nyctaper Recordings

concert discussion and free flac downloads

Holly Miranda: December 18, 2015 Bowery Ballroom

January 6, 2016

[photo courtesy of Gina Garcia]

We’ve followed Holly Miranda for more than the last half decade, and she’s never let us down. Whether it was at the legendary Maxwells, headlining gig at Bowery, a private show at a wine bar, a night at Glasslands, or a show among friends at Zebulon, Holly Miranda has consistently delivered outstanding performances. Her latest record is a self-titled album that was recorded a couple of years ago after Holly moved to LA and parted ways with XL Recordings. As we noted in 2013, the new album and the artist would find a new home quickly and sure enough Dangerbird Records did just that. Last month at Bowery Ballroom, Holly brought together some old friends (including friend of the site Tim Mislock) and played a too brief support set which included much of the new album, a couple of older tracks and one sublime cover. As always, ultimately the set left us satisfied but wanting more. So, tomorrow night Holly Miranda will join forces with the excellent Hypnocraft and play a show at Manhattan Inn. Don’t miss it.

I recorded this set with the Schoeps cards mounted in our usual location in this venue. The sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show [minus banter tracks]:

Holly Miranda
2015-12-18
Bowery Ballroom
New York NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 38:48]
01 Mark My Words
02 Desert Call
03 Waves
04 No One Just Is
05 All I Want To Be Is Your Girl
06 Come On
07 [band introductions]
08 Mary Won’t You Call My Name [Morphine]
09 [Kyp Malone intro – Everlasting false start]
10 Everlasting

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Holly Miranda, visit her website, and purchase her official releases from the Music link at her website [HERE] or directly from Dangerbird Records [HERE].

Herbcraft: December 12, 2015 Trans-Pecos

January 4, 2016

By EricPH

Like the Northeast’s answer to Eternal Tapestry, Herbcraft trade in spaced-out, far-flung psych pastorals. Ever since we caught the Portland, Maine band nearly two years ago at Mercury Lounge, we’ve been itching for the opportunity to get them back to NYC. So when we booked Chris Forsyth & The Solar Motel Band to headline Trans-Pecos (that set here), Herbcraft were high up on our wish list of openers. In forty mind-expanding minutes, Herbcraft took the room on a wild journey. Their set begins with a long improvised jam that segues seamlessly into “A Knock at the Door” from The Astral Body Electric and then into “Bread Don’t Rise” from last year’s Wot Oz. The tunes are rhizomatic head trips—pulsating, looping, and expanding without origin or destination. There is no other option but to kick back, tune in, and give in to the mighty Herbcraft…

I recorded this set with the mics set up at the stage lip, combined with a board feed from Trans-Pecos FOH, Ned. The results are outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Herbcraft
2015-12-12
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ned) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:59]
01. Untitled Improvisation
02. A Knock at the Door
03. Bread Don’t Rise

Support Herbcraft: Bandcamp | Facebook | Buy Wot Oz from Woodsist

Zachary Cale: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

December 29, 2015

By acidjack

[photo courtesy of Cereal + Sounds]

Zachary Cale is a slow-burn kind of musician. That’s true both of his songs, which tend to unfold at a middle tempo that neither rushes nor inhibits his point, and his musical career, which continues to grow bit by bit, solid album by solid album. Cale is one of those artists you tend to hear about from other fans and musicians, not so much from the PR-driven and mostly corporatized music “press.” Perhaps that’s a fault of his modest approach, but with this year’s Duskland, possibly even more so than 2014’s Blue Rider (released in December 2013), even those outlets have been forced take notice.

Though most of this year’s CMJ New Music Marathon (wisely named, since it bears little resemblance to music events people actually attend for fun) was run by the usual suspects — big name PR and talent agencies, particularly — we were excited that Cale asked to join our annual show at Cake Shop, an unofficial daytime event that, as tends to be the case with day shows, tries to put some of the fun back into the “marathon.” This five-song set doesn’t do justice to the breadth of Cale’s oeuvre, but “Blue Moth,” “Sundowner” and “Evensong” make the case for Duskland as well as any three of its songs could. Possibly as a nod to those who’ve seen him several times before, like we have, Cale offered up a rare nugget to close the set: the b-side “Holes In Everything,” an uptempo country-western affair that punctuated, as well as anything could, that this day show was about fun.

I recorded this set in the same manner as the other CMJ sets, with Schoeps MK4V microphones at the stage lip and a soundboard feed from the day’s engineer Jeff. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Zachary Cale
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Blue Moth
02 Sundowner
03 Evensong
04 Hangman Letters
05 Holes In Everything

If you enjoyed this recording, please support Zachary Cale by visiting his website, ordering Duskland from No Quarter, and buying his other records from his online store.

Chris Forsyth & The Solar Motel Band: December 12, 2015 Trans-Pecos

December 21, 2015

By EricPH

Over the past couple years—and 2015 especially—this site has developed quite a rapport with Chris Forsyth & The Solar Motel Band, resulting in six separate recordings in 2015 alone, plus a pair from 2013 and 2014. So it was only fitting that we booked this year-end engagement at one of the few clubs Forsyth & co. had yet to play: Trans-Pecos. I’m happy to report that the show was a raging success and that all were rewarded with what is truly the standout set of the year. Having recently announced the second proper album with The Solar Motel Band on No Quarter, The Rarity of Experience (preorder it here!), the band graced us with not only a pair of newer tracks we hadn’t heard before (the impeccably titled “The First Ten Minutes of Cocksucker Blues,” and “Boston Street Lullaby”), but played some older ones we hadn’t heard in a while either. The set’s centerpiece is a sprawling three-parter, consisting of the older “Paranoid Cat” into a transitional jam that takes us into “Solar Motel Part II.” A twenty-five minute epic that left the room spinning. Easing us out of 2015 with the quiet closer “Boston Street Lullaby,” we look forward to what 2016 has in store for Chris Forsyth. And no doubt, we’ll be there to capture more exciting shows to come.

I recorded this set with the mics set up at the stage lip, combined with a board feed from Trans-Pecos FOH, Ned. The results are outstanding. Enjoy!

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2015-12-12
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Tracks [1:06:15]
01. Anthem I
02. Anthem II
03. The Ballad of Freer Hollow
04. Paranoid Cat > Jam >
05. Solar Motel Part II
06. The First Ten Minutes of Cocksucker Blues
07. Boston Street Lullaby

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Preorder The Rarity of Experience from No Quarter

NE-HI: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

December 17, 2015

By acidjack

Chicago’s NE-HI have only been around since 2014, but they’ve already made a name for themselves in the local scene with their sharp hooks and the immediacy of their live performance. All of that was on display back in October at our unofficial CMJ day show at Cake Shop, in which the band kicked things off with their earworm single “Drag” and kept the momentum up throughout. These guys are fellow travelers with beloved Chicagoans Twin Peaks (our recording of them here) and it’s easy to see the kinship between sounds. They, like Twin Peaks, are vets of Chicago’s DIY scene, but their album production is straight-up professional, befitting the quality of their sound. Having now been signed to a major tour promoter, I’d say it’s likely we’ll be seeing NE-HI on many more bills come festival time. If they pass through NYC before then, make sure not to miss them.

I recorded this set in the same manner as the other recordings from the day, with Schoeps MK4V at the stage lip together with a soundboard feed. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

NE-HI
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks
01 Drag
02 Palm
03 Since I’ve Been Thinking
04 Rattle
05 Stay
06 Turncoat
07 Crash

If you enjoyed this set, please support NE-HI by buying their EP and singles from their bandcamp page.

Natural Causes: September 11, 2015 Hopscotch Music Festival (Raleigh, NC)

December 16, 2015

By EricPH

Our pal David Schwentker reports:

A year ago, local North Carolina garage rockers Last Year’s Men played the first night of Hopscotch Music Festival, having quietly dropped their long awaited second album, “Underwhelmed”, via Bandcamp earlier in the week. The album did not live up to it’s title and built on the hooks and wiser- than-their years lyrics of their earlier records, but there were signs that the band may be on its way out. For one thing, guitarist Geoff Schilling had joined Flesh Wounds as their bassist, and drummer Ian Rose and guitarist Ben Carr had joined up with Charlotte rockers Paint Fumes. However, the Last Year’s Men members weren’t done playing together either, and a jam session experiment turned into a brand new band with Rose switching to synths and vocals, Schilling taking over drums, and Carr remaining on guitar and vocals. The new trio was dubbed Natural Causes and they quickly began playing shows and honing their new, more urgent sound built on a combination of post/synth/garage punk sounds. The new tunes featured guitar work that slashes and crawls over top of woozy, unsettling keyboards, and lyrics that tackle classic punk themes of dread, anger, boredom, and anxiety with a healthy dose of humor.

Fast forward to this year’s Hopscotch and Natural Causes had already played a significant number of local shows, recorded and released a debut album on Snot Releases, written more songs, and hit the road for a two week east coast tour. Booked for an opening slot on Friday night at CAM, the band was a perfect pairing to kick off the night ahead of Nots, a gnarly synth driven punk band of kindred spirits from Memphis, TN. Natural Causes blasted their way through 4 songs off their debut 12″, plus five new songs destined for future releases, showing off their knack for tense sets, pushing and pulling tempos from song to song, all with a collective, wry grin. Including their day party sets on Friday and Saturday afternoons, Natural Causes played three sets in just over 24 hours, and generated a fair amount of positive press with each show. Look for much more to come in the year ahead.

The Friday night set at CAM was captured by area taper Rumbleset, with the same setup as the Moon Duo recording previously posted on this site: two sets of mics, Church Audio CA-11s on the ceiling and Shure SM-57s on stage, combined with a soundboard feed. The sound quality is outstanding.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Natural Causes
2015-09-11
Hopscotch Music Festival
Contemporary Art Museum
Raleigh, NC, USA

Taped and mixed by Rumbleseat
Tracked by acidjack

Church Audio CA-11c (ceiling)>Naiant PFA + Stereo soundboard feed + Shure SM-57 (stage lip, 90 degrees/10in split)>Tascam DR-680>3x24bit/48kHz WAV>Magix Audio Cleaning Lab (effects, cleanup)>Audacity>24bit/48KHz WAV>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks

1. Behave

2. (Can’t Do It) No More (All Night Long)

3. Chatter

4. Crybaby

5. So It Goes

6. Gun > Coma

7. Bad Habits

8. Poppers

Support Natural Causes: Bandcamp | Facebook | Snot Releases

Kevin Devine: December 11, 2015 Bell House (Devinyls Splits Show)

December 15, 2015

By nyctaper

[photos courtesy of Sean O’Kane]

We always knew Kevin Devine was one of the nicest guys around — what I didn’t know was how ubiquitous is that opinion. Kevin’s current project is the Devinyls Splits, a six-volume series released in semi-monthly intervals by Bad Timing Records where Devine pairs with another performer on a double-sided 7″. The roster of artists who have joined in this project is both impressive and eclectic — from indie-vet Matthew Caws (Nada Surf) to new punk frontperson Meredith Graves (Perfect Pussy) to neo-folk hero Mike Kinsella (Owen). Kevin’s ability to attract such a variety of artists is admirable, but it was astounding that when he planned a tour for the series and invited all six of the artists — every single one of them agreed to play the three-show run. The opening night of the tour was Friday at Bell House and if the Kevin Devine three-album show from a few years ago (recording here) was a wealth of riches, this year’s event was even more fan-friendly. In the end, the show featured two lengthy sets that lasted over four hours, offered seven guests including mini-sets from Laura Stevenson, Tigers Jaw, Cymbals Eat Guitars, Owen, and Matthew Caws, many collaborations between the artists, some neat covers, and interspersed within it all, twenty-four Kevin Devine (either solo or with The Goddamn Band) performances. But somehow the night never seemed to lose any momentum despite many stage changes. Ultimately, it was Kevin at the center of it all, and as his fans intrinsically trust him, on this night he and his friends delivered in spades.

I recorded this set with the Schoeps cardioids clamped to the front rail of the soundboard and blended with a superbly mixed soundboard by Bell House FOH Dave. The sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Cotton Crush”:

Stream “In Between Days” (Cure cover):

Kevin Devine
2015-12-11
Devinyls Split Series
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:23:20]
01 [introduction]
02 Ballgame
03 Cotton Crush
04 Noose Dressed Like a Necklace
05 No Time Flat
06 [Laura Stevenson intro]
07 The Move
08 Angel in the Snow [Elliot Smith]
09 Barnacles
10 Bubblegum
11 Private First Class
12 Little Bulldozer
13 She Can See Me (Bubblegum version)
14 [Tigers Jaw introduction]
15 For Eugene
16 Teen Rocket
17 Plane vs Tank vs Submarine
18 In Between Days [Cure]
19 Cool
20 [banter – splits theme]
21 Lovesong [Cure]
22 Buried By the Buzz
23 Carnival
24 Another Bag of Bones
25 [outro – Food Bank]

Set 2
[Total Time 1:55:40]
26 [Cymbals Eat Guitars intro]
27 Aerobed
28 Warning
29 Jackson
30 I Was Alive Back Then
31 Magic Magnet
32 A Story a Sneak
33 11-17
34 [Mike Kinsella intro]
35 No One Says You Have To
36 Where Do I Begin
37 Love is Not Enough
38 [new song – Quiet Like an Island]
39 [Meredith Graves intro]
40 [new song – People Like Me]
41 Took the Ghost to the Movies
42 Giessen
43 [Carey Brandenburg intro]
44 Lonesome Town [Ricky Nelson]
45 Trouble
46 [Matthew Caws intro]
47 Brooklyn Boy
48 Blizzard of 77
49 [banter – Fiscal Cliff intro]
50 Fiscal Cliff
51 Inside of Love
52 See These Bones
53 [band introductions]
54 I Could Be With Anyone
55 Yr Husband
56 My Brother’s Blood

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, Support the Guest Artists at this show, and purchase the Devinyls Splits Series from Bad Timing Records [HERE].

Krill: March 19, 2015 Longbranch Inn Austin TX – Impose SXSW

December 14, 2015

By nyctaper

[photo courtesy of We Are Going Solo]

It was in mid-September that Boston’s Krill announced that they were going to disband and that their final shows would take place in October. On October 23, the band played their last show at Silent Barn. It was an odd time for the band’s departure as their latest album A Distant Fist Unclenching (Exploding in Sound Records) was just released in February and was a breakthrough of sorts. After they publicly struggled with the difficulties of life as a band on the road, Fist is an album where Krill seemed to reconcile life’s challenges and the band’s own insecurities with ultimately a fairly optimistic outlook. But the band did have a productive and entertaining five-year run and we offer this never-before-released recording we captured at the Impose Magazine show last March at SXSW as a tribute and farewell to Krill. This set consists of their 7″ tribute to fellow Bostonians Pile, and then runs through four Fist Unclenching songs in a set that pretty much encapsulates what Krill was all about — quirky songs, playful banter, and a good time. They will be missed.

I recorded this set with the Sennheiser cards mounted at the soundboard booth and mixed with a board feed. This is the same rig at the Pile set from this show and the sound is similar, but I believe that this Krill recording has better balance. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Krill
2015-03-19
Long Branch Inn – Impose SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 24:41]
01 Steve Hears Pile in Malden and Bursts into Tears
02 Torturer
03 Foot
04 [banter – thanks]
05 Brain Problem
06 Tiger

If you download this recording from NYCTaper, PLEASE SUPPORT Krill, visit their page at EIS, and purchase A Distant Fist Unclenching from the band’s Bandcamp page [HERE].

Futurebirds: November 12, 2015 Bowery Ballroom

December 10, 2015

By acidjack

It’s been a satisfying few years for the Futurebirds, as we’ve watched them grow from Union Pool headliner to solid opening band to second stage at Mountain Jam to 2013 at the Bowery Ballroom. This show at the latter venue found the band doubling down on their strengths, as they jammed out their signature brand of country-inflected, booze-friendly Americana in front of an audience who knew and appreciated what they were in for. As their popularity has grown, the Futurebirds haven’t made the mistake that some bands do of overcomplicating things; if you listen to 2015’s Hotel Parties, you’ll find a good bit of stylistic and subject matter similarity with Hampton’s Lullaby, the six-year-old album that started it all. Perhaps that’s part of why, in an age where most bands are lucky to get an approving corporate blog mention or two, the Futurebirds have an entire fansite dedicated to them, and going to their shows has even become a verb (“birding”).

What has grown since the first time we saw the band in 2011 is their level of confidence, earned through that same relentless touring that’s responsible for the loyal fan base. This show found them the most comfortable and in control as we’ve seen them yet, as they ripped through new songs “twentyseven” and early number (an inspired, extended run through “Ski Chalet” alike. Futurebirds are a band that’s able to both bring the party and keep things musically in their lane, and based on this evening, we expect their success to continue.

Eric PH recorded this set with AKG 460/ck61 cardiod mics and a soundboard feed from Bowery legend Kenny. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Futurebirds
2015-11-12
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by Eric PH
Tracked and uploaded by acidjack

Soundboard (engineer: Kenny) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades, track) > Izotope Ozone 5 (EQ)>FLAC ( level 8 )

Tracks [Total Time 1:25:21]
01 Paranoia Letters
02 twentyseven
03 Battle for Rome
04 Rodeo
05 Death Awaits
06 For You
07 Johnny Utah>
08 Happy Animals
09 Man With No Knees
10 Xmas Drags
11 Powderfinger [Neil Young]
12 Serial Bowls
13 Hotel Parties
14 [encore break]
15 Ski Chalet (w/ “Shake It Loose” jam)
16 Six Days On the Road [Dave Dudley]

If you enjoyed this recording, please support Futurebirds by visiting their website and buying Hotel Parties from their online store.

Tom Carter, Chris Corsano, Carter Thornton: December 5, 2015 Trans-Pecos (Solo and Trio Sets)

December 9, 2015

By acidjack

These are the moments that Trans-Pecos was meant for: daring performances by a crew of avant-garde artists, coming together at the night’s endpoint for a brave and spectacular jam. If you’re not familiar with these players, Tom Carter has appeared on this site several times. The experimental guitarist and co-founder of the band Charalambides continued his long tradition of exceptional work with this year’s Long Time Underground, released earlier this year by Three Lobed Recordings. Carter Thornton, who I hadn’t had the pleasure of seeing before, is a “guitarist” of a sort, but also a builder of instruments and master manipulator of electronic sounds. He’s appeared with a number of well-know underground acts, including fellow Three Lobed alums Enos Slaughter and Gnaw, a doom metal supergroup of sorts. And Chris Corsano — who we saw all over the place during the 2012 Hopscotch Music Festival as its “resident improviser” — is a drum innovator who turns most people’s conception of that instrument on its head.

This night featured each of the three players performing a solo set, with Thornton followed by Carter and then Corsano. Thornton played two new compositions, “Right Turn on Green” and “Who Shot JR” followed by Carter performing a new short improv and two Long Time Underground tracks. Corsano’s improvisation was, as expected, an otherworldly experience, but even that had to take a back seat to the first-time-ever trio performance that followed, when the group combined to create a dense composition featuring electronic sounds, guitars and Corsano’s drumming, which the group is calling “Twelve-Five.” This is something that’ll reward repeat listens, as the careful listener can pick out the roles each of the artists is filling at different times during the performance. We are thrilled to share all of these unique pieces of music.

I recorded this set with Schoeps MK4V microphones at the stage lip, mixed at certain times with the soundboard feed to bolster the electronic sound. The sound quality is outstanding. Enjoy!

Download the complete sets (other than Tom Carter MP3s): [MP3/FLAC]

Download the Tom Carter MP3s (FLAC is at the link above): [MP3]

Stream the complete sets:

Carter Thornton
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Right Turn On Green
02 Who Shot JR?

________________

Tom Carter
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 “Colors for Jack”
02 August Is All
03 Beauty Draws the Seed

________________

Chris Corsano
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

________________

Tom Carter-Chris Corsano-Carter Thornton
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6+Soundboard>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Twelve-Five

Support Tom Carter: Website | Twitter | Purchase records from Tom Carter via Discogs

Support Chris Corsano: Website | Store

Support Carter Thornton: Website | Bandcamp

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nyctaper Recordings

Holly Miranda: December 18, 2015 Bowery Ballroom

Herbcraft: December 12, 2015 Trans-Pecos

Zachary Cale: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

Chris Forsyth & The Solar Motel Band: December 12, 2015 Trans-Pecos

NE-HI: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

Natural Causes: September 11, 2015 Hopscotch Music Festival (Raleigh, NC)

Kevin Devine: December 11, 2015 Bell House (Devinyls Splits Show)

Krill: March 19, 2015 Longbranch Inn Austin TX – Impose SXSW

Futurebirds: November 12, 2015 Bowery Ballroom

Tom Carter, Chris Corsano, Carter Thornton: December 5, 2015 Trans-Pecos (Solo and Trio Sets)

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