Posts Tagged ‘ acidjack ’

Eidetic Seeing: August 9, 2012 Public Assembly – FLAC / MP3 / Streaming

August 23, 2012

[photos by acidjack]

For fans of heavy, psychedelic, experimental and improvisational rock, the current Brooklyn and NYC scene is an embarrassment of riches. To an illustrious list that includes White Hills, The Psychic Paramount, Oneida, Naam and many others (many of whom have been featured on this site), make sure to include the Brooklyn trio Eidetic Seeing in the canon. I first caught the band in their infancy, when they opened for White Hills at Cake Shop back in 2009. At the time, I was impressed, but clearly the band was just getting started. After releasing an EP that year, they laid down the until-recently vinyl only Drink the Sunin 2011. The absence of the record from the digital realm may have kept Eidetic Seeing a bit under the radar (it’s now available on their bandcamp page, and the vinyl is still featured at local record stores like Earwax and Academy), but they aren’t likely to stay that way for long.

This show at Public Assembly turned out to be an extra-special performance, as the band ran freeform through forty-five minutes of all-new material that they hope to lay down in the studio in the coming months. Several of these songs were newly-rehearsed, giving them a raw, exciting quality and giving the band members a chance to expand upon their ideas in real time. Mostly devoid of lyrics, at least for now, new songs like “Untitler” expand upon and extend the band’s palette, adding free jazz flourishes to guitarist Sean Forleza, drummer Paul Feitzinger, and bassist Danilo Randjic-Coleman’s dense, spaced-out stew. The songs flowed seamlessly from one to the next, with the highlight coming with the mid-set sequence of “Ashplant Blues” and “White Flight”, which gave Forleza a few vocal turns. Keep an eye on the band’s website for future shows in Brooklyn and beyond. These guys will melt your face if given the chance.

I recorded this set with Schoeps MK5 microphones in an optimal spot in the venue, coupled with a light amount of soundboard feed provided by the Public Assembly engineer, Theo. The house mix and room sound in the Public Assembly was outstanding on this night, and it is reflected in this recording. Enjoy!

Stream “Ashplant Blues”
[audio:https://www.nyctaper.com/E0078EideticSeeing0212/04 Ashplant Blues.mp3]

Stream “White Flight”
[audio:https://www.nyctaper.com/E0078EideticSeeing0212/05 White Flight.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eidetic Seeing
2012-08-09
Public Assembly
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mixdown, compress SBD, balance)>Izotope Ozone 5 (light EQ and exciter)>Adobe Audition CS 5.5 (amplify)>Audacity (tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [crowd/intro]
02 Untitler
03 [interlude]
04 Ashplant Blues
05 White Flight
06 A Snake Whose Years Are Long
07 Frauleuse

If you enjoyed this recording, PLEASE SUPPORT Eidetic Seeing, visit their website, and purchase Drink the Sun in digital or vinyl format from their bandcamp page.

Wussy: August 11, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 21, 2012

By acidjack

[Photos by acidjack]

Wussy, like their Cincinnati brethren and fellow NYCTaper favorites Heartless Bastards, are one of those hardworking, unpretentious, straight-up-rocking bands that real music fans should always pull for. Unlike the unabshed classic rock of the Bastards, Wussy’s sound is more reminiscent of early-80s indie acts like the Bongos, with a rawer sound and accented with a light country twang. Despite being what no lesser critic than Robert Christgau called “the best band in America”, they remain an open secret among music fans. Meaning, when they throw a Sunday night early show at Mercury Lounge like this one, they’ve got a line snaking down the block before doors. And half the people in that line were wondering aloud at why the band isn’t more popular. There’s no getting past it, Wussy aren’t an act built around image or gimmicks; I don’t know this for a fact, but I’m betting their t-shirt sales aren’t what they could be (being a dude wearing a shirt that says “Wussy” may not be a winner). What Wussy is about is delivering the best show possible, having a fan-first attitude, and writing song after song with what Christgau himself called “Beatles/Stones consistency”. This band suffered and sweated to make it to this Mercury Lounge show, in a van without A/C, which on this particular day, coming from just about anywhere, was enough torture to make you question their sanity, but not their rock n’ roll bona fides. (You can hear the story at the beginning of “Funeral Dress”, streaming below). What we got was a set that spanned their records, kicking off with the title track from Funeral Dress, the album that started it all. Vocalists Chuck Cleaver and Lisa Walker sounded raw and right on this night, and despite a trying day, they gave the packed early evening house a hell of a time.

I recorded this set with Schoeps MK41 microphones and a soundboard feed provided by Kevin, the head engineer at Mercury. As with most of our recordings from the venue, this one is outstanding. Enjoy!

Stream “Funeral Dress”
[audio:https://www.nyctaper.com/W1604Wussy2211/01 Funeral Dress.mp3]

Stream “Pizza King”
[audio:https://www.nyctaper.com/W1604Wussy2211/05 Pizza King.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Wussy
2012-08-11
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mixdown)>Izotope Ozone 5 (light EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 44:27]
01 Funeral Dress
02 Pulverized
03 Maglite
04 Death by Misadventure
05 Pizza King
06 Happiness Bleeds
07 Motorcycle
08 [banter]
09 Grand Champion Steer
10 Airborne
11 Rigor Mortis

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases including Strawberry directly from the Music section of their website [HERE]

BRONCHO: August 8, 2012 Glasslands – FLAC / MP3 / Streaming

August 20, 2012

By acidjack

[Photos by acidjack]

BRONCHO, from Oklahoma, play a kind of nonchalant, grimy garage punk that might be more closely aligned with Bushwick or San Francisco. Theirs is a sound that is easily digested, infinitely catchy, and tailored perfectly to the limited attention spans of well air-conditioned summer crowds. This night at Glasslands gave the band an opportunity to run rapid-fire through another after another of two-minute burners, each with a ready-made hook and a sarcastic wit. Songs like “I Don’t Really Want to be Social”, “Try Me Out Sometime” and “Can’t Get Past the Lips” were among the highlights of this set, which focused on material from the band’s 2011 debut, Can’t Get Past the Lips. This was a high-energy set start to finish, punctuated by the yelps of lead vocalist Ryan Lindsey. Summer’s the perfect season to wrap your ears around some BRONCHO, and they’re swinging through the Midwest and California for the rest of summer, followed by the south in October, so if you’re in the path of their tour, check it out!

I recorded this set with our house rig at Glasslands, a Studio Projects LSD2 large diaphragm microphone and a soundboard feed from Jeremy, the engineer at Glasslands. The result gives you all the high-energy feeling of being there. Enjoy!

Stream “Can’t Get Past the Lips”
[audio:https://www.nyctaper.com/B8080BRONCHO2012/13 Can’t Get Past the Lips.mp3]

Stream “I Don’t Really Wanna Be Social”
[audio:https://www.nyctaper.com/B8080BRONCHO2012/Social.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

BRONCHO
2012-08-08
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Studio Projects LSD2 (xy cardiod, DFC)>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (align, mixdown)>Izotope Ozone 5 (light EQ and tube effect)>Audacity (set fades, tracking, mixdown, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Blown Fuse
02 What
03 Try Me Out Sometime
04 Record Store
05 It’s On
06 I Don’t Really Wanna Be Social
07 I Wanna Put It Where Kurt Put It
08 Impressions
09 I’m Gonna Find Out
10 Losers
11 Get Off My Reservations
12 Psychiatrist
13 Can’t Get Past the Lips
14 Class

If you enjoyed this recording, PLEASE SUPPORT BRONCHO, visit their website, and purchase Can’t Get Past the Lips from Guestroom Records [HERE]

Night Beats: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

August 14, 2012

By acidjack

[photo by acidjack]

Seattle’s Night Beats keep it simple. With a sound whose most obvious reference points are Roky Erickson-style Texas psych and garage rock, the three piece’s no-bullshit live show has gained an ever-increasing following. A look at who they’ve toured with – bands like the Black Lips, Black Angels, the Strange Boys and even Roky himself – tells their story pretty accurately. This show at Knitting Factory may have been on a Monday, but that didn’t slow down the dancing or thin out the crowd, who got to enjoy a very strong bill all night long (openers MMoss and K-Holes similarly killed it). The band continue to tour behind their 2011 self-titled debut LP on Trouble In Mind records, and this set featured a lot of it, including their current single, “Puppet On A String”. Luckily, the band also delved into what there is of a “back catalog”, in this case the 2010 H-Bomb EP, including that track as well as one of my favorites “They Came In Through the Window”. I’m pretty sure I heard some new songs (or at least, ones I couldn’t identify from the EP and album) as well. Though similar in sound, Night Beats eschewed the onstage antics some of their brethren like the Black Lips, which made for fewer flying bodies and beer cans, but one hell of a show.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from Rob, the engineer at the Knitting Factory. In true garage band form, the sound is raw, but an excellent representation of the night and a great listen. Enjoy!

Stream “They Came In Through the Window”
[audio:https://www.nyctaper.com/N8006NightBeats0212/04 They Came In Through the Window.mp3]

Stream “Puppet On A String”
[audio:https://www.nyctaper.com/N8006NightBeats0212/01 Puppet On A String.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Night Beats
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ROB, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 39:06]
01 Puppet On A String
02 Ain’t Dumbo
03 Shadows in the Night
04 They Came In Through the Window
05 The Other Side
06 War Games
07 [unknown1]
08 H-Bomb
09 [unknown2]
10 [unknown3]
11 Little War in the Midwest

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and purchase their record directly from Trouble In Mind Records [HERE]

Sean Rowe: July 21, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 10, 2012

By acidjack

[Photos by acidjack]

Sean Rowe has that kind of deep, bone-shaking voice that sticks with you; the dark, harrowing type that gives voice to a thousand souls. Born and raised in upstate New York, Rowe has been kicking around there for awhile, doing his thing in local bars and clubs, playing to whoever will listen. In a welcome development, ANTI Records picked him up a few years ago and re-released his first solo album, Magic. Since then, he has enjoyed a wider audience, and this show at Mercury Lounge found Sean on the cusp of his second ANTI release, The Salesman and the Shark, which drops at the end of this month. Joined onstage by Sarah Pedinotti from Railbird on keys, Rowe showcased several new songs from Salesman as well as some truly classic covers.

Magic reflected Rowe’s other main passion, being a naturalist, and was the result of 24 days spent foraging in the wilderness. Based on what we were previewed at this show, Salesman will be another dramatic artistic statement, with songs like “Joe’s Cult” evoking some of rock and folk’s most cherished vocalists. You can imagine Rowe sharing the stage with any number of great artists: Tom Waits, Bob Dylan, Steve Earle, Johnny Cash, were he still with us. Rowe’s baritone has a timeless, evocative quality, and that made his covers at this show as memorable and true as his originals. Because everything has to have a label to hang it on, PR people have taken to calling this “alt-folk”, and maybe, as the work of an accomplished woodsman with a love and respect for the outdoors, that makes some sense. But I don’t think Rowe is trying to be the “alternative” to anything; his music is classic, as well as relevant. Although, in fairness to the “alt” tag, he had a bit of fun with us at the end with his cover of the Violent Femmes’ “Gone Daddy Gone” – an 80s staple that, like Rowe’s own music, wears awfully well.

Rowe will be performing two NYC shows in September – on the 19th at Mercury Lounge, and on the 20th at Brooklyn Bowl.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed from Kevin, the head engineer at Mercury. Like the Field Report recording from this same night, it is outstanding in quality. Enjoy!

Stream “Joe’s Cult”
[audio:https://www.nyctaper.com/S2107SeanRowe2120/04 Joe’s Cult.mp3]

Stream “Jesus Gonna Be Here [Tom Waits]”
[audio:https://www.nyctaper.com/S2107SeanRowe2120/07 Jesus Gonna Be Here.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Sean Rowe
2012-07-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and Johnny Fried Chicken Boy
Produced by acidjack

Soundboard + Schoeps MK41>CMC6>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (various)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Flying
02 Bird On A Wire [Leonard Cohen]
03 [banter]
04 Joe’s Cult
05 [banter]
06 The Walker
07 Jesus Gonna Be Here [Tom Waits]
08 To Leave Something Behind
09 Gone Daddy Gone [Violent Femmes]

If you enjoyed this recording, please support Sean, visit his website, and pre-order The Salesman and the Shark from ANTI Records [HERE].

Helmet: August 2, 2012 Webster Hall – FLAC / MP3 / Streaming

August 9, 2012

By acidjack

[Photos by acidjack]

Our younger readers are fortunate not to remember the Columbia House Music Club, which promised eight to ten CDs for 1 cent in exchange for signing up for a “club” that would mail you a (usually lame) CD-of-the-month at an exorbitant price, unless you mailed it back first. The club bore more than its fair share of customer complaints, and its selection was weak. But if you were a kid and didn’t have a lot of cash or access to good music stores (and you were diligent about declining that CD of the month), it wasn’t a bad way to get ahold of new music in the pre-Internet era. One thing I can thank Columbia House for is introducing me to Helmet and their standout albums Meantime and Betty, each still a tour de force of hardcore-influenced rock twenty years on.

Frontman Page Hamilton has moved on from his former bandmates, and is the only original member of the lineup, but as Johnny Fried Chicken Boy observed last October, Hamilton and his new cast of characters can still very much bring the heat. Hurtling through a Webster Hall set that included five songs from the band’s 2010 record Seeing Eye Dog (plus another from 2004’s Size Matters) with a fairly even blend of songs from their four 90s albums, Strap It On, Meantime, Betty and Aftertaste. One feature that always set Helmet apart from many hardcore and metal bands of the era was their more intelligent approach to their music, both in terms of Hamilton’s classically-informed playing and their eschewing of the macho heavy metal aesthetic of contemporaries like Pantera. Hamilton, who relocated from New York to LA at the end of the 90s, remains a gifted frontman, and songs like two of my favorites, “In the Meantime” and “Wilma’s Rainbow” were delivered with ferocity. Although this set clocked in at barely over an hour thanks to Webster’s curfew and the fact that this was a co-headlining tour with Toadies, Hamilton and the band packed in sixteen songs, and stirred up a mosh pit in the process (kind of a feat when you consider how early it was in the night, and the age of many of the fans).

Johnny Fried Chicken Boy recorded this set with four microphones in our usual balcony location. I ended up using the Schoeps MK41 source alone for this post, as both sources were a bit “muddy” in the low-mid bass region, and combining them would only have accentuated that flaw. After some time spent editing, although this is not my favorite of my recordings quality-wise, this recording should be a very good listen, if not quite up to the standard of Johnny’s Bowery Ballroom recording linked above. Enjoy!

Stream “In the Meantime”
[audio:https://www.nyctaper.com/H1110Helmet1120/19 In the Meantime.mp3]

Stream “Wilma’s Rainbow”
[audio:https://www.nyctaper.com/H1110Helmet1120/08 Wilma’s Rainbow.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Helmet
2012-08-02
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack and Johnny Fried Chicken Boy

Schoeps MK41 (DFC, BOB, DINa)>KC5>CMC6>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ)>Audition CS 5.5 (parallel compression)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:04:55]
01 Sinatra
02 So Long
03 Welcome To Algiers
04 Renovation
05 Exactly What You Wanted
06 White City
07 Bad Mood
08 Wilma’s Rainbow
09 [banter]
10 Miserable
11 Blacktop
12 Overrated
13 In Person
14 [banter]
15 Smart
16 Ironhead
17 Milquetoast
18 [short encore break]
19 In the Meantime

If you download this recording, we expect that you will PLEASE SUPPORT Helmet, visit theirwebsite, visit their Facebook and MySpace pages, and purchase their official releases (including their most recent album, Seeing Eye Dog) and merchandise [HERE].

Family Band: August 1, 2012 Union Pool and April 5, 2012 Bell House – FLAC/MP3/Streaming

August 7, 2012

By acidjack

[Photo courtesy of Feast of Music]

To see pure love personified as rock n’ roll, witness Jonny Ollsin, playing guitar in the thick of the Union Pool crowd last Wednesday as he looked up at his wife, Kim Krans, singing “Grace & Lies” to close out Family Band‘s set (see blurry image below). There were no corny faces or swooning poses from either; Krans, eyes cast down toward her husband as she sang, barely acknowledged him as he played. She didn’t need to; Krans and Ollsin’s bond is their music. This “Family Band” is nothing like the Osmonds or Jackson 5, but that turns out to be the perfect name for a band led by a family for whom music is its language, love its glue.

I first came across Ollsin and Krans at a Backyard Brunch Session last year (recording [HERE]). Then, they played as a three-piece with Scott Hirsch on pedal steel, sans drums, and despite being in the blazing July heat, the band had an obvious nocturnal vibe. Krans’ dusky, haunting vocals come against a downtempo backdrop of moody guitar and pedal steel. They joked then that their style was “death prom”, and while Family Band’s sound is dark, it is also beautiful.

The band’s second album, Grace & Lies, released this week on one of my favorite Brooklyn labels, No Quarter, represents the fullest realization to date of the band’s sound. The album contains contemplative love songs like “Moonbeams” and slow burners like “Lace”, as well as more chilling fare like “Again” and “Night Song”. This show was styled as an album release party, and there is already much for Krans, Ollsin and Hirsch to celebrate, including a favorable Pitchfork review and positive notice from around the blogosphere. This set – this time with a drummer in tow – took us through much of the album, with perhaps its standout sequence coming in the middle as an extended version of “Night Song” segued into “Rest”. While Krans, an accomplished visual artist, had never written a song prior to this band, Ollsin is a lifelong musician and composer whose prior bands included the thrash bands S.T.R.E.E.T.S. and Children. Ollsin’s metal influences come through a bit in the brooding riff that anchors “Night Song”; even at its slower tempo, there is an edge to his playing that is unmistakable. As the band closed the show with that lovely rendition of “Grace & Lies”, I thought about how many “family bands”, based on lies and manipulation, have failed throughout pop music history. Ollsin and Krans’ graceful, honest effort seems sure to shatter that mold.

I recorded this set with Schoeps MK41 microphones and a customized board feed from the Union Pool house engineer Bob. As a bonus, we are also offering nyctaper’s recording of Family Band back in April at the Bell House ‘for the Brain Cave Festival, where they previewed many of these songs. Both recordings are of excellent quality. Enjoy!

Stream “Moonbeams” from Union Pool:
[audio:https://www.nyctaper.com/F0723FamilyBand0211/02 Moonbeams.mp3]

Stream “Rest” from the Brain Cave Festival:
[audio:https://www.nyctaper.com/F0723FamilyBand0211/06 Rest.mp3]

Stream “Night Song” from Union Pool:
[audio:https://www.nyctaper.com/F0723FamilyBand0211/05 Night Song.mp3]

Download the MP3 files: [Union Pool] | [Brain Cave Festival]

Download the FLAC files: [Union Pool] | [Brain Cave Festival]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Family Band
2012-08-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (Compression on SBD, align)>Izotope Ozone 5 (EQ and effects)>Audition (parallel compression)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Again
02 Moonbeams
03 Ride
04 [banter]
05 Night Song>
06 Rest
07 Your Name
08 Lace
09 Grace & Lies
________________________
Family Band
2012-04-05
Brain Cave Festival
Bell House
Brooklyn, NY USA

Recorded by nyctaper
Produced by acidjack

Soundboard + Sennheiser MKH-8040>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (DR compression on soundboard, mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, mixdown, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [Brain Cave intro]
02 Again
03 Ride
04 Moonbeams
05 Your Name
06 Rest
07 Night Song

If you enjoyed this recording, PLEASE SUPPORT Family Band, visit their website, and purchase Grace & Lies from No Quarter Records [HERE]

Lee Ranaldo: July 28, 2012 Brewery Ommegang – Flac and MP3 Downloads + Streaming Song

August 5, 2012

By nyctaper

[photo by Andrew Lowden]

The embarrassment of riches that was our trip to Cooperstown was further enhanced by the quality of the support band, someone quite familiar to NYCTaper, Lee Ranaldo. Back in December, we recorded a couple of the earliest performances of Lee’s new band (Glasslands and Maxwells), but since he’s literally been touring the world since then, we had not seen Lee since those early shows. At Ommegang, his set began while the sun was still shining, and the forty-five minute set of material from Lee’s excellent new album Between the Times and the Tides seemed to fit the scene perfectly. Of course, the abundant availability of Belgian ales didn’t detract from the enjoyment, but this was still a special set. Lee’s band was joined for a couple of songs by Wilco’s keyboardist Pat Sansone, and for almost the entire set by Nels Cline. This intense version of “Xtina As I Knew Her” was supplemented by Nels’ signature guitar style, and we are streaming it below. Lee Ranaldo will return to NYC from the just-completed Wilco tour for a performance at ATP on Pier 36, on September 21.

Of the six NYCTaper rigs running for this set, we chose to mix my Sennheiser 8040 Cardioids with Acidjack’s AKG C 414’s in the omni setting. The mix gives a nice clear signal while also capturing the full soundstage and that “outdoor feel”. While our distance from the sound source (90 feet) was not optimal, this recording nevertheless provides a true “you were there” experience. Enjoy!

Stream “Xtina As I Knew Her”:
[audio:https://www.nyctaper.com/L1609LeeRanaldo1122/07.%20Xtina%20As%20I%20Knew%20Her.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download location of the FLAC files (HERE).

Lee Ranaldo
2012-07-30
Brewery Ommegang
Cooperstown, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Tent

Sennheiser MKH-8040 Cardioids + AKG C 414 B-XLS (Omni Setting) > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper and acidjack
2012-02-14

Setlist:
[Total Time 43:46]
01 [introduction]
02 Off The Wall
03 Angles
04 Waiting On A Dream
05 Tomorrow Never Comes
06 [Xtina intro]
07 Xtina As I Knew Her
08 Hammer Blows
09 Stranded
10 Fire Island (Phases)

If you download these recordings from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Between The Times and The Tides directly from the Matador Records website [HERE].

Wilco: July 28, 2012 Brewery Ommegang – FLAC / MP3 / Streaming Songs

July 31, 2012

By JFCB

[Photos by acidjack and Johnny]

After catching Wilco’s excellent show at Terminal 5 earlier in the week, to say that we were excited about trekking up to the lovely Brewery Ommegang in Cooperstown to see them again would be a gross understatement. It’s becoming a bit of a tradition for the entire NYCtaper crew to make it to at least one outdoor Wilco concert a year and we decided to expand our range outside of the city after the superb Central Park gigs last September (HERE and HERE). The tradition also appears to bring rain with it, but judging by the fabulous time both the band and attendees were having you wouldn’t have guessed a single drop fell that night. No doubt the exceptional Belgian-style beers the brewery serves as well as their hospitality and the gorgeous upstate surroundings bolstered our good spirits. It became evident early on that Jeff Tweedy and company were as impressed with the fans as we were with them, citing a checklist of criteria that makes for a great crowd at one point. Along with regular favorites “Heavy Metal Drummer” and “Impossible Germany” (which is always an opportunity for the impressive Nels Cline to shine on guitar), the troupe shrugged off the wet weather with an infrequent showing of “Either Way”, and brought the rare “Laminated Cat” and “What’s the World Got in Store” back into rotation. Topping the evening with two encores, including a triple-shot of songs from ‘Being There‘, it’s nights like these that keep us eager for the next show and make recording them so enjoyable.

The rain aside, between the four of us we ran no less than six pairs of microphones and were able to set up very close to center right in front of the soundboard. Having so many choices at hand, we ultimately decided to use acidjack‘s Schoeps and Johnny’s Milabs for our mix. With Wilco’s FOH engineer extraordinaire Stan Doty at the helm, the sound was exemplary and, in light of the weather conditions, our recording is really quite excellent. We hope you like what you hear as much as we did. Enjoy!

Stream “I Might”:

[audio:https://www.nyctaper.com/W2238Wilco2297/WilcoMight.mp3]

Stream “Handshake Drugs”:

[audio:https://www.nyctaper.com/W2238Wilco2297/Wilco_-_Handshake_Drugs.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

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Wilco
Saturday, July 28, 2012
Brewery Ommegang
Cooperstown, NY, USA
(opener: Lee Ranaldo)

Source: AUD > Milab VM-44 Links (cardioid) + Schoeps MK22’s [> KC5 > CMC6 > Sound Devices USBPre2] >> Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded by: acidjack, hi and lo, nyctaper and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:07:51]
01. Dawned on Me
02. War on War
03. I Might
04. Sunken Treasure
05. Either Way
06. Hummingbird
07. Impossible Germany
08. Born Alone
09. Laminated Cat
10. [banter 1]
11. What’s the World Got in Store
12. Handshake Drugs
13. Whole Love
14. [banter 2]
15. Kamera
16. Box Full of Letters
17. I’m Always in Love
18. [banter 3]
19. Heavy Metal Drummer
20. I’m the Man Who Loves You
21. A Shot in the Arm
22. [1st encore break]
23. Poor Places
24. Art of Almost
25. Standing O
26. [2nd encore break / banter]
27. Airline to Heaven
28. [banter 4]
29. Hate It Here
30. Can’t Stand It
31. Red-Eyed and Blue
32. I Got You (At the End of the Century)
33. Outtasite (Outta Mind)

If you download this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE].

Prairie Empire: July 14, 2012 Backyard Brunch Sessions – FLAC/MP3 Downloads + Streaming Songs

July 30, 2012

By acidjack

[Photos courtesy of Dominick Mastrangelo Photography]

If the true measure of a band’s abilities is how well they play live, you could say it is doubly a measure of their talents how well they can play acoustically in someone’s back yard on a muggy July day, with planes flying overhead and bugs threatening to choke them. Prairie Empire rose to that challenge at a recent Backyard Brunch Sessions, where they gave the audience the added bonus of new material recorded after their just-released eponymous debut album. Though weary from closing out their recent tour, lead singer Brittain Ashford and her band (or at least, part of it) were in high spirits and strong form, further honed from their time on the road. Both “Like Birds” and the brand-new “Muir Woods” gave those of us just getting acquainted with the new record even-newer material to delve into, while album tracks like “Give” have never sounded better. For a more electrified take on the band, check out our June 10th recording from Mercury Lounge, but if you are into the acoustic style, it’s also worth taking a look at the band’s recent Daytrotter session.

hi and lo recorded this set with a combination of Schoeps and MBHO microphones. Other than a few unavoidable blasts of wind and planes flying overhead, the sound is excellent!

Thanks to the BBS sponsors for this show, Grady’s Cold Brew and Kings County Distillery Moonshine.

Stream “Snow”
[audio:https://www.nyctaper.com/P6001PrairieEmpire2012/06 Snow.mp3]

Stream “Give”
[audio:https://www.nyctaper.com/P6001PrairieEmpire2012/09 Give.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Prairie Empire
2012-07-14
Backyard Brunch Sessions
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by acidjack

Equipment: Schoeps MK21 (NOS)>NBox Cables>PFA + Schoeps MK5 (omni)>KC5>PFA + MBHO KA200/603>>Tascam DR-680
Mastering: 5x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels, DR compression)>Izotope Ozone 5 (EQ, assorted other effects)>Audacity (tracking, set fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Song For You
03 Tenfold
04 Like Birds
05 [banter]
06 Snow
07 Winter Came
08 [tuning/banter]
09 Give
10 Where You Are
11 Muir Woods

If you enjoyed this recording, PLEASE SUPPORT Prairie Empire, visit their website, and purchase their record from Trailer Fire Records [HERE] or on iTunes.

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Eidetic Seeing: August 9, 2012 Public Assembly – FLAC / MP3 / Streaming

Wussy: August 11, 2012 Mercury Lounge – FLAC / MP3 / Streaming

BRONCHO: August 8, 2012 Glasslands – FLAC / MP3 / Streaming

Night Beats: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

Sean Rowe: July 21, 2012 Mercury Lounge – FLAC / MP3 / Streaming

Helmet: August 2, 2012 Webster Hall – FLAC / MP3 / Streaming

Family Band: August 1, 2012 Union Pool and April 5, 2012 Bell House – FLAC/MP3/Streaming

Lee Ranaldo: July 28, 2012 Brewery Ommegang – Flac and MP3 Downloads + Streaming Song

Wilco: July 28, 2012 Brewery Ommegang – FLAC / MP3 / Streaming Songs

Prairie Empire: July 14, 2012 Backyard Brunch Sessions – FLAC/MP3 Downloads + Streaming Songs

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