Posts Tagged ‘ nyc ’

D. Charles Speer & the Helix: May 25, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 2, 2013
By

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[Photos by acidjack]

We were thrilled to get a chance over Memorial Day weekend to check with D. Charles Speer & the Helix. We followed frontman Dave Shuford’s other band, Rhyton, quite a bit last year (not to mention our love for the separate work of Helix keys man Hans Chew). Now, after two Rhyton albums, Shuford is re-focusing on the Speer project, and if the material we heard on this night at Mercury Lounge is any indication, they have some good stuff up their sleeves. Two of our favorites from this set were “Cretan Lords”, which boasts inspired guitar work that alludes to the style of the Greek island for which it’s named, as well as the new midtempo psych-boogie burner “Doubled Exposure,” which adds some reggae flavor to the band’s already-complex stylistic mix. We also loved the band’s cover of the Jim Jackson classic, “Bootlegger’s Blues”. Keep an eye out for a new record from the Speer gang in the relatively near future, but until then, we hope this tides you over.

I recorded this set in our usual manner for this venue, with a soundboard feed from the Mercury FOH team and Schoeps MK41 supercardiod microphones. There are some issues with a vocal mic during the first song, “Red Clay Road” and light DI noise can be heard at especially quiet points during some numbers. Overall, though, the sound quality is outstanding per our usual for this venue. Enjoy!

Stream “Doubled Exposure”

Stream “Bootlegger’s Blues [Jim Jackson]”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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D. Charles Speer & the Helix
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Red Clay Road
02 Cretan Lords
03 Bootlegger’s Blues [Jim Jackson]
04 The Heated Hand
05 Mandorla at Dawn
06 Doubled Exposure
07 Wallwalker
08 Tough Soup

If you enjoyed this recording, PLEASE SUPPORT D. Charles Speer & the Helix, visit their website, and purchase their records directly from Thrill Jockey [HERE]

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The Men: March 7, 2013 Bowery Ballroom – Streaming Full Set

April 25, 2013
By


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[Photos courtesy of David Andrako]

The Men are one of those bands that have earned their critical darling status, not only by being a great live act, but by never standing still. Their 2012 effort on Sacred Bones Records, Open Your Heart, deservedly earned “Best New Music” status, softening some of the hard edges of the previous year’s dirge-y (if solid) effort Leave Home.  With 2013’s New Moon, the band didn’t abandon their original sound, but they certainly took it in a rootsier direction, willing to indulge their Neil Young and Americana influences to a greater degree than ever before.

This show at Bowery Ballroom not only found the Brooklyn band delivering on the promise of New Moon live, but it also represented a further expansion of The Men’s horizons. Showing up armed with a horn section, they played a 17-song set that featured three new songs, plus some incredible versions of material from their three current releases. The beginning of the set was a three-song summary of the band’s output to date: A lengthy guitar intro turned into “(  )” from Leave Home was followed by a searing Without A Face from Open Your Heart, and then the rootsier “The Seeds” from New Moon. The new material suggested that the band won’t stop expanding their horizons; those horns, which particularly complemented the new numbers, might have looked out of place at a 285 Kent show, but totally worked with the evolution of their sound. As if to drive home the point that they have no intention of staying within genre confines, the band played an extra-long nearly 90 minutes, each of them worth it. The Men are going to keep taking chances, and I’m looking forward to seeing where they head next.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from the Bowery house engineer, Kenny. The sound quality is excellent. Enjoy!

Thanks to Sacred Bones Records and The Men for permitting this recording. At the band’s request, this is being offered streaming-only and will not be available for download.

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The Men
2013-03-07
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (DINa)>KCY>Z-PFA + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 ( )
03 Electric
04 Without A Face
05 The Seeds
06 I Saw Her Face
07 Open Your Heart
08 [new song 1]
09 Candy
10 Turn It Around
11 [new song 2]
12 [new song 3]
13 The Brass
14 Night Landing
15 [encore break]
16 Bird Song
17 Freaky

If you enjoyed this recording, PLEASE SUPPORT The Men, visit their website, and buy New Moon and their other records from Sacred Bones Records.

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Frank Turner & the Sleeping Souls: March 4, 2013 Bowery Ballroom – FLAC/MP3/Streaming

April 23, 2013
By

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[Photos by acidjack]

It’s possible to forget the point of why people go to concerts. We have music at our fingertips at all times — studio releases, live stuff (sites like this don’t hurt), comps, outtakes — it’s all out there. We don’t really need to go to concerts to hear what a band sounds like live, anymore. YouTube and LiveStream and other streaming services promise to beam The Concert Experience right to your laptop.

Enter Frank Turner, and his band he calls the Sleeping Souls. What they do at a live show can’t be fully replicated by a download or a stream; it can’t even be replicated one night to the next. Every crowd is different, and so is every night’s vibe. Turner’s live show puts the fans first, and makes getting them involved a priority. He has that rare knack for creating instant community, the kind where even emo-ish numbers can churn up a mosh pit, where people don’t dance or clap along because they’re asked to, but because they want to.

Frank came to the Bowery Ballroom on a pre-release tour for his new record Tape Deck Heart, a more intimate performance to follow-up his sold-out show at Webster Hall that we covered last year. On this night, Frank previewed a number of new songs from the new record, which came out today. From the opening one-two punch of “I Am Disappeared” into “The Road” came one highlight after another; the first of the new songs, the Tape Deck Heart kickoff track, “Recovery” showed all the promise of the new record. Turner has earned his hard-core fan base the natural way: by being open and genuine, by remembering why he is here and where he came from. Frank sent us out into the night with a three-song medley of “If I Ever Stray”, “Photosynthesis” and “Dan’s Song”, each delivered with a youthful exuberance that can’t be imitated, or faked. But really, it was the speech in the middle of “Photosynthesis” that told it all:

“What we’re doing is, we’ve got a couple of hundred people who left their bullshit and their differences at the door this evening — myself included — and we came in here to be friends, and equals, just for a few hours. And to sing, to dance, and to have a good fucking time!”

So maybe you don’t need to go to concerts anymore. But you ought to.

I recorded this set from our usual spot in the Bowery Ballroom with Schoeps MK5 cardiod microphones and a soundboard feed provided by the band’s sound engineer and tour manager Casey. As agreed with the band, we have waited until the record’s release day to offer up this live set. If you don’t already have enough reasons, I hope this recording inspires you to buy Tape Deck Heart, go to Frank’s shows, and support what he’s doing. Enjoy!

Stream “Recovery”

Stream “Photosynthesis”

Direct download of the complete show: [MP3] | [FLAC]    

If the first FLAC link has expired, please use this alternate, permanent link: [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Frank Turner & the Sleeping Souls
2013-03-04
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Casey) + Schoeps MK5 (DIN, slightly LOC)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Setlist courtesy of Dry Paint Signs

Tracks [Total Time: 1:31:49]
01 I Am Disappeared
02 The Road>
03 Peggy Sang the Blues
04 [banter1]
05 Recovery>
06 Glory Hallelujah>
07 Reasons Not to Be an Idiot
08 [banter2]
09 Losing Days
10 [banter3]
11 Wessex Boy
12 Substitute
13 The Real Damage
14 Good & Gone
15 Chelsea Hotel #2 [Leonard Cohen]
16 [banter4]
17 I Knew Prufrock Before He Got Famous
18 One Foot Before the Other
19 Long Live the Queen
20 [banter5]
21 Four Simple Words>
22 Try This at Home>
23 I Still Believe
24 [encore break]
25 If Ever I Stray>
26 Photosynthesis>
27 Dan’s Song

If you enjoyed this recording, PLEASE SUPPORT Frank Turner & The Sleeping Souls, visit their website and their Facebook page, and purchase their official releases and merchandise including Tape Deck Heart [HERE], at Amazon and at iTunes.  And go see their shows!

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Meat Puppets: April 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

April 7, 2013
By

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[Photos from the April 3 show by P Squared Photography]

I last saw the Meat Puppets at Mercury Lounge four years ago, when I made this recording.  Four years later, the band has proven that fires cannot only be rekindled, they can be made made brighter. Now in the fourth decade of their career and on their second reunion as a band, the brothers Curt and Cris Kirkwood have all the scars to prove what 30 years of rock n’ roll can do to a person and a unit. Rock n’ rollers are meant to die happy warriors. If they’ve lived how they’re supposed to live they make their memories early, then check out before their time with a ledger of music a mile deep. Maybe they were onto something when they titled their most commercially successful record Too High To Die, but the Kirkwoods haven’t bowed out or toned it down. They keep re-grouping, re-generating — so much so that Curt’s son Elmo is now the band’s rhythm guitarist.

After a shorter set the night before owing to being the “early show”, this “late show” set on Thursday at Mercury Lounge was a marathon that gave fans everything they could possibly want.  We got all of the Meat Puppets II classics that Kurt Cobain made famous (“Oh Me”, “Plateau”, with a searing guitar solo, and “Lake of Fire”), fiery versions of band classics (a nine-minute “Up On the Sun” and equally sick “I’m A Mindless Idiot”), covers (Beach Boys’ “Sloop John B”, Freddy Fender’s “Wasted Days and Wasted Nights”, the Texas Tornadoes’ “(Hey Baby) Que Paso” and Jimmy Driftwood’s “Tennessee Stud”), a taste of their forthcoming album, Rat Farm (the title track, “Time and Money” and “Original One”), plus two of their better-known Too High To Die numbers (typical set closer “Backwater” plus “Comin’ Down”). Among the new songs, “Original One” from Rat Farm was the live debut of that song. The band kept their feet on the gas for all of this nearly two-hour set, with minimal breaks between songs, and the brothers’ interplay between each other on stage seemed, to me, to be at an all-time high. The Puppets have always been capable of writing great songs, but haven’t always been what you’d call musically consistent. Tonight, we saw them at their absolute full potential — a band that can be both.

I recorded this set in our usual manner for the venue, with Schoeps MK41 supercardiod microphones and a feed of the excellent house mix by the Meat Puppets’ touring FOH (please send his name if you have it) working with Mercury head FOH Kevin Mazzarelli.  The sound quality is outstanding. Enjoy!

Stream “Plateau”

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Follow @acidjacknyc

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Meat Puppets
2013-04-04
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineers: Kevin Mazzarelli and Meat Puppets traveling engineer)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mix down, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:53:50]
01 [Intro]
02 Sometimes Blue
03 Waiting
04 The Monkey and the Snake
05 Oh, Me
06 Touchdown King
07 Up on the Sun
08 Comin’ Down
09 Plateau
10 [banter1]
11 Wasted Days and Wasted Nights [Freddy Fender]
12 (Hey Baby) Que Paso [Texas Tornadoes]
13 I’m a Mindless Idiot
14 [banter2]
15 Rat Farm
16 [banter3]
17 Sam
18 Lost
19 [banter4]
20 Time and Money
21 Tennessee Stud [Jimmy Driftwood]
22 Original One
23 [banter5]
24 Open Wide
25 [banter6]
26 Sloop John B [Beach Boys]>
27 Lake of Fire
28 Seal Whales
29 Backwater

If you enjoyed this recording, PLEASE SUPPORT the Meat Puppets, visit their website, and pre-order Rat Farm from their online store [HERE].

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Parquet Courts: March 7, 2013 Bowery Ballroom – FLAC/MP3/Streaming

March 15, 2013
By

parquetcourts2013-03-07-2
[Photos courtesy of David Andrako]

The transition from headlining act at DIY Brooklyn shows to opener at the Bowery Ballroom can be a rocky one for some indie bands. Where a scrappy aesthetic plays well when there’s a mosh pit going and you’re closing out a long night to a partying crowd, it sometimes works less well when you’re playing a half-empty Bowery to people who came to see someone else.

Happily, that was not the case for Parquet Courts, despite being the opener on a three-act bill that included fellow Brooklynites Nude Beach and The Men. In fact, if you looked down at the full floor at the start of their set, you could be forgiven for confusing Parquet Courts for the headliner.  The band’s performance more than held up their end of the bargain, with the energy of songs from their debut album, Light Up Gold carrying over just as brilliantly as they did at the band’s raging 285 Kent show that we saw last November. Lest you think Parquet Courts are some lo-fi band that can’t play, be advised that there’s some legitimate guitar shredding going on along with the New Wave-ish rhythm guitar parts, which gives added heft to songs like “Yr No Stoner” and gives the band room to grow their sound in the future.  The band let us know that they were going to be staying up all night this night, as they were flying to Mexico City the following day, followed by ToddP’s Festival Nrmal and SXSW after that.  I hope their audiences to the south have as much fun with them as we did here in NYC.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from longtime Bowery engineer Kenny.  The sound is excellent.  Enjoy!

Stream “Stoned and Starving”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

parquetcourts2013-03-07-1

Parquet Courts
2013-03-07
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (DINa)>KCY>Z-PFA + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 Racing Through the Dark
02 Stoned and Starving
03 Donuts Only
04 Yr No Stoner
05 [banter1]
06 Careers In Combat
07 N Dakota
08 Yonder Is Closer To My Heart
09 Light Up Gold II
10 [unknown1]
11 Master of My Craft
12 Borrowed Time

If you download this recording from NYCTaper, PLEASE SUPPORT Parquet Courts, visit their website and purchase Light Up Gold from the Dull Tools Records website [HERE].

Woodsman: January 25, 2013 Mercury Lounge – FLAC/MP3/Streaming

February 6, 2013
By

woodsman2013-01-25-1
[Photos by acidjack]

The Brooklyn-by-way-of-Denver band Woodsman make a unique brand of rock that features unconventional song structures and a mystical, blissed-out vibe.  While their excellent 2011 release, Rare Forms, was a good listen, the band had already evolved beyond it by the time of its release, as evidence by the Mystic Places EP that followed it shortly after.  As evidenced by much of the new material played during this opening set at Mercury Lounge, the band’s last year or so found them moving the goalposts again.  Here, the band performed a series of pure instrumentals, all of them save their 2012 single release “All Tangled Up” being brand new. These songs are about developing texture and mood, almost totally absent the bombastic dance-floor sound that kicked off Rare Forms or the Spiritualized/Pink Floyd-style rock sound that characterized much of Mystic Places. Part of the change in feel owes to the band’s shift from a two-drummer four piece to one-drummer trio, which, depending on which of their styles you like best, could be addition by subtraction.  These new compositions show considerable promise for the forthcoming third LP, in particular the night’s final complete number, “Ruin”.

I recorded this set with MBHO KA500N hypercardiod microphones and a soundboard feed from the talented longtime Mercury Lounge engineer Kevin. The sound is excellent. Enjoy!

Thanks to Woodsman for letting us post the recording, and their help with the setlist!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

woodsman2013-01-25-2

Woodsman
2013-01-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + MBHO KA500N>MBP603>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (set fades, mix down, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 All Tangled Up
02 Balance
03 Untitled
04 Teleseparation
05 Ruin
06 [outro]

The Amazing: January 25, 2013 Mercury Lounge – FLAC/MP3/Streaming

January 31, 2013
By

amazing2013-01-25-1

The Amazing hail from Sweden and share some members with that country’s well-known retro-psych outfit Dungen (our most recent recording of them HERE).  While The Amazing also share some stylistic traits with that band, most obviously the stellar guitar work of both bands’ lead guitarist Reine Fisk, they also stand as a distinct entity. The Amazing’s sound is a more nuanced affair than the rock behemoth that is Dungen, and their songwriting is more wistful and textured.  Frontman Christoff Gunrup sings in English, and that combined with the instrumental approach gives The Amazing the caste of a folkier, almost countrified version of Dungen.  This show at Mercury Lounge found the band celebrating the release of their latest record, Gentle Stream, their second full-length LP and first to be released by our good friends at Partisan Records. The boys served up material from all three of their current records, with an appropriate amount of emphasis given to the latest effort. This was their final NYC show for a bit, but don’t ignore a chance to see these guys, wherever they may be.

I recorded this set with MBHO KA500N hypercardiod microphones and a soundboard feed from the talented longtime Mercury Lounge engineer Kevin. The sound is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

amazing2013-01-25-2

The Amazing
2013-01-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + MBHO KA500N>MBP603>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (multi band compression on SBD, mix down)>Izotope Ozone 5 (EQ, exciter)>Audacity (set fades, additional EQ, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 54:41]
01 Head Beaches
02 [banter1]
03 Deportation Day
04 Dogs
05 [banter2]
06 The Fog>
07 Gentle Stream
08 Flashlight
09 Gone
10 When the Colours Change

If you enjoyed this recording, PLEASE SUPPORT The Amazing, like them on Facebook, and buy Gentle Stream from Partisan Records [HERE]

Hospitality: January 10, 2013 Bowery Ballroom – FLAC/MP3/Streaming

January 14, 2013
By

hospitality_9099
[Photos by Dominick Mastrangelo]

Hospitality‘s eponymous LP on Merge Records was one of the more underrated records of 2012. Short on gimmicks but filled with concise pop songwriting and excellent hooks, Hospitality is one of those records that may not blow your mind, but it can make your afternoon.  Here in New York, the band sold out Glasslands handily for the record release party, and played other area shows at bigger venues like Brooklyn Bowl. But their Bowery moment ended up being postponed; this show was originally scheduled for the week in the wake of Hurricane Sandy, when Manhattan’s best-loved venue was without power. Despite that bit of bad luck, the band put on a hell of a show for us at this rescheduled date. Along with some of their finest ear worms like “Friends of Friends” and “Betty Wang”, the band debuted three new songs, “Nightingale”, “Experience” and “Going Out”. But the set’s highlight may have been them playing both sides of their 2012 seven-inch release back-to-back in a seamless jam, with “The Drift” moving seamlessly into “Monkey”. The new songs have a slightly harder edge, and that suits the band well. I am glad they got this much-deserved second chance at their Bowery moment; Hospitality has much more to offer.

I recorded this set with Schoeps MK5 cardiod microphones and an excellent soundboard feed from the Bowery Ballroom’s longtime FOH, Kenny, with the band’s mix provided by Hospitality’s own FOH, Jiwoo Han. The sound is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hospitality_9089

Hospitality
2013-01-10
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, slightly LOC, DIN, balcony)>KCY>Z-PFA + Soundboard (engineer: Jiwoo Han)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (adjust levels, align, mix down)>Izotope Ozone 5 (mild HPF, tube exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 54:47]
01 Eighth Avenue
02 The Right Profession
03 Friends of Friends
04 [new song 1] Going Out
05 Betty Wang
06 Nightingale [new]
07 [banter1]
08 Experience [new]
09 Liberal Arts
10 Sleepover
11 Julie
12 The Drift>
13 Monkey
14 All Day Today
15 Half An Apple
16 [banter2]
17 Argonauts

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hospitality, visit their Facebook page, visit their artist page at Merge’s website, and purchase their debut album from the Merge Records website [HERE]

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The Infamous Stringdusters: December 27, 2012 Bowery Ballroom – FLAC/MP3/Streaming

January 2, 2013
By

isd2012-12-27-2
[Photos by acidjack]

Bluegrass music was born in Appalachia, far from Boston where the founders of The Infamous Stringdusters first got together. Many of the genre’s original players and adherents weren’t professionally educated in music, either – if they were educated at all. The Stringdusters were, but don’t let their skill with their instruments or their professionalism fool you – they are keeping bluegrass alive in the best of ways, paying homage to the past while moving the music into the 21st century. This Bowery Ballroom show was a homecoming for some of the band members who call New York home, and it felt like one, with the band members relaxed but on point as they delivered a nearly two and a half hour set of material from their latest record, Silver Sky, as well as wide-ranging covers that included the Police’s “Walking On the Moon” (covered on Silver Sky) and Pink Floyd’s “Fearless” as well as classic blues and country standards. I had not seen the Stringdusters live before and was kicking myself for taking this long. An evening with these guys makes for an outstanding evening of music.

I recorded this set with MBHO KA500N hypercardiod microphones from the balcony. Fortunately, hi and lo was with me to provide a second source to patch about 7 minutes of the set that were missed when I had an equipment problem.  The sound quality is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]
You can also stream and download this recording on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

isd2012-12-27-1

The Infamous Stringdusters
2012-12-27
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com

Recorded by acidjack and hi and lo
Produced by acidjack

MBHO KA500N>MBP603>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Adobe Audition CS5.5 (combine tracks, patch 7min of missing sound from source #2)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, light DR compression, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 2:20:31]

Set 1
01 Road to Boulder
02 In God’s Country [U2]
03 Get It While You Can
04 The Place That I Call Home
05 Night On the River>
06 Well, Well (w/ “Norwegian Wood” tease)
07 One More Bridge
08 Telluride
09 Like I Do>
10 Up On Cripple Creek [The Band]
11 Black Rock

Set 2
12 Bonaparte’s Retreat>Fork Tease
13 Travelin’ Teardrop Blues [Del McCoury]>
14 Foggy Mountain Breakdown
15 [banter1]
16 Don’t Think Twice, It’s Alright [Bob Dylan]
17 No More To Leave You Behind>
18 17 Cents
19 How Far I’d Fall For You
20 A Hundred Years From Now [Elvis Presley]
21 Walking On the Moon [The Police]
22 Deep Ellum Blues [traditional]
23 Long Lonesome Day>
24 I Am A Stranger [Jeremy and Glen Garrett]
25 [banter2]
26 Some Wind
27 Gettin’ Down the Road
28 [encore break 1]
29 Fearless [Pink Floyd]
30 [encore break 2]
31 Fork In the Road

If you enjoyed this recording, please support The Infamous Stringdusters, visit their website, and buy their albums in their online store [HERE]

Dinosaur Jr.: December 1, 2012 Terminal 5 – FLAC / MP3 Downloads + Streaming Songs

December 7, 2012
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

Here at NYCTaper, we have a special place in our hearts for Dinosaur Jr. Not only do they make outstanding music and have chops second to none but they have long supported the taping community, making several appearances on this website including one of the first recordings posted here. We were particularly ecstatic when the original lineup of J Mascis, Lou Barlow and Murph reunited in 2005 and have since released three superb albums. In the interim, we have done our best to capture as many of their concerts as we can but none of us grasped the full extent of what we were in for when they announced this celebratory show marking the 25th anniversary of the seminal and influential ‘You’re Living All Over Me‘ album. In addition to playing the disc in its entirety, allusions were made to many other tracks and “special friends” making an appearance. We wound up being clobbered with a setlist and guest lineup worthy of an alt/indie-rock uber fan’s wet dream: Lee Ranaldo and Kim Gordon of Sonic Youth, Frank Black from the Pixies, Johnny Marr of The Smiths, Dale Crover from the Melvins, Tommy Stinson of The Replacements, Kyle Spence from Harvey Milk, Kurt Vile, Al Cisneros from Sleep, Kevin Drew of Broken Social Scene, Suzanne Thorpe of Mercury Rev, Don Fleming, Dante Ferrando, John Petkovic and Fred Armisen. On a night with more highlights and jaw-dropping performances than one can count, there was a wonderful interplay between all the artists and a realization by the crowd that this concert was to be savored. Thank you J, Lou and Murph for the awesome holiday gift you honored us with. It was an extraordinary way to begin drawing this year to a close.

Thanks to Dinosaur Jr.’s management and the team at Terminal 5, we were given the opportunity to set up and record from the dead-center spot towards the back of the floor. With such an ideal location, acidjack and I ran three distinctly different microphone configurations in an effort to ensure the best possible recording we could make: Milab VM-44 Links (DIN) and AKG C 414 B-XLS’s in both Blumlein and M/S configurations. The results are uniformly excellent so we are offering all three sources for download. We certainly hope you like what you hear as much as we did. Enjoy!

Special thanks to Dinosaur Jr., Brian Schwartz and Daniel Mapp for making this recording possible, and to Mike and the staff at Terminal 5 for their courtesy and cooperation.

Stream “Tarpit” (Source 1): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Tarpit.mp3]

Stream “Alone” (Source 2): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Alone.mp3]

Stream “Don’t” (Source 3): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Dont.mp3]

Source 1: Milab VM-44 Link (DIN)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 2: AKG C 414 B-XLS (Blumlein)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 3: AKG C 414 B-XLS (M/S)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Dinosaur Jr.
Saturday, December 1, 2012
Terminal 5
New York, NY, USA
(opener: Kurt Vile and the Violators)

Source 1: AUD > Milab VM-44 Links (cardioid DIN) > Edirol R-44 (WAV @ 24-bit/48kHz)
Source 2: AUD > AKG C 414 B-XLS’s (Blumlein) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage for Sources 1&2: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )

Source 3: AUD > AKG C 414 B-XLS (FOB, DFC, M/S) > Sound Devices USBPre2 > Edirol R-44 [OCM] > 24bit/48kHz WAV > Izotope Ozone 5 (EQ, exciter) > Adobe Audition CS 5.5 (decode M/S, adjust levels) > Audacity 3.0 (set fades, tracking, amplify, balance, downsample) > FLAC ( level 8 )

Recorded and produced by: acidjack and Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:17:43]
01. [intro]
02. Thumb [Suzanne Thorpe (flute)]
03. Little Fury Things [Lee Ranaldo (additional vocals)]
04. Kracked
05. Sludgefeast
06. The Lung
07. [banter]
08. Raisans
09. Tarpit
10. In a Jar
11. Lose
12. [banter]
13. Poledo
14. [banter]
15. Almost Fare [Frank Black (vocals/additional guitar)]
16. [banter]
17. Tame [Pixies] [Frank Black (vocals/additional guitar), Kyle Spence (drums)]
18. [banter]
19. Alone [Kurt Vile (additional guitar), Al Cisneros (bass), Kyle Spence (drums)]
20. [banter]
21. Don’t Pretend You Didn’t Know
22. Watch the Corners
23. [banter]
24. The Wagon [Kevin Drew (vocals), Johnny Marr (additional guitar)]
25. The Boy with the Thorn in His Side [The Smiths] [Johnny Marr (additional guitar), Dale Crover (drums)]
26. Training Ground [Deep Wound] [Dale Crover (drums)]
27. tuning > jam
28. Gargoyle [Al Cisneros (bass)]
29. Crucified [Iron Cross] [Don Fleming (vocals), Dante Ferrando (drums), Graham Clise (additional guitar)]
30. Don’t [Kim Gordon (vocals), Don Fleming (additional guitar)]
31. [encore break]
32. T.V. Eye [The Stooges] [John Petkovic (vocals), Tommy Stinson (bass), Fred Armisen (drums)]
33. Start Choppin’ [Kevin Drew (additional vocals)]
34. Freak Scene

If you download this recording, we expect that you will PLEASE SUPPORT Dinosaur Jr., visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

SUPPORT NYCTaper




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