Posts Tagged ‘ nyc ’

65daysofstatic: November 24, 2013 Bowery Ballroom – FLAC/MP3/Streaming

December 12, 2013
By

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[bad photos by acidjack]

The Sheffield, UK band 65daysofstatic are among the leading lights of Great Britain’s post-rock movement. Almost thirteen years after their formation and ten after their debut EP, Stumble.Stop.Repeat, the band showed this crowd at Bowery Ballroom why they’ve endured. Even going back to their first album, The Fall of Math, 65daysofstatic were ahead of the times, adding glitchy electronic noises over the top of their cinematic compositions. The band strikes me as less guitar-driven than many of their peers generally; the cresting waves of guitar are still very much there, but they feel more of a component to the sound rather than the band’s reason for being. Consider, for example, “Prism”, the band’s latest single, from their 2013 album Wild Light, or the piano-driven “Taipei”. Most of this set was drawn from Wild Light, but we also got a taste of the band’s earlier material, such as a sweeping version of The Fall of Math’s “Install A Beak In the Heart that Clucks Time in Arabic”. Considering that the band chose a New York live set for their 2009 live record Escape From New York, I can’t say I was surprised by the outpouring of love from this crowd, who treated 65daysofstatic as enthusiastically as the headliner, Caspian (that recording here).

I recorded this set with Schoeps MK5 microphones and a flawless soundboard feed from the house engineer, Kenny. The sound quality is outstanding. Enjoy!

Stream “Prisms”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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65daysofstatic
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 53:32]
01 Retreat! Retreat!
02 Crash Tactics
03 Install a Beak in the Heart That Clucks Time in Arabic
04 Prisms
05 The Undertow
06 Debutante
07 Unmake the Wild Light
08 Taipei
09 Radio Protector

If you enjoyed this recording, PLEASE SUPPORT 65daysofstatic, visit their website, and buy their records from their online store.

Caspian: November 24, 2013 Bowery Ballroom – FLAC/MP3/Streaming

November 26, 2013
By


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[Photos by acidjack]

If you had told me back in 1997, when bands like Mogwai first hit the scene in the U.S., that heavy instrumental post-rock would one day be a somewhat popular genre, I’m not sure I’d have believed you. Sure, some of the credit goes to TV and movie soundtracks, but mainly, this genre’s emergence is the results of relentless touring and high-quality output of its practitioners. Boston’s Caspian, part of what could be called the second wave of the scene, and masters of the style, are a great example. I first saw them deliver their relentless, dynamic show at the relatively tiny Studio at Webster Hall back in 2010. Now, an album and a couple EPs later, they can pack them in at Bowery Ballroom on a freezing Sunday night. For progressive music, progress.

Caspian practice the same soft-loud dynamic as many of their contemporaries, but what struck me about this show was how heavily this band emphasizes the loud part of that. The whole room shook with the sound of songs like the band’s classic “Moksha”, with its epic sweep, or “Ghosts of the Garden City” from the album Tertia. From the band’s latest EP, Hymn for the Greatest Generation, we got “Halls of the Summer”, a forward-looking track that shows the band is keeping up with current trends by incorporating subtle-yet-effective electronics.

This has been a hard year for the band, having lost bassist Chris Friedrich unexpectedly earlier in the year. The band’s attitude has been to celebrate Chris’ legacy by moving onward and forward with their music. This show, and the huge reception by the fans, shows that it’s working. We hope to see Caspian’s upward trajectory continue.

I recorded this set in the usual manner for the venue, with Schoeps MK5 cardiod microphones and a soundboard feed from the house engineer Kenny. The sound quality is outstanding. Enjoy!

Stream “Halls of the Summer”

Download the complete show [MP3] | [FLAC] (files and full streaming set are hosted on the Live Music Archive)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Caspian
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:11:06]
01 Fire Made Flesh
02 Moksha
03 Quovis
04 Further Up>
05 Further In
06 Gone In Bloom and Bough
07 Halls of the Summer
08 Ghosts of the Garden City *
09 Sycamore

If you enjoyed this recording, please support Caspian, visit their website, and buy Hymn For the Greatest Generation and their other releases from their online store.

Son Lux: November 4, 2013 Joe’s Pub (Late Show) – FLAC/MP3/Streaming

November 8, 2013
By

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It’s a real treat when you see a young artist working in the “popular” realm who is obviously an accomplished student of music. Son Lux, aka Ryan Lott, is one of those indefinable, indefatigable artists who is pushing boundaries with everything he does and unafraid to go far afield from pop’s limiting conventions. His records involve electronics, yes, but what he makes is not “electronic music”. He’s a composer, he’s an arranger, he’s a singer, he’s a pianist; he’s making organic, intricately arranged music that incorporates the full range of his talents and influences to create something uniquely his.

This show at Joe’s Pub was the second of two sets that Lott performed on this night. This one consisted of a full run-through of his latest work, Lanterns, a work originally rendered mainly by electronics, plus an encore for good measure. Here, Lanterns was brought to life as a wonderful digital/analog amalgam, featuring both synced laptop and synth sequences as well as a solo artist playing wine glasses. At time he had a four-member chorus singing along; at others, a more-or-less conventional rock band. It was a triumph of innovation, and of risk. Unlike so many of his contemporaries, Lott seems unconcerned with the niceties of the economic model of his music or snagging easy applause. He is an emotional, florid sort of singer, the kind who you suspect can go to places you didn’t even think of, and his hooks, if less immediate at times, are all the more compelling. Son Lux is truly music of, by, and for the twenty-first century, in the best and most honest of ways.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed. The sound quality is outstanding. Enjoy!

Stream “Lost It To Trying”

Stream “Plan the Escape”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Son Lux
2013-11-04
Joe’s Pub
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (ROC, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (mono)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 55:33]
01 [intro]
02 Alternate World
03 Lost It To Trying
04 Ransom
05 Easy
06 No Crimes
07 Pyre
08 Enough of Our Machines
09 [banter]
10 Plan the Escape
11 Lanterns Lit
12 [encore break]
13 Stay

If you enjoyed this recording, please support Son Lux by visiting his website (where you can also purchase Lanterns) and liking him on facebook.

Sebadoh: November 1, 2013 Bowery Ballroom – FLAC/MP3/Streaming

November 3, 2013
By

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[Photos by acidjack]

You don’t have to violate Lou Barlow’s privacy (the way some people did) to figure out the inspiration for Sebadoh‘s first record in 14 years, Defend Yourself. The details are right there in the lyrics, laid bare and sharply observed for all to see. It’s a deeply personal work, the new record. And also, it’s a new Sebadoh record. While the band did some “reunion” shows over the past few years — including an outstanding Maxwell’s show we saw back in 2011 — it is a treat to see current members Barlow, Jason Loewenstein and Bob D’Amico back on the road with new songs in their arsenal, looking forward rather than looking back. Their new tour for Defend Yourself began this Friday night at Bowery Ballroom, where a sold-out crowd sent them off on their mini-tour of the East Coast, Canada and Midwest.

After a measured start (where much tuning was promised), this sprawling hour-and-a-half-plus set delivered over and over, from the a cappella opening bars of “I Will” from Defend Yourself to “Freed Pig” from IIIIf Defend Yourself has a bit of a glossier sheen compared to the band’s lo-fi beginnings (or even Harmacy), on the stage that’s all stripped away. New songs like “State of Mine” (streaming below) integrated perfectly with old favorites like “Soul and Fire” and “Forced Love”. As more of their contemporaries come out of retirement to play the hits, it was a good and right thing to see Sebadoh prove they have juice to carry them into the future. If anything, Sebadoh have reached that glorious, comfortable place where they can afford to keep it loose, where the know the fans actually want to be there for 100 minutes’ worth of twenty-six songs that they’ll give their full attention. At this point it’s not just about whether there is another sold-out show or getting good reviews. This band has their fan base, and they keep earning their good graces. At this point, they can enjoy the beauty of the ride, and we can hope it continues.

I recorded this set with Schoeps MK4V cardiod microphones and an excellent soundboard feed from house engineer Kenny. The sound quality is outstanding. Enjoy!

Sebadoh will be on tour for several more dates in November. Go see them.

Stream “Brand New Love”

Stream “State of Mine”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Sebadoh
2013-11-01
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:41:58]
01 [Lou Welcome]
02 I Will
03 [tuning1]
04 Oxygen
05 [tuning2]
06 Drama Mine
07 Mind Reader
08 Shit Soup
09 Love to Fight
10 Careful
11 [banter1]
12 Magnet’s Coil
13 Rebound
14 Ocean
15 Arbitrary High
16 On Fire
17 [banter2]
18 Bird in the Hand
19 Final Days
20 My Drugs
21 Drag Down
22 [tuning3]
23 Keep the Boy Alive
24 State of Mine
25 Beauty of the Ride
26 Forced Love
27 [tuning4]
28 Soul And Fire
29 [encore break]
30 Ride the Darker Wave
31 Brand New Love *
32 [banter3]
33 Skull
34 The Freed Pig

If you enjoyed this recording, PLEASE SUPPORT Sebadoh, visit their website, and buy their official releases, including Defend Yourself, [HERE]

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The Black Crowes: October 26, 2013 Terminal 5 – FLAC/MP3/Streaming

October 30, 2013
By

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[Photos by acidjack]

That this two-hour show counts as a “short set” by Black Crowes standards says a lot about the generosity of this band. For their twenty-plus-year career, the Robinson brothers and their bandmates have gone out there and given it their all, even when their personal issues clouded the situation offstage. Even if these were the band’s “last area shows” for this year and next (according to them) I’d say it’s a certainty they’ll be back at it in 2015. This band wouldn’t still be around if these guys didn’t love to play.

If the acoustic set we recorded last week was a bit longer, it also had a more languid pace than this all-business run-through that included more than its fair share of guitar pyrotechnics and uncommonly played offerings, but very little in the way of tuning pauses or stage banter. Even if the Led Zeppelin cover “Hey, Hey, What Can I Do” signaled a night that ended a bit too soon, nobody was denying how pumped they were to hear it. Similarly, the band’s cover of Stephen Stills’ “Isn’t It About Time?” had the entirety of Terminal 5 rocking. So did the one-two combo of “Hard To Handle” directly into Deep Purple’s “Hush” and a searing rendition of “Exit” from The Tall Sessions, among other moments that put this show up there with any Crowes gig I’ve seen.

So don’t worry — if you missed them at any of the numerous NYC dates they just played, expect them to be back. Until then, these fine captures should tide you over.

I recorded this set with Schoeps MK41 supercardiod microphones in a tight configuration from our usual spot in the venue. Johnny Fried Chicken Boy was next to me with his Milab VM-44 Links. Both recordings are on offer here and both are excellent. Enjoy!

Stream “Hard to Handle>Hush”

Stream “Black Moon Creeping”

Download acidjack’s Schoeps MK41 source: [MP3] | [FLAC (16/44.1)] | [FLAC (24/48)]
(Users intending to burn to disc should download the 16bit, 44.1kHz FLAC files. 24bit/48kHz FLAC files cannot be burned to CD)

Download JFCB’s Milab VM-44 source: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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acidjack’s source:

The Black Crowes
2013-10-26
Terminal 5
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS)>KCY>tinybox v2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, stereo imaging)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:54:02]
01 Under A Mountain
02 Gone
03 Exit
04 No Use Lying
05 Black Moon Creeping
06 Virtue & Vice
07 Sister Luck
08 Thorn In My Pride
09 Nonfiction
10 Isn’t It About Time [Stephen Stills]
11 Soul Singing
12 Sting Me >
13 Twice As Hard
14 Hard To Handle [Otis Redding] >Hush [Deep Purple]
15 [encore break]
16 Wee Who See The Deep
17 Hey Hey What Can I Do [Led Zeppelin]

JFCB’s source:

The Black Crowes
Saturday, October 26, 2013
Terminal 5
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC (level 8)
Recorded and produced by: Johnny Fried Chicken Boy
Premiere download offered at: https://www.nyctaper.com/

SETLIST:
01. Under a Mountain
02. Gone
03. Exit
04. No Use Lying
05. Black Moon Creeping
06. Virtue and Vice
07. Sister Luck
08. -Jam-
09. Thorn in My Pride
10. Nonfiction
11. Isn’t It About Time [Stephen Stills / Manassas]
12. Soul Singing
13. Sting Me
14. Twice As Hard
15. Hard to Handle [Otis Redding / Al Bell / Allen Jones] > Hush [Billy Joe Royal / Deep Purple] > Hard to Handle
16. [encore break]
17. Wee Who See the Deep
18. Hey Hey What Can I Do [Led Zeppelin]
———————-
Total time: 1:53:32

If you download this recording, we expect that you will PLEASE SUPPORT The Black Crowes, visit their website, visit their Facebook page, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

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The Dismemberment Plan: October 18, 2013 Terminal 5 – FLAC/MP3/Streaming Full Set

October 21, 2013
By


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[Photos courtesy of Sean O’Kane for Bowery House List]

Before Pitchfork anointed The Dismemberment Plan‘s third LP Emergency & I as the best album of 1999 (and there were some good ones that year), The Plan were a quirky, well-loved cult band from Washington, DC, but they were hardly a household name even among dedicated indie fans. I first saw them in 1996, around the time of release of !, their first record, when their sound was at its most freeform and spastic. The bill was The Plan, first, then Smart Went Crazy, then Archers of Loaf. Even in that eclectic company, I remember my main impression of The Dismemberment Plan being this band is weird. That late-90s Pitchfork crew weren’t kidding when it came to extolling the band’s uniqueness. They were also right when they foretold the Plan’s influence on a number of sounds that would come to commercial fruition in the coming decade. None of that benefited the band itself much (of course), but all you R&B and dance-copping indie bands of the aughts, you can tip your hats now, thanks.

The Dismemberment Plan, in the end, were way too weird to make it “big” in the way bands of the era like Modest Mouse somehow managed to. However refined the pop technique on Emergency & I and its worthy successor, Change, this was still not a band that fit will onto “alternative” radio or manning huge festival stages. In the same way that cult faves like Neutral Milk Hotel now sell out venues three or four times bigger than what they played during their halcyon days, it felt really weird to see The Dismemberment Plan playing the Bowery Presents‘ midtown behemoth Terminal 5 (albeit with the top balcony closed). But after seeing the band in action in that space, I think I’d sold them short. The band’s four members had more room than they needed on the huge stage, but the sound they put out was massive yet focused enough to give T5 a feel reminiscent of their old club shows. The band — frontman Travis Morrison in particular — not only looks like they’re still on their game, they sound like it.

That’s another critical distinction between The Dismemberment Plan and certain other ’90s acts taking their victory laps. This show wasn’t some nostalgia trip or “one time only” reunion. Rather, The Plan were here for a purpose, promoting their new Partisan Records release Uncanney Valley, an album that’s been well-received to date and stands to add several new standout tracks to the live show. The set opener, “Invisible” was one of my favorites, as was the melancholy, “Daddy Was A Real Good Dancer”. The record grew out of the band’s reunion shows for the Emergency & I vinyl release, after the four discovered they had new ideas to explore. The hope is that Uncanney Valley is the beginning of a new phase, not the end.

Of course, for those nostalgic for older stuff, this 90-minute set hit pretty much all the biggest highlights. For me, that meant “The City”, “You Are Invited” and “What Do You Want Me To Say” from Emergency & I, “Time Bomb” and “The Face of the Earth” from Change, and “OK Jokes Over” from !, among many others. But the set closer — “Ice of Boston” from The Dismemberment Plan Is Terrified, that made for the most Dismemberment Plan-moment of all, as Morrison invited the crowd to join the band onstage. Not every band can turn a song about a cold, depressing New Year’s Eve drinking alone in Boston into an edifying rave-up. But then, no other band is quite like The Plan.

I recorded this set with Schoeps MK41 microphones and a super-clean Sound Devices preamp to capture the maximum amount of clean, direct sound. The recording is excellent. Enjoy!

Thanks to The Dismemberment Plan, their management team, Partisan Records and the Terminal 5 staff for making this possible.

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the entire show:

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The Dismemberment Plan
2013-10-18
Terminal 5
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (BOB, DFC, PAS)>KC5>CMC6>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:33:56]
01 Invisible
02 Time Bomb
03 [banter1]
04 Mexico City
05 Spider In the Snow
06 Lets Just Go To the Dogs Tonight
07 The Face of the Earth
08 The City
09 [banter2]
10 No One’s Saying Nothing
11 A Life of Possibilities
12 Follow Through
13 Do the Standing Still
14 [banter3]
15 White Collar White Trash
16 [banter4]
17 You Are Invited
18 Ellen and Ben
19 Daddy Was A Real Good Dancer
20 What Do You Want Me To Say?
21 [banter5]
22 OK Joke’s Over
23 [encore break]
24 Lookin’
25 [banter6]
26 Waiting
27 Ice of Boston

If you enjoyed this recording, PLEASE SUPPORT The Dismemberment Plan, visit their website, and buy Uncanney Valley from Partisan Records.

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Pop. 1280: August 16, 2013 Mercury Lounge – FLAC/MP3/Streaming

September 19, 2013
By

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I’d heard nothing but good things about Pop. 1280 since my NC buddy David Schwentker posted their Hopscotch Festival recording here from last year. It’s not just about the dark, synth-driven sound or the vocals that sound like the voice of the apocalypse. It’s about how they convert the sound of their excellent records, including this year’s Imps of Perversion on Sacred Bones, into a live show that, even in the late slot at Mercury Lounge, will wake you the hell up. The band tore through a short set of material that focused almost exclusively on Imps of Perversion, with one track from 2011’s The Horror making an appearance. Compared to the Hopscotch set, Pop. 1280’s sound has become even more refined and able to dominate a crowd, and we look forward to a longer engagement in the future.

I recorded this set in our usual manner for Mercury Lounge, with Schoeps MK41 microphones and an excellent soundboard feed from head engineer Kevin Mazzarelli. The sound is outstanding. Enjoy!

Stream “Human Probe”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pop. 1280
2013-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA + Soundboard >> Roland R-26>2x24bit/48kHz WAV>Adobe Audition CSS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects, eq)>Audacity 2.03 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Human Probe II
02 The Control Freak
03 Nailhouse
04 [tuning]
05 New Electronix
06 Human Probe>
07 Do the Anglerfish

If you enjoyed this recording, PLEASE SUPPORT Pop. 1280, visit their Tumblr, and buy their records from Sacred Bones.

Mike Doughty: July 31, 2013 City Winery – FLAC/MP3/Full Set Streaming

August 5, 2013
By

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[Photos by acidjack]

I arrived at this Mike Doughty show at City Winery having just finished his autobiography, The Book of Drugs. Reading Mike’s book — which tells the story of his rollercoaster experience fronting the seminal 90s cult band Soul Coughing as well as his battles with addiction — made seeing him perform Soul Coughing songs again for the first time in thirteen years all the more meaningful. As happens all too often with bands that reach a certain level of commercial success, Soul Coughing dissolved at the end of the 1990s in a bitter fight about money and songwriting credit. So Doughty — who by that point was nearing rock bottom in his abuse of drugs and alcohol — struck out on his own a solo act right when the music industry imploded. Early solo shows, where he shared material from the Skittish LP he had recorded in the Soul Coughing days, meant facing crowds howling for Soul Coughing tunes that Doughty felt disconnected from, and disappointed in. In his telling, Doughty not only felt that his bandmates denied him the credit he was due for writing the songs, but that in many cases those better-trained musicians had adulterated the intent of his compositions. So Mike stopped playing Soul Coughing songs, and the fans that weren’t open-minded or intelligent enough to dig the new material fell away. The fan base that remained, though, is fanatical.

Today Mike is in a comfortable groove musically and, as the book makes clear, emotionally. What that means for fans is that Mike decided to rework some of Soul Coughing’s best-loved numbers in the way he intended them to be heard, with a full band backing him. You can purchase that forthcoming record, and keep track of its progress (including previews), on Mike’s PledgeMusic page. In the meantime, he has taken those old Soul Coughing songs off the shelf to be played proudly alongside the songs he’s been writing for the past thirteen years. While there’s no way to take a valid position on Soul Coughing’s past or songwriting process without hearing the story from all sides, it’s clear that there is a consistency to Mike’s work that has spanned his career. Stripped to their essentials, Mike’s songs are hook-driven, lyrically inventive songs filled with unique phrasing and clever observations. Even if the hooks can get repetitive once in awhile — even Mike joked that he keeps writing his favorite song over and over — a great Mike Doughty song is a great Mike Doughty song, and that voice of his can’t be replicated.

This show was comprised of two hour-plus solo sets, with Mike alone at the guitar, relaxed under the lights. First we got “Janine” from Ruby Vroom, followed by “I Hear the Bells” off Mike’s best-known solo album, Haughty Melodic. Then “St. Louise Is Listening” from El Oso, one of the songs that reimagined best as an acoustic number. When Mike played “Unmarked Helicopters”, Soul Coughing’s contribution to Songs In the Key of X: Music From the X-Files, it was clear we were going to have a special night with lots of time deep in the catalog.

Some of the Soul Coughing songs work better than others as acoustic numbers: Without its killer baseline and frenetic samples whirling around, “Super Bon Bon” becomes a bit lifeless, but others like “Soft Serve” and, yes, the band’s biggest radio hit, “Circles”, retain their infectious power. The solo work wasn’t to be ignored, too — Cheap Trick’s “Southern Girls” and Thin Lizzy’s “Running Back”, both of which appear on Doughty’s recent The Flip Is Another Honey, became a single song in Doughty’s live mashup.  But for me, having just read The Book of Drugs, the most powerful solo numbers were the ones that told stories of darker days: “Unsingable Name”, “Sunken-Eyed Girl” and “Tremendous Brunettes”.

It’d be tempting to characterize this show as one of redemption, where the prodigal singer returns to being his old self. I suspect Doughty wouldn’t see it that way; to him, when it comes to being the lead singer of the band Soul Coughing, a guy who existed 13 years ago, he’s still not that guy. And it’d be wrong to assume the artist sees playing these songs as a return to some kind of glory days, either. How you feel about Doughty’s catalog is your business, but in Mike’s mind — and to a good many of his fans — his next chapter of making music has been every bit the equal of his first, and more true to his spirit. Hearing the songs side by side, played just as he wrote them, I think it’s hard to argue otherwise.

Mike will be touring as a three-piece band this fall, performing sets of all Soul Coughing songs. Tickets are available from him here.

I recorded this set with a soundboard feed from Mark, the outstanding house engineer at City Winery. The recording is flawless. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream “Unmarked Helicopters”

Stream “Soft Serve”

Stream the entire show:

IMG_5732
[PledgeMusic contributor Josh Rosenblum prepares to smash one of Mike’s broken guitars to fulfill his PledgeMusic reward]

Mike Doughty
2013-07-31
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark)>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (light reverb)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:22:06]
Set 1
01 Janine
02 I Hear the Bells
03 St. Louise Is Listening
04 [banter1]
05 Your Misfortune
06 Unmarked Helicopters
07 [banter2]
08 Mistress [Red House Painters]
09 Shunned + Falsified
10 Year of the Dog
11 [banter3]
12 The Idiot Kings
13 [banter4]
14 Sleepless
15 Sunken-Eyed Girl
16 [banter5]
17 Grey Ghost
18 Busting Up A Starbucks
19 True Dreams of Wichita
20 [banter6]
21 Take Me Home, Country Road [John Denver]
22 The Book of Love [Magnetic Fields]
23 [encore break 1]
24 Circles
25 [banter7]
26 27 Jennifers

Set 2
27 Super Bon Bon
28 Unsingable Name
29 Soundtrack to Mary
30 Down On the River By the Sugar Plant
31 [Josh Rosenblum smashes Mike’s guitar]
32 Soft Serve
33 Madeline and Nine
34 $300
35 Day By Day By
36 Southern Girls/Running Back mashup [Cheap Trick/Thin Lizzy]
37 Where Have You Gone?
38 [banter8]
39 So Far I Have Not Found the Science
40 Tremendous Brunettes
41 Mr. Bitterness
42 Looks [The Student Teachers]
43 Put It Down
44 Na Na Nothing
45 Lazy Bones
46 Looking At the World From the Bottom of a Well
47 Is Chicago Is Not Chicago

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, see him on tour this fall and buy his forthcoming record of Soul Coughing songs reimagined from PledgeMusic.

Chuck Johnson: May 26, 2013 Mercury Lounge – FLAC/MP3/Streaming

July 16, 2013
By


chuckjohnson2013-05-25-1
[Photo by acidjack]

After getting a preview of what was to come last year at Hopscotch Music Festival, we expected Chuck Johnson‘s 2013 record Crows In the Basilica to be an important part of the conversation on best guitar records of the year. That was confirmed both by Basilica’s release on Three Lobed Recordings this spring, as well as by this performance at Mercury Lounge, where Chuck demonstrated that the subtle brilliance of his compositions can’t be contained by the studio.

Chuck and his contemporaries are almost always categorized by the label “American Primitive”, a sub genre of guitar playing shared with its progenitor John Fahey and many other worthy players, but the term “primitive” as understood by most is misleading. Rather than suggesting a simplicity or naïveté to the material, American Primitive is best understood as a recognition of the ability of these players to use highly complex guitar arrangements that link the instrument’s present with its more elemental, folk-derived origins. Before venturing out as a solo player, Johnson played in well-regarded North Carolina bands like Shark Quest and the string trio Idyll Swords, but it is here where Johnson’s skill on guitar is best appreciated. We hope you will enjoy this moving set of music from Johnson and be on the lookout for his future shows.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus a soundboard feed provided by Mercury team. Given that it is a recording of a single instrument, the recording heavily favors the soundboard feed, with a bit of audience mics mixed in to give a feel of the room. It is an excellent recording. Enjoy!

Stream “Crows In the Basilica”

Direct download of MP3 files [HERE] | Direct Download of  FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chuck Johnson
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Swallow the Sun>
02 Albion Source
03 Caldera Wires
04 Vastapol
05 On A Slow Passing In Ghost Town *
06 Crows In the Basilica
07 Mine Creek
08 The Stars Rose Behind Us

If you enjoyed this recording, please support Chuck Johnson, visit his website and purchase Crows In the Basilica from Three Lobed Recordings [HERE]

Hooded Fang: June 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 19, 2013
By


hoodedfang2013-06-04-1
[Photos by acidjack]

It’s impossible not to like the Toronto band Hooded Fang, who play a brand of rather American-tinged pop-inflected punk that always draws a crowd, and often a moshpit. While they’re just getting their due here in America (this was only their second NYC show), they’re actually on their third record, this year’s Gravez, which is as concise a burst of infectious new guitar music as I’ve heard this side of Parquet Courts.

This show at Mercury Lounge matched Hooded Fang up with a diverse cast of U.S. and international acts, including Brooklyn’s Pow Wow and Total Slacker as well as Finland’s French Films (that recording coming soon). As I expected from listening to the record, the Fang’s set put the emphasis solidly on fun, with new tracks like “Ode To Subterrania” delivering a light take on that staple of early-20s slackerdom, living in a basement. My other favorite, “Trasher”, echoes mid-to-late 80s postpunk, in roughly the vein of the Pixies, making a nice counterpoint to some of the more straight-ahead rocking tracks. Most of Gravez was played, but the band tore through those songs so fast that it left time for older fare from their second record, Tosta Mista, including the set closer, “Vacationation”. Hooded Fang promise to be one of the most exciting bands of their kind to hit the scene this year, and I hope more New York appearances are in the offing.

I recorded this set in my usual manner for the venue, with Schoeps MK41 supercardiod microphones and a soundboard feed provided by longtime Mercury engineer Kevin Mazzarelli. The sound quality is excellent. Enjoy!

Stream “Ode to Subterrania”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hoodedfang2013-06-04-2

Hooded Fang
2013-06-04
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (tape effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 [intro]
02 Graves
03 Ode to Subterrania
04 Bye Bye Land
05 Wasteland
06 [banter1]
07 Clap
08 ESP
09 Sailor Bull
10 Trasher
11 Genes
12 [banter2]
13 Tosta Mista
14 Vacationation

If you enjoyed this recording, PLEASE SUPPORT Hooded Fang by visiting their bandcamp page where you can buy the digital album, or buy the vinyl/CD here.

SUPPORT NYCTaper




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