Posts Tagged ‘ soundboard ’

DVA: November 1, 2015 Trans Pecos

December 3, 2015
By

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[photos from DVA Facebook page]

The story of how this “NYCTaper Presents” show came together is rather simple — we saw an open date at the tail end of DVA’s most recent US tour and arranged for the band to play that night at Trans Pecos. As you may recall, it was at a Northern Spy show at Pecos in early 2014 where we first saw and instantly admired this quite unique Czech duo. DVA is one of those bands that defies musical categorization. The duo loop a variety of captured sounds and perform their songs over an orchestra of loops. Its really something quite remarkable to see live. For their Pecos return, DVA performed a set similar to their previous visit which was exactly why we brought them back. The band featured three of the seven songs from their most recent album, Nipomo, released last year on Northern Spy Records.

I recorded this set with the Sennheiser cards mounted at the front of the stage and mixed with a board feed provided by house FOH Joe. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

DVA
2015-11-01
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Joe] + Sennheiser MKH-8040s Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 42:24]
01 Nunovo Tango
02 Zoppe
03 Mechan Tuman
04 Nipomo
05 Mulatu
06 Tropikal Animal
07 Tatanc

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dva, visit their website, and purchase Nipomo from Northern Spy Records [HERE].

Invisible Familiars: November 23, 2015 Manhattan Inn

December 2, 2015
By

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Jared Samuel’s name shows up a good bit around these parts; even at a young age (tonight was almost his 26th birthday) the guy has already established himself as a go-to player for touring and local acts alike. Invisible Familiars gives Samuel a chance to stretch his wings as frontman, and he proves that no matter the setting, he’s able to deliver a compelling performance. In this case, he and his band (which has a rotating cast that includes Rachel Housley on backup vocals) performed in the round at the Manhattan Inn, which is becoming a go-to Greenpoint venue thanks to Hypnocraft taking over as the booking agent. It’s not always easy to give a full-on rock performance on the floor of a restaurant that advertises itself as a piano bar, but Invisible Familiars pulled that off, even with a more stripped-down instrumental lineup.

We’ve also seen Samuel appear several times with The Ghost of a Saber Tooth Tiger, Sean Lennon’s latest vehicle, and Invisible Familiars’ live sound suggests that not all of the Beatlesque flourishes of the former band came from the Lennon side. Samuel’s work shows a ready acquaintance with both the melody and vocal stylings that the world’s most revered rock band pioneered, but that classicism is anchored on the band’s 2015 debut Disturbing Wildlife with a delightfully modern dose of the weird, delivered in the form of keyboard and electronic flourishes. Those pieces weren’t on hand for this show, which required the songs to lean more heavily on their songwriting and melody. Needless to say, Invisible Familiars scored without those accoutrements, especially on “Clever Devil” and “Elaine Serene,” as well as “Digger’s Invitation.” The latter song is likely the source of another favorable comparison Samuel has earned — to Marc Bolan — and this pure rock song swaggers in a manner familiar to any T. Rex fan. There were also a couple of choice covers in this set, including of Henry Mancini’s “Lujon.” Don’t wait until next year to see Invisible Familiars — you can catch them at a Sunday residency at the Ace Hotel in Manhattan all this month.

I recorded this set with Audio Technica 4051 microphones in front of the band, together with a soundboard feed that primarily supplied vocals. There are a few moments where the vocal PA distorted, but for the most part, the sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Invisible Familiars
2015-11-23
Manhattan Inn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Audio Technica 4051 (onstage)>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, adjust levels, align, mix down, compression)>Izotope Ozone 5 (effects, imaging, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 You & Yr Arrow
02 Clever Devil
03 [banter1]
04 Elaine Serene
05 Heavenly, All
06 Lujon [Henry Mancini]
07 Act One
08 [banter2]
09 New Mutation Boogie
10 Sideways Rain [Paul Dooley]
11 Digger’s Invitation
12 [banter3]
13 Disturbing Wildlife

If you enjoyed this recording, please support Invisible Familiars, like them on Facebook, and buy Disturbing Wildlife here.

Oneida: November 21, 2015 Secret Project Robot (Pre-Thanksgiving Potluck)

November 30, 2015
By

Oneida

There is no band more emblematic of the Brooklyn music community than Oneida. From jam sessions in the band’s former Ocropolis studio to the Thank Your Parents weekender; from Brahloweens past to the NYCTaper Anniversary show; from the holiday Oneida Fest at the old Knit to this year’s Thanksgiving potluck, there’s a truly unique binding of community around Oneida’s music. On the weekend before Thanksgiving, friends and family gathered for a celebration of music and food. Admission was free at the door if you brought food and I can almost guarantee not a dollar was exchanged. Around two full tables of food including a turkey, plus all the trimmings and desserts you could imagine, friends old and new gathered to eat off paper plates and see two long-form Oneida sets bookending a set from New Pope (featuring Bobby and Kid Millions of course). For the first set Oneida is joined by Dave Kadden on clarinet; and for the second it’s an epic, extended nine-piece Oneida barreling through forty improvised minutes. To give thanks for Oneida seems a bit silly when there are so many other things to be thankful for. Yet there’s something here greater than just a band or a collection of songs and records—and it’s that intangible greater thing, call it community or simply shared experience, for which we can all be thankful.

I recorded this set with the AKG’s flown high at the back of the room, with a board feed from Secret Project Robot FOH Erik, which supplied much of the vocals. The sound isn’t perfect, but it captures an event. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Oneida

Oneida
2015-11-21
Secret Project Robot
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Erik) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:16:29]
01. Potluck Improvisation 1
02. Potluck Improvisation 2

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy the Positions EP from Rocket Recordings.

Fox Millions Duo: November 21, 2015 Trans Pecos

November 29, 2015
By

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[photo by nyctaper]

Fox Millions Duo is in many ways an inevitable joining of talent. Greg Fox and Kid Millions are undoubtedly two of the most talented and ingenious percussionists alive today — and they also happen to both be incredibly prodigious and work within the same general musical circles. Both have appeared on the pages of this site dozens of times in many different configurations. Indeed, it was the 2012 NYCTaper 5th Anniversary concert where Greg Fox joined Millions and Oneida onstage for the first and, until later on this evening of this show, the last time. But it wasn’t until the 2014 recording sessions and the 2015 release of Lost Time (Thrill Jockey Records) that the Fox Millions Duo became a reality. Lost Time was released this Summer, but an actual live performance of the Duo is a rare event. So this past weekend, a recently booked afternoon show at Trans Pecos gave us the opportunity to catch the two together. Interestingly, the performance did not include any of the album’s material but was instead a single piece that is essentially a work in progress. The two were seated at a single snare drum in a similar configuration to Millions’ Man Forever project, but with an added wrinkle. Fox attached what appeared to be a guitar E-bow to the outside of the drum and thereafter through a cable to his laptop. The result was the activation of a sound sample upon each beat. I’ve titled this interesting number “E-bow Piece”, but in reality it is an untitled work that gives us great anticipation of a future Fox Millions release.

I recorded this set with the Schoeps cards at the front of the stage and mixed with a fine board feed. The interesting aspect of this recording is that the mics were primarily the drum beats while the board is primarily the E-bow samples. I’ve mixed the two sources to capture the music as it sounded in the center of the room. The result is quite excellent. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Fox Millions Duo
2015-11-21
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Joe] + Sennheiser MKH-8040s Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 13:28]
01 E-bow Piece

If you download this recording from NYCTaper, PLEASE SUPPORT Fox Millions Duo, visit their website, and purchase Lost Time from the Thrill Jockey website [HERE].

Hiss Golden Messenger: November 19, 2015 Baby’s All Right

November 25, 2015
By

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Continuing with the “running out of things to say” theme, I think even the band is starting to wonder if I do much of anything besides attend Hiss Golden Messenger concerts. If you read about the band’s doings in Durham, NC earlier last week, you’d know they debuted Heart Like A Levee, an entire new album, before two successive nights of attendees at Duke University. That album should be appearing on Merge Records in due time.

Well, this show at Baby’s All Right wasn’t that, but that’s not to take anything away from this sweaty, raucous show before a sell-out crowd. M.C. Taylor was joined on this jaunt by most of his regular band — the Cook brothers on keys and guitars, Matt McCaughan on drums — with Josh Kaufman taking up additional guitar duties. This show sounded like one by people who’ve fallen into a comfortable groove, and despite the extremely unpleasant temperature (how you make a club over 100 degrees indoors in the middle of November is a mystery to me) the band sweated through some strong versions of their tour favorites, plus less-heard numbers like “Mahogany Dread,” off of Lateness of DancersPoor Moon‘s “Super Blue (Two Days Clean)” and a newly-rocking version of “Brother, Do You Know the Road?” Perhaps out of a sense of self-preservation (the band were so hot their guitars were covered in sweat), we only got one encore, but it was a keeper — Waylon Jennings’ “Lonesome, On’ry and Mean.”

So, forgive the brevity of this writeup, but if you’re already on the train, you can read any of my reviews of recent shows to get a pretty good idea where things are headed. If you’re new to the band, well, this is a fine, fine way to take the plunge.

I recorded this set with Schoeps MK5 cardiod microphones at the stage lip, together with Harrison Fore’s soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Hiss Golden Messenger
2015-11-19
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Harrison Fore) + Schoeps MK5c (onstage, ORTF)>KCY>Z-PFA>Roland R-26 (2x24bit/48kHz WAV)>Adobe Audition CS 5.5 (adjust stereo mix of onstage mics, compression, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( Level 8 )

Tracks [Total Time 1:19:17]
01 Saturday’s Song
02 Lucia
03 Call Him Daylight
04 Super Blue (Two Days Clean)
05 Mahogany Dread
06 I’ve Got A Name for the Newborn Child
07 Day O Day (A Love So Free)
08 Brother, Do You Know the Road?
09 I’m A Raven (Shake Children)
10 Blue Country Mystic
11 Southern Grammar
12 [encore break]
13 Lonesome, On’ry and Mean [Waylon Jennings]

Band:
MC Taylor
Phil Cook – Keyboards, Guitar
Brad Cook – Bass
Josh Kaufman – Guitar
Matt McCaughan – Drums

If you enjoyed this recording, PLEASE SHOW YOUR SUPPORT by buying Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

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Chris Forsyth & The Solar Motel Band: November 12, 2015 The Bowery Ballroom + New Show Announcement!

November 24, 2015
By

Chris Forsyth & The Solar Motel Band

It’s been a wild, satisfying year for those of us following Chris Forsyth & The Solar Motel Band. I’ve been treated to so many live excursions from the band since January, I’m running out of adjectives. Luckily they’ve got an upcoming 2xLP+7″, The Rarity of Experience, dropping early 2016 to help me replenish my vocabulary. Three songs from this Bowery Ballroom set will feature on that album: “Anthem,” “High Castle Rock,” and “The Rarity of Experience, Parts 1–2.” The back half of the set covers last year’s Intensity Ghost, with “The Ballad of Freer Hollow” and the dreamy, meandering closer “I Ain’t Waiting.” Opening up for the alt-country Futurebirds, you might think Forsyth and gang would hold something back for the unfamiliar audience—instead, they let it rip and I’ll daresay they won over an unsuspecting crowd entirely.

I recorded this set from our usual spot in the venue, with a board feed from FOH Kenny. The sound is fantastic. Enjoy!

New Show Announcement!
We are extremely pleased to be able to bring Chris Forsyth and the Solar Motel Band back to NYC. On December 12, 2015, NYCTaper Presents the band at Trans Pecos. The direct support for this show is provided by the outstanding Maine-based psych-rock band Herbcraft. Tickets are available now at Ticketfly [HERE]. The Facebook invite page is here.

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band

Chris Forsyth & The Solar Motel Band
2015-11-12
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kenny) + AKG C480B/CK61 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [48:35]
01. Anthem
02. [guitar swap]
03. High Castle Rock
04. [banter]
05. The Rarity of Experience, Parts 1-2
06. [banter]
07. The Ballad of Freer Hollow
08. I Ain’t Waiting

If you enjoyed this recording, PLEASE SUPPORT Chris Forsyth. Visit his website, like him on Facebook, and buy Intensity Ghost from No Quarter.

Kathryn Calder: September 11, 2015 Mercury Lounge

November 19, 2015
By

Kathryn Calder Mercury
[photo by nyctaper]

Kathryn Calder’s solo career got a jump start this year. After Kathryn spent much of 2014 on tour as a member of the New Pornographers, a band within which she’s been a member for almost a decade, she returned to making her own music. It was the dual tragedy of the separate deaths of her parents that caused Kathryn to step away from solo material. Her 2010 album Are You My Mother? so poignantly captured the mixture of sadness and devotion involved in caring for a sick parent as Kathryn was coping with her mother’s ALS. Five years removed from that album, Kathryn Calder (self-titled) was released in April of this year. While not as profoundly personal as Are You My Mother?, the new album is consistent with Calder’s solo work — personal songs anchored by her rich and moving vocals. Her performance at Mercury Lounge in September took place on the most somber of days in NYC, but as with all of her material the message of hope was most appreciated on that particular day. Kathryn worked through five of the ten songs from the new album, some older material and one brand new song in a well-paced fifty-minute set that delivered exactly what we came to see.

I recorded this set with the Schoeps cards mounted at the front of the soundboard and mixed with a board feed. The post-production work was a little difficult reconciling the quieter and louder moments during the set, which partly explains the delay in posting this recording. However, the final product is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Kathryn Calder
2015-09-11
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 46:54]
01 Slip Away
02 Turn A Light On
03 Take A Little Time
04 Beach
05 My Armour
06 [banter – mini tour]
07 Blue Skies
08 City of Sounds
09 One Two Three
10 New Frame of Mind
11 New Millenium
12 [band introductions]
13 When You See My Blood

If you Download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Kathryn Calder, visit her website, and purchase her official releases from the Store at her website [HERE].

Courtesy Tier: November 3, 2015 Rough Trade BK

November 18, 2015
By

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[photo by nyctaper]

Its been too long since we last attended and recorded a Courtesy Tier performance — five years to be exact. The silver lining to that kind of missed opportunity is to witness a sort of time lapse of talent that was saw at Rough Trade last week. Courtesy Tier is a much bigger, more powerful and more refined outfit than we saw a half-decade ago. That is not to say that the band wasn’t quite excellent back in 2010, when their energy and potential excited us enough to invite them to our CMJ show that year. But in 2015, Courtesy Tier is an impressive, fully-realized unit and their set at Rough Trade was a revelation. This show was an EP release party for their newest Little Rock, a three-song collection that was performed in the heart of the set. The balance of this Courtesy Tier show was a textbook example of a trio playing on all cylinders with Omer Leibovitz’s crunchy guitar out front and supported by the aggressive rhythm section of drummer Layton Weederman and the newest member of the band, bassist Alex Picca. The band played a couple of new songs, but when it came time to close the night, one of the final numbers went all the way back to those nights in 2010, and this time around “Cold” was a kind of victory lap for a band that is definitely these days playing from the win column.

I recorded this set by placing the Schoeps cards mounted front and center of the soundboard booth, and mixing the audience capture with a fine soundboard feed provided by the band’s excellent FOH Matthew Curtis. The sound quality if this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Courtesy Tier
2015-11-03
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Matthew Curtis] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 44:17]
01 Mila Says
02 Childish Blues
03 Down Easy
04 Green
05 Little Rock
06 [banter – growls]
07 Shape I’m In
08 [band introductions]
09 And We Don’t Know
10 Cold
11 Home

If you Download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Courtesy Tier, visit their website, and purchase their new EP Little Rock from the links at their website [HERE].

Alex Bleeker and The Freaks: November 12, 2015 Brooklyn Bowl (2 Sources)

November 17, 2015
By

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[photo courtesy of Jackson Richards]

Alex Bleeker and The Freaks treated us to two concerts on Thursday night at Brooklyn Bowl. As the release party for the new album Country Agenda, the first set was an extremely well-played run through much of the record with some older Freaks tunes, and one outstanding cover. The second set was the Freaks “Play Dead” — a guest-filled performance of Grateful Dead tunes, similar to what the band did in Chicago in July.

Country Agenda struck me most upon first listen as an album with superb production values. The sound quality is absurdly good, but what’s more compelling is that the songs have a feel that is consistent with the music. While others have pointed to the American Beauty / Workingman’s Dead qualities of the songs, this album very much more resembles a Laurel Canyon record and the offshoots of that movement. For the live performance, what substituted for the production values of the record was the tightness of the band. The Freaks were extremely well rehearsed and wired into each other — this is a band of both talent and commitment and the performance proved that. But this was also a night when the Freaks had some fun and let loose. The jamming aspect of this show began with the final number of the first set, an extended cover of Ricky Skaggs’ “Gone Home,” and continued throughout the second set of Grateful Dead music. Among the Dead songs, the one that jumped out most was the Martin Courtney (Bleeker’s bandmate in his other project, Real Estate) appearance for “Here Comes Sunshine”, which featured Courtney’s unique vocals and a tight three-guitar attack (thanks to the addition of Courtney) that nailed what is otherwise a difficult song to pull off. By “difficult,” I mean that the Grateful Dead themselves stopped playing it for a couple of decades because of timing difficulties. The night ended in very sweet fashion, as the uber-talent Steve Gunn led the band through a profound version of “Wharf Rat.” In total, Alex Bleeker and The Freaks provided us with two sets and well over two hours of music featuring both the band’s superb new album and a fun set of Dead covers. It was a tremendous night and fortunately it will be repeated soon. The band will once again “Play Dead” on December 30 at Rough Trade.

Acidjack and I both recorded this set with separate rigs. We shared a superb board feed provided by Brooklyn Bowl’s FOH (we need help with his name to give full credit) and we both ran Schoeps from the middle of the room. I used the Schoeps CCM4 cardioids and acidjack ran his MK41V supercardiods. The sound in the room was also quite excellent (including very little crowd chatter). The nyctaper mix favors the audience feed (about 65/35 in favor of the room), while the acidjack mix accentuates the well-mixed board feed. The sound quality of both mixes is superb but offer different approaches to this show. Enjoy!

Download the Complete Show:
nyctaper source [MP3] / [FLAC]
acidjack source [MP3] / [FLAC]

Stream the Complete Show (nyctaper source):

Stream the Complete Show (acidjack source):

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Alex Bleeker and The Freaks
2015-11-12
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:03:37]
01 Little Dream I Had
02 California
03 See You On Sunday
04 [false start]
05 Country Agenda
06 Portrait
07 The Rest
08 Sealong Hair
09 Honey I Don’t Know
10 Downright Stinson
11 Leave On the Light
12 U.H.M.
13 [banter – new record]
14 Gone Home [Ricky Skaggs]

Set 2
[Total Time 1:14:41]
15 Viola Lee Blues
16 Tennessee Jed
17 Jack Straw
18 [Martin Courtney intro]
19 Here Comes Sunshine
20 He’s Gone
21 The Other One
22 He’s Gone Reprise
23 [Steve Gunn intro]
24 Wharf Rat

*******************************************************

Alex Bleeker & The Freaks
2015-11-12
Brooklyn Bowl
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41V (A-B)>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Set 1 [Total Time: 1:03:42]
01 Little Dream I Had
02 California
03 See You On Sunday
04 [banter1]
05 Country Agenda
06 Portrait
07 The Rest
08 Sealong Hair
09 Honey, I Don’t Know
10 Downright Stinson
11 Leave On the Light
12 U.H.M.
13 [banter2]
14 Gone Home [Ricky Skaggs]

Set 2 – Grateful Dead cover set [Total Time: 1:14:44]
01 Viola Lee Blues
02 Tennessee Jed
03 Jack Straw
04 [banter3]
05 Here Comes Sunshine %
06 He’s Gone> %
07 The Other One>He’s Gone %
08 [banter4]
09 Wharf Rat $
% w/ Martin Courtney
$ w/ Steve Gunn

If you Download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Alex Bleeker and the Freaks, visit their Facebook page, and purchase their new album Country Agenda from Sinderlyn Records [HERE].

Lee Ranaldo: November 13, 2015 Trans-Pecos

November 16, 2015
By

Layer 3CM2
[photo by Fred Riedel]

Over the years, we’ve seen Lee Ranaldo and his backing band, The Dust, in a variety of settings. Most have been small clubs, but this Trans-Pecos performance is the most intimate of all not because of its setting but due to the intimate format of the acoustic set. Though billed as a solo gig from Ranaldo, it turned out he brought along Dust-bandmates Alan Licht (who we caught doing his own solo set over the summer) and Raul Fernandez. Nearly every song is accompanied by a contextualizing story that illustrates just how personal each of these songs is for Ranaldo. Four new songs join the well-known tracks off Between the Times & the Tides and Last Night on Earth, followed by a rousing cover of Neil Young’s “Revolution Blues” in celebration of Neil’s recent birthday. That cover underscores the similarities between Ranaldo and Young, both guitar-weilding storytellers who effortlessly pull off the roar and the quiet, sometimes simultaneously.

This show wraps up Lee’s U.S. tour, but he has some upcoming dates in Europe. Those are listed here.

I recorded this set with the AKG’s set up at the lip of the stage, combined with a board feed from Pecos FOH, Chris. The results are excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Lee Ranaldo
2015-11-13
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Chris) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:30:58]
01. Let’s Start Again
02. Right as Rain
03. [tech break]
04. [new song]
05. Off the Wall
06. Key/Hole
07. [banter]
08. Skeleton
09. Xtina as I Knew Her
10. Home Chds
11. Ambulancer
12. The Rising Tide
13. Lecce, Leaving
14. Revolution Blues [Neil Young]

Support Lee Ranaldo: Website | FacebookBuy Lee Ranaldo and the Dust records from Matador

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