nyctaper Recordings

concert discussion and free flac downloads

Krill: March 19, 2015 Longbranch Inn Austin TX – Impose SXSW

December 14, 2015

It was in mid-September that Boston’s Krill announced that they were going to disband and that their final shows would take place in October. On October 23, the band played their last show at Silent Barn. It was an odd time for the band’s departure as their latest album A Distant Fist Unclenching (Exploding in Sound Records) was just released in February and was a breakthrough of sorts. After they publicly struggled with the difficulties of life as a band on the road, Fist is an album where Krill seemed to reconcile life’s challenges and the band’s own insecurities with ultimately a fairly optimistic outlook. But the band did have a productive and entertaining five-year run and we offer this never-before-released recording we captured at the Impose Magazine show last March at SXSW as a tribute and farewell to Krill. This set consists of their 7″ tribute to fellow Bostonians Pile, and then runs through four Fist Unclenching songs in a set that pretty much encapsulates what Krill was all about — quirky songs, playful banter, and a good time. They will be missed.

I recorded this set with the Sennheiser cards mounted at the soundboard booth and mixed with a board feed. This is the same rig at the Pile set from this show and the sound is similar, but I believe that this Krill recording has better balance. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Krill
2015-03-19
Long Branch Inn – Impose SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 24:41]
01 Steve Hears Pile in Malden and Bursts into Tears
02 Torturer
03 Foot
04 [banter – thanks]
05 Brain Problem
06 Tiger

If you download this recording from NYCTaper, PLEASE SUPPORT Krill, visit their page at EIS, and purchase A Distant Fist Unclenching from the band’s Bandcamp page [HERE].

Futurebirds: November 12, 2015 Bowery Ballroom

December 10, 2015

By acidjack

It’s been a satisfying few years for the Futurebirds, as we’ve watched them grow from Union Pool headliner to solid opening band to second stage at Mountain Jam to 2013 at the Bowery Ballroom. This show at the latter venue found the band doubling down on their strengths, as they jammed out their signature brand of country-inflected, booze-friendly Americana in front of an audience who knew and appreciated what they were in for. As their popularity has grown, the Futurebirds haven’t made the mistake that some bands do of overcomplicating things; if you listen to 2015’s Hotel Parties, you’ll find a good bit of stylistic and subject matter similarity with Hampton’s Lullaby, the six-year-old album that started it all. Perhaps that’s part of why, in an age where most bands are lucky to get an approving corporate blog mention or two, the Futurebirds have an entire fansite dedicated to them, and going to their shows has even become a verb (“birding”).

What has grown since the first time we saw the band in 2011 is their level of confidence, earned through that same relentless touring that’s responsible for the loyal fan base. This show found them the most comfortable and in control as we’ve seen them yet, as they ripped through new songs “twentyseven” and early number (an inspired, extended run through “Ski Chalet” alike. Futurebirds are a band that’s able to both bring the party and keep things musically in their lane, and based on this evening, we expect their success to continue.

Eric PH recorded this set with AKG 460/ck61 cardiod mics and a soundboard feed from Bowery legend Kenny. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Futurebirds
2015-11-12
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by Eric PH
Tracked and uploaded by acidjack

Soundboard (engineer: Kenny) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades, track) > Izotope Ozone 5 (EQ)>FLAC ( level 8 )

Tracks [Total Time 1:25:21]
01 Paranoia Letters
02 twentyseven
03 Battle for Rome
04 Rodeo
05 Death Awaits
06 For You
07 Johnny Utah>
08 Happy Animals
09 Man With No Knees
10 Xmas Drags
11 Powderfinger [Neil Young]
12 Serial Bowls
13 Hotel Parties
14 [encore break]
15 Ski Chalet (w/ “Shake It Loose” jam)
16 Six Days On the Road [Dave Dudley]

If you enjoyed this recording, please support Futurebirds by visiting their website and buying Hotel Parties from their online store.

Tom Carter, Chris Corsano, Carter Thornton: December 5, 2015 Trans-Pecos (Solo and Trio Sets)

December 9, 2015

By acidjack

These are the moments that Trans-Pecos was meant for: daring performances by a crew of avant-garde artists, coming together at the night’s endpoint for a brave and spectacular jam. If you’re not familiar with these players, Tom Carter has appeared on this site several times. The experimental guitarist and co-founder of the band Charalambides continued his long tradition of exceptional work with this year’s Long Time Underground, released earlier this year by Three Lobed Recordings. Carter Thornton, who I hadn’t had the pleasure of seeing before, is a “guitarist” of a sort, but also a builder of instruments and master manipulator of electronic sounds. He’s appeared with a number of well-know underground acts, including fellow Three Lobed alums Enos Slaughter and Gnaw, a doom metal supergroup of sorts. And Chris Corsano — who we saw all over the place during the 2012 Hopscotch Music Festival as its “resident improviser” — is a drum innovator who turns most people’s conception of that instrument on its head.

This night featured each of the three players performing a solo set, with Thornton followed by Carter and then Corsano. Thornton played two new compositions, “Right Turn on Green” and “Who Shot JR” followed by Carter performing a new short improv and two Long Time Underground tracks. Corsano’s improvisation was, as expected, an otherworldly experience, but even that had to take a back seat to the first-time-ever trio performance that followed, when the group combined to create a dense composition featuring electronic sounds, guitars and Corsano’s drumming, which the group is calling “Twelve-Five.” This is something that’ll reward repeat listens, as the careful listener can pick out the roles each of the artists is filling at different times during the performance. We are thrilled to share all of these unique pieces of music.

I recorded this set with Schoeps MK4V microphones at the stage lip, mixed at certain times with the soundboard feed to bolster the electronic sound. The sound quality is outstanding. Enjoy!

Download the complete sets (other than Tom Carter MP3s): [MP3/FLAC]

Download the Tom Carter MP3s (FLAC is at the link above): [MP3]

Stream the complete sets:

Carter Thornton
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Right Turn On Green
02 Who Shot JR?

________________

Tom Carter
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 “Colors for Jack”
02 August Is All
03 Beauty Draws the Seed

________________

Chris Corsano
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

________________

Tom Carter-Chris Corsano-Carter Thornton
2015-12-05
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6+Soundboard>Zoom F8>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Twelve-Five

Support Tom Carter: Website | Twitter | Purchase records from Tom Carter via Discogs

Support Chris Corsano: Website | Store

Support Carter Thornton: Website | Bandcamp

New Pope: November 21, 2015 Trans Pecos + Secret Project Robot (Two Shows!)

December 8, 2015

By nyctaper

[photo by Eric PH)

After guitarist and vocalist Clara Hunter Latham of the Brooklyn band Starring moved to the same small Massachusetts town as Oneida’s Bobby Matador, it was inevitable that the two would get together and play some music. The band New Pope has evolved from that relationship and two weeks back the band made the trip south and played their first ever shows in NYC, an afternoon show at Trans Pecos opening for Fox Millions Duo (recording here) and later at the Oneida potluck show at Secret Project Robot (recording here). At Pecos, the band was a four-piece accompanied by a second keyboard and violin and performed a thirty-five minute set consisting of four songs. The first three tracks are key-based psych but the fourth song has Clara’s guitar out front in an almost surf-rock style. For the late show at SPR, New Pope was joined by Kid Millions on drums and the set took on a different feel — more driving and less spacey. Both sets prove that New Pope is a band with great personnel and great potential and we hope that they make more trips to NYC in the future.

I recorded the Pecos set with the Schoeps mounted in front of the stage and mixed with a board feed of primarily vocals. Eric recorded the SPR set with the AKGs in front of the board and mixed with a board feed. Both sets sound quite excellent. Enjoy!

Download the Complete Shows:
Trans Pecos [MP3] / [FLAC]
Secret Project Robot [MP3] / [FLAC]

Stream both Complete Shows:

New Pope
2015-11-21
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Joe] + Sennheiser MKH-8040s Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Please support this excellent band:
https://www.facebook.com/MeetTheNewPope/

Recorded and Produced by nyctaper

Setlist:
[Total Time 35:08]
01 NASA Update
02 Dope
03 New Dope
04 One-Two

***********************************************************

New Pope
2015-11-21
Secret Project Robot
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Erik) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [31:40]
01. Hammers
02. Dope
03. NASA Update

If you download this recording from NYCTaper, PLEASE SUPPORT New Pope, visit their Facebook page, follow the band and attend their shows.

Superchunk: December 3, 2015 Baby’s All Right

December 6, 2015

By acidjack

[photo courtesy of Ellen Qbertplaya]

Superchunk spawned one of the most revered independent labels, revitalized the music scene of two entire towns, and continue to inspire men and women alike to pogo at the stage lip singing every word. Few bands can claim those achievements, but even fewer can claim to have not only kept, but expanded their fans’ loyalty since the early 1990s. Mac McCaughan may well be one of his generation’s few ageless indie stars, as unabashedly confessional, athletic and compelling onstage as he was when he was in his twenties. What separates his songs from those of lesser peers is that those lyrics aren’t just reflections of youthful naiveté — they just say what they need to in the most direct, compelling way. It hurts none that behind Mac is a crack band (sans, sadly, Laura Ballance these days) that has only gotten better over the years; if many drummers are hitting the kit better than Jon Wurster at any age, they ought to count themselves lucky. And that doesn’t even begin to touch the humor of Jim Wilbur (who’s a pretty darn good player, too).

The band came into Baby’s All Right on this Thursday to follow up a performance the night before at Ground Control Touring’s 15th Anniversary, meaning they weren’t here to flog a new record or for any purpose other than to remind their fans exactly why they stick around. They rewarded us with a set that drew from all over their catalog, treating 2013’s I Hate Music and their 1990s canon with equal reverence. The sold out crowd gave as good as they got in terms of energy, as the people in the front didn’t stop moving, or singing, the entire time. The band may have joked before “The Popular Music” (from Indoor Living, 1997) about how they would sit around in front of a Britney Spears poster in their practice room and wonder if a new song they were writing would “make them popular” (Mac’s reply — it didn’t) but the reality is that, in the longer run, their efforts worked. Sometimes it’s quality, and not quantity of “popularity” that counts, and Superchunk has the former in abundance. For a certain group of people, Superchunk were a foundational band, in the same way other giants of the era like Pavement (or further toward the mainstream, Nirvana) inspired countless stints as independent radio DJs, memberships in variously-successful bands, and LP/CD collections that burden many of us to this day. In 2013, we called them “the best working band in America today,” and noted that they “don’t have a bad song in their catalog,” and those sentiments remain true to this day.

To be honest, I’m not really sure if they haven’t played the first encore, “The Breadman” single in more than 20 years as claimed, but I’m not going to be that guy who disputes the band on the Internet (according to said Internet, this was only the second time it’s ever been played). I will say that “Hyper Enough,” still rings true — rocking this night with an energy that belied its twenty years in the rotation, and a song whose central premise still rings true of Mac now as when he wrote it. And “Throwing Things,” which closed the first encore, well, it was as compelling as it was when it first appeared on No Pocky for Kitty in 1991. True to their nature, the band came out for a second encore, and closed with “Slack Motherfucker.” Balance wrote the song back in 1990 and, whoever it was addressed to at the time, Mac has proven to be anything but.

I recorded this set with Superchunk FOH Matthew Barnhart’s soundboard mix, together with Audio Technica 4051 microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show (minus banter tracks and encore breaks):

Superchunk
2015-12-03
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Matthew Barnhart) + Audio Technica 4051 (onstage)>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust width, fades, very light compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:24:15]
01 [intro]
02 Like A Fool
03 Cursed Mirror
04 Hello Hawk
05 Good Dreams
06 Me & You & Jackie Mittoo
07 Punch Me Harder
08 On the Mouth
09 [banter1]
10 Rosemarie
11 Kicked In
12 Iron On
13 The Popular Music
14 Low F
15 Crossed Wires
16 Detroit Has A Skyline
17 Driveway to Driveway
18 Digging for Something
19 [encore break]
20 The Breadman
21 Hyper Enough
22 Throwing Things
23 [encore break 2]
24 Slack Motherfucker

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase their albums directly from Merge Records [HERE].

[photo by Lauren Epstein]

Car Seat Headrest: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

December 4, 2015

By acidjack

[Photo courtesy of Cereal + Sounds]

Twenty-two year old Will Toledo, who performs as Car Seat Headrest, is one of those songwriters whose skill actually matches his high level of output and obvious ambition. That’s a clear reason how, at a young age, and after already writing, performing and producing eleven albums (!!!) on his own on bandcamp, he’s found himself signed to Matador Records, where he’s about to release Teens of Style. Lest you dump this music in the category of mumbly lo-fi bedroom recordings that we’ve all seen a hundred times before, I’d point you to the very first song of this set at our NYCTaper Unofficial CMJ Show, “The Ending of Dramamine,” which was fourteen minutes of off-kilter pop-inflected rock reminiscent of bands like Clap Your Hands Say Yeah, the Cars and R.E.M. Or there’s how Toledo, prior to his affiliation with a “big time” label, had already sold 25,000 copies of those bandcamp-only releases. Oh, and those earlier efforts weren’t made in a bedroom — the story goes that the only place Toledo could find peace and quiet to record was the family car, hence the band name.

Toledo’s songs are lyrically dense, at times funny, at times teenage-confessional, unflinchingly honest. We were excited that Matador offered us the chance to have this artist close our show, because Teens of Style has already appeared on many best-of lists since its October 30 release. All of these songs appeared in some form prior to Teens of Style, but expect to hear brand-new versions of the last three — “Times To Die,” “Something Soon” and “Oh! Starving” — on that record. In the meantime, enjoy these right-on live performances, and expect much more to come, including a show on December 5 at Baby’s All Right.

I recorded this set with Schoeps MK4V microphones in front of the stage and a soundboard feed from Cake Shop engineer Jeff. The sound quality is excellent. Enjoy!

Catch them at Baby’s All Right on December 5. Get tickets here.

Download the complete show: [MP3/FLAC]

Stream the complete show:

Car Seat Headrest
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:19]
01 The Ending of Dramamine
02 Times To Die
03 Something Soon
04 Oh! Starving

If you enjoyed this recording, check out Car Seat Headrest’s bandcamp page, and buy Teens of Style from Matador Records.

DVA: November 1, 2015 Trans Pecos

December 3, 2015

By nyctaper

[photos from DVA Facebook page]

The story of how this “NYCTaper Presents” show came together is rather simple — we saw an open date at the tail end of DVA’s most recent US tour and arranged for the band to play that night at Trans Pecos. As you may recall, it was at a Northern Spy show at Pecos in early 2014 where we first saw and instantly admired this quite unique Czech duo. DVA is one of those bands that defies musical categorization. The duo loop a variety of captured sounds and perform their songs over an orchestra of loops. Its really something quite remarkable to see live. For their Pecos return, DVA performed a set similar to their previous visit which was exactly why we brought them back. The band featured three of the seven songs from their most recent album, Nipomo, released last year on Northern Spy Records.

I recorded this set with the Sennheiser cards mounted at the front of the stage and mixed with a board feed provided by house FOH Joe. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

DVA
2015-11-01
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Joe] + Sennheiser MKH-8040s Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 42:24]
01 Nunovo Tango
02 Zoppe
03 Mechan Tuman
04 Nipomo
05 Mulatu
06 Tropikal Animal
07 Tatanc

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dva, visit their website, and purchase Nipomo from Northern Spy Records [HERE].

Invisible Familiars: November 23, 2015 Manhattan Inn

December 2, 2015

By acidjack

Jared Samuel’s name shows up a good bit around these parts; even at a young age (tonight was almost his 26th birthday) the guy has already established himself as a go-to player for touring and local acts alike. Invisible Familiars gives Samuel a chance to stretch his wings as frontman, and he proves that no matter the setting, he’s able to deliver a compelling performance. In this case, he and his band (which has a rotating cast that includes Rachel Housley on backup vocals) performed in the round at the Manhattan Inn, which is becoming a go-to Greenpoint venue thanks to Hypnocraft taking over as the booking agent. It’s not always easy to give a full-on rock performance on the floor of a restaurant that advertises itself as a piano bar, but Invisible Familiars pulled that off, even with a more stripped-down instrumental lineup.

We’ve also seen Samuel appear several times with The Ghost of a Saber Tooth Tiger, Sean Lennon’s latest vehicle, and Invisible Familiars’ live sound suggests that not all of the Beatlesque flourishes of the former band came from the Lennon side. Samuel’s work shows a ready acquaintance with both the melody and vocal stylings that the world’s most revered rock band pioneered, but that classicism is anchored on the band’s 2015 debut Disturbing Wildlife with a delightfully modern dose of the weird, delivered in the form of keyboard and electronic flourishes. Those pieces weren’t on hand for this show, which required the songs to lean more heavily on their songwriting and melody. Needless to say, Invisible Familiars scored without those accoutrements, especially on “Clever Devil” and “Elaine Serene,” as well as “Digger’s Invitation.” The latter song is likely the source of another favorable comparison Samuel has earned — to Marc Bolan — and this pure rock song swaggers in a manner familiar to any T. Rex fan. There were also a couple of choice covers in this set, including of Henry Mancini’s “Lujon.” Don’t wait until next year to see Invisible Familiars — you can catch them at a Sunday residency at the Ace Hotel in Manhattan all this month.

I recorded this set with Audio Technica 4051 microphones in front of the band, together with a soundboard feed that primarily supplied vocals. There are a few moments where the vocal PA distorted, but for the most part, the sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Invisible Familiars
2015-11-23
Manhattan Inn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Audio Technica 4051 (onstage)>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, adjust levels, align, mix down, compression)>Izotope Ozone 5 (effects, imaging, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 You & Yr Arrow
02 Clever Devil
03 [banter1]
04 Elaine Serene
05 Heavenly, All
06 Lujon [Henry Mancini]
07 Act One
08 [banter2]
09 New Mutation Boogie
10 Sideways Rain [Paul Dooley]
11 Digger’s Invitation
12 [banter3]
13 Disturbing Wildlife

If you enjoyed this recording, please support Invisible Familiars, like them on Facebook, and buy Disturbing Wildlife here.

Oneida: November 21, 2015 Secret Project Robot (Pre-Thanksgiving Potluck)

November 30, 2015

By EricPH

There is no band more emblematic of the Brooklyn music community than Oneida. From jam sessions in the band’s former Ocropolis studio to the Thank Your Parents weekender; from Brahloweens past to the NYCTaper Anniversary show; from the holiday Oneida Fest at the old Knit to this year’s Thanksgiving potluck, there’s a truly unique binding of community around Oneida’s music. On the weekend before Thanksgiving, friends and family gathered for a celebration of music and food. Admission was free at the door if you brought food and I can almost guarantee not a dollar was exchanged. Around two full tables of food including a turkey, plus all the trimmings and desserts you could imagine, friends old and new gathered to eat off paper plates and see two long-form Oneida sets bookending a set from New Pope (featuring Bobby and Kid Millions of course). For the first set Oneida is joined by Dave Kadden on clarinet; and for the second it’s an epic, extended nine-piece Oneida barreling through forty improvised minutes. To give thanks for Oneida seems a bit silly when there are so many other things to be thankful for. Yet there’s something here greater than just a band or a collection of songs and records—and it’s that intangible greater thing, call it community or simply shared experience, for which we can all be thankful.

I recorded this set with the AKG’s flown high at the back of the room, with a board feed from Secret Project Robot FOH Erik, which supplied much of the vocals. The sound isn’t perfect, but it captures an event. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Oneida
2015-11-21
Secret Project Robot
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Tracks [1:16:29]
01. Potluck Improvisation 1
02. Potluck Improvisation 2

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy the Positions EP from Rocket Recordings.

Fox Millions Duo: November 21, 2015 Trans Pecos

November 29, 2015

By nyctaper

[photo by nyctaper]

Fox Millions Duo is in many ways an inevitable joining of talent. Greg Fox and Kid Millions are undoubtedly two of the most talented and ingenious percussionists alive today — and they also happen to both be incredibly prodigious and work within the same general musical circles. Both have appeared on the pages of this site dozens of times in many different configurations. Indeed, it was the 2012 NYCTaper 5th Anniversary concert where Greg Fox joined Millions and Oneida onstage for the first and, until later on this evening of this show, the last time. But it wasn’t until the 2014 recording sessions and the 2015 release of Lost Time (Thrill Jockey Records) that the Fox Millions Duo became a reality. Lost Time was released this Summer, but an actual live performance of the Duo is a rare event. So this past weekend, a recently booked afternoon show at Trans Pecos gave us the opportunity to catch the two together. Interestingly, the performance did not include any of the album’s material but was instead a single piece that is essentially a work in progress. The two were seated at a single snare drum in a similar configuration to Millions’ Man Forever project, but with an added wrinkle. Fox attached what appeared to be a guitar E-bow to the outside of the drum and thereafter through a cable to his laptop. The result was the activation of a sound sample upon each beat. I’ve titled this interesting number “E-bow Piece”, but in reality it is an untitled work that gives us great anticipation of a future Fox Millions release.

I recorded this set with the Schoeps cards at the front of the stage and mixed with a fine board feed. The interesting aspect of this recording is that the mics were primarily the drum beats while the board is primarily the E-bow samples. I’ve mixed the two sources to capture the music as it sounded in the center of the room. The result is quite excellent. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Fox Millions Duo
2015-11-21
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Joe] + Sennheiser MKH-8040s Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 13:28]
01 E-bow Piece

If you download this recording from NYCTaper, PLEASE SUPPORT Fox Millions Duo, visit their website, and purchase Lost Time from the Thrill Jockey website [HERE].

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nyctaper Recordings

Krill: March 19, 2015 Longbranch Inn Austin TX – Impose SXSW

Futurebirds: November 12, 2015 Bowery Ballroom

Tom Carter, Chris Corsano, Carter Thornton: December 5, 2015 Trans-Pecos (Solo and Trio Sets)

New Pope: November 21, 2015 Trans Pecos + Secret Project Robot (Two Shows!)

Superchunk: December 3, 2015 Baby’s All Right

Car Seat Headrest: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

DVA: November 1, 2015 Trans Pecos

Invisible Familiars: November 23, 2015 Manhattan Inn

Oneida: November 21, 2015 Secret Project Robot (Pre-Thanksgiving Potluck)

Fox Millions Duo: November 21, 2015 Trans Pecos

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