Posts Tagged ‘ soundboard ’

Phil Cook: September 23, 2015 Rough Trade NYC + September 10, 2015 Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 7, 2015

[Hopscotch photo courtesy of Kenneth Bachor]

Phil Cook is a very easy person to like. If there’s a musician — or heck, a human in general — who is more affable, good-hearted and filled with positivity, I have yet to see them. Cook has been the dutiful bassist, the cheerful sidekick, the go-to-guy for a slew of bands, including Megafaun, with his brother Brad, Hiss Golden Messenger, Akron/Family, Gayngs, and DeYarmond Edison. As Phil pointed out himself, he’s had a long career of doing what other people told him — showing up on time, hitting the right notes, being a get-along guy. The new album Southland Mission represents his first foray into the world of the frontman. The microphone is his now, and the shots are his to call. So he’s assembled an eight-piece band, complete with backup singers, bass, second guitar, and keys, and he’s the one who decides when practice is, where to go, what to do. Suffice it say, most of us would be lucky to have such a genial boss. Southland Mission wears its influences on its sleeve — much as Cook literally wore a Staples Singers shirt this night — and Cook’s devotion to the gospel, soul, R&B and blues music of an earlier era is both obvious and genuine. “Lowly Road” offers a gospel-style chorus, while the loping blues of “Sitting On A Fence” could’ve come from Chicago in the 1960s.

These sets followed a relatively similar course, though with somewhat different vibes. The first, at Hopscotch, came on the day before the release of Southland Mission, and was the first time that Cook played the material in public, together with his band The Guitarheels. Staged in the grand Fletcher Opera Theater, with a band banner at his back (along with an inappropriately large ad for festival sponsor Mini), the setting felt appropriate to the moment. Packed with a fawning hometown crowd, Cook’s material was greeted at every step with roars and encouraging shouts from people he probably sees at the same shows every night (I had to reduce between-song volume to account for it, but trust me). When the band kicked off with one of the album’s most direct and best tunes, “Ain’t It Sweet,” the easy answer had to be yes — and the applause showed it. All of Southland Mission was played, not quite in album order, and the band chose to close with a country song, Jerry Jeff Walker’s “Northeast Texas Women.” As he would in New York, Cook complimented the band profusely, calling them a collection of the finest musicians he had worked with. It being the insular Triangle scene, it’s a reasonable guess that many of the people in the crowd knew them, too. Appropriate to the location, the show’s pace was leisurely and relaxed, with long breaks between songs that felt like Phil having a chat with friends. Both “Great Tide” and “Sitting on a Fence” proved to be opportunities for the band to stretch its legs, with guitar breakdowns that took them into longer territory than the tight album versions.

In New York, Phil and the Guitarheels could still welcome a crowd of friends from previous work, though in the club-like, intimate atmosphere of Rough Trade NYC. Phil may have had to exhort this crowd to stop standing so still (clearly he hasn’t seen as many shows in New York as I have), but against the odds, he got what he asked for. It remained an intimate and chatty show, and Phil’s own speech about getting to finally “be the frontman” was a touching one. Similarly, true to the album’s roots, Cook also talked a good bit about his love for the Staples singers (even wearing the T-shirt), and that’s another influence you can feel throughout these songs. For ease of listening, most of the banter tracks aren’t on the streaming versions below, but I’d urge you to download the full sets to get a better flavor of what Cook is about. While there are only so many ways to mix up the tracks on a single album, we got two brand-new covers this time: first, the Blind Boys of Alabama’s “Take Your Burden To the Lord and Leave It There,” and then Curtis Mayfield’s “Talking About My Baby.” Throughout this show, as in North Carolina, you couldn’t have forced the broad smile off of Phil Cook’s face at gunpoint. If there’s a world where nice guys finish first, well, Phil Cook is in pole position, folks.

I recorded the NYC set with a soundboard feed from Rough Trade engineer Danielle DePalma and Schoeps MK4V microphones; the Hopscotch set was recorded by our friend Larry Tucker with Peluso wide-cardiod microphones. The sound quality of both recordings is excellent. Enjoy!

Download the Rough Trade NYC set: [MP3] | [FLAC]

Download the Hopscotch set: [MP3] | [FLAC]

Stream the Rough Trade NYC set:

Stream the Hopscotch set:

Phil Cook
2015-06-26
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Danielle DePalma) + Schoeps MK4V (FOB, DFC, PAS)>KC5>CMC6>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:10:38]
01 Ain’t It Sweet
02 [banter1]
03 1922
04 [banter2]
05 Belong
06 Sitting On A Fence
07 [banter3-band intros]
08 Time To Wake
09 Anybody Else
10 [banter4]
11 Gone
12 [banter5–speech]
13 Lowly Road
14 [banter6]
15 Great Tide
16 [encore break]
17 Take Your Burden To The Lord and Leave It There [Blind Boys of Alabama]
18 Talking About My Baby [Curtis Mayfield]

________________________________________________
Phil Cook
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ain’t It Sweet
02 1922
03 Belong
04 [banter1]
05 Sitting On A Fence
06 [banter2]
07 Lowly Road
08 [banter3]
09 Time To Wake
10 Anybody Else
11 [banter4]
12 Gone
13 [banter5]
14 Great Tide
15 [banter6]
16 Northeast Texas Women [Jerry Jeff Walker]

If you enjoyed these recordings, PLEASE SUPPORT Phil Cook, visit his website, and buy Southland Mission from his online store.

Destroyer: October 4, 2015 Webster Hall – FLAC/MP3/Streaming

October 6, 2015

By acidjack

[photos by P Squared Photography]

With the newly-released double LP Poison Season, Dan Bejar, aka Destroyer, has absolutely outdone himself. His finest album to date, Poison Season is a lush exploration of Bejar’s psyche, the melancholia of his words a perfect compliment to the abundance of wistful, purposeful arrangements of strings and brass. But if you talk to long time fans, what impresses them most about Destroyer in 2015 is how incredible the live show has become.

This set at Webster Hall couldn’t have been better timed, coming on a Sunday night the day after Bejar’s birthday. His evident good spirits — buoyed by fans singing “Happy Birthday” in the crowd — elevated what already promised to be a memorable evening in front of a sold out crowd. Destroyer on this tour is a full eight-piece band capable of rendering even the most intricate Poison Season arrangements with beautiful detail, as Bejar swoops about the stage in his loose beige overcoat, microphone in hand. His songs, bathed in the soft rock and smooth jazz sounds of the 70s and 80s, have always existed apart from the current moment. It might be that — and the crystal-clear detail and wit of his lyrics — that makes Destroyer so memorable to fans. Rarely if ever do I see grown men singing along with the passion of teenage girls at a Dashboard Confessional show circa 2004, but that’s what Bejar inspired in more than a few pockets of this crowd. Compared to our last outing with the band, at Webster Hall in 2011, this set felt even more confident, complete and assured, with Bejar firmly in command of his vocals without the assistance of the backup singer he had last time. Poison Season is of course the star of this tour, but each night’s setlists bring gems from all over the catalog. In this case, for example: “Rubies” and “European Oils” from 2006’s Destroyer’s Rubies and of course, “Kaputt,” “Savage Night at the Opera” and “Chinatown” from 2011’s Kaputt, and “Shooting Rockets (From the Desk of Night’s Ape)” from the band’s 2008 record Trouble In Dreams.

This was one of those shows where there wasn’t a literal or figurative note out of place, as impressive a technical achievement in the live setting as the production of Poison Season is on the album. It’s hard to pick one or two moment of this over others; what mattered was the cohesion, the progression and the sense of straight-up rightness this set had with it. A band feeling their game, an adoring crowd who knows what they want and is loving getting it, and songs that either revealed new angles or rewarded those who’d studied them for years. Destroyer doesn’t tour often, making each one a treat. This particular outing continues down the East Coast and then on to the West Coast and Europe (check the dates here). However the rest of this goes, it’ll be hard to top this night in New York City.

I recorded this set with a soundboard feed from Destroyer’s FOH (please send his name if you have it) and the Webster house engineer Raphael, combined with Schoeps MK41V supercardiod microphones. The sound quality is exceptional. Enjoy!

Thanks to Merge Records and Dan Bejar for permitting this recording.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Destroyer
2015-10-04
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Merge Records and Dan Bejar

Soundboard (engineers: Raphael and [if you have Destroy engineer’s name, please send!]) + Schoeps MK41V (at SBD, DFC)>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, mix down)>Izotope Ozone 5 (EQ, effects, compression)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:12:34]
01 Bangkok
02 Forces From Above
03 Savage Night at the Opera
04 European Oils
05 Sun In the Sky
06 Chinatown
07 Midnight Meet the Rain
08 Shooting Rockets (From the Desk of Night’s Ape)
09 Times Square
10 Poor In Love
11 Hell
12 Kaputt
13 Dream Lover
14 [encore break]
15 Girl In A Sling
16 Rubies

If you enjoyed this recording, PLEASE SUPPORT Destroyer, like them on facebook, and buy Poison Season and their other records from Merge Records.

Built To Spill: September 25, 2015 Bowery Ballroom – Flac/MP3/Streaming

October 5, 2015

By nyctaper

[photo courtesy of Will at We All Want Someone To Shout For blog]

In the lead up to this show I realized that in a few months, it will be twenty years since the first time I saw Built To Spill live. That early 1996 show at the late great Tramps was a revelation — I mean, who knew that a band of guitar wizards could come from a place like Idaho. But from that day forward I’ve followed Built To Spill and seen them live consistently ever since, close to thirty times. Indeed, they’ve been on NYCTaper fourteen times. So I think I have a pretty good idea of when the band is playing well and whether a particular show is a good one. Last Friday at Bowery Ballroom, I’m pretty sure I saw one of the best BTS shows of all of them. This was a night that started with a “wow” version of “Time Trap” and never let up. The band is currently on tour in support of their new album Untethered Moon — their first new release in six years. Perhaps its the excitement of the addition of the new songs to the setlist, but there seemed to be a renewed energy on stage, and in the crowd the energy was returned. You can hear from this recording how engaged was the Bowery faithful. We are streaming two highlights from this show (of many). At eight minutes in length, “Velvet Waltz” is one of the longest tracks on one of our favorite BTS albums (Perfect From Now On), and on this night the closing jam just went bonkers and kept the song going for twelve minutes. In the encore segment, the persistent fans who had been calling all night for “Joyride” were treated to an scorching version of one of the band’s earliest singles — it was Doug Martsch’s best solo in a night filled with them.

I recorded this set from our standard Bowery location. But this one is special. It was mixed perfectly by the band’s tour FOH Eric and we used primarily the room mics in this mix. There’s about 25% of the board feed to supplement the vocals and overall the sound quality is quite superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Velvet Waltz”:

Stream “Joyride”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Built To Spill
2015-09-25
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Eric Gilbert] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:41:02]
01 Time Trap
02 Strange
03 Living Zoo
04 Nowhere Nothin Fuckup
05 Made-Up Dreams
06 Velvet Waltz
07 Heart
08 So
09 Liar
10 Mess With Time
11 Never Be The Same
12 Big Dipper
13 Carry the Zero
14 [encore break]
15 Reasons
16 Joyride
17 [thanks]
18 Goin Against Your Mind

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Built to Spill, visit their website and purchase their new album Untethered Moon from Warner Music [HERE].

Birds of Avalon: September 12, 2015 Hopscotch Music Festival – FLAC/MP3/Streaming

October 2, 2015

By acidjack

Birds of Avalon are the best kind of local heroes — a band of serious players whose main reason for not being more prolific is simply that they’re too busy doing other things. That makes each of their appearances a special treat, and the crowd spilling down the street from the overstuffed Pour House attested to what a draw they were. Cheetie Kumar, Paul Siler, David Mueller, Missy Thangs and the dual-drummer attack of Jason Alyward and Scott Nurkin kicked off this Hopscotch Music Festival set with a vengeance, tearing into the longform, unreleased jammer “Emblems” before settling into the brand-new “Goin’ Under” from their newly-released seven-inch of the same name. With their last full-length LP having dropped in 2010, the band brought out lots of new material to sate those who waited, including most of the Disappearance EP, which like the “Goin’ Under” seven-inch is available from Third Uncle Records. The band plays loud, fast guitar rock n’ roll with distinct psychedelic overtones, and that and the vocal harmonies echo classic bands like Shocking Blue. Siler and Kumar (a husband and wife team who also own local club King’s and the restaurant Garland) were in the well-loved local band Cherry Valence, and the influence of that work is felt here as well. This set was made extra-special by the appearance of improviser-in-residence and one of NYC’s most outstanding experimental drummers, Greg Fox, on “Wasted Hours.” I’ll dedicate this recording to the many Triangle denizens who tried to squeeze into the Pour House too late and missed this one — hope this recording can be a decent substitute!

I recorded this set with Schoeps MK41V microphones at the soundboard cage, together with a soundboard feed from Pour House’s veteran sound engineer, Jack. The sound quality is excellent. Enjoy!

Thanks to Missy Thangs for the setlist and approving the recording.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Birds of Avalon
2015-09-12
Hopscotch Music Festival
Pour House
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (LOC, PAS)>KCY>Z-PFA + Soundboard (engineer: Jack)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ, imagage)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 40:15]
01 Emblems [new]
02 Goin’ Under
03 Guffaws
04 Disappearance
05 Come Loose
06 Eyesore
07 Over Your Shoulder
08 [Greg Fox comes onstage]
09 Wasted Hours

If you enjoyed this recording, PLEASE SUPPORT Birds of Avalon, visit their website, like them on Facebook, and buy the Disappearance EP and “Goin’ Under” 7″ from Third Uncle.

[photo courtesy of “Chauncy Buttertooth”]

Pill: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 30, 2015

By acidjack

[photos courtesy of Anyane Photography]

Pill were high on my list of experimental Brooklyn bands to see, and it was a treat to catch them on an outstanding bill at Aviv that also included PC Worship and Dope Body (those recordings here and here). Andrew Savage of PC Worship released the band’s debut EP on his Dull Tools label, and that’s as good a vote of confidence as Pill needs to get listeners’ attention. That five-song cycle only hints at what’s possible for this young post-punk band, who also proved at this show that they can draw and keep a crowd. Several of these songs are on the EP, but others aren’t, so go and check out both.

This is one of those bands that doesn’t play nice; their songs aren’t the kind of thing you hum at work or jog to on the treadmill. No, Pill’s vision is best experienced live, with front woman Veronica Torres writhing on the floor as the Ben Jaffe’s saxophone screams along with John Campolo’s guitars. Pitchfork’s review hailed the complex narratives on offer in Torres’ lyrics, and admittedly that’s the harder thing to pick up in the live setting, but what it’s replaced by is the visceral experience of what she put into them. As the show ended with Torres at the center of the floor, bringing the new song “Psychic Nipple”

I recorded this set with Schoeps MK4V microphones from the center of the balcony and a soundboard feed from house engineer John. The sound quality is like it was in the room, raw and in your face. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Pill
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Which Is True?
02 Misty-Eyed Porno Reader
03 Hotline
04 Am I Your Man?
05 Personality Flaw
06 Psychic Nipple

If you enjoyed this recording, PLEASE SUPPORT Pill by visiting their bandcamp page and buying their EP there.

American Aquarium: September 12, 2015 Hopscotch Music Festival – FLAC/MP3/Streaming

September 30, 2015

By acidjack

[photos courtesy of Kenneth Bachor for BrooklynVegan]

In keeping with the local-oriented theme of Hopscotch’s main stage on its final night, Raleigh fixtures American Aquarium — who have played every year of the festival — took to their biggest stage here yet and proved why they belonged there. Well-known to followers of the rootsy Americana they’re most known for (the band is named for the line in Wilco’s “I Am Trying To Break Your Heart”), this band has been slogging it out on tour, especially in the South, for nearly a decade. Their volatile frontman BJ Barham’s songs reflect that grizzled spirit — his first number was about the casualties of rock n’ roll, after all. By some measures, American Aquarium shouldn’t have even been here at all — the band has claimed they were ready to hang it up until their previous record, Burn.Flicker.Die took them to the next level and rescued them from obscurity’s precipice.

So, this year, they released Wolves, which is filled with songs that reflect Barham’s ambivalence about his life choices. Just look at some titles from this set: “Southern Sadness,” “Family Problems,” “The Losing Side of Twenty-Five,” and “Man I’m Supposed To Be” (it’s about how he isn’t that). Plenty of other bands traffic in the whiskey-swilling-Southern-white-guy-blues thing, but American Aquarium, not unlike fellow traveler Patterson Hood, actually sound like they mean it. “Man I’m Supposed To Be” may wear its heart on its sleeve, but it also makes a point that many a married man can identify with. The bottle suffuses this band’s work, and you can’t help but nod at how Barham has started to come to terms with his self-set traps. There’s no need to get clinical to figure out how the lifestyle, and the ways that you both generate and come to terms with the emotions you share with your audience, almost demands that you not stop. Hopscotch founder and former organizer Grayson Haver Currin called Wolves a breakthrough record for the band, and he was absolutely right. So here they are, after playing day shows and bigger and bigger night stages, finally on the festival’s biggest platform. Let’s hope they keep it up, and make their next chapter a bright one.

I recorded this set with a soundboard feed together with Audio Technica 4051 microphones. The board feed kicks in about two minutes into the first song. The sound quality is excellent. Enjoy!

Download the complete set from the Live Music Archive: [MP3] | [FLAC]

Stream the complete set:

American Aquarium
2015-09-12
Hopscotch Music Festival
City Plaza
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Audio Technica 4051 (FOB, PAS)>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, expansion, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 43:55]
01 Casualties
02 St. Marys
03 Wolves
04 Southern Sadness
05 Hurricane
06 [banter]
07 The Losing Side of 25
08 Spanish Pipedream (Blow Up Your TV) [John Prine]
09 [banter2]
10 Man I’m Supposed To Be
11 Family Problems

If you enjoyed this recording, PLEASE SUPPORT American Aquarium, visit their website, and buy Wolves there.

The Vibekillers: September 12, 2015 Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 29, 2015

By acidjack

I guess you have to call Raleigh, NC’s The Vibekillers a bar band — their most frequent haunt is, after all, Slim’s in downtown Raleigh, which is a bar. But give a listen to this set, and see that they are so much more than that. And, despite their protestations to the contrary, they make the vibes just fine, thank you. These guys are real players; for example, frontman Chip Robinson hails from the legendary Raleigh band The Backsliders and Skillet Gilmore, the drummer was in Whiskeytown. Hopscotch Music Festival has always respected the local scene, and having this crew kick off the main stage on the festival’s final night was the perfect way to do that. This set consists of well-rendered covers for the most part, including an outstanding version of Dylan’s “I & I” and The Jim Carroll Band’s “The People Who Died.” The festival’s final night had just begun, but the vibe was already right.

I recorded this set with a soundboard feed and Audio Technica 4051 microphones. The sound quality is reflective of being outdoors, but is overall quite good. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

The Vibekillers
2015-09-12
Hopscotch Music Festival
City Plaza
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks
01 Paradise [Alejandro Escovedo]
02 So Old [Jeff Hart]
03 One of the Boys [Mott The Hoople]
04 I & I [Bob Dylan]
05 The Contenders [The Kinks]
06 Mylow [Chip Robinson]
07 People Who Died [The Jim Carroll Band]

Support the Vibekillers: Facebook

The Giraffes: September 27, 2014 The Wick – FLAC/MP3/Streaming Songs

September 27, 2015

By JFCB

[Photos courtesy of Todd Zimmer. See more of his excellent work HERE.]

Nobody, and I mean NOBODY, puts on a show like The Giraffes. It’s like trying to explain a UFO or Bigfoot sighting to someone: they may nod, they might be interested, they could be fascinated by your story, but they have absolutely no clue what it’s all about until they experience it for themselves. In 2011, lead singer Aaron Lazar decided to depart the band and, going out with an atomic-sized bang, had his last performance with them early that year. The remaining members, Damien Paris, Andrew Totolos, and Jens Carstensen, soldiered on, mixing things up again by exploring the instrumental side of their oeuvre and recruiting two female vocalists to help flesh things out.

Three and a half years later, the murmurs and rumors of a full reunion concert turned into cold, hard fact. And, like it was for Aaron’s farewell show, I personally received a landslide of requests to record this night from literally all across the globe. In their neverending quest to take the performance of live music and evolve it into a contact sport, The Giraffes proved that they haven’t missed a beat. Picking up where they left off, the crowd was right in step with the band and more than happy and willing to join in the antics that are the hallmarks of a Giraffes concert. Welcome back, gentlemen. We’re looking forward to what else the future holds for you.

Due to the sheer size and design of The Wick, the acoustics can present a bit of a challenge. The venue’s house engineer, Eairon, was up to the task and, other than the occasional ring of feedback, produced an excellent mix. We hope you like what you hear as much as we did. Enjoy and PLAY IT LOUD!!

Special thanks to Damien, Drew, Aaron, Jens, and Tim for making this recording possible, and to the management and staff at The Wick for their courtesy and cooperation.

The Giraffes will soon be returning to the NYC area and performing on October 3rd at The Wick, as well as playing a few other dates in October. Their new album, ‘Usury’, will be released on October 2nd.

Stream “Medicaid Benefit Appliqué”:

Stream “Sugarbomb”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

The Giraffes
Saturday, September 27, 2014
The Wick
Bushwick, Brooklyn, NY, USA

Source: Soundboard + Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
The Wick’s house engineer: Eairon
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:25:32]
01. [intro]
02. Smoke Machine
03. Wage Earner
04. Prime Motivator
05. I’ll Be Your Daddy
06. The Ballad of Sissyfist
07. On Lovers Lane
08. The City
09. Sickness (This Is)
10. The Power of Fatherhood
11. Medicaid Benefit Appliqué
12. [banter]
13. Haunted Heaven
14. Having Fun
15. Clever Girl
16. Man U.
17. Sugarbomb
18. Help My Blood Count
19. Done
20. [outro]

If you download this recording, we expect that you will PLEASE SUPPORT The Giraffes, visit their website and Facebook page, and purchase their official releases and merchandise at Amazon, iTunes, or your favorite record store or retailer. And most definitely go see their shows.

Moon Duo: September 11, 2015 Hopscotch Music Festival – FLAC/MP3/Streaming

September 25, 2015

By acidjack

[photos courtesy of Rumbleseat]

Moon Duo anchored a night of psychedelic and punk music in Raleigh’s Contemporary Art Museum on the second night of Hopscotch Music Festival. We caught up with the band earlier this year at Rough Trade, but weren’t able to catch this Hopscotch set. Luckily, our man “Rumbleseat” was in attendance, and captured this band in all its glory, against a fractal backdrop that felt right at home in the cavernous CAM. As with the Rough Trade set, Moon Duo moved around their catalog a bit, including material from their latest Sacred Bones release, Shadow of the Sun. We were especially happy to get to hear a live version of “Free Action,” which we didn’t get to see at their recent sets in New York. This performance no doubt set the mood for the heads who stuck around to see Roky Erickson do his thing to finish the night. Clearly, Moon Duo learned some lessons from him, and more.

Rumbleseat recorded this set with two sets of mics, Church Audio CA-11s on the ceiling and Shure SM-57s on stage, combined with a soundboard feed. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Moon Duo
2015-09-11
Hopscotch Music Festival
Contemporary Art Museum
Raleigh, NC, USA

Taped and mixed by Rumbleseat
Tracked by acidjack

Church Audio CA-11c (ceiling)>Naiant PFA + Stereo soundboard feed + Shure SM-57 (stage lip, 90 degrees/10in split)>Tascam DR-680>3x24bit/48kHz WAV>Magix Audio Cleaning Lab (effects, cleanup)>Audacity>24bit/48KHz WAV>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Wilding
02 Circles
03 I Been Gone
04 Free the Skull
05 Free Action
06 In the Sun
07 Night Beat
08 Goners

If you enjoyed this recording, PLEASE SUPPORT Moon Duo, visit their website, and buy their records from Sacred Bones Records.

Holy Sons: August 27, 2015 Saint Vitus – FLAC/MP3/Streaming

September 24, 2015

By EricPH

Holy Sons is the seventies-inspired heavy rock solo project from Om/Grails drummer Emil Amos. If you’ve ever seen either of those bands live, you’ll have surely noted Amos’ irrepressible energy behind the kit. It’s clear that in his free time that energy translates into some incredibly prolific songwriting—since 2000, he’s released eleven albums as Holy Sons. The most recent two, this year’s Fall of Man and last years’s The Fact Facer, were both released on Thrill Jockey, always an indicator of high quality. For his touring in support of Fall of Man, Amos has tapped Dommengang‘s rhythm section of Brian Markham and Adam Bulgasem. To say this trio rocks is an understatement—these guys could break concrete using only guitar, bass, and drums.

Holy Sons will be back in NYC on October 30 at City Winery as part of a tour with Jay Farrar. That show is sold out, but if you’re lucky enough to have gotten tickets, be sure to show up early for Holy Sons. The full listing of tour dates is over at Thrill Jockey.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus’ FOH. The results are outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Holy Sons
2015-08-27
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:08]
01. Drifter’s Sympathy
02. Fall of Man
03. Mercenary World
04. The Feral Kid
05. Transparent Powers
06. No Self Respect
07. More Mind Briars
08. Ready to Die
09. The Fact Facer

Support Holy Sons: Bandcamp | Facebook | Buy Fall of Man and The Fact Facer from Thrill Jockey

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Holy Sons: August 27, 2015 Saint Vitus – FLAC/MP3/Streaming

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