Posts Tagged ‘ brooklyn ’

Mac DeMarco: August 31, 2013 Captured Tracks CT5 – Flac/MP3/Streaming

September 8, 2013
By

mac demarco ct5
[photo by Joe McCabe – courtesy of Hey Reverb]

If he is perhaps the least Captured Tracks-sounding band on the label, Mac DeMarco is certainly one of its most entertaining acts. On the first day of the Captured Tracks Festival (“CT5“) to celebrate the five years that this excellent label has released albums, one of its most successful artists delivered the performance of the day. Mac is certainly talented — his songs are tight and well written and his band is proficient. But the material is enhanced by the performer’s personality, his sense of humor, and his willingness to take chances. As when we saw Mac at Webster in February, one of the highlights of any Mac DeMarco set is when the band lets loose and runs through a semi-tongue in cheek set of classic rock covers. On this night, the improv section did not disappoint and gave us a few belly laughs along the way.

I recorded this set with the Neumann large diaphragm cards mounted high in front of the soundboard cage and mixed with a feed from the board. The sound quality is superb. Enjoy!

Stream “Cooking Up Something Good”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mac DeMarco
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-06

Setlist:
[Total Time 45:44]
01 Cooking Up Something Good
02 The Stars Keep On Calling My Name
03 Rock and Roll Nightclub
04 Ode To Viceroy
05 Annie
06 Freaking Out the Neighborhood
07 [banter – tuning]
08 Baby’s Wearing Blue Jeans
09 I’m A Man
10 She’s Really All I Need
11 Takin Care of Business [BTO]
12 Blackbird [Beatles]
13 Schism [Tool]
14 Break Stuff [Limp Bizkit]
15 Cocaine [JJ Cale]
16 [aborted song – banter]
17 Still Together

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mac DeMarco, visit his artist page at Captured Tracks, and purchase his debut album 2 from Captured Tracks [HERE].

Hiss Golden Messenger: August 17, 2013 Glasslands – FLAC/MP3/Streaming

August 20, 2013
By

Hiss-Golden-Messenger26
[Photos courtesy of P Squared Photography]

A man can make complicated music these days in a room alone with a machine. Create a symphony out of bits and bytes, a hit single out of a 4/4 beat and an idea. If you look at what’s celebrated most often in music these days it’s one person transcending the limits of money and time and space and the need for bandmates, usually because of his or her skill with a machine. In case you forgot, men alone have been doing that for decades, centuries, eons. Just the machines were simpler.

Hiss Golden Messenger has more words in its name than regular band members. In the studio the band is MC Taylor, former lead singer of beloved San Francisco band The Court & Spark, and longtime collaborator Scott Hirsch, plus the cream of available guest players. On the road, it’s often Taylor alone.

What started it all — a rough-hewn bit of work called Bad Debt — was nothing more than Taylor banging out songs with a guitar and a tape deck in his kitchen, while his baby slept. If it sounds old-fashioned, way more old-fashioned than some wide-eyed impresario making beats with a MacBook Pro and Ableton, well, that’s because it is. Sometimes the best things are the simplest things, the ones made how we used to before everything got too easy. But to hear the deep feeling and rich meaning that Taylor can put into a song with the tools he has, well, the old way starts to look economical. Take the Bad Debt spirit, add a band and unforced, high-quality production, and you’ve got masterpieces like his two primary releases on North Carolina imprint Paradise of Bachelors Poor Moon and this year’s Haw, which are probably my two favorite records of the past two years.

This night’s show at Glasslands — Taylor’s first New York show in four years — brought us back to the Bad Debt days, with Taylor alone at a guitar in front of a room that, with no disrespect to the night’s headliner Daughn Gibson, seemed to include a lot of folks, myself included, who’d come to see him. We were rewarded again and again. Taylor’s typical set-starting song, “Father Sky” found itself replaced with his version of a traditional song, most recently popularized as “When I Was A Young Girl” by Nina Simone. Two new numbers, possibly to appear on an upcoming EP, showed up for the first time I’ve heard them. “Southern Grammar”, streaming below, was particularly breathtaking, continuing Mike’s ongoing lyrical struggles with faith. On stage sitting down in old jeans, a white tank top and a Caterpillar hat, Mike looked like an anachronism, especially on a Saturday night. He didn’t have much for us to look at, gimmicks to parlay into Twitter excitement or iPhone photos. Hiss Golden Messenger had nothing but music, and words. He sang, and the world went still.

This recording is primarily the soundboard feed of engineer Josh Thiel’s house mix, plus a small amount of the house mics for ambiance. The sound is excellent. Enjoy!

Stream “Southern Grammar”

Stream “The Serpent Is Kind (Compared to Man)”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hiss-Golden-Messenger19

Hiss Golden Messenger
2013-08-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant XR>Sound Devices USBPre2>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (light reverb to SBD)>Izotope Ozone 5 (tape effect)>Audacity (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 38:28]
01 When I Was A Young (Boy) [Nina Simone]
02 [banter1]
03 Blue Country Mystic
04 Call Him Daylight
05 [banter2]
06 O Little Light
07 He Wrote the Book
08 Southern Grammar
09 [banter3]
10 Chapter & Verse
11 The Serpent Is Kind (Compared To Man)
12 [banter4]
13 I’ve Got A Name For The Newborn Child

If you enjoyed this recording, PLEASE SUPPORT Hiss Golden Messenger, like him on Facebook, and purchase Haw and his other releases on digital or vinyl from Paradise of Bachelors [HERE], or all of his releases on vinyl [HERE].

The Love Language: August 1, 2013 Glasslands – FLAC/MP3/Streaming

August 13, 2013
By

IMG_5680
[Photos by acidjack]

The Raleigh, NC band The Love Language just released its third record, Ruby Red, but in some ways it feels like a debut. Frontman Stuart McLamb delivered his first album under this moniker in 2009; the band’s Merge Records debut was a similarly insular affair. Both Ruby Red and the band’s live show represent a vision blown wide open. Two years in the making, the record gave McLamb all the tools he needed to make the pop-driven, big-room-filling style of rock that he was born to make.

This show at Glasslands fulfilled the promise of the record in every way, with one big number after another making the case for a band on its way to the next level. McLamb’s songs manage to toe that narrow line between earnestness and bombast without over delivering either. Ruby Red itself is a high-gloss production that features a cast of twenty musicians, grand flourishes and ear-pleasing micro-details. The live show, with a touring cast of five, felt comparatively stripped down, but it gave the songs the chance to prove themselves. The Love Language came across as a hungry, tightly-rehearsed unit, delivering tracks like the album opener “Calm Down” with a sense of purpose and poise. Taking full advantage of every second they had before the usual 11:30 p.m. switchover to dance music in this venue, the band played homage to a now-classic New York band with The Strokes’ “The Modern Age”. In that context, not to mention the choice of city, covering the last band tasked with “saving” rock felt right. I won’t freight The Love Language or Ruby Red with that baggage, but for those still looking for new rock music that excites them, they’re a find.

I recorded this set with our usual combination in the venue of Naiant X-R microphones and a soundboard feed from house engineer Josh Thiel. As the band’s very loud guitar amps were not run through the board mix, this mix leans more heavily on the audience mics than normal, and is slightly lower in quality than the absolute best of our Glasslands recordings. That said, it’s still more than worth checking out. Enjoy!

The Love Language is currently touring the Southeast, Midwest and West Coast. Click here for tour dates.

Stream “The Modern Age [The Strokes]”

Stream “Calm Down”

Download the complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5662

The Love Language
2013-08-01
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish)+Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Kids
02 Hi Life
03 On Our Heels
04 For Izzy
05 [banter1]
06 Providence
07 Heart To Tell
08 First Shot
09 Golden Age
10 Sparxxx
11 [banter2]
12 Manteo
13 Faithbreaker
14 Gray Court
15 Pilot Light
16 [banter3]
17 Calm Down
18 [encore break]
19 The Modern Age [The Strokes]
20 Lalita
21 This Room

If you enjoyed this recording, please support The Love Language, visit their website, and buy Ruby Red from Merge Records [HERE].

Walking Shapes: May 15, 2013 Glasslands – FLAC/MP3/Streaming

August 8, 2013
By

IMG_5408

When the opening band has as big or an even bigger crowd than the headliner, it’s often a clue that they’re on their way up. So it went for this Walking Shapes show at Glasslands, where even on the earlier side the club had a packed house — and for a band that didn’t have a single record out. Now, they do — the Brooklyn band released their Mix Tape (Vol. 1) in increments throughout July, and now the full LP is available free from No Shame Records and on their bandcamp page. (It’s also on Spotify as well). The band’s sound on record shares some of the nostalgic glaze that’s made Foxygen such a hit this year, with an equal nod to some of the better moments of the Britpop sound that ruled the mid-90s.

Which is all to say that Walking Shapes are a very accessible band; this is music for the masses, nothing obtuse about it. Listen to the big-chorus-driven “Keep”, for example, and imagine how that song could possibly not make it on the radio. For that reason, the band’s live show seemed almost incongruous with the intimate Glasslands setting. As they played song after song of big-tent, bombastic rock, I kept feeling like I ought to be in Terminal 5. Musically tight, well-rehearsed and armed with heart-on-your-sleeve lyrics to go with it, I wouldn’t be shocked to see them get there.

I recorded this set in the same manner as the other recording from this night, with a pair of Naiant X-X omnidirectional mics split at the stage lip, our installed Naiant X-R mics in the audience and a soundboard feed by Glasslands engineer Jeremy. Owing to Jeremy’s extremely tight mix plus the additional pair of mics, this is a truly outstanding recording. Enjoy!

Walking Shapes play the Knitting Factory on September 3 with Seasick Mama. Get your tickets [HERE]

Stream “Pusher”

Download the Complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5416

Walking Shapes
2013-05-15
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Zombies
02 Pusher
03 Mechanical Arms
04 Keep
05 Elle Deadsex
06 Waves (XYZ)
07 Measure for Measure
08 Horse

If you enjoyed this recording, PLEASE SUPPORT Walking Shapes, like them on facebook, and buy Mixtape (Vol. 1) from No Shame [HERE]

Porcelain Raft: June 28, 2013 Glasslands – FLAC/MP3/Full Set Streaming

July 26, 2013
By

porcelainraft2013-06-28
[Photo by acidjack]

Porcelain Raft, aka Mauro Remiddi, has produced a wide range of music in his life, all of which has been distilled to its essence in his current electronic compositions. This short set, billed as a full run-through of his Soundcloud-only EP Silent Speech, veered from that work’s original format into its own grand, live-sequenced creation. With the still-new house soundsystem at Glasslands providing ample reinforcement, this short but sweet set whetter our appetites for Porcelain Raft’s forthcoming Secretly Canadian LP Permanent Signal, which you can preorder via the link below.

I recorded this set with our installed rig in the venue, with Naiant microphones and a soundboard feed from house engineer Josh Thiel. The sound quality is excellent. Enjoy!

Stream and download the MP3s of the full set below:

Download the FLAC files [HERE]

Porcelain Raft
2013-06-28
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (fades, tracking, amplify, balance, compression, additional EQ)>FLAC ( level 8 )

Tracks
01 Silent Speech Session Track 1
02 Silent Speech Session Track 2

If you enjoyed this recording, PLEASE SUPPORT Porcelain Raft, visit his website, and pre-order Permanent Signal directly from Secretly Canadian and buy other tracks of his from his Bandcamp page.

Holy Wave: April 23, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

July 9, 2013
By

holywave2013-04-23-1
[Photos by acidjack]

The Austin band Holy Wave didn’t shy from the task of warming up the Music Hall of Williamsburg crowd last month before GOAT’s epic performance (that one here). Rocking a dense, intricate psychedelic style reminiscent of bands like The Black Angels and the Brian Jonestown Massacre, the band played material from their current release, Evil Hits (a combination of their The Evil Has Landed and Knife Hits EPs) plus new material that we hope will see the light of day soon. Set against the backdrop of swirling live light projections, the band gave us a taste of what they had in store for the Austin Psych Fest, which they played later that week, and gave us an appropriate intro to the wild GOAT set that was to follow.

I recorded this set in the same manner as the GOAT recording, with MBHO microphones. The sound quality is excellent. Enjoy!

Stream “Spooky Fuckin Blues”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

holywave2013-04-23-2

Holy Wave
2013-04-23
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown1]
02 Spooky Fuckin Blues
03 [tuning]
04 Albuquerque Freakout
05 [unknown2]
06 [tuning2]
07 [unknown3]
08 Lady Madonna’s Operation
09 [unknown4]

If you enjoyed this recording, please support Holy Wave by visiting their bandcamp page, where you can purchase Evil Hits in digital, cassette or vinyl formats.

Old 97s: June 27, 2013 Brooklyn Bowl – Flac/MP3/Streaming

July 9, 2013
By

Old 97s Vernon Webb
[photo courtesy of Vernon Webb Photography]

In March, we reconnected with the Old 97s at their highly enjoyable set at the Capital Theatre in Portchester. So I guess it was only natural that we would attend their next NYC show, this time as a play-a-full-album three night run at Brooklyn Bowl — one of our old favorites at one of our current favorite venues. The first night album was appropriately the band’s first album Hitchhike to Rhome played from start to finish, including a bonus track, a hidden track, and even an outtake from the album’s sessions. At the conclusion of Rhome, the Old 97s played another dozen tracks, making this both an lengthy and highly entertaining set. The band’s performance was both inspired and tight — clearly a band comfortable with their past and their present.

I recorded this set with the Sennheiser MKH-8040 cards pointed at the right stack midway on the right side of the floor. The ambient noise (bowling and chatter) is greatly reduced with the addition of a board feed, synced in at about 40% of the overall mix. The result is a superb recording. Enjoy!

Stream “Four Leaf Clover”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old 97s
2013-06-27
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-02

Setlist:
[Total Time 1:41:52]
01 [intro]
02 St. Ignatius
03 504
04 Drowning in the Days
05 Miss Molly
06 Dancing With Tears in My Eyes
07 Four Leaf Clover
08 Wish The Worst
09 Old 97s Theme
10 Doreen
11 [banter – twenty years]
12 Hands Off
13 Mama Tried
14 Stoned
15 If My Heart Was a Car
16 Desperate Times
17 Ken’s Polka Thing
18 Tupelo County Jail
19 West Texas Teardrops
20 Lonely Holiday
21 Champaign Illinois
22 Rollerskate Skinny
23 Let The Whiskey Take The Reins
24 Can’t Get a Line
25 Every Night Is Friday Night
26 Big Brown Eyes
27 [encore break]
28 Making Love With You
29 Dance With Me
30 Timebomb

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Old 97s, visit their website, purchase their official releases from the Store at their website [HERE].

Mike Doughty: June 19, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming Songs + Full Set

July 1, 2013
By

mdoughty2013-06-19-1
[Photos by acidjack]

Fans of Mike Doughty, previously known as “M Doughty”, lead singer of seminal ’90s oddballs Soul Coughing, may already be familiar with the journey of self-discovery that led him to abandon his role as frontman of a popular act to become a freewheeling solo performer, with the waypoints of addiction and recovery (not to mention what some incorrectly interpreted as a religious conversion) along the way. Mike told the whole story in his 2012 memoir, The Book of Drugs, but if you followed his solo work from early last decade to now, much of the story was already there for the taking.

Though Mike’s solo efforts have abandoned some of the more frenetic elements of the Soul Coughing sound, which culled rhythmic textures from soul, funk and hip-hop, his solo work retains that band’s most distinctive element — Mike’s voice. Though his voice won’t be accused of having big-rock-singer range, it is one of the most distinctive of recent decades. A kind of sing-speak whose flow is at times reminiscent of hip-hop and scatting, Doughty’s voice is custom-built for storytelling. Similarly, his lyrics are smart, evocative, and unabashedly original. Nobody sees the world quite the way that Mike Doughty does.

This set, performed opening for Low at Music Hall of Williamsburg, found Doughty in the format with which he’s now most comfortable, stripped down to him, an acoustic guitar and a drummer. For almost a full hour, Mike led us on a journey through his entire solo career, from early 2000s work from Skittish and Rockity Roll (now available as a single 2-record release) such as “Shunned + Falsified”, “Ossining” and his first solo single, “27 Jennifers”, to his newest work like “Na Na Nothing” (which Doughty claims was “partially stolen” from a song written by Nikki Sixx, Dan Wilson and Matt Gerrard) and his cover of John Denver’s “Take Me Home, Country Road”. Even on the fairly large Music Hall stage, Mike’s set felt like an intimate evening in a living room, with Mike amiably taking (and turning down some) requests and making his fair share of self-deprecating jokes. One of my personal favorites, and one of the most obviously autobiographical, was “Looking At the World From the Bottom of A Well” from 2005’s Haughty Melodic. It’s worth noting that that record also represented Mike’s first major-label record since leaving Soul Coughing and spending the first half the decade self-releasing his records and touring under his own steam. The music world has fewer great second acts than maybe it ought to, but Mike’s is one of the most inspiring of all. As to what he’s up to this year, Mike is busy re-recording and re-interpreting thirteen of his Soul Coughing classics, which will be self-released later this year. You can support that effort through PledgeMusic here.

This is a recording of outstanding quality. We’d like to personally thank Mike for giving us permission to share it. Please support his efforts by attending his shows and visiting the PledgeMusic page noted above.

Stream “27 Jennifers”

Stream “Looking At the World From the Bottom of A Well”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

mdoughty2013-06-19-2

Mike Doughty
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (create room ambiance, adjust levels, fades, compression)>Izotope Ozone 5 (EQ, tape effects)>Audacity 2.03 (amplify, balance, tracking, downsample)>FLAC ( level 8 )

Tracks [Total Time 59:15]
01 Ways and Means
02 Lord Lord Help Me Just To Rock On
03 (I Keep On) Rising Up
04 Down On the River By the Sugar Plant
05 (You Should Be) Doubly (Gratified)
06 Madeline and Nine
07 Ossining
08 Like A Luminous Girl
09 Shunned + Falsified
10 Looking At the World From the Bottom of a Well
11 27 Jennifers
12 [banter1]
13 Take Me Home, Country Road [John Denver]
14 Nectarine (Part One)
15 [banter2]
16 Nah Nah Nothing From Me
17 Put It Down
18 Train To Chicago
19 I Hear the Bells

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, and buy his forthcoming record from PledgeMusic.

Low: June 19, 2013 Music Hall of Williamsburg + June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3 Downloads + Streaming Songs and Full Sets

June 25, 2013
By


low2013-06-19-1
[Photos by acidjack]

Our affection for the band Low is well-known; we were blown away by their performance earlier this year at the Society for Ethical Culture, touring behind their latest record The Invisible Way, as well as the performance by Alan Sparhawk’s other band, Retribution Gospel Choir, at Knitting Factory that found that band guesting with frequent Wilco collaborator Nels Cline.

These two almost back-to-back shows, first at Music Hall of Williamsburg, and next at the Solid Sound Festival — where our now-famous Wilco recording came from — did nothing to dim that affection. Despite the more traditional club setting, this Music Hall set was a subtler, less rocking affair than the show in the church, with fewer of Sparhawk’s guitar pyrotechnics and more emphasis on the band’s more traditionally “slowcore” numbers, including some rarer early material. But the highlight for me was the night’s biggest rocker, “Canada”, from the band’s album Trust and no longer a set regular. Likewise, at Solid Sound, Low continued to demonstrate why they’ve enjoyed a nearly 20-year career with no sign of slowing down, playing a set that differed significantly from just a few nights before. They may call this “slow”-core, but this has been a band of constant and exciting momentum.

The Music Hall recording suffered from some early technical issues that required me to switch to my mics a few songs in. The first and fourth songs of the set are missing as a result, the second song fades in, and the fifth, “Holy Ghost”, contains the noise of me setting up the mics. Once things settled down, it was smooth sailing from there and the sound was excellent. The Solid Sound set, graciously provided by DC-based site collaborator Kubacheck, is likewise an excellent recording, albeit with a bit more crowd chatter and made at more distance than the Music Hall show. It also has none of the Music Hall show’s flaws. Please enjoy!

These NYCTaper recordings are being hosted on the Live Music Archive.  You can stream the entire shows by clicking the song titles below or download them via the links provided.

Stream “Canada” from Music Hall:

Stream “Pissing” from the Solid Sound Festival

Direct download of Music Hall recording: [MP3] | [FLAC]

Direct download of Solid Sound recording: [MP3] | [FLAC]

low2013-06-19-2

Low
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, PAS)>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

[Note: Soundboard source on first 1.5 tracks]

Tracks [Total Time 1:20:11]
[first song missed]
01 Plastic Cup (cuts in)
02 On My Own
[song missed]
03 Holy Ghost [setup noise]
04 Monkey
05 Waiting
06 Witches
07 Especially Me
08 Dragonfly
09 Try to Sleep
10 Violent Past
11 (That’s How You Sing) Amazing Grace
12 Lazy
13 Silver Rider
14 Just Make It Stop
15 [banter]
16 Canada
17 Laser Beam
18 [encore break]
19 Murderer
_____________

Low
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, downsample)>FLAC ( level 8 )

Tracks [Total Time 56:29]
01 On My Own
02 Plastic Cup
03 Clarence White
04 Holy Ghost
05 Monkey
06 Witches
07 Especially Me
08 Pissing
09 Dinosaur Act
10 Murderer
11 [banter]
12 Just Make It Stop
13 Last Snowstorm of the Year

If you download these recordings from NYCTaper, PLEASE SUPPORT Low, like them on Facebook, and purchase The Invisible Way and their other releases directly from SubPop Records [HERE]

Holly Miranda: June 2, 2013 Glasslands – Flac/MP3/Streaming

June 6, 2013
By

Holly Miranda - Ventrice 1
[photos by Maryanne Ventrice – courtesy of Prefix Magazine]

A small record label is going to get very lucky in the near future. After she moved to LA and was released from her contract with XL Recordings, Holly Miranda has spent the last couple of years writing, recording and perfecting a new album. At Glasslands on Sunday night, much of the new album material was on display. From the first notes of the opener “Mark My Words” it was very much apparent that Holly is truly “back”, and as she worked through the set with a full band (including horns) I came to the very inescapable conclusion that the new album is the best music she’s ever written. As the new record is shopped to the appropriate label, my guess is that it won’t be long before someone snaps it up. The songs magnify all of Holly’s strengths — her ability to write and perform everything from blues-based rock to sweet love songs, and many styles in between. We’re streaming “The Only One”, a song that I had never heard before but which struck me instantly with its true beauty. We really could have streamed any highlight, because there were many. Holly Miranda will play again in NYC at Rockwood Music Hall on July 17.

We recorded this set with our installed rig (Naiant Cards plus board) and the sound is superb. Enjoy!

Stream “The Only One”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Holly Miranda - Ventrice 2

Holly Miranda
2013-06-02
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-05

Setlist
[Total Time 42:45]
01 Mark My Words
02 [false start]
03 Whatever You Want
04 Fuck in the Sun
05 [banter – Ambrosia intro]
06 Desert Call
07 The Only One
08 [banter – thanks]
09 Everlasting
10 Heavy Heart
11 [band introductions]
12 Waves
13 [banter]
14 Pelican Rapids

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Holly Miranda, visit her website, and purchase her new album when its released.

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.