Posts Tagged ‘ soundboard ’

Bob Brown: October 9, 2015 Tompkins Square 10th Anniversary, Rough Trade NYC

November 2, 2015
By

bob brown-2
[photos by Jill Harrison]

To kick off Tompkins Square’s tenth anniversary celebration at Rough Trade NYC, we were treated to a very special performance by Bob Brown, performing for the first time in 33 years. A longtime friend of Richie Havens, who produced Brown’s first LP, The Wall I Built Myself, Brown is what you might call a cult folk singer of astonishing quality. The “cult” part has more to do with that old bugbear, record labels, than the quality of his work. Brown has shared the stage with a number of noted musicians, including Tim Harden, Neil Young & Crazy Horse, Eric Anderson, and Havens. Though identified primarily with the D.C. scene, Brown recorded his debut here in New York, crashing at the time at the Chelsea Hotel. His label, Havens’ Stormy Forest, got lost in the shuffle of big-label mergers, making further releases a challenge. As is so often the case, but not always deservedly so, Brown eventually retired from music, and his albums went out of print.

Doing what these boutique labels do best, Tompkins Square will be reissuing both The Wall I Built Myself and Willoughby’s Lament next year, finally bringing these masterpieces back to life. But for those lucky ones of us who attended this event, we got the even-rarer treat of seeing this music back on stage. Had he not said the moment was 33 years in the making, you wouldn’t have known it, as Brown capably and beautifully rendered five of his songs, spanning several of his key albums. Helping the cause was Ryley Walker’s crack jazz unit (who would return later in the evening with him), and even with only one rehearsal behind them, they captured the spirit of Brown’s work like the pros they are. Brown’s songs are pastoral, delicate affairs, often with a directness that makes them feel like missives to someone from Brown’s past. Even 45 years after it was written, a song like “Winds of Change” resonates even from its opening line, but each of the five songs played was special. You can hear the first three of the ones from these night on the two reissued albums; “Like A Fawn” is still in print, as is “Perfect Song” from Brown’s collaboration with Aleta GreeneLet Me Be Your Love. What a gift Tompkins Square will give us by letting us hear these original recordings again. We can only hope that Brown follows suit and pays us some future visits.

I recorded this set with a soundboard feed from engineer Dustin Meyers together with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Bob Brown
2015-10-09
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dustin Myers) + Schoeps MK4V (PAS, FOB)>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression, limiter)>Izotope Ozone 5 (EQ, imaging, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 It Takes the World to Make a Feather Fall
02 Winds of Change
03 Quiet Waterfall
04 Like A Fawn
05 Perfect Song

If you enjoyed this recording, please learn more about Bob Brown on his website, and visit Tompkins Square in 2016 to buy his records.

LVL UP: October 17, 2015 Ad Hoc Car Wash

October 30, 2015
By

LVL-UP-1-edwinahay
[photos courtesy of Edwina Hay for Impose Magazine]

NY band LVL UP joined the merry mix of locals and out-of-towners for Ad Hoc’s post-CMJ car wash show, and delivered a tight eight-songs that included some of the ones that led Stereogum to call their 2014 album on Double Double Whammy/Exploding in Sound Records, HOODWINK’D, one of the best albums of the year. The band makes what I’d call straight-ahead alt-rock, with a dual vocal attack on top of minor-chord-driven guitars. This is a band that knows how to write a hook, with songs that are rainy-day intimate but fun to listen to. The band has cited Superchunk and Jawbreaker as influences, among others, and that feels right. Certainly, this show, inside of an abandoned car wash, had the feel of an independent rock show during those bands’ rise, with the amps cranked and the overwhelming feeling of the sound the most important thing. The band served up two of the three songs from their 2015 7″ EP, “Blur” and “The Closing Door,” and the two had a different but complimentary feel, with the former a short burst of pop energy, the latter a more considered coda. You can catch LVL UP at plenty of shows at all of Bushwick and Williamsburg’s better-known haunts, and we’d recommend you do that. In fact, they’ve got a show coming up on December 1 at Shea Stadium.

I recorded this set with Audio Technica 4051 microphones and a soundboard feed. The sound quality is reflective of the “DIY” nature of the space, but is still a good listen. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

LVL UP
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Five Men On the Ridge
02 Pain
03 Soft Power
04 DBTS
05 Blur
06 Angel From Space
07 I Feel Extra Natural
08 The Closing Door

If you enjoyed this recording, please like LVL UP on Facebook, go see their shows, and buy their records on their bandcamp page.

Dirty Dishes: October 15, 2015 NYCTaper CMJ Party at Cake Shop

October 29, 2015
By

Dirty Dishes Cereal and Sounds
[photo courtesy of Cereal + Sounds]

The story of how the band Dirty Dishes came into being reads like something out of a Judd Apatow movie. The guy who vomits on the girl’s shoes at a party later calls to apologize and buy her new shoes, and eventually the two decide to start a band. The nagging question is why anyone would want to start a band with a shoe-puker — but after about thirty seconds of seeing Alex Molini play bass guitar the answer is obvious. The dude can flat out play. While Jenny Tuite’s lead vocals and melodic guitar lines are the centerpiece of the band, its the Molini bass presence that sets Dirty Dishes apart and are a large part of the reason why we invited them to our play our CMJ Day Party this year. The band had other gigs later in the evening so they needed to start early, which gave us the opportunity to see the band up close unfettered by the massive crowds that filled the Cake Shop basement later in the day. The Dirty Dishes set drew primarily from their 2015 release Guilty (Exploding in Sound Records) with two apparently new songs. It was the interplay between the band’s guitarists that impressed throughout and proves that no matter how you meet, its always a good thing to find your musical mate.

Dirty Dishes’ Fall Tour continues throughout November as the band travels through the East coast, Canada and the Midwest — all dates here. This tour includes a return to NYC for a show at Silent Barn on November 22.

Acidjack recorded this set in the same manner as the WOMPS set posted last week — Schoeps mounted on stage and mixed with a board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Dirty Dishes
2015-10-15
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Schoeps MK4V (onstage) > KC5 > CMC6 + Soundboard (engineer: Jeff) > Edirol R-44 [OCM] > 2x24bit/48kHz WAV > Adobe Audition (mix) > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this excellent band:
http://dirtydishes.bandcamp.com/

Recorded by acidjack
Produced by nyctaper

Setlist:
[Total Time 23:28]
01 Red Roulette
02 Guilty
03 All Of Me
04 Sick Sentiment
05 Thank You Come Again
06 Dan Cortez

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Dirty Dishes, visit their Bandcamp, and purchase their new album Guilty from Exploding In Sound Records [HERE].

Jake Xerxes Fussell: September 10, 2015 Hopscotch Music Festival (Raleigh, NC)

October 28, 2015
By

hopscotch-festival-2015-15-kennethbachor
[photos courtesy of Kenneth Bachor for BrooklynVegan]

Jake Xerxes Fussell occupies a slightly different niche among his contemporary folk counterparts. Rather than reinterpreting old traditions into new sounds,  Fussell is more of an archivist and explorer, one who gives listeners a window into the original experience of the tunes being played. The Durham, NC-based singer appeared on the very Durham-friendly bill on the first night of Hopscotch Music Festival at the Fletcher Opera Theater, one slot before Phil Cook took the stage (that recording here). Fussell isn’t some latecomer or dilettante to the Southern material that’s on his mind; much like Alan Lomax followed in the footsteps of his father John, Fussell grew up with Fred C. Fussell, a folklorist whose work took him, and often young Jake, across the South, bringing them into contact with many traditional musicians in the process.

Paradise of Bachelors just releases Fussell’s debut record this year, produced by William Tyler, and as you’d expect, this set paid some attention to it. But there was more than that, too, owing to Fussell’s encyclopedic knowledge of the pool from which he draws, which one album can hardly contain. So we got versions of “Man At the Mill” and “Push Boat” from the album, we we also heard some classic Pete Seeger, in the form of “The Bells of Rhymney” and Virginian folk singer Helen Cockram’s “Pinnacle Mountain Silver Mine.” Fussell didn’t need much in the way of flash to get his point across, as he sat along on the broad semicircular stage in front of Cook’s ample stage set. It felt more like a fireside sing-a-long, as given by the kind of music professor you always wished you could’ve had.

Our friend Larry Tucker recorded this set with a soundboard feed together with Peluso subcardiod microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jake Xerxes Fussell
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Soundboard>PCM-M10 + Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 If I Lose Let Me Loose [John Lee Ziegler] (cuts in)
02 The Bells of Rhymney [Pete Seeger]
03 Pinnacle Mountain Silver Mine [Helen Cockram]
04 Man At the Mill [traditional]
05 Push Boat [traditional]
06 Jump For Joy [Duke Ellington]
07 Raggy Levy [Georgia Sea Island Singers]
08 Copper Kettle [Albert Frank Beddoe]
09 Pork and Beans [Rosa Lee Hill]

If you enjoyed this recording, PLEASE SUPPORT Jake Xerxes Fussell, like him on Facebook, and buy his debut album from Paradise of Bachelors.

Oneida: October 23, 2015 Cake Shop

October 27, 2015
By

Oneida
[photos courtesy of P Squared Photography]

For our umpteenth Oneida recording, it’s a grab bag of songs and a nearly “classic”-era lineup—here a four piece minus Barry and (un?)official Oneida bassist James McNew (currently on tour with some other band). First up is their cover of This Heat’s “S.P.Q.R.” due for release soon on the upcoming Positions EP on Rocket Recordings. That segues noisily into a medley of two newer Oneida compositions, “Cedars” and “Bad Habit,” the latter not heard from since May 2012 (though it was also released on the Brah Tapes set last year, currently available at the band’s merch table). Classic O-jams “All Arounder,” “Up With People,” and “I Will Haunt You” follow. The band then wraps things up with an eighteen-minute encore of the perennial Oneida tune, “Sheets of Easter.” I’m sure there are a few people out there for whom “Sheets” would be an exasperating experience; however die-hard Oneida fans are a rare sort and each time I hear it played the crowd reacts as if no song were more welcome. The finest bands bring the finest fans, no doubt.

I recorded this set with the AKG’s set up on the ceiling at the edge of the stage, combined with an expert, true stereo board feed from Cake Shop FOH, Clint. The results are nothing short of spectacular. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Kid Millions of Oneida

Oneida
2015-10-23
Cake Shop
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Clint) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:06:22]
01. [Intro]
02. S.P.Q.R. [This Heat]
03. Cedars
04. Bad Habit
05. All Arounder
06. [banter]
07. Up With People
08. [banter]
09. I Will Haunt You
10. [encore break]
11. Sheets of Easter

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy the Positions EP from Rocket Recordings.

Mothers: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

October 26, 2015
By

mothers2

The “taping” community is not a large one, and among people who have similar tastes to us that do it, the number is even smaller. We’ve long-respected the Athens/Atlanta site Southern Shelter for both its excellent taste in music and its high-quality recordings, and we look to each other for inspiration for the next bands to check out. The Athens band Mothers is one that Southern Shelter has talked up for a while, making us extra-stoked to be able to include them in our unofficial CMJ day show. Other sites caught on in the meantime, with Stereogum naming them a “band to watch” just a day before our show.

The Cake Shop room was at capacity for this set, and it’s no wonder why: Mothers, whose debut LP is anticipated in 2016, truly are an up-and-comer you can’t miss. Frontwoman and songwriter Kristine Leschper’s songs have a depth, breadth and ingenuity that sets them apart. In addition to her powerful voice, the songs feature complex arrangements that at times recall math and noise rock — a part of Leschper’s evolution as a songwriter as the band’s debut has come closer to fruition. This band, like many these days, began as Leschper’s solo project, but its expansion makes it more than the sum of those parts. She’s got an excellent team around her, and during the four-song span of our show, they gave us a taste of their range. “It Hurts Until It Doesn’t” is emblematic of Mothers’ evolution as a full band, whereas “No Crying In Baseball,” one of few songs actually released and this set’s closer, is considered an outlier to the rest of the band’s style. We hear the influence of some classic Athens bands in their sound, including the New Wavers Pylon (who we’ve recorded twice) and Warehouse (who we caught this year). It’s easy to see why they’ve caught on, making several “best of CMJ” lists this year, as this is one of those lucky few acts that lives up to the hype.

I recorded this set with Schoeps MK4V microphones in front of the stage together with a soundboard feed from the Cake Shop engineer Jeff. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Mothers
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Copper Mines
02 It Hurts Until It Doesn’t
03 Hold Your Own
04 No Crying In Baseball

If you enjoyed this recording, please like Mothers on facebook and check out their songs on Soundcloud.

Zs: September 8, 2015 Bowery Ballroom

October 26, 2015
By

zs_live_2012_hi-res
[photo from Zs website]

Our recent post of the great Greg Fox’s Hopscotch Festival duo set with Jefre Cantu-Ledesma reminded me that we had this Zs performance from September at Bowery Ballroom in the archives. The chance to go back and produce the recording gave me a second listen to what was at the time an excellent set but in retrospect is really one of the most astonishing shows we’ve seen all year. Zs opened this night for Thee Oh Sees (posted here), an odd pairing at first glance but one that gave band leader John Dwyer a chance to reunite with Zs founder Sam Hillmer after years playing in parallel music scenes. Sam founded Zs fifteen years ago, and while the band has been a fixture in the DIY scene since 2000, the personnel has morphed over the years. The current trio of Sam, Greg and guitar wizard Patrick Higgins has coalesced into a unique mix of noise, jazz, and avant to form a truly superb musical conglomeration. The band’s latest album Xe was released on the excellent local label Northern Spy in January to very strong reviews.

This performance at Bowery lasted less than an hour but kept the crowd transfixed for the entire set. For a 500-strong who came expecting some raging gararge rock, the powerful avant trio must have been a bit of a culture shock, but most picked up on the vibe pretty quickly. Zs worked through the new album in order, skipping only the opening track. The centerpiece of the set was the nearly nineteen-minute “Corps”, which gave each band member a chance to take center stage and showcase their immense talents.

Zs will be playing another local show at Palisades on November 20.

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Zs
2015-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 48:11]
01 [introduction]
02 Woolf Government
03 Corps
04 Weakling
05 Xe

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Zs, visit their website, and purchase their new album Xe from Northern Spy Records [HERE].

Protomartyr: October 17, 2015 Ad Hoc Car Wash

October 23, 2015
By

Protomartyr-11-edwina-hay
[photos courtesy of Edwina Hay as featured in Impose Magazine]

This was the week of the overwhelming, PR-driven quasi-festival known as the CMJ Music Marathon, meaning there were hordes of tired concertgoers and touring bands around by the time the week wrapped. Taking advantage of that, and perhaps bringing the vibes of our own scene back to earth were the already-legendary concert promoters/magazine Ad Hoc, who rented out a vacant car wash (and its adjoining parking lot) to put on a sprawling ten-band bill that boasted the best of local and touring acts. This event felt like an appropriate evolution for the neighborhood that once housed the best-known DIY venues of the prior decade: Here you had an unused commercial space converted to creative purposes, albeit this time with plenty of bathrooms, quality (and cheap and cold) beer by the can, and even a couple of food trucks.

If you went to a CMJ event this year, chances are you might have caught Protomartyr, who were all over the place at this year’s fest making the case for their recently-released third record The Agent Intellect. The Detroit band saw some heat from their last album, Under Color of Official Right, but consensus seems to be that it’s this new offering that is going to break them into wider consciousness. That’d be a more than fair outcome, as this thirty-minute, ten-song set showed off the best of their material, including “Scum, Rise!” from their previous record and a decent chunk of the new album. Frontman Joe Casey doesn’t exactly match the band’s sound or words, performing as he does in a weirdly-dapper dark blazer and sunglasses, but beneath that veneer boil bleak, personal tales set against the backdrop of the band’s hometown, such as the signature track “Pontiac ’87”. Though you could see the daylight streaming through behind the band (filtered only by the yellow car wash sign), they held the atmosphere where it needed to be, trapping the nervous energy within the stripped brick walls. Compared to some of their harder-edged peers who would share the stage throughout the day, Protomartyr were a bit more “musical” band than some of the other fare, and that’s part of what makes them special. If this CMJ was “their year,” then I say they’ve earned it.

I recorded this set with Audio Technica 4051 microphones and a soundboard feed from Ad Hoc’s staff. The sound quality reflects the “DIY” nature of the venue, but is still quite good. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Protomartyr
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:45]
01 Devil In His Youth
02 Cowards Starve
03 I Forgive You
04 Ain’t So Simple
05 Want Remover
06 Scum, Rise!
07 Pontiac 87
08 The Hermit>
09 Clandestine Time
10 Why Does It Shake?

If you enjoyed this recording, please like Protomartyr on facebook and buy their records from Hardly Art.

The Dead Tongues: September 23, 2015 Rough Trade NYC

October 22, 2015
By

IMG_3153

There’s plenty of heat coming out of Triangle music scene in North Carolina these days, as seems to be the case every half-decade or so. The reasons are several — the region’s overall economic and social diversification and success; the rise, congruent with that, of Durham as the region’s cultural third pillar as it already was a research, medical and education anchor with Raleigh and Chapel Hill; a stellar music festival to highlight the region’s best acts. But with the rise of an insular scene — fueled by a relatively condensed list of publications, social networks, venues and bands, where shows are a place where everybody knows your name, there’s a danger, too. Sometimes it’s hard for friends to be honest about the quality of their friends’ work; there’s a tendency [DUCKS] to promote at least some material that may not reach the heights promised by the homegrown hype.

Which is a long way of saying how refreshing it was to come across Ryan Gustafson, who plays both solo and as a band as The Dead Tongues. Because, even in a crowded field, Gustafson shines as a songwriter of exceptional merit. I first saw his band at Hopscotch, one of many that had been recommended to me as “really good” by various folks I know in the area (sadly, that recording is lost). I’ll beg Ryan’s forgiveness for taking that recommendation with a grain of salt, one which washed away quickly as I watched he and his full band perform.

On the road with Phil Cook as part of his “Guitarheels” band, Ryan opened that show at Rough Trade NYC with his own solo set consisting of entirely unreleased material, played by Ryan on banjo, guitar and harmonica. It’s almost unfair to compare him to the people who come to mind, so I won’t drop names, but suffice it to say Gustafson’s maturity and storytelling ability approach that of big names you’ve heard of. I’m especially partial to “The Broken Side of People,” “A Pair of Stained Glass Eyes” and “Wildflower Perfume,” but it’s hard to play favorites with Gustafson’s work. What’s for sure is that his forthcoming album (details TBD) is something that I’ll await, eagerly.

I recorded this set primarily with Rough Trade engineer Danielle DePalma’s soundboard mix, together with Schoeps MK4V microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

The Dead Tongues
2015-06-26
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Danielle DePalma) + Schoeps MK4V (FOB, DFC, PAS)>KC5>CMC6>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither, downsample)>FLAC ( level 8 )

Tracks
01 Lost in Baton Rouge
02 [banter]
03 Graveyard Fields
04 My Companion
05 The Gold is Deep
06 The Broken Side of People Everywhere
07 A Pair Of Stained Glass Eyes
08 Embers of Midnight
09 Wildflower Perfume
10 Black Flower Blooming
11 Empire Builder

Musicians:
Ryan Gustafson (solo)

If you enjoyed this recording, PLEASE SUPPORT The Dead Tongues by buying their music at their bandcamp page.

 

Spray Paint: October 16, 2015 Union Pool (R.I.P. SVT CMJ Party)

October 22, 2015
By

Spray Paint

It’s been a mere six-ish months since we last caught Spray Paint. And in that time, the band has released not one but two new albums: Punters on a Barge and most recently, Dopers. Each album finds the band exploring new sounds and textures, but don’t think that they’ve abandoned their minimalist sound—these new tunes are still unequivocally Spray Paint. Dopers especially is darker than any material they’ve released previously, working up unsettling themes and making music you might use to soundtrack a Troma film. If you’ve heard Spray Paint before, these albums are more of what you love. And if you haven’t: meet your new favorite band.

In contrast to April’s show, which featured many of the bands earliest songs like “Spock Fingers,” “Squaw,” and “Pink Pus,” this one leans more heavily on the newer material. “Polar Beer” is one of the (many) highlights off Punters on a Barge so I was very pleased to hear that one live. “Thrash Master,” “Signal Master,” and “Bad Times” are off Dopers and my appreciation for them has only increased as I’ve absorbed the record. At their current pace I’m sure they’ll have some new music out soon—in the meantime, I’ve got some heavy listening to do.

Spray Paint wrap up their short tour with a record release show tonight (Oct. 22) at Hotel Vegas in Austin. Be sure and catch that if you find yourself out that way.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Spray Paint
2015-10-16
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [32:07]
01. Bring Dumpster Back
02. Ian’s Theme
03. Polar Beer
04. Middle Relief
05. Thrash Master
06. Canadian Trash
07. Signal Master
08. Bad Times
09. Ultimate Umpire
10. Rest Versus Rust
11. Cussin’

Support Spray Paint: Website | Facebook | Bandcamp | Buy Dopers and other Spray Paint records from Monofonus

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