Posts Tagged ‘ soundboard ’

Elisa Ambrogio-Ben Chasny-Tashi Dorji: September 11, 2015 WXDU/WXYC/WKNC Day Show (Raleigh, NC) – FLAC/MP3/Streaming

September 24, 2015
By

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With Three Lobed Recordings on a temporary hiatus from their traditional day show with WXDU on the Friday of Hopscotch Festival, WXDU took matters into their own hands and teamed with fellow college radio stations WXYC (UNC-Chapel Hill) and WKNC (N.C. State) to produce a two-stage day show worth of the tradition. Perhaps the centerpiece of these sets was the trio of Elisa Ambrogio (best known for her work in Magik Markers) and Ben Chasny (aka Six Organs of Admittance), who have been touring together, with the guitar improviser Tashi Dorji. The three of them got down to some serious experimental improv that captured the imagination of the crowd (and had a couple of bewildered college students plugging their ears). The sum of this team was clearly more than its parts, combining noise, free verse, and melodic interludes. By the end of this 20 minute burst of inspiration, our only regret was that it couldn’t be longer.

I recorded this set with the Schoeps MK4V microphones you see in the photo below, together with a soundboard feed by the day’s very capable engineer, Justin. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete show:

Ambrogio / Chasny / Dorji Trio
WXDU/WKNC/WXYC Hopscotch Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage, roughly ORTF)>KC5>CMC6 + Soundboard (engineer: Justin)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians
Elisa Ambrogio – vocals, guitar
Ben Chasny – guitar
Tashi Dorji – guitar, effects

Support these artists: Elisa Ambrogio | Six Organs of Admittance | Tashi Dorji

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[photo of Tashi Dorji courtesy of David Lee of This Is That Song]

Dope Body: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 23, 2015
By

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[photos courtesy of Anyane Photography]

The scruffy and sardonic Baltimore post-punk band Dope Body is supposedly named for “an online video the band enjoyed,” but as you watch the shirtless frontman Andrew Laumann contort his sweat-slicked self all over the stage, you have to wonder if the name isn’t a little bit of a self-referential gag.  In fairness, it felt like 110 degrees inside the cozy Brooklyn DIY venue Aviv on this particular night, so showing off the man’s fitness level might have just been a matter of necessity. On firmer ground, I can tell you that this band brings an instant presence to any stage they inhabit, and the way their music combines the heavy noise with just-enough tuneful accessibility only adds to the need to pay attention. They’re several albums in now, with the latest, Kunk, released this month on Drag City. More new songs, as evidenced by the set, are already in the tank. If the band’s previous record, Lifer, earned some (undeserved) commentary about increased accessibility and even the dreaded “grunge” tag at points, there’s no making any mistake about where any of this material falls live.

The band hits extremely hard, Zachary Utz’s guitars scraping against Laumann’s gritty, snarling vocals, as David Jacober pounds the skins in the thick of John Jones’ basslines. The set jumped around the band’s catalog, but it’s hard to deny the brand-new numbers, one unnamed, as well as “Enemy Outta Me” which has been making the rounds on recent sets. The skronky “Hired Gun” might qualify as the band’s most mainstream-approaching single, and it came through well on this night before the one-two punch of the older “Leather Head” followed by Kunk‘s “Old Grey.” The proceedings ended just shy of forty minutes in. By then, we might not all have been as drenched as the band, but most of us had been reminded what “sweaty” rock n’ roll really means.

Dope Body are on tour right now in Europe, and anyone with the opportunity over there ought to catch them at one of these dates.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Dope Body
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Road Dog
03 [new song 1]
04 Enemy Outta Me
05 Day By Day
06 Hired Gun
07 Leatherhead
08 Old Grey

If you enjoyed this set, PLEASE SUPPORT Dope Body, visit their Facebook page, and buy their records from Drag City. (You have to, since you can’t stream ’em).

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Babes In Toyland: September 17, 2015 Irving Plaza – Flac/MP3/Streaming

September 22, 2015
By

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[photos by PSquared Photography]

We have become fairly experienced and well-versed in covering band reunions from the 1980s and 1990s. Whether it be everything from the huge (i.e. Dinosaur Jr.) or the fairly obscure (i.e Cap’n Jazz), these get-togethers seem to follow a basic course — older and wiser forty-somethings re-connect with old friends to play the music that made them great in their youth to older fans who re-live the experience and younger fans who were too young to be there back in the day. Given the blessings of hindsight and sobriety, the formula has been quite successful. For the most part, the reunited bands are tight, more focused and seemingly more appreciative of the experience. The Babes In Toyland reunion had been brewing for a couple of years and began with an announcement that Kat Bjelland and Maureen Herman had begun writing songs together again. When the duo ultimately reunited with drummer Lori Barbero, the band played its first show together in 14 years in Los Angeles in February with a couple of tours to follow. The wrinkle in this reunion occurred at the end of the first leg of the tour when the band amicably split with bassist Herman, whose goodbye message to the fans is one of the classiest breakup announcements we’ve ever read.

The good news about the Thursday Irving Plaza show arrived early in the week and that was the fact that the night was sold out. The crowd ended up being a nice mix of old punks and newer fans, but all of them brought the energy — the room was buzzing all night. New bassist Clara Salyer debuted with the band in late August and by Thursday, all three band members were truly in sync. Opening with a bang which never let up, Babes In Toyland worked through an hour-long set that touched on all of their original three albums, each song generating a sing-a-long from the crowd. We’re streaming “Oh Yeah!” and the single encore “Dust Cake Boy” which I believe were excellent versions of these songs, but really we could have streamed any song, as the show was that tight and well-played.

This leg of the tour is complete, but the band will return next month for more shows on the East coast and the South. Yesterday, Babes in Toyland announced another upcoming NYC show — on October 23 at Saint Vitus.

I recorded this set with the Schoeps cards mounted in the front center of the balcony and mixed with a superb board feed provided by the band’s FOH Rubes Harman. Our readers should be familiar with Rubes’ terrific mixes from some previous recordings at Baby’s All Right, and this mix is equally terrific. The result is that the sound quality is outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Oh Yeah!”:

Stream “Dust Cake Boy”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

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Babes In Toyland
2015-09-17
Irving Plaza
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Rubes Harman] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 59:15]
01 [introduction]
02 He’s My Thing
03 Bluebell
04 Ripe
05 Spit To See the Shine
06 Oh Yeah
07 [thanks]
08 Bruise Violet
09 Right Now
10 Swamp Pussy
11 Won’t Tell
12 [banter – Eliot]
13 Drivin
14 Ariel
15 Handsome and Gretel
16 Spun
17 [banter – Rockland]
18 Pearl
19 Vomit Heart
20 Sweet 69
21 [encore break]
22 Dust Cake Boy

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Babes In Toyland, visit their website, and purchase their official releases at your favorite retailer.

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Godspeed You! Black Emperor: September 10, 2015 Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 17, 2015
By

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[Photos courtesy of Kenneth Bachor via BrooklynVegan]

Godspeed You! Black Emperor shows are always meditative affairs, where you allow the band’s long instrumental sequences to draw you in, slowly, bombarding you with projected images against the backdrop of a black room. It’s an entirely different experience when that backdrop is of limited size, and the dark room is replaced with the downtown plaza of Raleigh, NC, lit by streetlamps and neon signs from Jimmy John’s and the local Marriott. In that environment, how can you concentrate on something like this? Can it resonate?

Perhaps nature provided the best way, in the form of a downpour that blanketed the plaza in the early going, its sheets of rain and gusts driving away the merely-curious until only the die-hards were left. Absent the excess conversations, forced to reckon with whether this show was worth it under the circumstances, those who stayed answered their own question. GSYBE shows are events; their music isn’t for everyone, and they don’t make any effort to make things otherwise. So, as I held onto my mic stand to keep it and the umbrella covering it from blowing over (which you can hear it doing at one point), I thought about the level of commitment this band requires, and how, as was the case when we covered their NYC run in 2011, they are, in fact, always worth it. Even if you can’t ignore that this setting will never be considered ideal.

This was the kickoff headlining set of Hopscotch Music Festival, and as befits GSYBE, it started with a slow drone, not a bang. After the so-called “Hope Drone,” we were were treated to the band’s entire latest album, Asunder, Sweet and Other Distress (my, how these people love punctuation), a four-song sequence the band refers to on setlists as “Behemoth.” Next up came a new number that is as-yet untitled, followed by two classics, “Moya” from the Slow Riot for New Zero Kanada EP and “The Sad Mafioso” from F? A? ?. If the stage was small, the band’s sweep and ambition remained titanic, as evidenced by the soaring guitars of the new number, whose sustained early peak and soaring conclusion felt like a respite from the rain itself. The attentive, soaking crowd clustered around the stage, keeping the between-song cheering polite and minimal, in keeping with the subtlety of the songs’ transitions. Once things came to a head, though, as “The Sad Mafioso” sprinted toward its stormy conclusion, the shouts began, and sustained, until long after the band had disappeared from stage, leaving that little space empty, their sound only a memory in the night’s new void.

I recorded this set with Schoeps MK4V microphones under an umbrella-covered mic stand directly in front of the soundboard. Other than the usual effects of distance and being outdoors, the sound quality is excellent. Enjoy!

Download the complete show from the Live Music Archive: [MP3] | [FLAC]

Stream the complete show:

Godspeed You! Black Emperor
2015-09-10
Hopscotch Music  Festival
Raleigh, NC  USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS5.5 (fades, align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [thanks to P.E. Tremblay for the setlist]
01 Hope Drone
02 Peasantry or ‘Light! Inside of Light!’
03 Lambs’ Breath
04 Asunder, Sweet
05 Piss Crowns are Trebled
06 [new song]
07 Moya
08 The Sad Mafioso

If you enjoyed this recording, PLEASE SUPPORT Godspeed You! Black Emperor, visit their website, and buy their albums from Constellation Records.

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The Gotobeds: August 30, 2015 Saint Vitus

September 15, 2015
By

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[photo by Amanda Hatfield, full set here]

By all indications, The Gotobeds are having a tremendous year: riding their accolades from last year’s well-received debut album, Poor People are Revolting (on 12XU), the Pittsburgh band recently signed with Sub Pop and their second full-length is highly anticipated for sometime next year. They’ve played NYC a few times in 2014 and 15, but I’ve somehow slept on them until they showed up on an excellent triple bill with Royal Headache and Sheer Mag a couple weeks back. The Gotobeds apparently drove out from Pittsburgh just to make this show, and they’re in rare form: drinking heavily and clearly in good spirits, the band covers the entirety of the first Redd Kross EP. This is sure to be one of those shows that’s talked about for many years to come, so dig in now and soon when these guys are headlining much larger venues, you can talk as if you were there, man.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus FOH, Jeff. The results are excellent. Enjoy!

The Gotobeds will be back in NYC for CMJ, October 15–19. Keep an eye out for details.

Download: [MP3/FLAC]

Stream:

The Gotobeds
2015-08-30
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jeff) + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [32:05]
01. [Intro]
02. “Bodies”
03. Affection
04. Rope
05. Crisus Time
06. [banter]
07. Cover Band [Redd Kross]
08. Annette’s Got the Hits [Redd Kross]
09. I Hate My School [Redd Kross]
10. Clorox Girls [Redd Kross]
11. S & M Party [Redd Kross]
12. Standing in Front of Poseur [Redd Kross]
13. [banter]
14. New York’s Alright (If You Like Sex & Phones)
15. [banter]
16. Wimpy Garcia (Brotherfucker)

Support The Gotobeds: Buy Poor People are Revolting and more via Bandcamp

PC Worship: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 14, 2015
By

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[photo courtesy of Anyane Photography]

The Brooklyn band PC Worship has been on this site several times this year, in part because they are one of the strongest experimental and improvisational bands in the scene right now. This show at Aviv, a Greenpoint DIY spot that has been killing it with booking lately, felt like this band’s natural habitat. In the searing late summer temperatures, the band took us through a three-song set that included “Rust” from their latest, Social Rust, as well as “Blank Touch.” But the centerpiece came at the beginning — a sprawling “Tides” that took up the bulk of the set, and set a hypnotic, intense tone for the two shorter bursts to come. It’s not the longest PC Worship set we’ve seen, clocking in at under half an hour, but like every time they take the stage, it’s a memorable one. The band is touring Europe right now, but they’ll be back at the Bowery Ballroom on October 13 and 15 with Panda Bear.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

PC Worship
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: John) + Schoeps MK4V (PAS)>KC5>CMC6>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Tides
02 Rust
03 Blank Touch

If you enjoyed this recording, PLEASE SUPPORT PC Worship, visit their website, and buy Social Rust and the forthcoming Basement Hysteria directly from them.

 

Thee Oh Sees: September 8, 2015 Bowery Ballroom – Flac/MP3/Streaming

September 14, 2015
By

Thee Oh Sees 2
[photos by Will from We All Want Someone To Shout For]

I’ve been pronouncing Thee Oh Sees at one of the best live bands around for several years now. As our readers can now attest — since we’ve compiled a nice live archive of their NYC shows — this band is an aggressive, tireless, and a thoroughly committed live act. The band added a second drummer earlier this year and for recent shows, Thee Oh Sees are featuring the two percussionists side by side at center stage. The new configuration accentuates the rhythmic qualities of the band’s music, but make no mistake bandleader John Dwyer is still in the spotlight. The band is currently on an extensive Fall tour in support of their new release Mutilator Defeated At Last which for our money is one of the best albums released in 2015. These new songs have become quite familiar over the last year as we’ve watched their development live going all the way back to last Summer at McCarren Park and through a pre-release show at Hotel Vegas for SXSW. In between, last year’s Bowery show was our best sounding recording of the band thus far. Tuesday’s show mixed in the newer songs with older classics seamlessly, as the first eight songs rotated old and new but kept the crowd bouncing and jumping throughout. Thee Oh Sees even managed to slip what appeared to be three completely new songs into the setlist. We’re streaming the punky “Rogue Planet” from Mutilator and the final jam, a lengthy version of the oldest number of the night “Contraption/Soul Desert” which the band stretched for more than twelve minutes before bidding the sated crowd goodnight.

Thee Oh Sees also played two nights at Warsaw later in the week before continuing the tour throughout the South, dates here.

I recorded this set with the Schoeps cards mounted in the balcony and mixed with an excellent board feed provided by Bowery legend Kenny. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Rogue Planet”:

Stream “Contraption/Soul Desert”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Thee Oh Sees
2015-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:21:08]
01 I Come From the Mountain
02 Tunnel Time
03 Poor Queen
04 The Dream
05 Turned Out Light
06 Tidal Wave
07 Toe Cutter-Thumb Buster
08 Withered Hand
09 [new song 1]
10 Dead Energy
11 Encrypted Bounce
12 [new song 2]
13 [banter – light]
14 Sticky Hulks
15 [new song 3]
16 Rogue Planet
17 Web
18 [banter – thanks]
19 Contraption – Soul Desert

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Mutilator Defeated At Last from Castle Face Records [HERE].

Law$uits: September 1, 2015 Union Pool – FLAC/MP3/Streaming

September 9, 2015
By

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The Brooklyn band Law$uits (not to be confused with nyctaper alumni and Philadelphia indie faves The Lawsuits) stormed Union Pool on top of a noisy four-act bill, and gave us a high-octane dose of exactly what we’d been waiting for. Theirs is a to-the-gut, dissonant style of punk rock that recalls the foundational acts of the 80s and 90s like the Jesus Lizard and Big Black. If the music seethes, propelled by prominent bass in the mix to drive the groove under lead guitarist James Browning’s skillful work, it also sneers with an intelligence that this kind of music isn’t always accused of. If you want to just stand there and bang your head, fine, but if you pay more attention, you might notice these are smart tunes, too, the kind that don’t need to cover up bad playing with schtick or shock. The band has one record out, 2014’s Future Failure, and judging by this setlist, there’s more on the way, as several of these tunes aren’t on that album. We’ll be looking forward to hearing more from them, hopefully soon.

I recorded this set with Schoeps MK41V supercardiod microphones and a soundboard feed from Union Pool engineer Chris Madden. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Law$uits
2015-09-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA + Soundboard (engineer: Chris Madden) + >>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.4 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Uniform
02 Needle Nose
03 Playing Dumb
04 Living Situation
05 Supermarket Sweep
06 Old Men
07 Iconoclast

If you enjoyed this recording, PLEASE SUPPORT Law$uits and check out their bandcamp page.

Joan Shelley: February 12, 2015 Union Pool – FLAC/MP3/Streaming

September 4, 2015
By

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Joan Shelley released her excellent new album, Over and Even, today on No Quarter Records. For many, this will be their first time hearing these new songs, unless you checked in with NPR last week. However, the crowd on this chilly night at Union Pool back in February had almost everyone beat by several months, as Shelley decided to use this performance to show off a majority of the new album.

The Kentucky-based singer-songwriter first came to wider attention with her previous effort, Electric Ursa, but it was evident from the get-go that the new songs represent a further refinement of her craft and acknowledgment, but not a caving to, pop sensibility. The extra-approachable riff of the album’s title track sets the tone for the rest of the material, making it no surprise that Stereogum made it an “Album of the Week.” In doing so, they pointed out that Over and Even is more about the setting of a mood than any specific turn of phrase or even specific song, and that’s not a negative. The new work, even in its fledgling form on this night, shows incredible consistency, with each number feeling a bit like an old song you’re being introduced to for the first time. It’s a pastoral, flawlessly crafted album that holds your attention as it takes its time to unfold.

Shelley was joined for this show not only by regular collaborator Nathan Salsburg — a force on the guitar in his own right — as well as Glen Dentinger on bass. Site favorite Nathan Bowles also made an appearance, and he’s always a welcome presence on any stage. None of that can distract from the main event, of course, which is Shelley’s voice and her presence, both of which manage to be delicate but resolute. What Shelley’s live show drives home is just how spare and right her album’s production is, as there is clearly little she needs to embellish what’s already there. As good as the new songs are, Electric Ursa got its due during the show as well, with the title track of that album closing out the night, and one of its most approachable songs, “Something Small,” providing a welcome dose of recognition mid-set. As requested by Joan’s label, we’ve held back this recording until the release of Over and Even, and are thrilled to be able to share this performance on its release day.

I recorded this set with a soundboard feed from Union Pool engineer Rob, together with Schoeps MK41 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Joan Shelley
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 47:00]
01 Brighter Than the Blues
02 Wine and Honey
03 River Low
04 [banter1]
05 Over and Even *
06 Something Small
07 [banter2]
08 Stay on My Shore
09 Easy Now
10 [banter3]
11 Not Over By Half
12 Electric Ursa

Band
Joan Shelley – vocals
Nathan Salsburg – guitar
Glen Dentinger – bass
* Nathan Bowles – guitar

If you enjoyed this recording, PLEASE SUPPORT Joan Shelley, visit her website, and buy Over and Even from No Quarter Records.

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Mac DeMarco: August 17, 2015 Bowery Ballroom – Flac/MP3/Streaming

September 3, 2015
By

Mac-Demarco-Bowery2
[photo by Geoffrey at According to G]

Three years ago Mac DeMarco was a newcomer to NYC and a brand-new signee to Captured Tracks records. At the time it was a bit of a puzzler, as the Canadian songwriter did not fit the label’s mold. His guitar-based songs showed very little Eighties influence and his goofy sense of humor didn’t quite fit with the stoicism of Captured Tracks’ other artists. Despite all that, his charm was undeniable and the songwriting was legit. Ultimately, the signing was prescient as Mac has become perhaps the label’s most successful artist on its roster. This Summer, DeMarco released a new EP Another One and as a special treat to his adopted city, Mac played a series of four local shows on consecutive nights at four different venues.

We caught the first of these four shows at Bowery Ballroom. Freshly back from having played Outside Lands Festival in San Francisco, the band seemed to have picked up a bug on the cross-country flight as Mac confessed that he was running a fever at the outset of the night. But sick or not, Mac DeMarco delivered a highly entertaining show exactly as we expected. It was a ninety-minute run through the best of his material focusing on the new release (with a few goofy covers) while simultaneously impressing us with his musical ability and songcraft all while seemingly joking around at every turn. We are streaming the opening track from the new EP “The Way You’d Love Her”, and also one of Mac’s classic songs “Cooking Up Something Good”, but make sure to download the entire show at this night was a entertaining ride from start to finish.

Mac has a full slate of tour dates coming up, as he’ll be in Europe through September before returning to NYC for another local date at the Capitol Theatre in Port Chester on October 10. After that, he’s touring across the US for a couple of months before finishing the year in Australia, all dates here.

Download the Complete Show [MP3] / [FLAC]

Stream “The Way You’d Love Her”:

Stream “Cooking Up Something Good”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Mac DeMarco
2015-08-17
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:24:23]
01 [introduction]
02 [Broken String Jam]
03 The Way You’d Love Her
04 [I Need a Second Jam]
05 Salad Days
06 No Other Heart
07 The Stars Keep On Calling My Name
08 [banter – mandela effect]
09 Yellow [Coldplay]
10 Another One
11 Cooking Up Something Good
12 [banter – diseases]
13 Ode to Viceroy
14 Blackbird [Beatles]
15 Without Me
16 Just to Put Me Down
17 Let Her Go
18 Reelin’ in the Years [Steely Dan]
19 [banter]
20 I’ve Been Waiting for Her
21 A Heart Like Hers
22 Still Together
23 [encore break]
24 Enter Sandman [Metallica]

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