Posts Tagged ‘ williamsburg ’

nyctaper Top 10 Concerts of 2014

December 27, 2014
By

taper-larger

NYCTaper (the site) will have our “Top 25 Moments” post later this week, but in the meantime this is the nyctaper (the person) list of my Top 10 concerts of 2014. Since I recorded less than half of the recordings posted on the site this year, its by no means comprehensive but its a personal list I’ve done since the site began in 2007.

1. The War On Drugs: March 19 and 20 2014 Bowery Ballroom
2014 was pretty much the year of the The War On Drugs. Their album has been the consensus number one selection among a vast number of end-of-year lists — appearing at or near the top in every single list we’ve read recently. And we’re proud of the fact that we were there first. In my review of this show, I predicted that Lost In The Dream would be an album of the year candidate and would be in the decade discussion. The band played two flawless shows at Bowery Ballroom, bringing the new album’s material to life with passion and precision.

2. Wussy: October 10, 2014 Knitting Factory / October 11, 2014 Private House Larchmont NY
2014 was also the year of Wussy. As their album Attica continues to show up on virtually every knowledgeable year-end list, it appears that the world at large is finally catching on to a band we’ve been pushing for the last half-decade. In between these two shows — a full band set headlining the CBGB Fest at the Knit, and the following night playing acoustically at a private house show — Wussy filmed a segment with CBS national morning news that recently aired. It was their first national tv appearance, and I’m guessing it won’t be their last. Both of these shows were great for different reasons, but both indicated the strengths of this unconventional but extraordinary band.

3. Wilco: October 29, 2014 Capitol Theatre Port Chester NY
Of the three nights when Wilco celebrated their 20th anniversary and the tour came to the NYC area, this was my favorite night for variety of reasons. The performances on all three nights were top notch, but this night had the extra bonus of some older Wilco material that I had never heard live or hadn’t seen in years.

4. Ty Segall: September 17, 2014 Webster Hall
Ty Segall keeps churning out the records and they keep getting better. The shows are also genuinely the best show in town — crazy talented band, great songs and a crowd that matches the energy from stage top to bottom. This night at Webster was part of two consecutive sold-out shows for Ty and this set was easily one of my best of the year, notable for the force of the crowd causing the photo pit guardrails to be removed because of of the crush.

5. Marah: July 12, 2014 Bowery Electric
The story of Marah is one of redemption and ultimately an extraordinary reinvention. A fairly successful band from the aughts, Marah was dormant for a few years before rising up from the ashes into an eclectic Americana band whose project was to resurrect centuries-old Pennsylvania folk songs into a contemporary format. Add to the band a 10 year old child prodigy on fiddle and a PhD in rural cultures on banjo and you have one of the most unlikely success stories in recent memory. This show at Bowery Electric was a revelation in so many ways, it perhaps best to just listen to the show in its entirety.

6. Woods: November 4, 2014 Death By Audio
This night ended up being my last at Death By Audio. If recording your last show one of your favorite venues ever ends up being one of your favorite bands, then its all good. For this show, Woods reunited with former member Lucas for several songs including the transition jam from his set to the main Woods set that led into “Bend Beyond” — also one of the best single moments of the year.

7. King Gizzard and the Lizard Wizard: October 13, 2014 Baby’s All Right
Their new album came out too late in the year to end up on too many end-of-year lists, but if it had been released in February or March it would be right there. King Gizzard is a band clearly on the rise and their shows are all out ragers. We saw them four times this year but this was the one that really kicked it in and took this band to an entire other level. The opening segue was the one of the best extended pieces of music we heard all year.

8. PUP: February 21, 2014 Cameo Gallery
This is likely the show that I saw this year where the most unbridled energy emanated from the stage. PUP is part of the burgeoning punk scene in Toronto and they toured North America and Europe persistently throughout the year in support of their self-titled debut on Side One Dummy Records. This night at Cameo pre-dated the release of the album and the crowd was a fraction of the fans they’d see before the end of the year, but PUP was simply one full hour of energy, humor and fun and this was one of my favorite nights of the year.

9. The Kickback: October 23, 2014 NYCTaper Unofficial CMJ Day Party, Cake Shop
I invited The Kickback to play our CMJ show because of one song in particular — a version of “Rob Our House” at Pianos that we had seen in June. But when the band played their afternoon set in the basement of Cake Shop, I soon learned that this was far from a one-song band as every track was more compelling than the next. Of course, “House” was the number that blew mostly everyone away when it closed the set, but in reality this entire performance was killer.

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Beach Fossils: December 17, 2014 Glasslands – Flac/MP3/Streaming

December 26, 2014
By

Beach Fossils Brianna
[photo by Brianna Duzich]

Its comforting to say goodbye to things we love by coming full circle to our earliest experiences. My final show at Glasslands was a wild night from Beach Fossils — a band who’ve played much larger gigs in recent years but who returned to their roots in the final week of the venue. We first saw Beach Fossils at Glasslands as an opener of a four-band bill way back in January of 2010. It was one of their first full band shows ever. Their first career single was “Daydream” and it wasn’t released until February of 2010. That song was performed at the gig five years ago, and that track closed this 2014 set (and its streaming below). In the last five years, the band has released two excellent albums, reached the Billboard Indie charts, sold out Bowery Ballroom and reached several other milestones. Indeed, Dustin Payseur and his wife (and former Captured Tracks General Manager) Katie Garcia recently started their own label Bayonet Records. On Wednesday, it was clear that although this is a band looking forward, this was a night for looking back. Dustin made multiple references to the venue and the band’s history at Glasslands and Beach Fossils played a lengthy set of material from their entire career, not just the newest album Clash The Truth. This was yet another sellout among Glasslands’ final gigs and the crowd was energetic and very animated — bopping along with each song throughout the entire set. Personally, this was a very appropriate send-off to a venue that we’ve attended for nearly eight years — a fun band on a fun night visiting a memorable past. Goodbye forever Glasslands.

I recorded this set with the installed Naiant Cardioids mixed with an excellent board feed provided by house FOH Chris Madden. There is an intermittent hissing noise, which is the smoke machine onstage audible in both the room mics and the soundboard feed. Otherwise, its a superb recording. Enjoy!

Stream “Daydream”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Beach Fossils
2014-12-17
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Chris Madden] + Naiant X-R Cardioid > Sound Devices 744t > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 1:20:12]
01 [introduction]
02 Generational Synthetic
03 Shallow
04 [banter – Grasslands]
05 Vacation
06 Careless
07 What A Pleasure
08 Birthday
09 [banter – shots]
10 Sleep Apnea
11 [banter – see you]
12 Youth
13 [banter – holiday party]
14 Clash The Truth
15 Permutation [new song]
16 [banter – memories]
17 Calyer
18 [banter – math]
19 Taking Off
20 [banter – Devo tease]
21 Crashed Out
22 [Nirvana tease]
23 Daydream
24 [encore break]
25 [instrumental]
26 Twelve Roses

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Beach Fossils, visit their website, visit their Facebook page, purchase Clash The Truth from Captured Tracks [HERE] and purchase future releases from Bayonet Records [HERE].

Frightwig: September 8, 2014 Knitting Factory – Flac/MP3/Streaming

December 18, 2014
By

Frightwig Knit
[photo by nyctaper]

Frightwig was founded in the early 80s San Francisco punk scene — a time and place that welcomed female-fronted bands (Romeo Void, The Contractions, The Nuns, The Units) but which had not yet fully opened the gates to the likes of L7 and Bikini Kill. Frightwig combined a wicked sense of humor with some sharp politics to produce a handful of albums before calling it quits in 1994. Twenty years on, Mia and Deanna reformed the band in 2012 in part to express some contemporary politics in today’s bizarre conservative political climate (“War on Women”). While retaining their sense of fun and humor, Frightwig still pokes jabs at appropriate targets and their new songs are as pointed as their entire catalog. At Knitting Factory in September, the band played an extremely entertaining hour-long set that was part of a mini-tour of the East Coast — their first in two decades — which culminated at the Washington DC We Are Woman Constitution Day Rally. Frightwig currently have no pending gigs, but we expect to hear more from them in 2015.

I recorded this set in the same manner as the Jane Lee Hooker set and the sound quality is outstanding. Enjoy!

Stream “My Crotch Does Not Say Go”:

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Frightwig
2014-09-08
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineers Keith Milgaten and Ben Fitterman] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 56:23]
01 [intro]
02 Hear What I Say
03 War On Women
04 [tech – keyboard]
05 My Crotch Does Not Say Go
06 Crawford
07 What Is Love
08 [banter – fashion week]
09 Ride Your Bike
10 Aging Sux
11 Crazy World
12 [banter – go-go dance]
13 Redistribution of Wealth
14 A Man’s Got to Do What a Man’s Got to Do
15 [banter]
16 Punk Rock Jail Bait
17 I’ll Talk To You And Smile
18 PRJB Reprise
19 [outro]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Frightwig, visit their website, and purchase their official releases from the Store at their site [HERE].

Kevin Morby: October 24, 2014 Aquarium Drunkard CMJ Showcase, Rough Trade – FLAC/MP3/Streaming

December 1, 2014
By


IMG_0379

Expect to see Kevin Morby‘s outstanding 2014 release, Still Life, on many best-of lists here at year end. Since striking out on his own with Harlem River last year, the former Babies frontman and Woods member has firmly established himself as one of the most exciting songwriters of his generation. At Morby’s first solo show that we covered, Morby debuted several of the forthcoming Still Life tracks. Nine months later, Morby was at the Aquarium Drunkard showcase at Rough Trade ready to acquaint us with more of the new record. Though Morby arrived onstage last, after midnight, most of the crowd had stuck around to catch him, and he rewarded us with a poised set that showed his tour-worn comfort with the newer songs. He also played a classic number covered by one of our other favorite bands recently, Bill Fay’s “I Hear You Calling”. Morby’s sound congeals increasingly well with the West Coast move that in part prompted his solo breakout; his songs feel like a breeze blowing across your face as you lie on the hood of a car in a beach parking lot, staring at the coast. It was a fine way to end the night, not to mention this incredible showcase. Look for more material from it to come, joining this and the Ryley Walker set already posted.

I recorded this set with Schoeps MK41 supercardiod microphones set up in our usual position in the venue. As it was the end of the night, and the soundboard feed was inadvertently turned off during this set, there is a bit more crowd chatter on this one than the other sets from the night, but the sound quality is nonetheless excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Kevin Morby
2014-10-24
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 44:56]
01 Reign
02 Sucker In the Void (the Lone Mile)
03 Harlem River
04 I Hear You Calling [Bill Fay]
05 All of My Life
06 Amen
07 Miles, Miles, Miles
08 If You Leave And You Marry

If you enjoyed this recording, PLEASE SUPPORT Kevin Morby, visit his website, and buy his releases from Woodsist.

Ex Cops: November 25, 2014 Glasslands – FLAC/MP3/Streaming

November 30, 2014
By


IMG_0121
[photos by acidjack]

Just two years after bursting onto the scene with their “You Are A Lamb, I Am A Lion” single, the duo (touring trio) Ex Cops are two albums in and continuing to hone their craft. This show, coming near the end of the run for beloved Williamsburg venue Glasslands, celebrated the release of the band’s latest effort, Daggers, a full-length chock-full of ear-catching dream pop hooks and key guest appearances by Ariel Pink and LP. The synth-driven pop created by Amalie Bruun and Brian Harding seems tailor-made to reach larger audiences, and with the backing of both Billy Corgan and Sky Ferreira producer Justin Raisen, it seems likely that it will.

Unlike some of their peers, Ex Cops separate themselves from the pack by splitting the difference between straight synth pop and rock, with Harding’s guitar leads trading focus with Bruun’s work on the keys depending on the song. While Ariel Pink wasn’t in attendance for “Tragically Alright”, the Daggers track on which he participates, the band still made the downbeat number one of the night’s highlights. It’s a welcome stylistic counterpoint to the strong first single, “Black Soap”, which seems as dancefloor-ready as the former track is for the trip home. This tidy half-hour set focused on the new record, though it led off with a slowed-down version of “Separator”, one of the strongest songs off of last year’s album, True Hallucinations. The set left us wanting more, while confirming that the band has the live chops to go with the songcraft we’d already come to dig. The band played their first show at Glasslands, and while this will be their last in the venue, I’m confident we’ll be seeing them out and about in other places plenty in 2015.

I recorded this set with Schoeps MK41 microphones and a custom soundboard feed from Glasslands engineer Mathew Scheiner. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete show:

Ex-Cops
2014-11-25
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (ROC, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Mathew Scheiner>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, light dynamics)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Separator
02 Black Soap
03 Burnt Out Love
04 White Noise
05 Tragically Alright
06 Wanna Be
07 Rooms

If you enjoyed this recording, PLEASE SUPPORT Ex Cops, visit their website, and buy Daggers on iTunes or grab it from your favorite streaming service.

Caveman: October 15, 2014 Baby’s All Right – Flac/MP3/Streaming

November 28, 2014
By

caveman 2014 b

The Brooklyn band Caveman have been several times on these pages in the last few years, including most recently a sold-out show at Webster Hall in the Spring of last year. After a lengthy quiet period, in October the band played a cluster of shows and we found out why — they’re recording a big batch of new songs. We were fortunate to capture the first of these recent shows, the one year anniversary show for Baby’s All Right where Caveman debuted six new songs. We are streaming the excellent “Without You” below, at the beginning of which lead singer Matthew Iwanusa announced that its from “a record that will not come out anytime soon”. We’re not sure why that’s the case since the band seems to have enough solid material for another strong album, and the songs seem very much to be finished. We checked over at Fat Possum Records, where Caveman still appears to be an active artist, so for now we can just enjoy these songs and wait for official news. The Baby’s show also included a nice selection of older material from the band’s first two albums, and finished with a lengthy Vampirer/Old Friend that we’re also streaming below. There are no current tour dates for Caveman, so we’ll assume they’re still recording the new album.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed on the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “Without You”:

Stream “Vampirer / Old Friend”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Caveman
2014-10-15
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience
Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 57:20]
01 My Time
02 Shut You Down
03 Down In The Morning
04 Easy Water
05 Without You
06 [banter – Brooklyn]
07 Ankles
08 [banter – storms]
09 Dirty Baby
10 I See You
11 [banter – birthdays]
12 You Found A Feeling
13 Project
14 [banter – thanks]
15 In The City
16 [encore break]
17 Vampirer – Old Friend

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Caveman, visit their website, and purchase their first two albums from the Fat Possum Records site [HERE].

Ryley Walker: October 24, 2014 Aquarium Drunkard CMJ Showcase, Rough Trade – FLAC/MP3/Streaming

November 21, 2014
By

IMG_0321
[photos by acidjack]

It seems only appropriate to post a recording of Ryley Walker on the heels of one by the great Hiss Golden Messenger. These two artists represent among the very finest of their time, separated by a generation but potentially on very similar career trajectories. The two are also likely to have a lot of overlap in fans, because those drawn to authenticity, a canny understanding of their musical past, and honest songwriting are likely to find good company with these two. My first experience with Ryley Walker — playing with a full band at the Hopscotch Music Festival — also mirrored my first live experience with HGM two years before. Here, at the Aquarium Drunkard CMJ showcase at Rough Trade, Ryley proved himself alone (with a supporting bassist for part of the set). More to the point, Ryley proved himself an unmitigated master of his art, far beyond his years in poise and style.

Most CMJ sets tend to be truncated versions of artists’ “best stuff”, run through in perfunctory fashion to get the most bang for the buck in terms of setlist. Walker saw things differently, leading off with a twelve-minute, spine-tingling “Summer Dress” that equaled about a third of the set. That time wasn’t wasted, either, as Walker soared on improvised vocal runs that took the song beyond the singer-songwriter realm into something spiritual, his voice becoming its own instrument rather than the mere vessel of lyrics. As with the bulk of the set in North Carolina back in September, this focused entirely on new material in lieu of Walker’s outstanding album of earlier this year All Kinds of You. That alone should say something about how prolific this artist is at this point. The ability of the young Chicagoan to distill such pain and emotion into his work is a humbling surprise, the kind of thing you’d never guess from the rest of his happy-go-lucky stage persona. This is a man possessed of rare gifts, and we cannot wait to see them brought to a wider world.

I recorded this set primarily with a soundboard feed by Rough Trade engineer Kameron Biehl, with a small amount of Schoeps audience microphones added for ambiance. Other than a few glitches with a DI during one song, the sound is excellent. Enjoy, and spread the word!

Thanks to Ryley Walker and Aquarium Drunkard for permitting the recording.

Download the complete show via the Live Music Archive: [FLAC] | [MP3]

Stream the complete show:

Ryley Walker
2014-10-24
Rough Trade NYC
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kameron Biehl) + Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Summer Dress
02 The West Wind
03 [banter1]
04 Primrose Green
05 [banter2]
06 Sweet Satisfaction

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy his records here.

IMG_0370

Dream Syndicate: November 15 and 16, 2014 Rough Trade – Flac/MP3/Streaming

November 20, 2014
By

the-dream-syndicate-9
[photos by PSquared Photography]

In 2012, a European superfan of Steve Wynn convinced him to reunite the Dream Syndicate for a festival in Barcelona and eventually the reunion became the 30th anniversary tour. But frustratingly for fans in his adopted home town, Steve had not returned with the band to NYC. In fact, there had only been a handful of US dates thus far, the first of which was 2013’s Solid Sound Festival. This past weekend’s two-fer at Rough Trade remedied the slight as New York received two outstanding performances of the band in full sync. Dream Syndicate had several personnel changes during its original eight-year tenure as Steve and drummer Dennis Duck were the only consistent band members. This version of the Dream Syndicate featured bassist Mark Walton, the longest tenured bass player who joined for the second album and remained through the band’s demise in 1989. This time around the lead guitar is a very familiar face to Steve Wynn fans — his longtime guitar partner Jason Victor who has performed many of these very songs live with the Miracle Three. The fortunate aspect of having to wait a couple of years for the reunion tour to reach NYC is that the band is truly operating on all cylinders and really clicking as a unit. There were many moments of inspired improv during the two show run, including a foray into “Morning Dew” during “Coltrane” on Saturday and a well developed “Marquee Moon” jam in the midst of an extended “Halloween” at Sunday’s show. The setlist for each night included just about all the songs you’d hope to hear at a Dream Syndicate show and a few tasty covers. Steve promised and delivered a different show for Sunday, subbing in a few deep tracks and re-arranging the list, but each show was equally satisfying and clearly worth the wait.

The Dream Syndicate perform their final show of the year at the Echoplex in Los Angeles this weekend, Saturday November 22.

The November 15 show was recorded by Kubacheck with his MBHO cards from a stand inside of the soundboard booth and the recording is an outstanding capture. I recorded the November 16 show from the same exact location with the Schoeps cards mixed with an excellent board feed provided by talented house FOH Kyle. Its is a super listen. Enjoy!

Stream “Definitely Clean” (from November 15 show):

Stream “Tell Me When Its Over” (from November 16 show):

Download and Stream the Complete Shows at Archive.org:
November 15 [HERE]
November 16 [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

the-dream-syndicate-16

Dream Syndicate
2014-11-15
Rough Trade
Brooklyn NY

Digital Master Audience Recording
Recorded inside Sound Booth

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:50:56]
01 When You Smile
02 Sure Thing
03 Then She Remembers
04 [banter – homecoming]
05 Season of the Witch [Donovan]
06 Daddy’s Girl
07 Until Lately
08 Tell Me When It’s Over
09 Burn
10 Definitely Clean
11 Halloween
12 [banter – Rutles reference]
13 The Medicine Show
14 That’s What You Always Say
15 Too Little Too Late
16 The Days of Wine and Roses
17 [encore break]
18 Merritville
19 John Coltrane Stereo Blues

*****************************************

Dream Syndicate
2014-11-16
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Kyle] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, effects, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:38:27]
01 See That My Grave Is Kept Clean
02 Tell Me When It’s Over
03 Daddy’s Girl
04 [banter – Brooklyn]
05 Sure Thing
06 Armed With An Empty Gun
07 Definitely Clean
08 Burn
09 Fifty in a 25 Zone
10 Then She Remembers
11 When You Smile
12 Halloween
13 [band introductions]
14 That’s What You Always Say
15 Too Little Too Late
16 The Days of Wine and Roses
17 [encore break]
18 Season Of The Witch [Donovan]
19 John Coltrane Stereo Blues
20 Break On Through [Doors]
21 John Coltrane Stereo Reprise

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dream Syndicate, visit their website, and purchase their official releases from Steve Wynn’s Store [HERE].

the-dream-syndicate-14

King Gizzard and the Lizard Wizard: October 13 and 26, 2014 Baby’s All Right – Flac/MP3/Streaming

November 18, 2014
By

KGLW Babys Yuki
[photo courtesy of Yuki Matsumura]

Australia’s neo-psych phenoms King Gizzard and the Lizard Wizard were here in New York during the Summer and made a bit of a splash. We saw them open for Thee Oh Sees at McCarren Park and could definitely see their talents, but conditions (crazy wind, early set time) didn’t allow us to see the band’s full potential. Baby’s All Right gave King Gizzard a multi-show residency back in June, so when the band returned to NYC for much of October it was perhaps fitting that we should capture them at their homebase away from home. Baby’s offers Gizz what they need to thrive — the right sized room, an adoring audience and a welcoming vibe. And thrive they did. The band played multiple shows at Baby’s including several CMJ shows. We were fortunate to capture the first of those October shows, and the last. On October 13, The King Gizzard set was truly what I had hoped to see when I saw the band’s potential back in June. This was a full-on psych-rock assault with dual-lead guitars, dual-drummers and all manner of non-traditional instruments (flute!). The new King Gizzard album I’m In Your Mind Fuzz came out at the end of the month, but two weeks early we got nearly the whole thing, beginning with the tremendous five-song segue that opens the album to also start the show. That mini-set literally never let up in its astounding energy. When the band finally came up for air a good twenty minutes into the set, you could almost hear an exhale from the crowd and feel a collective realization that this band had truly arrived — lots of mouthed wows and head shakes. Gizz was on and the room was electric. The remainder of the set was equally outstanding, including the end of the show which featured two extended jam sessions and finished with the band’s epic “Head On/Pill”.

At the end of the CMJ week, the appropriately named annual “CMJ Hangover Brunch” hosted by Panache Booking featured a completely different King Gizzard set from earlier in the month. This event was conceived as a quieter, more mellow experience and the Gizz played off that idea. The pared down version of the band displayed their talents at singing/songwriting and it was no less compelling than the psych-out aspect of the band. The October 26 set featured only two songs from the new album, the aptly named “Slow Jam” songs. After the set we had a nice chat with band leader Stu MacKenzie, an intelligent and thoughtful guy whose personality is well captured in this excellent piece in Interview Magazine.

King Gizzard is back in Australia and not likely to tour the US again until the Summer of 2015, but those shows will be events not to miss.

I also recorded the crazy Halloween show and that will be on the site within the next few weeks.

Both of these shows were recorded and mixed in the exact same manner by Baby’s FOH Devin. We blended the room mics with his excellent multitrack mix and the sound quality of each is superb, truly capturing the completely different feel of each of the sets. Enjoy!

Stream “I’m In Your Mind” from October 13 show:

Stream “Sleepwalker” from October 26 show:

Download of Complete Shows
Oct 13 Show [MP3] / [FLAC]
Oct 26 Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

King Gizzard and the Lizard Wizard
2014-10-13
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 48:56]
01 I’m In Your Mind
02 I’m Not In Your Mind
03 Cellophane
04 I’m In Your Mind Fuzz
05 Empty
06 Hot Water
07 Slow Jam 1
08 Am I In Heaven
09 Head On Pill

**************************************

King Gizzard and the Lizard Wizard
2014-10-26
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 28:49]
01 Slow Jam 1
02 Stressin’
03 Her And I (Slow Jam 2)
04 It’s Got Old
05 Vegemite
06 Sleepwalker
07 [banter]
08 God Is Calling Me Back Home
09 [happy birthday]

If you download this recording from NYCTaper PLEASE SUPPORT King Gizzard and the Lizard Wizard, visit their website, and purchase I’m In Your Mind Fuzz from the Heavenly Records website [HERE] or in the US currently from iTunes. The album has just been released by Castle Face Records in the US, buy it [HERE].

Gizz Keim
[photo courtesy of Dean Keim]

Cass McCombs: November 1 and October 31, 2014 Rough Trade – FLAC/MP3/Streaming

November 16, 2014
By


IMG_8104
[photos by acidjack]

On night two of the Cass McCombs / Meat Puppets stand at Brooklyn’s Rough Trade, the order was switched, with McCombs the “headliner” playing the longer set. Since his breakout moment a few years ago, McCombs has shifted direction a bit, turning his sound toward the jammier side of things with an expanded band. We pointed this out last year when McCombs first brought his material from Big Wheel and Others to the stage at Bowery Ballroom. This time, Cass had a new band in tow but a similar attitude, letting songs proceed at a languid pace that gave the band time to grow into the tunes. In that sense, the two shows offer a bit of a contrast, as the Halloween show finds the band self-editing a bit to make the time requirements, while the November 1st show gives you a full-on jamfest, including a very extended version of “County Line” from 2011’s breakout Wit’s End as an encore. Once again it was arguably the Halloween show that once again took the cake, as the reduced set time both focused Cass’ energies and also yielded a unique cover of Metallica’s “The Unforgiven”. Whatever your Cass preferences, this twofer tour with the Meat Puppets is a can’t miss. The bands are finishing up this year on the West Coast, with the tour dates here.

Each of these sets were recorded in the same manner as Eric PH’s and my respective sets from Halloween. The November 1st set was recorded with Schoeps MK41 microphones and a soundboard feed from Kyle of Rough Trade, while the Halloween show is Audio Technica 3031 microphones and Kyle’s feed. Both are excellent. Enjoy!

Download acidjack’s 11/1 show: [MP3] | [FLAC]

Download Eric’s 10/31 show: [MP3] | [FLAC]

Stream “The Unforgiven” [Metallica] from 10/31:

Stream the full 11/1 show:

Cass McCombs
2014-11-01
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kyle) + Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades, align)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [total time: 1:35:42]
01 Big Wheel
02 Morning Star
03 A
04 Home On the Range
05 Angel Blood
06 Brighter!
07 Buried Alive
08 Lionkiller
09 [banter]
10 Multiple Suns
11 Everything Has to Be Just So
12 The Same Thing
13 Not the Way
14 [encore break]
15 County Line
______________________________________
Cass McCombs
October 31, 2014
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Audio Technica 3031 + Soundboard > Roland R-26 > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, tracking, tagging) > FLAC (level 8)

01. That’s That
02. Equinox
03. Big Wheel
04. Sooner Cheat Death Than Fool Love
05. Aeon of Aquarius Blues
06. Brighter!
07. Robin Egg Blue
08. Dreams Come True Girl
09. [Instrumental]
10. Love Thine Enemy
11. Name Written in Water
12. City of Brotherly Love
13. The Unforgiven [Metallica]

If you download this recording from NYCTaper, PLEASE SUPPORT Cass McCombs, visit his website, and purchase Big Wheel And Others from the Domino Records website [HERE].

SUPPORT NYCTaper




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