Posts Tagged ‘ williamsburg ’

Retribution Gospel Choir: February 12, 2013 Knitting Factory – Flac/MP3/Streaming

February 18, 2013

[photo by Jonathon Bernstein courtesy of brooklynvegan]

Retribution Gospel Choir has a new album called simply 3 which features a grand total of two songs, each of which is twenty minutes long. This is a departure for the band whose albums have previously consisted of solid standard-length post-rock material. The album also features a guest appearance from Nels Cline — guitarist extraordinaire, LA rock/jazz/experimental legend, and long time member of Wilco. On Tuesday night at Knitting Factory, RGC headlined a show at also had Nels’ jazz trio BBC on the bill, and when it came time for setup of the main set, we were excited to see Nels set up his pedals to play. The opportunity to witness duel guitar shredding of RGC’s Alan Sparhawk and Nels from the front row of the Knit was one of my more memorable recent music highlights and not one I will soon forget. We are streaming that track below. The recent Retribution Gospel Choir tour is now complete, but Alan will return to NYC with his main band Low in March.

I recorded this set with the Sennheiser microphones set up at the soundboard cage and mixed with a feed. Enjoy!

Stream “Seven”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Retribution Gospel Choir
2013-02-12
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-02-17

Setlist:
[Total Time 1:06:55]
01 Breaker
02 They Knew You Well
03 For Her Blood
04 When Jesus Comes Back
05 Can’t Walk Out
06 Seven
07 Feel It Superior
08 Maharisha
09 Workin Hard
10 Your Bird
11 Hide It Away
12 Take Your Time

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Retribution Gospel Choir, visit their website, and purchase their new album 3 from Chaperone Records [HERE].

NYCTaper Presents: Endless Boogie Record Release Party w/ Arbouretum and Hans Chew at Cameo Gallery this FRIDAY, Feb 15

February 13, 2013

By acidjack

Facebook Invite / Tickets [HERE]

Endless Boogie

Whether you’re sick of Valentine’s Day shenanigans or not, you owe it to yourself to join your fellow music fans at Cameo Gallery this Friday, February 15, as NYCTaper presents a triple bill from three excellent live bands that we dig. NYC’s Endless Boogie are fixtures of the local rock scene, and deservedly so. We first saw them opening for Pavement during their reunion tour a few years ago and have followed them with interest since, as they have cranked out some positively deadly LPs like the double Full House Head on local No Quarter Records. As their name implies, EB play big songs with fat, chooglin’ riffs that you might remember from the 70s, if you’ve been alive that long. If not, this is what you missed. The show will be the release party for their new No Quarter release, Long Island, the first track of which recently debuted on NPR. If you want more Boogie than that NPR taste, there is also a three-hour (remember that word, “endless” in the name) live set from WFMU online. Or, you know, just come to the show and find out what they’re about in the raw.

Arbouretum

[Arbouretum. Photo courtesy of the band’s Facebook page]

This show’s out of town guests, also introducing material from a new record, are NYCTaper veterans Arbouretum. This will be their first NYC show since their latest Thrill Jockey release, Coming Out of the Fog. If you managed to catch their set at Glasslands back in 2011 like we did, you know to expect some tightly performed, heavy-rocking Southern-influenced psych rock with a strong literary streak. Coming Out of the Fog is their most focused work yet and these guys’ live show is not to be missed. See what we mean by streaming our 2011 recording below:

Hans Chew

You may have first met the piano boogie wizard Hans Chew when he played the NYCTaper CMJ Day Party back in October. If you didn’t, you missed a barnburner. Hans kicked off that show with almost all-new tracks, and a few months later, he’s got even more new material to share. Hans will start this night off at 8:30p.m. sharp, and he should more than wet your whistle for the next acts to come with his high-energy and endlessly entertaining style that takes its honky-tonk roots into the 20th century. His Three Lobed/Divide by Zero LP Tennessee & Other Stories is not to be missed, and we expect a new release from him this spring if things go according to plan.

We hope to see you at Friday’s show. Once again, tickets are HERE and the Facebook invite is HERE.

Jeffrey Lewis: February 8, 2013 Music Hall of Williamsburg – Flac/MP3/Streaming

February 11, 2013

By nyctaper

[photo by acidjack]

It is a pure coincidence that our next post after Diane Cluck is her sometime collaborator and fellow anti-folk alum Jeffrey Lewis. We spoke at length with Jeffrey after his entertaining performance at the first night of the Don Giovanni Records showcase at Music Hall of Williamsburg on Friday night. Speaking to Jeffrey is almost as entertaining as seeing him live, but we also learned that he was in fact at the Diane Cluck show on Tuesday. It is not a coincidence however that the two artists have chosen the same uncompromising career choices, Diane as a direct-to-fan artist and Jeffrey as a multi-talentend jack of all trades — songwriter, cartoonist, humorist and writer. The performance on Friday offered a forty-minute glimpse of these talents and was a thoroughly enjoyable set on many levels, offbeat (“Cult Boyfriend” streaming below), thoughtful (“Life”), educational (“Pocahontas”), and completely hilarious (“The Pigeon”, a yiddish LES spoof of Poe’s The Raven). We have had the luck to see Jeffrey several times, but inexplicably he’s never been on the site. We are happy to finally have him here, and hope there are more to come.

I recorded this set with acidjack from a prime location in this venue. I mixed the Sennheiser cards with a fine soundboard feed and the results are superb. Enjoy!

Stream “Cult Boyfriend”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Jeffrey Lewis
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper 2013-02-10

Setlist:
[Total Time 36:41]
01 When You’re By Yourself
02 [banter – thanks for coming]
03 Cult Boyfriend
04 Big A Little A [Crass]
05 [banter – low budget films]
06 Pocahontas
07 Life
08 Reaching
09 [banter – Raven]
10 The Pigeon
11 Time Trades
12 Into A Corner
13 The Dirty Bird

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Jeffrey Lewis, visit his website, and purchase his official merch at his website [HERE] and at Don Giovanni Records [HERE].

She Keeps Bees: December 15, 2012 Cameo Gallery – Flac/MP3/Streaming

January 17, 2013

By nyctaper

[photo courtesy of Amanda Hatfield and brooklynvegan]

Last month at Sharon Van Etten’s secret show at Cameo Gallery, we weren’t entirely certain until well into the evening as to whether Sharon would actually play. But we were ok with that, since the bill included our old friends She Keeps Bees. We hadn’t seen Jess and Andy in quite a while, likely in over a year. They spend a lot of time recording and playing in Europe, since, well, our brethren overseas have caught on to the magic of She Keeps Bees better than the audiences and industry folk over here. Their 2011 release Dig On was one of Rough Trade’s albums of the year, but it hardly made a blip in America. In the US, its not to say that when a crowd is at an SKB show, they don’t have a great time. Its just that the crowds aren’t big enough and the industry buzz isn’t loud enough given the immense talent and likeability of this duo. Eventually, it will happen. And perhaps the friendship of performers like Sharon Van Etten will help — it certainly can’t hurt. At Cameo last month, She Keeps Bees played a forty minute set in a style to which we’ve become accustomed — a nice mix of material old and new, plenty of hilarious banter, and some outstanding individual performances. We’re streaming the finale of “Ribbon” because it encapsulates much of what’s great about this band, talent, energy and lots of soul.

I recorded this set in the same manner as Sharon’s set, and the sound quality is outstanding. Enjoy!

Stream “Ribbon”:

Download the Complete show [MP3] / [FLAC]

She Keeps Bees
2012-12-15
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Recorded from Front of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-16

Setlist:
[Total Time 36:02]
01 Sister Beware
02 Breezy
03 Counter Charm
04 Pillz
05 All or None
06 See Me
07 [banter]
08 Vulture
09 Gimme
10 Howl
11 Ribbon

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT She Keeps Bees, visit their website, and purchase Dig On from their Bandcamp page [HERE].

Math the Band: January 4, 2013 Glasslands – Flac/MP3/Streaming

January 8, 2013

By nyctaper

$Math The Band Glasslands$
[photo by nyctaper]

When I first saw Math the Band, in an opening slot for Anamanaguchi at Music Hall a couple of years ago, I knew I would have to see them and record them again. That 2011 recording was just not high enough quality to post, and it frankly failed to capture the crazy energy of the performance. Friday night at Glasslands, that energy was on display again and thankfully the stars aligned to produce a faithful recording of their fun and crazy set. Math the Band has been around for a decade and they are part of the groundbreaking Providence RI art collective AS220, but the duo performs with a kind of unselfconscious elation that would be typical of a brand new band finding their footing. The Glasslands show was short and sweet, a less than 30 minute run through much of their new album Get Real and a few chosen older nuggets. While the band certainly makes abundant use of the chiptune style keyboard, the songwriting shows influences of oldies like Dead Milkmen. And like their predecessors, the live show is a hoot — a smile-inducing experience that ends too soon and leaves us wanting more. Math the Band will be touring throughout January on the East Coast, dates are here.

I recorded this set with the Sennheiser Cards mounted in the middle of Glasslands and mixed with an excellent board feed from house FOH Josh. The sound is excellent. Enjoy!

Stream “Why didn’t you get a haircut”:

Download the Complete show [MP3] / [FLAC]

Math the Band
2013-01-04
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-05

Setlist:
[Total Time 27:57]
01 Mission Statement
02 Hang out Hang ten
03 Bad Jokes
04 [banter]
05 Hey Alright
06 Stay Real (Sock it to me Satan)
07 Sad Son
08 Wear Wolf Fever
09 Four to Six
10 Why didn’t you get a haircut
11 Down
12 Tour de Friends

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Math the Band, visit their website, and purchase Get Real from Anchor Brain Store [HERE] or from the Math the Band Bandcamp page [HERE].

Suzuki Junzo: November 27, 2012 Union Pool – FLAC/MP3/Streaming

December 29, 2012

By acidjack

The Japanese guitarist Suzuki Junzo‘s latest album is entitled Ode To A Blue Ghost, and that is an apt description for the spectral noise that Junzo wrings from his guitar. I was not familiar with Junzo before this show, but he has had a long career in the Japanese guitar underground, cranking out a host of self- and label-released records. This show at Union Pool with fellow avant-gardists Rhyton, Eidetic Seeing and the Gibby Haynes and Kohoutek-affiliated Ultimate Vag gave fans of far-out psych and noise a lot to love, but even the musicians in the other bands were somewhat unfamiliar with Junzo’s work. With an undercurrent of blues, Junzo’s guitar sounds can run a surprising emotional range, blending the familiar with the unfamiliar. This show represented a fairly rare chance to see Junzo outside his native Japan, and we are thrilled to have been there to capture it.

I recorded this set with Schoeps MK5 microphones and a soundboard feed by the house engineer, Doug. This favors the soundboard mix as it is all guitar, and other than a few spots of DI distortion, it is excellent. Enjoy!

Direct download of the complete shows: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suzuki Junzo
2012-11-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Doug) + Schoeps MK5 (DFC, at SBD, DIN)>KCY>Z-PFA>>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS5.5 (patch a few min of bad channel, mix down, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (set fades, noise removal, light DR compression, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Guitar Blues
02 Anastasia
03 Moetsukita Chizu (Lament for The Man Without a Map)
04 Hour of Death (Kaneko Jutok)
05 Awake in the Union Pool

If you enjoyed this recording, PLEASE SUPPORT Suzuki Junzo, visit his website, and buy his records, including Ode To A Blue Ghost, in his online store.

Deer Tick: December 12, 2012 Brooklyn Bowl – Flac/MP3/Streaming

December 19, 2012

By nyctaper

[photo by acidjack]

Tonight is the final show of Deer Tick‘s three-Wednesday residency at Brooklyn Bowl, and if last week is any sign this should be a barnburner. The first week’s show (recording here) was a tight and solid Deer Tick show where they played Born On Flag Day along with the first EP and about half of War Elephant as an encore. This past week it wasn’t just that the band played The Black Dirt Sessions straight through (plus the Christmas EP), but the encore segment was like an entire other Deer Tick show. The band played nine songs over two encore segments including covers, older material and guest appearances. Tonight’s show will feature the complete Divine Providence album along with the Tim EP, and I don’t think I’m going out on a limb when I predict another lengthy encore segment with a likely Replacements cover. We’ll be there again.

I recorded this set in the same manner as the first week, with the hyper card Neumanns accompanied by an excellent soundboard feed. Enjoy!

Stream “Choir of Angels”:

Download the Complete show [MP3] / [FLAC]

Deer Tick
2012-12-12
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-12-16

Setlist:
[Total Time 1:32:37]
01 [introduction]
02 Choir of Angels
03 Twenty Miles
04 Goodbye Dear Friend
05 Piece by Piece and Frame by Frame
06 Sad Sun
07 Mange
08 When She Comes Home
09 Hand In My Hand
10 I Will Not Be Myself
11 Blood Moon
12 Christ Jesus
13 Christmas All Summer Long
14 Holy Shit Its Christmas
15 [encore break]
16 Friday XIII
17 Unwed Fathers [John Prine]
18 Dirty Dishes
19 Cheap Sunglasses
20 [second encore break]
21 Baltimore Blues No 1
22 Nevada
23 Sink or Swim
24 Sleep Walk [Santo and Johnny]
25 La Bamba

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including The Black Dirt Sessions from the Partisan Records Store [HERE].

Sharon Van Etten: December 15, 2012 Cameo Gallery – Flac/MP3/Streaming

December 16, 2012

By nyctaper

[photo courtesy of Amanda Hatfield]

Apparently, you can go home again. As she returned to her old haunts, Sharon Van Etten played a semi-secret show at Cameo Gallery that brought everyone in the packed room back five years to the days when she charmed small crowds at the various local venues. Zebulon is now closed, Monkeytown is long gone, and Galapagos is now Public Assembly, but the passing of time was irrelevant last night. It was the performer and her magic voice playing songs that propelled her to her current lofty status that had the room enchanted. Sharon was joined for much of the set by current band member Heather Woods Broderick, who provided beautiful harmonies. The set consisted of a nice mix of older numbers (“Consolation Prize” is streaming below), her current repertoire and some fairly obscure early numbers. But through it all Sharon proved that even though her gigs are now at venues like Town Hall and Beacon Theatre, she is still the same unassuming and modest young woman that charmed us all back then. “I miss the old days”, Sharon said late in the show. So do we.

I recorded this set with the Sennheiser cards mounted front and center of the soundboard and mixed with an excellent board feed. The quiet music on stage is subject to some of the ambient noise of the room (bottles, doors, etc), but overall the sound is excellent. Enjoy!

Stream “Consolation Prize”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Sharon Van Etten
2012-12-15
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Recorded from Center Balcony Rail

Recorded and Produced
by nyctaper
2012-12-16

Setlist:
[Total Time 1:11:28]
01 [introduction]
02 Kevin’s
03 Leonard
04 I Fold
05 Have You Seen
06 All I Can
07 You Really Didn’t Do That
08 [banter – Santa Con]
09 Consolation Prize
10 [banter – parent’s basement]
11 Tornado
12 Give Out
13 Damn Right [aborted]
14 Heart In The Ground
15 Oh My Love

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, and purchase Tramp directly from Jagjaguwar Records [HERE]

David Bazan (playing Pedro the Lion’s “Control”): November 15, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

December 4, 2012

By acidjack

[Photos courtesy of flávio oota]

David Bazan’s 2002 album Control marked what became his second concept album as a recording artist. His first full-length effort as Pedro the Lion, 2000’s Winners Never Quit, told the story of the corruption and redemption of a politician, and was a favorite of mine at the time. Despite its intensely personal lyrics, capable songwriting and obvious ambivalence toward Christianity, a particularly agenda-laden Pitchfork review savaged the record and derisively called Bazan a “Christian rocker”. Control is a dark, brooding album that tells the tale of the dissolution of a modern marriage that ends, ultimately, in murder, the downward spiral all rendered in Bazan’s mournful tones. Control did well with critics and fans. But, ten years later, how has it worn?

David Bazan is a different artist today. His struggles with alcohol – and Christianity – are in the rearview, and as he told the crowd this night at Music Hall of Williamsburg, he is a better musician. After abandoning the Pedro moniker in 2006, he has produced two excellent solo albums under his own name that stand in their own right. This tour was designed to promote the high-quality vinyl reissues of the Pedro the Lion catalog, including Control, and tonight found David and his band (Alex Westcoat and Andy Fitts, who play on both Bazan “solo” albums) playing each of the LP’s sides with a mix of Pedro and Bazan solo tracks sandwiched in the middle. Along with getting to enjoy Control classics like “Penetration” and “Rejoice” (introduced, to close out the set, as “a bummer”), Bazan played some other favorites mid-set, including “Eating Paper” from his latest solo record, Strange Negotiations, and “When They Really Get to Know You They Will Run” from Pedro’s first album, It’s Hard to Find A Friend. So how did Control sound ten years on? It may be a “bummer” emotionally, but it continues to stand as a musical success.

I recorded this set with Schoeps MK41 supercardiod microphones inside the soundboard cage, with an excellent soundboard feed mixed by the band’s touring engineer Brad Lightfoot. The sound is excellent. Enjoy!

Special thanks to Bob Andrews and Caleb Palma at Undertow Music for permitting the making and sharing of this recording, and Ryan and Nick of MHOW for their kind assistance.

Stream “Penetration”

Stream “Eating Paper”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

David Bazan
2012-11-15
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brad Lightfoot)>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, align, adjust levels)>Izotope Ozone 5 (EQ, exciter tube effect)>Audacity 3.0 (set fades, tracking, amplify, balance)>FLAC (level 8 )

Tracks [Total Time: 1:11:59]
Side A of “Control”
01 Options
02 Rapture
03 Penetration
04 Indian Summer
05 Progress

Mid-Set Other Songs
06 [banter/band intro (Q&A portion deleted at artist request]
07 Gas & Matches
08 The Devil Is Beating His Wife
09 Transcontinental
10 People
11 How I Remember
12 Eating Paper
13 When They Really Get To Know You

Side B of “Control”
14 Magazine
15 Rehearsal
16 [banter]
17 Second Best
18 Priests & Paramedics
19 Rejoice

Players:
David Bazan – Guitar, Vocals
Alex Westcoat – Drums
Andy Fitts – Bass

If you enjoyed this recording, please support David Bazan, visit davidbazan.com, and buy his records from Undertow Music [HERE]

Rhyton: November 27, 2012 Union Pool – FLAC/MP3/Streaming

December 4, 2012

By acidjack

[Photos by acidjack]

After their thrilling performance at the NYCTaper Northside Festival Showcase back in June, I couldn’t wait for Rhyton to hit Union Pool last week so I could see them perform songs from their latest, The Emerald Tablet. Or at least, I assumed that would be the case, seeing that the record just dropped in September. But frontman/guitarist/other instrumentalist Dave Shuford, bassist Jimy Seitang and drummer Spencer Herbst aren’t the sort of musicians to “tour an album” or pause their creative process. So, instead of Emerald tracks, the band gave us a completely new pair of free-flowing compositions that are so new they only have working titles. These compositions are more of a piece stylistically with the band’s previous record, Rhyton, with a noisier, less Eastern-influenced feel than The Emerald Tablet. But, when you are dealing with a trio of improvisers like the Rhyton gang, it’s never correct to say anything is exactly like the past.

I recorded this set with Schoeps MK5 cardiod microphones from the center of the balcony, augmented by a soundboard feed from the house engineer, Doug. The sound is excellent. Enjoy!

Stream “Spirit Gum”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Rhyton
2012-11-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DFC, at SBD, DIN)>KCY>Z-PFA + Soundboard (engineer: Doug)>>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Grokked in the Alleyway
02 Spirit Gum

If you enjoyed this recording, please support Rhyton, visit their page on Thrill Jockey Records, and purchase The Emerald Tablet LP directly from Three Lobed/Divide By Zero [HERE].

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Posts Tagged ‘ williamsburg ’

Retribution Gospel Choir: February 12, 2013 Knitting Factory – Flac/MP3/Streaming

NYCTaper Presents: Endless Boogie Record Release Party w/ Arbouretum and Hans Chew at Cameo Gallery this FRIDAY, Feb 15

Jeffrey Lewis: February 8, 2013 Music Hall of Williamsburg – Flac/MP3/Streaming

She Keeps Bees: December 15, 2012 Cameo Gallery – Flac/MP3/Streaming

Math the Band: January 4, 2013 Glasslands – Flac/MP3/Streaming

Suzuki Junzo: November 27, 2012 Union Pool – FLAC/MP3/Streaming

Deer Tick: December 12, 2012 Brooklyn Bowl – Flac/MP3/Streaming

Sharon Van Etten: December 15, 2012 Cameo Gallery – Flac/MP3/Streaming

David Bazan (playing Pedro the Lion’s “Control”): November 15, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

Rhyton: November 27, 2012 Union Pool – FLAC/MP3/Streaming

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