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Trigger Hippy: June 5, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 19, 2015
By

IMG_1909

If God was one of us here at Mountain Jam, he probably would’ve staved off the torrential rain that started falling just after this set by supergroup Trigger Hippy, which features Joan Osborne, Black Crowes drummer Steve Gorman, session guitarist Tom Bukovac, singer/songwriter and Black Crowes guitarist Jackie Greene and bassist Nick Govrik. The band’s sound is about what you’d expect from this combination of players — Crowes-style bluesy rock that replaces the tenor twang of Chris Robinson with Osborne, packed around some dense riffage. Along with some of the band’s originals, they played some of the day’s more interesting covers (that is to say, not just extremely popular 70s rock hits). In this case, we got Aretha Franklin and Albert Collins tunes, both of which suggest the influences that led to this band. With each artist having a complimentary background and style, this supergroup may not quite be more than the sum of its parts, but the sum of these parts was more than enough to make Trigger Hippy a worthwhile addition to this year’s Mountain Jam lineup.

I recorded this set from an optimal spot next to the soundboard cage with MBHO microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Trigger Hippy
2015-06-05
Mountain Jam
East Stage
Hunter, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, amplify)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time ]
01 [intro]
02 Turpentine
03 Dry County
04 Snatchin’ It Back [Albert Collins]
05 Heartache On the Line
06 When the Battle is Over [Aretha Franklin]
07 Ain’t Persuaded Yet
08 Rise Up Singing
09 Tennessee Mud

If you enjoyed this set, PLEASE SUPPORT Trigger Hippy, visit their website, and buy their debut album in their online store.

Heartless Bastards: June 15, 2015 Webster Hall – FLAC/MP3/Streaming

June 18, 2015
By

pierfrancescobaccaro
[photo by Pierfrancesco Baccaro from Instagram]

After more than a decade of music, the Heartless Bastards continue to keep things fresh. Erika Wennerstrom, the group’s frontwoman, heart, and soul, continues to refine what has proven to be one of the great rock voices of the early 21st century, defining a sound that is contemporary and classic. Those of us who heard the show’s opening intro now know where it comes from — Erika’s grandmother, who had quite the pipes of her own.

At this juncture, the Bastards are past the point of being either a hot new thing or a flash in the pan. Rolling into their fifth proper album — their second for Partisan Records — the band sounds like the experienced travelers they are, with a honed sound and a stable of fans who follow it. This show at Webster Hall served as the night-before release show for Restless Ones, and became the first exposure to several of the new songs for most of us. This was the band’s longest show we’ve seen yet, and one that let them try on a number of different sonic textures from song to song. The new songs veer a bit further afield from the bluesy barroom sound of the band’s earlier efforts, as on “Gates of Dawn.” That song’s placement at the front of this set, between the very straightforward “Simple Feeling” and “Gotta Have Rock N’ Roll,” underscored the point. As is often the case, the band let things stretch out for its epic, Sabbath-inspired “Down In the Canyon,” which followed the new album’s “Into the Light,” one of several decidedly downbeat songs on the new record. If the printed setlist was to be believed, our encore had “All This Time” planned, but was dropped in favor of “Only For You,” which was followed by one of the new record’s most stylistically adventurous songs yet, the noise-dirge “Tristessa.” Even without one of our all-time favorite Bastards songs, this was easily one of the strongest sets we’ve seen yet from this band.

I recorded this set with Schoeps MK41V supercardiod microphones mounted inside the soundboard cage combined with a stereo feed from the band’s touring FOH, Reggie. While most of one encore song (“Only For You”) was lost due to technical problems, the sound of the remainder is outstanding. Enjoy!

Thanks to Partisan Records and Paul from Webster Hall for making this happen on short notice!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Heartless Bastards
2015-06-15
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (DFC, PAS)>CMC6 + Soundboard (engineer: Reggie)>Roland R-26>2x24bit/44.1kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (fades, tracking, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time 1:33:39]
01 Simple Feeling
02 Gates of Dawn
03 Gotta Have Rock N Roll
04 Black Cloud
05 Journey
06 Hi-Line
07 Skin and Bone
08 Pocket Full of Thirst
09 The Fool
10 The Mountain
11 Into the Light
12 Down In the Canyon
13 Late In the Night
14 Gray
15 Wind Up Bird
16 Only For You
17 Parted Ways
18 [encore break]
19 Only For You [mostly cut]
20 Tristessa

If you enjoyed this recording, PLEASE SUPPORT the Heartless Bastards, visit their website, and buy Restless Ones from Partisan Records.

Luna: June 11, 2015 McCarren Park (Northside Fest) – Flac/MP3/Streaming

June 17, 2015
By

luna-19
[photos by PSquared Photography]

Luna’s first show in New York in 10 years was one of those damned-near perfect evenings that pretty much represents why we do what we do here at NYCTaper. On a beautiful night, one of the great New York bands in recent memory played a superb show before a huge crowd for the opening night of the Northside Festival. Dean Wareham and Britta Phillips are married, perform often together, and live in LA where they are friendly with drummer Lee Wall, and the couple have also played with guitarist Sean Eden on a few occasions, including a show we recorded in 2012. So, the Luna reunion was by no means a surprising event, but it was so sweet in its fruition.

The first reunion show this year was a night in LA in April, and then the band played sixteen dates in Spain and Portugal (Dean’s tour diary is a great read). When they returned to the US for this one-off Brooklyn show the band was in sync, relaxed and poised to deliver. From the opening “Slide”, the first song on the first album, through personal favorite “California” (streaming below) and continuing with a career-spanning setlist the show never really let up with the positive energy. The between-song banter also indicated that the band was both having fun playing and having fun being together. Several times the band acknowledged specific uber-fans, people wearing vintage Luna t-shirts, and various landmarks on the NYC skyline. Dean has remarked that Sean Eden has never played better guitar and on this night Sean seemed to be having the time of his life. The show was also special because the night was Britta Phillips birthday and the band acknowledged that fact early in the set. The main set concluded with an incendiary eight-minute long “23 Minutes in Brussels” (which we are also streaming below), before the band returned for two well-deserved encores including their cover of Beat Happening’s “Indian Summer”.

Luna returns to NYC for three sold-out shows at the Bowery Ballroom (October 7 and 8) and Music Hall of Williamsburg (October 9). All dates here.

I recorded this set with the Schoeps cards mounted in front of the soundboard cage and mixed with an excellent feed. The wind was not too bad but can be heard a few times, but fortunately the board cage was moved closer to the stage this year so that the audience feed is quite good. This mix favors the audience feed by about 60/40, giving it a nice “you are there” feel with the board used as a supplement to fortify the overall sound. The result is a superb recording that we feel fairly represents this great night. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “California”:

Stream “23 Minutes in Brussels”

Luna
2015-06-11
McCarren Park
Northside Festival
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:28:06]
01 Slide
02 California
03 Malibu Love Nest
04 Chinatown
05 Sideshow by the Seashore
06 Speedbumps
07 Tiger Lily
08 [happy birthday Britta]
09 Tracy I Love You
10 Bewitched
11 [banter – first show in 10 years]
12 Friendly Advice
13 Pup Tent
14 [banter – Pan Am building]
15 Lost in Space
16 [banter – broken string]
17 Moon Palace
18 Twenty Three Minutes in Brussels
19 [encore break]
20 Time to Quit
21 Indian Summer [Beat Happening]

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Luna, visit their website, and purchase their official releases from the links at their website, from Bandcamp and the Long Players Box Set from Captured Tracks Records [HERE].

luna-24

Daniel Bachman: May 24, 2015 Union Pool – FLAC/MP3/Streaming

June 16, 2015
By

Daniel Bachman

So far, 2015 has been a banner year for solo guitar records, with new releases from Daniel Bachman and Tashi Dorji plus the upcoming new Chuck Johnson record—just to name a few that I’m excited about. With the recently-released River, Daniel Bachman has somehow managed to out-do last year’s incredible Orange Co. SerenadeIt’s no accident the North Carolina transplant has released those two records on a couple of the state’s most prestigious labels—River on Three Lobed and Orange Co. Serenade on Bathetic. (And indeed no accident that Chuck Johnson’s Crows in the Basilica came out on Three Lobed and Tashi Dorji’s Appa came out on Bathetic, to further the connection to like-minded guitarists and labels.)

Bachman headlined an incredible bill of solo folk guitarists at Union Pool a few weeks back—the show, organized by Jeff Conklin/Avant Ghetto, also featured North Carolina songstress Sarah Louise, L.A.’s Itasca (Kayla Cohen), and Belgium’s Ignatz (Bram Devens). Bachman’s set treats us to songs off both River and Orange Co. Serenade, including two covers: “Levee” by Jack Rose and “Old Country Rock” by William Moore, giving us a good idea of who he sees as his forebears. Bachman may be young among the crowd of solo guitarists, but already can be counted among the genre’s greats. I have no doubt we’ll be seeing more great things from him.

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Kevin. There’s a little bit of ambient noise from the crowd and bar here—including one very exuberant fan—but Bachman’s guitar is loud and crystal clear. Enjoy!

Thanks to Jeff for organizing the event and inviting us down to record it. Avant Ghetto will presenting another show full of guitar worship at Union Pool on August 2 with PG Six, Chuck Johnson, Alan Licht, and Anthony Pasquarosa.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Bachman
2015-05-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:34]
01. Won’t You Cross Over to That Other Shore
02. Levee [Jack Rose]
03. Sarah Anne
04. Orange Co. Serenade
05. Old Country Rock [William Moore]
06. Song For the Setting Sun II
07. Coming Home

Support Daniel Bachman: Website | Facebook | Buy River from Three Lobed | Buy Orange Co. Serenade from Bathetic

Hurray For The Riff Raff: June 7, 2015 Mountain Jam – Flac’MP3/Streaming

June 15, 2015
By

HFTRRR Mt Jam
[photo by nyctaper]

We’ve chronicled the rise of Hurray For The Riff Raff quite often over the last few years — so often that their appearance at Mountain Jam isn’t even the first festival appearance we’ve captured. Last year at the XPontential Fest, HFTRR appeared on the biggest stage we had seen them play yet and slayed the huge crowd. The experience at the Jam this year was quite similar, except that the band was placed higher in the bill right before the headliner Alabama Shakes (recording here). Though it was a tough spot, as the crowd seemed to be gravitating to the main stage, HFTRR played a tight hour-long set at the west stage. Opening with a “mountain” song in tribute to the Fest, the band worked through a familiar set of songs with six songs from last year’s career-changing success Small Town Heroes, a couple of older songs, and one brand new one that we first heard at the Bowery back in April.

Hurray For The Riff Raff performed at Bonnaroo this weekend, and will continue to play at several Festivals and other selected dates throughout the Summer.

I recorded this set with Neumann large diaphragm cardiods from our section up on the hill. There was some wind during this set, but the overall quality is quite good. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Hurray For The Riff Raff
2015-06-07
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 50:50]
01 Blue Ridge Mountain
02 Instrumental
03 Look Out Mama
04 Slow Walk
05 I Know It’s Wrong
06 Levon’s Dream
07 The Body Electric
08 Crash on the Highway
09 Lake of Fire
10 End of the Line
11 Ode to John and Yoko
12 What’s Wrong With Me
13 Living in the City
14 Little Black Star

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Small Town Heroes from the ATO Records website [HERE].

Robert Millis: April 10, 2015 Union Pool – FLAC/MP3/Streaming

June 12, 2015
By

Robert Millis

Robert Millis may be best-known as a founding member of the long-running, experimental Climax Golden Twins and for his work with Sublime Frequencies, as a compiler and obsessive hunter of long-forgotten 78s from around the globe. At least, that was my familiarity with him prior to his set at Union Pool a couple months back, opening for friend and fellow seeker of the obscure, Sir Richard Bishop (his set posted here). Here, in solo mode, Millis’ set is true to the multivalence of his musical pursuits. It’s a combination of folk, spoken word, improvisation, drone, and noise. Something for everyone here: acoustic and electric guitar narratives “Notes on a Scandal” and “Pretty Polly”; the guitar drone piece, “The Demise of the Progressive Lens Routine” (referring to some earlier banter); and the haunting set closer, “Sign of Judgement.”

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Robert Millis
2015-04-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [48:26]
01. Notes On a Scandal
02. How Times Have Changed
03. Progressive Lens Routine
04. Pretty Polly
05. Other Side of Town Where You Run Around
06. The Demise of the Progressive Lens Routine
07. Euphoria
08. Messalina
09. Sign of Judgement

Support Robert Millis: Website | Facebook | Soundcloud

Dommengang: June 6, 2015 Union Pool – FLAC/MP3/Streaming

June 10, 2015
By

Dommengang

Dommengang is the latest addition to Thrill Jockey’s roster of some of the finest hard psych bands out there, including Eternal Tapestry, Pontiak, White Hills, Rhyton, and Arbouretum—just to name a few. Celebrating the release of their new record, Everybody’s Boogie, Dommengang stopped by Union Pool this past weekend for a one-off gig to air tracks off that record. Despite frontman Sig Wilson’s insistence that the band hasn’t played together in a year, it doesn’t show as the band immediately syncs into a lockstep groove that doesn’t waver during their thirty-plus-minute set. Underpinning Wilson’s guitar riffage are bassist Brian Markham and drummer Adam Bulgasem. The three are clearly comfortable playing together and after seeing their live set I get the impression that Everybody’s Boogie is one of those albums born of extensive jamming that’s then honed into an album. Favorites here include the chugging “CC,” “Her Blues” (for which the band made a video), and the twangy “Hats Off to Magic.” So far no more live dates have been announced but east and west coast dates are promised in support of Everybody’s Boogie.

I recorded this set with the AKGs clamped to the balcony. Though I got a board feed from Union Pool FOH Kevin, I set the levels a little high and ended up with some distortion so this recording only uses the room mics. However, Kevin’s expertise behind the board and Union Pool’s excellent sound system make for a terrific recording that captures all of Dommegang’s heaviness. I’m sure you’ll enjoy it!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dommengang
2015-06-06
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (balance) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:04]
01. Extra Slim Boogie
02. [banter]
03. Burning Off the Years
04. CC
05. Wild in the Street Blues
06. Her Blues
07. Hats Off to Magic
08. Everybody’s Boogie

Support Dommengang: Bandcamp | Facebook | Buy Everbody’s Boogie from Thrill Jockey

Dopapod: June 6, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 9, 2015
By

mtnjam-JoshTimmermans
[Photo by Josh Timmermans from the band’s facebook page]

For a festival called a “Jam,” this year’s Mountain Jam was pretty light on “jam” bands. Luckily, they picked one of the very finest up and comers in the genre to play a Saturday afternoon as well as a late night set. Dopapod aren’t a household name in the wider world (Rolling Stone picked them as a “best kept secret” for the upcoming Bonnaroo), but to those in the scene, they are one of the most promising improvisational bands to come along in a generation. While many of their contemporaries ply the “electronica with real instruments” tack, Dopapod feel harder to pin down and more old school, drawing inspiration from rock, jazz, prog, metal and — yes — electronic music to create something that’ll keep even non-twisted listeners happy. The foursome have a rock-solid musicality, able to flow seamlessly between improv and pre-written material in their songs (witness one of their constant epics, “Trapper Keeper,” streaming below). For my money, the band’s real anchor is keyboardist Eli Winderman, whose bank of keys is what gives the band such a wide palette to play with. This day’s set felt less “electronic” and more “funk” than some of their shows, and that worked well here. Even in the woefully short 56 minutes (their normal sets run to the two to two and a half hour range), those of us who didn’t know the band well heard a lot of reasons to pay closer attention.

hi and lo and I recorded this set with Schoeps MK4 microphones from a nice location near the soundboard. We got hit this afternoon by occasional spots of wind, but the overall quality is excellent. Enjoy!

This set is hosted on the Live Music Archive. You can find its page here.

Download the complete set: [MP3] | [FLAC]

Stream the entire set:

Dopapod
2015-06-06
Mountain Jam XI, East Stage
Hunter, NY USA

Hosted at nyctaper.com
Recorded by acidjack and hi and lo
Produced by acidjack

Schoeps MK4 (PAS)>CMC6>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time 56:42]
01 Black and White
02 Sleeping Giant
03 Bluetooth
04 Upside of Down
05 Trapper Keeper
06 Bubble Brain

If you enjoyed this recording, PLEASE SUPPORT Dopapod, like them on facebook, and buy their stuff from their website.

Alabama Shakes: June 7, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 8, 2015
By

IMG_2123

It made good sense for Alabama Shakes to end this year’s Mountain Jam, as they ended it on the highest of notes.

By the time you had sat through three or even four days of this year’s festival, you might be forgiven for wondering if anything happened musically in this country since 1972. With exceptions, there were far too many “me-too” bands so slavishly devoted to their heroes that they could only impress the crowd by covering well-known songs by bands superior to them. Consider some of the headliners: Friday, a washed-up warhorse from a legendary 70s act was followed by … a band covering Dark Side of the Moon and other Pink Floyd songs. Saturday, a knockoff of a band from the late 90s-2000s played its bloozy bar rock songs best known for their hard-hitting impact on TV commercials and the opening credits for an HBO sitcom. Just before that band came on, the act before them played a bunch of Beatles and John Lennon songs.

Alabama Shakes could have been nothing more than a “me too” band, and would have been a striking one. There’s no question that Brittany Howard’s vocal style owes a debt to Etta James, Janis Joplin and several others, but what Howard and her band have accomplished with their second album, Sound & Color, moves them firmly into a different class. The band has taken the pieces they already had — a love of classic rock and soul, a cohesive unit, and a frontwoman with an earth-shaking voice and the presence to match — and used them to create daring new songs that push the conversation forward. It’s not an accident that one of the best songs played at this show, “Future People,” uses the word future. Over and over again, Alabama Shakes’ latest work keeps proving that they want more — particularly the fellow new album tracks “Sound & Color” and “Don’t Wanna Fight.” Maybe some people were comfortable adding the Shakes to their Spotify playlists of retro sounds and leaving it at that. The Shakes were not. The Shakes — a working-class band from rural Alabama who only made it onto this stage by working like hell — took a risk.

It’s widely known that the Shakes began life as a cover band, covering 70s standards in local bars. Here, in front of tens of thousands splayed across a mountainside, Howard paused late in the set to thank the crowd for giving the band the opportunity to do what they loved doing. Their last album pulled down three (losing) Grammy nominations. If there’s any justice in the world, this album ought to win one. By the way, in a rare bit of commercial justice, Sound & Color debuted at #1 in the United States. Alabama Shakes are a cover band no more.

hi and lo and I recorded this set with Schoeps MK4V cardiod microphones into an EAA PSP-2 high-end analog preamp. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive. Check out its page here.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Alabama Shakes
2015-06-07
Mountain Jam, East Stage
Hunter, NY USA

Hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK4V (PAS)>custom cables>EAA PSP-2>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, limit peaks)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:38:00]
01 Rise To the Sun
02 Future People
03 Hang Loose
04 Always Alright
05 Shoegaze
06 I Ain’t the Same
07 I Found You
08 Guess Who
09 Heartbreaker
10 Miss You
11 The Greatest
12 Gimme All Your Love
13 Be Mine
14 Joe
15 On Your Way
16 Dunes
17 Gemini
18 [encore break]
19 Sound & Color
20 Don’t Wanna Fight
21 Over My Head
22 You Ain’t Alone

If you enjoyed this recording, please support Alabama Shakes, visit their website, and buy their records in their online store.

Hiss Golden Messenger: June 2, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

June 8, 2015
By

hiss-golden-messenger-17
[photos courtesy of P Squared Photography]

Maybe an opening set by Hiss Golden Messenger at Music Hall of Williamsburg doesn’t merit quite the word count I gave April’s homecoming show at Haw River Ballroom in Saxapahaw, NC. But it was the biggest New York stage on which I’ve seen this band, and that makes it another milestone for M.C. Taylor and his fellow travelers. Fresh off a European tour, the band spent this first of two nights in New York opening for the Tallest Man on Earth, but judging the room capacity at the start of this set, HGM was the night’s draw for many of us. This was almost the exact same band we saw back at Haw River — Taylor, bassist Brad Cook, his brother Phil on keys, and Matt McCaughan on drums — minus William Tyler.

Clearly, this team is road-tested and hitting their stride, seeming to have found an even deeper, jammier groove than when we saw them in North Carolina. This sound gels well with the Lateness of Dancers record, so it makes sense that its songs — “Southern Grammar” and “I’m A Raven (Shake Children)” feel like centerpieces on this run. We were also thrilled to hear the new song “Say It Like You Mean It” for the second time. It’s possibly the most “rock” song the band has done to date, and should be a live staple for the foreseeable future. But even at that, it ended up being a Poor Moon song that stole this particular show, as the journeyman sax player Michael Lewis joined the band for the definitive live version of “Blue Country Mystic,” with Lewis adding a new layer to a song whose current live arrangement already feels transformed from its album version. While you’d always prefer to see a band you love as a headliner, I suspect this and some even higher-profile opening slots are going to earn HGM a lot of new fans, and they seem poised and ready to do it.

HGM will remain on the road June and July, touring with My Morning Jacket, hitting festivals, and returning to the general vicinity of NYC on July 25 for a show at Woodstock’s Bearsville Theater. See all the dates here.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Hiss Golden Messenger
2015-06-02
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [engineer: Nic Cameron] + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>>Roland R-26>2x16bit/44.1kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, light compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 40:19]
01 Call Him Daylight
02 Saturday’s Song
03 [banter1]
04 Say It Like You Mean It [working title]
05 I’ve Got A Name For the Newborn Child
06 [banter2]
07 Blue Country Mystic*
08 I’m A Raven (Shake Children)
09 [banter3]
10 Southern Grammar

* w/ Michael Lewis on saxophone

If you enjoyed this recording, PLEASE SHOW YOUR SUPPORT by buying Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

hiss-golden-messenger-13

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.