December so far attending and recording Yo La Tengo shows at Maxwell’s in (currently hard-to-reach) Hoboken, I usually point them to this performance from December 7, 2010.  That show had everything you look for in a YLT Hanukkah set – amazing  setlist of old songs, new songs and covers; lots of extended guitar jams, and  a special guest (Nels Cline) who added a whole new dimension to the band’s sound. Several of this year’s shows had that, too, including Sunday night with honorary members of the Sun Ra Arkestra and Fred Armisen, and Tuesday night with Kid Millions of Oneida. I thought that for me, Sunday would be the impossible show to top this year, but this Friday night show proved me wrong. I am not ready for it to de-throne 12/7/10 on my list of all-time favorites, but having now seen the entire 2012 run, I’m sure it is my favorite of this year.

For this set, singer-songwriter Andrew Bird joined the band for the entire performance on violin. Bird gave added a graceful, somber element to some quieter numbers like “Last Days of Disco” and Dylan’s “I’ll Keep It With Mine”.  Though the violin naturally lent itself to quiet songs, this night saw yet another set of monster guitar songs as well, including an absolutely scorching “Flying Lesson (Hot Chicken #1)”. But it might be the main set’s closer, the Roky Erickson arrangement of the Velvet Underground’s “Heroin” that was the ultimate highlight; even compared to the version played last year, this was an inspired rendition, and Bird’s violin squealing along gave it added intensity.

If this had not already been my favorite show by that point, YLT sealed the deal with the encore. For the second encore song, the band was joined by Devendra Banhart. The song, Jorma Kaukonen’s “Song For the North Star”, was dedicated to “the tapers”, as Kaukonen’s band Hot Tuna was once a longtime favorite of the taping community (why they no longer are is the subject of another post). While of course it was gratifying to be acknowledged by the band at all, it was more gratifying to see such a unique cover at this point in the set, which the band then closed with another cover, “If I Only Had A Match.” Given how much these Hanukkah shows take out of the band, it was a testament to their creative energy and love for what they are doing that they absolutely killed it on their second-to-last night. Not that Night 8 (coming soon), didn’t have some treats of its own…

I recorded this set in the same manner as our other Hanukkah recordings, again with Schoeps MK5 microphones in the cardiod setting and an excellent soundboard feed by the band’s engineer, Mark.  Enjoy!

All of these Hanukkah shows are for charity. Like all of this year’s Hanukkah shows, tonight’s charity, Waves for Water’s Hurrican Sandy Relief Initiative, is working hard to assist the New York City area with its recovery from the storm. As the band has pointed out every night, they take their obligation to help seriously, and so do we. We ask that if you download this show, you contribute to the charity. Although you are not required to donate in order to download this show, Yo La Tengo – and NYCTaper – would greatly appreciate it if you would.

Stream “Song For the North Star” [Jorma Kaukonen]

Download the complete show: [MP3] | [FLAC]
Due to high download volume, we are hosting these files off-site. The off-site host has a maximum download limit of 500, which will periodically be reached. Please let us know if the download limit is reached and we will re-upload the files in a new location.  

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

ylt2012-12-15-2

Yo La Tengo
2012-12-14
Hanukkah Night 7
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Setlist courtesy of Jesse Jarnow, author of Big Day Coming: Yo La Tengo and the Rise of Indie Rock

Schoeps MK5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Mark) >> Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:35:23]
01 Everyday
02 One PM Again
03 How To Make A Baby Elephant Float
04 Last Days of Disco
05 Flying Lesson (Hot Chicken #1)
06 Little Eyes
07 I Fall In Love Too Easily [Jule Styne & Sammy Cohn] &
08 [banter1]
09 When It’s Dark
10 I’ll Keep It With Mine [Bob Dylan]
11 [banter2]
12 Stupid Things
13 More Stars Than There Are In Heaven
14 Heroin (Velvet Underground) [Roky Erickson arrangement]
15 [encore break]
16 Griselda [Antonia]
17 [banter3]
18 Song For the North Star [Jorma Kaukonen] $
19 If I Only Had A Match [Lee Morris, Arthur Johnson, & George W. Meyer] $

* Entire set with Andrew Bird on Violin
& with Andrew Bird on vocals
$ with Devendra Banhart on vocals

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

ylt2012-12-15-3

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