Posts Tagged ‘ soundboard ’

Parkington Sisters: October 10, 2013 Joe’s Pub – Flac/MP3/Streaming

October 20, 2013
By

Parkington_JOES_001
[photos by Chris Battaglia]

The Parkington Sisters are a great story. The group are all the biological children of musical parents and each of the sisters is a remarkable talent in and of themselves. But as a group they are a breathtaking display of vocal and instrumental proficiency. Last week at Joe’s Pub, we experienced the live Parkington Sisters and the show was simply mesmerizing. While sister Rose is the most frequent lead singer, along with playing piano and guitar, it would be a mistake to focus solely on her talents. Ariel and Sarah play viola and violin and produce stunning harmonies. And Nora provides much of the percussion, additional harmonies, and is the unofficial band onstage spokesperson. The Sisters’ set was a nice mix of their recorded material and some neat covers, and included much of their brand new EP Inside My Head (title track streaming below). The personal highlight of the evening was a song that I believe is an unreleased original track called “Fall To My Knees”, which begins with Rose solo at the piano but develops into a full-on sister harmony number of depth and poignancy. We hope to hear more of this song on the band’s next release. It has the potential to deliver the huge fan base that the Parkington Sisters deserve. We are streaming it below.

I recorded this set with the Sennheiser cardioids mounted adjacent to a floor beam about twenty feet from the stage and mixed it with a mono board feed. The sound quality is superb. Enjoy!

Stream “Inside My Head”:

Stream “Fall To My Knees”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Parkington_JOES_002

Parkington Sisters
2013-10-10
Joe’s Pub
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:04:49]
01 Ours By The Day
02 Plastic Islands
03 Cruel
04 September
05 Fatal Heart
06 Stay [Rihanna]
07 Fall To My Knees
08 Me Oh My
09 Try For You
10 Siren
11 Shadows
12 Jolene [Dolly Parton]
13 In The Pines [Leadbelly]
14 [banter – intros]
15 There There [Radiohead]
16 Inside My Head
17 [encore break]
18 Everything Will Be OK

If you enjoyed this recording, PLEASE SUPPORT The Parkington Sisters, visit their website, and purchase their official material from the Store at their website or purchase the new EP Inside My Head from Bandcamp [HERE].

Parkington_JOES_005

Minks: August 31, 2013 Captured Tracks CT5 Festival – Flac/MP3/Streaming

October 16, 2013
By

minks01
[photo by Derek Klevitz courtesy of QRO Magazine]

In their brief history, Minks has been the quintessential Captured Tracks band. Their debut album By The Hedge was shrouded in mystery — not much was known about the artist and the lyrics were often hidden in deep reverb. Minks also didn’t play many shows. And of course the sound was heavily influenced by the early to mid-80s Brit post-punk. This year Minks has returned with their second album and the band has most certainly evolved. Tides End is a significantly warmer album than the band’s debut, and Minks have taken a higher profile in support for the album. Band leader Sonny Kilfoyle has even done a series of interviews. At the CT5 Fest in August, Minks set was certainly upbeat, as Kilfoyle bantered good naturedly between tracks and the band worked through an excellent set of material from both albums. We’re streaming “Doomed and Cool” which certainly captures a definable New Order influence to the band’s sound and was one of the tightest tracks performed. Minks will play NYC again at Mercury Lounge on November 21.

I recorded this set in the same manner as the two previous sets from this Fest and the sound quality is excellent. Enjoy!

Stream “Doomed and Cool”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Minks
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 36:15]
01 Ark of Life
02 Everything’s Fine
03 Funeral Song
04 Playboys of the Western World
05 Hold Me Now
06 Margot
07 Doomed and Cool
08 [tuning]
09 Painted Indian

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Minks, visit their website, visit their artist page at the Captured Tracks website, and purchase the new album Tides End from the Captured Tracks website [HERE].

Birds of Maya: September 7, 2013 Paradise of Bachelors / WXYC Day Show, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 14, 2013
By

IMG_5822
[Photos by acidjack]

If certain people are to be believed, Birds of Maya is the best rock n’ roll band in Philadelphia. Which, considering how essential that city’s rock tradition has been to the genre in the last few years, is saying a hell of a lot. In recent years, acts like Purling Hiss (the newer vehicle of BoM’s Mike Polizze) and Spacin’ have gotten a lot of the ink, but Birds of Maya is what started it all. After killer sets from fellow Philadelphians Spacin’ and Chris Forsyth earlier in the day at the Paradise of Bachelors / WXYC day show during Hopscotch Music Festival, it was only fitting that the day ended with the BoM mothership blasting us off to 1969 with some epically heavy chooglin’. Rarely bothering with such studio niceties as polished production and carefully laid out song titles, Birds of Maya’s official releases soar on the pure adrenaline of monster riffs made with total commitment and no bad attitudes. Ready to Howl, for example, is a double LP consisting of three songs – “Friday”, “Saturday” and “Sunday”. That’s how they roll.

All of that made BoM an ideal coda to a perfect weekend outdoor show, as the band roared through four epic-length tracks. That old Spinal Tap line about cranking your amps to 11 isn’t, it turns out, a figure of speech — Birds of Maya pushed out enough onstage volume that the amps seethed with fuzz. This set of continuous music brought all the heat of the band’s LPs, with the spontaneity and good vibes of the live setting to boot. Just listen to “E.O.I.”, streaming below, to get an idea of how it felt to see these guys in action.

I recorded this set with Schoeps MK4V microphones and a soundboard feed. As noted, BoM’s amps were cranked, causing the board feed to distort a little. So, this sounds similar to a Birds of Maya album — loud, fuzzy and raw. It’s a thing of beauty. Enjoy!

Stream “E.O.I.”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5818

Birds of Maya
2013-09-07
Paradise of Bachelors /WXYC Day Show
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Schoeps MK4V>KC5>CMC6 + SBD>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments, EQ to SBD)>Izotope Ozone 5 (tube effect, compression, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sie Kleben
03 E.O.I.
04 Black Foot Kin
05 Cosmic Honeyshaker

If you enjoyed this recording, PLEASE SUPPORT Birds of Maya, like them on Facebook, and buy their records online at Midheaven Mailorder.

Zachary Cale: September 27, 2013 Union Pool – FLAC/MP3/Streaming

October 8, 2013
By

IMG_5890
[Photos by acidjack]

Zachary Cale is a classic songwriter in every sense of the word, who balances his aptitude with his six-string with keenly-observed lyrics and an obvious respect for his audience. This show at Union Pool represented the release show for Cale’s fourth proper LP, Blue Rider. The album is commendable both for its brevity and consistency; across its eight songs, there is not a weak one among them. Of its standout tracks, Cale played them all at this show, particularly “Hold Fast”, whose whimsical guitars and breezy vocal will find favor with Kurt Vile fans, among others. Cale is one of those artists who doesn’t seem to really need the studio; this live performance felt completely of a piece with the album in sound and structure, with the songs gaining energy from the Friday night crowd. Along with playing the bulk of Blue Rider, Cale gave us a special treat with a gorgeous cover of Robert Johnson’s “Love In Vain”.

I recorded this set with Schoeps MK4V microphones from our usual spot in the venue, plus a limited soundboard feed consisting primarily of vocals and keyboards. At points, the keyboards are a touch loud in the mix, and there is a level of crowd noise not surprising for a Friday night crowd. Nonetheless, the overall sound quality is excellent. Enjoy!

Cale is on tour for October and November in a mix of headlining appearances and shows with Crystal Stilts. His next New York appearance will be with Crystal Stilts at Bowery Ballroom on Halloween. Tickets for that show are available here.

Stream “Hold Fast”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5891

Zachary Cale
2013-09-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (DFC, at SBD, PAS)>KCY>Z-PFA + Soundboard (mono, vocals/guitar/keys feed)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (edits to SBD, mix down)>Izotope Ozone 5 (EQ, effects, thick/warm compressor)>Audacity 2.03 (fades, tracking, amplify, balance, downsample/dither)>FLAC ( level 8 )

Tracks
01 Unfeeling
02 Hold Fast
03 Blood Rushes On
04 Wayward Son
05 Sandcastles
06 [banter]
07 Love In Vain [Robert Johnson]
08 [banter2]
09 Dear Shadow
10 Noise of Welcome

If you enjoyed this recording, please support Zachary Cale by visiting his website and buying his records from his online store or from his bandcamp page.

Dead Stars: September 28, 2013 Glasslands – Flac/MP3/Streaming

October 8, 2013
By

Dead-Stars-#10
[photo by PSquared Photography]

Dead Stars are one of those Brooklyn bands that have been on my radar and whose recorded output has impressed, but I’ve never actually seen live. That changed at Glasslands on Wednesday last, and Dead Stars did not disappoint. In a short and tight opening set, the band played all three songs from I Get By their 2012 EP (we’re streaming one below), a couple of songs from their recent EP High Gain (Uninhabitable Mansions), and a couple of new songs. The live Dead Stars sounds quite like Dinosaur Jr., which is certainly a good thing, and overall has a solid 90s-influenced sound. We talked to the guys briefly after the show out near their crazy tour van, and its clear that not only are these guys good, but they really like what they’re doing. That’s refreshing and welcome.

I recorded this set with our installed rig and the sound is superb. Enjoy!

Stream “Kill Me in the Summertime”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dead Stars
2013-09-18
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-21

Setlist
[Total Time 29:18]
01 Someone Else
02 I Get By
03 Leaving
04 Waste Away
05 Such A Bummer
06 Fractured
07 Kill Me in the Summertime
08 Face The Truth

If you enjoyed this recording, PLEASE SUPPORT Dead Stars, visit the their bandcamp page, and purchase their two EPs from their Bandcamp page or from Uninhabitable Mansions Records [HERE].

Oneida: October 4, 2013 Glasslands – FLAC/MP3/Streaming Full Set

October 6, 2013
By

IMG_5927
[Photos by acidjack]

An Oneida show is a fairly rare occurrence these days, an event not to be missed. Such was the case with this Friday night set at Glasslands, which found the band joined by James McNew (of Yo La Tengo and opening act Dump) to perform an unreleased 45+ minute song called “Get Brighter” (nominally an Incredible String Band cover), followed by “Sheets of Easter” to close out the set. “Sheets” reminds me of what a Bruce Nauman installation might sound like as a song, with its harsh, repetitive vocal giving it a claustrophobic feel that teeters on the edge of madness. “Get Brighter”, on the other hand, was a classic, percussive Oneida sprawl, which comprised the bulk of the set and set a new standard, perhaps, for “interpretive” covers. As always, this show both defied and exceeded expectations, cementing Oneida as one of those bands whose shows should always be a standing appointment.

I recorded this set with MBHO microphones at the stage lip, plus a soundboard feed by the Glasslands staff. The sound quality is outstanding. Enjoy!

Stream and download the full set

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5917

Oneida
2013-10-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (onstage)>MBP603 + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression on KA200N source, mix down, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Get Brighter
02 [banter]
03 Sheets of Easter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Tom Carter: September 6, 2013 Three Lobed / WXDU Day Show, King’s (Raleigh, NC) – FLAC/MP3/Streaming

October 3, 2013
By

IMG_5747
[Photos by acidjack]

About two or three minutes into “Beauty Draws the Seed”, one of three compositions Tom Carter played at this year’s Three Lobed Recordings / WXDU Day Show during Hopscotch Music Festival, it was clear that this would be a session that would be unforgettable. I have seen Tom play several times, but this afternoon show was special — a day that every artist invited showed up with their absolute best.

Carter’s layered, carefully rendered guitar compositions start to resemble living organisms, expanding and contracting. They exist beyond words, beyond simple emotions. This was a set of profound beauty, Carter’s first solo set in North Carolina. He made it one for the ages.

These songs will be available in 2014 on releases from Three Lobed Recordings as well as an Italian label so new it doesn’t have a name yet. We are not only thankful for what Carter has accomplished to date, but what lies in front of him.

I recorded this set with a soundboard feed customized for this recording and Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Stream “Beauty Draws the Seed”


Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5748

Tom Carter
2013-09-06
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (custom stereo mix)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

01 [intro]
02 Beauty Draws the Seed
03 August Is All
04 Numinous

If you enjoyed these recordings, PLEASE SUPPORT Tom Carter by buying his music from Wholly Other, keeping an eye out for the forthcoming Three Lobed release in 2014, visiting the “Buy Music” links at the Tom Carter page and visiting the Tom Carter page maintained by Kranky.

The Suburbs: September 27, 2013 Mercury Lounge – Flac/MP3/Streaming

October 3, 2013
By

suburbs mercury
[photo by Mark Hervey]

So yeah, its the Summer of 1986. About a month after I attended that legendary Replacements show about which I’ve written on this site, another one of the great 1980s Minneapolis bands played the Ritz. The Suburbs did not have the exposure of MN bands like Husker Du and The Replacements, but they were on Twin/Tone for five years or so before moving onto a major label. Love Is The Law was their first major album and it was a college radio staple for a couple of years. By the time they appeared at the Ritz in ’86 as the second of three bands opening for the Australian band The Church, the Suburbs had been together for eight years and released 4 albums and 2 EPs of their quirky glam new-wavish blue-eyed soul. And I had every single one of them on vinyl. I recall the set that night was all familiar material and since the band traveled with a horn section, the finale was “Love Is The Law”. I didn’t even stay for the “headliner”. But little did I realize on that warm summer night that it wouldn’t be for another 27 years before the Suburbs would play New York again. The band broke up in 1987 and although they’ve played multiple reunion shows over the years, all of the shows have been in Minnesota. But fate has a funny way of intervening and when the Minnesota marriage equality movement adopted “Love Is The Law” as their theme song and the Minnesota legislature legalized marriage for all, the Suburbs performed the song on the steps of the Capital with the Governor on guitar. The increased exposure seemed to give the band momentum to finish recording some new songs, and after a successful Kickstarter, the Suburbs’s first album of new material in nearly 30 years was born. If Si Sauvage is an historically unlikely album, its a remarkably good one. The Suburbs always had a quirky edge that has perhaps softened a bit, but the songcraft (and sense of humor) are as strong as ever. On Friday night the band returned to NYC and although it wasn’t 1986 all over again, the Suburbs delivered a tight one-hour set mixed between the new album and old classics. Of the older material, “Music for Boys” from 1981’s Credit in Heaven was a near perfect version and we’re streaming it below. But like the Ritz all those years ago, it was “Love Is The Law” to close the set. I suspect it won’t be another 3 decades before I see the Suburbs again.

I recorded this set with the Sennheiser cards mounted in front of the soundboard and mixed with a soundboard feed. The crowd is a little rowdy and you can hear that even in the mixdown, but overall the sound quality of this recording is superb. Enjoy!

Stream “Music For Boys”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suburbs
2013-09-27
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-28

Setlist:
[Total Time 54:41]
01 Born Under A Good Sign
02 Waiting
03 Reset The Party
04 Music For Boys
05 Dumbass Kids
06 Dish It Up
07 What’s It Like Out There
08 Turn The Radio On
09 Life Is Like
10 Rattle My Bones
11 Cows
12 [banter – cowbell]
13 Si Sauvage
14 Love Is The Law

If you enjoyed this recording, PLEASE SUPPORT The Suburbs, visit their website, and purchase Si Sauvage directly from their site [HERE].

Promised Land Sound: September 7, 2013 Paradise of Bachelors / WXYC Day Show, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 2, 2013
By

IMG_5810
[Photos by acidjack]

The young Nashville band Promised Land Sound represents a bold new move by the fledgling North Carolina label Paradise of Bachelors. It’s their first attempt to officially break a new act. And, if the quality of PLS’ live performance at the PoB/WXYC Hopscotch Music Festival Day Show is any way to gauge it, I’d say they have a good shot at succeeding. The Bachelors signed the band on a bit of a whim, having caught them as an opening act for established underground artists Wooden Wand and MV & EE at William Tyler‘s venue The Stone Fox. The band fits well into PoB’s musical vision, with a catalog that expresses a continuous line from the rock of decades ago to today’s artists. Which is to say that while PLS is new, their country-inflected barroom choogling could have lit a fire under people’s ass back when the band members’ parents were still on the prowl.

This set covered both material from their just-released debut LP, Promised Land Sound (which features Tyler as a guest performer), as well as some earlier material from their Stoned Eagle EP from 2012. The boys’ live performance emphasized the grittiness of their sound, and in many ways flattered the hands-off approach taken to the record’s production, which has a good bit of similarity to the live sound. Rocking out in the lovely Stephenson Amphitheatre in the late summer sun, I could see how the comparisons made between such luminaries as CCR, Jim Ford and Gene Clark in the press materials were more than fair. Promised Land Sound should have a lot to look forward to in the years ahead.

I recorded this set in the same manner as the other PoB Day Show recordings, with Schoeps MK4V cardiods at the stage lip and a soundboard feed. While the performance, and the quality of the capture of the instruments on stage is excellent, the PA suffered from some distortion that is evident on the recording, primarily in the vocals. With the understanding that this is a limitation of the equipment and not the band, this should be a worthwhile introduction to this up-and-coming young act. Enjoy!

Stream “Fadin’ Fast”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5807

Promised Land Sound
2013-09-07
Paradise of Bachelors Day Party
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Schoeps MK4V>KC5>CMC6 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [POB Intro]
02 [instrumental]
03 The Storm
04 Yes You Can
05 Weed and Wine
06 Fadin’ Fast
07 Fuck Cancer
08 If Only
09 All the Time

If you enjoyed this recording, PLEASE SUPPORT Promised Land Sound, like them on Facebook and buy Promised Land Sound from Paradise of Bachelors. Support the University of North Carolina-Chapel Hill’s WXYC by paying them a visit as well.

Torres: September 25, 2013 Glasslands – Streaming Full Set

October 1, 2013
By

IMG_5862
[Photos by acidjack]

Consider any of the singing competitions that rule TV-land and it’s obvious that there’s no shortage of perfectly good singer-songwriters. Many a loser of The Voice is capable of killing on a few cover songs in a coffee shop. There are dozens and dozens who can hit the right notes and make the right faces and get somebody to vote for them on their phone. What almost all of them don’t have, not really, is what Torres, aka Mackenzie Scott, has. She sings with grit, with feeling, and sometimes it’s not as pretty as it should be or as tied with a neat bow as a fifteen year old on an iPhone might like. When she sings “Honey” you hear the pleading and the hurt, and when her hushed voice grows into a harsh, wailing peak, you feel like you’re right there with her. This one of many good reasons that her self-released album grabbed the attention it did. Torres isn’t just putting a bunch of so-so tracks out there, hoping somebody cares. Her work demands to be heard.

Finding Glasslands pretty busy on a Wednesday night these days is hardly news, but Torres owned the audience in a way many artists can’t. From the leadoff track to her record, “Mother Earth, Father God” to the solemn, solo closer “November Baby,” she held the crowd rapt, the noise of the bar kept at bay through sheer force of will. She doesn’t take her audience for granted, but her set isn’t accommodationist, either. A lesser artist sitting on a single self-released album wouldn’t play multiple songs stretching past the five-minute mark, including her encore, but such is Scott’s confidence and skill that I didn’t even notice the track lengths until I mixed this recording down. Considering this was Scott’s first Brooklyn show as a borough resident (she comes from Nashville), I think she’s more than made the case that she’ll be around a while.

I recorded this set with the installed house sound system including a board feed from Glasslands engineer  Matt. The sound quality is excellent. Enjoy!

At the request of Torres’ management, this recording is offered in streaming format only.

Stream the full set

IMG_5868

Torres
2013-09-25
Glasslands
Brooklyn, NY USA

Exclusive live stream hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Matt) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, light parallel compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mother Earth, Father God
02 Moon & Back
03 [banter]
04 Jealousy and I
05 [banter2]
06 When Winter’s Over
07 [banter3]
08 “Proper Polish Welcome” [new]
09 Honey
10 [banter4]
11 Come To Terms
12 Waterfall
13 [encore break]
14 November Baby

If you enjoyed this recording, PLEASE SUPPORT Torres, visit her website, and buy her record (including pre-orders for physical copies) there.

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